The Boys of Winter tells the true story of three young American ski champions and their brutal, heroic, and fateful transformation from athletes to infantrymen with the 10th Mountain Division. Charles J. Sanders's fast-paced narrative draws on dozens of interviews and extensive research to trace these boys' lives from childhood to championships and from training at Mount Rainier and in the Colorado Rockies to battles against the Nazis.

Bevis addresses the most puzzling and least studied aspect of Wallace Stevens’ poetry: detachment. Stevens’ detachment, often associated by readers with asceticism, bareness, or withdrawal, is one of the distinguishing and pervasive characteristics of Stevens’ poetic work. Bevis agues that this detachment is meditative and therefore experiential in origin. Moreover, the meditative Stevens of spare syntax and clear image is in constant tension with the romantic, imaginative Stevens of dazzling metaphors and exuberant flight. Indeed, for Bevis, Stevens is a poet not of imagination and reality, but of imagination and reality, but of imagination and meditation in relation to reality.

The Quiet Season
Remembering Country Winters
Jerry Apps
 
“As I think back to the days of my childhood, the frost-covered windows in my bedroom,
the frigid walks to the country school, the excitement of a blizzard, and a hundred other memories, I realize that these experiences left an indelible mark on me and made me who I am today.”—From the Introduction

Jerry Apps recalls winters growing up on a farm in central Wisconsin during the latter years of the Depression and through World War II. Before electricity came to this part of Waushara County, farmers milked cows by hand with the light of a kerosene lantern, woodstoves heated the drafty farm homes, and “making wood” was a major part of every winter’s work. The children in Jerry’s rural community walked to a country school that was heated with a woodstove and had no indoor plumbing. Wisconsin winters then were a time of reflection, of planning for next year, and of families drawing together. Jerry describes how winter influenced farm families and suggests that those of us who grow up with harsh northern winters are profoundly affected in ways we often are not aware.

"Our country is lucky to have Jerry Dennis. A conservationist with the soul of a poet whose beat is Wild Michigan, Dennis is a kindred spirit of Aldo Leopold and Sigurd Olson. The Windward Shore---his newest effort---is a beautifully written and elegiac memoir of outdoor discovery. Highly recommended!"
---Douglas Brinkley, author of The Wilderness Warrior: Theodore Roosevelt and the Crusade for America
 
"Come for a journey; stay for an awakening. Jerry Dennis loves the Great Lakes, the swell of every wave, the curve of every rock. He wants you to love them too before our collective trashing of them wipes out all traces of their original character. Through his eyes, you will treasure the hidden secrets that reveal themselves only to those who linger and long. Elegant and sad at the same time, The Windward Shore is a love song for the Great Lakes and a gentle call to action to save them."
---Maude Barlow, author of Blue Covenant: The Global Water Crisis and the Coming Battle for the Right to Water

"In prose as clear as the lines in a Dürer etching, Jerry Dennis maps his home ground, which ranges outward from the back door of his farmhouse to encompass the region of vast inland seas at the heart of our continent. Along the way, inspired by the company of water in all its guises---ice, snow, frost, clouds, rain, shore-lapping waves---he meditates on the ancient questions about mind and matter, time and attention, wildness and wonder. As in the best American nature writing---a tradition that Dennis knows well---here the place and the explorer come together in brilliant conversation."
---Scott Russell Sanders, author of A Conservationist Manifesto

If you have been enchanted by Jerry Dennis’s earlier work on sailing the Great Lakes, canoeing, angling, and the natural wonders of water and sky—or you have not yet been lucky enough to enjoy his engaging prose—you will want to immerse yourself in his powerful and insightful new book on winter in Great Lakes country.

Grounded by a knee injury, Dennis learns to live at a slower pace while staying in houses ranging from a log cabin on Lake Superior’s Keweenaw Peninsula to a $20 million mansion on the northern shore of Lake Michigan. While walking on beaches and exploring nearby woods and villages, he muses on the nature of time, weather, waves, agates, books, words for snow and ice, our complex relationship with nature, and much more.

From the introduction: “I wanted to present a true picture of a complex region, part of my continuing project to learn at least one place on earth reasonably well, and trusted that it would appear gradually and accumulatively—and not as a conventional portrait, but as a mosaic that included the sounds and scents and textures of the place and some of the plants, animals, and its inhabitants. Bolstered by the notion that a book is a journey that author and reader walk together, I would search for promising trails and follow them as far as my reconstructed knee would allow.”

Swallow Press first published Winter of Artifice in 1945, following two vastly different versions from other presses. The book opens with a film star, Stella, studying her own, but alien, image on the screen. It ends in the Manhattan office of a psychoanalyst—the Voice—who, as he counsels patients suffering from the maladies of modern life, reveals himself as equally susceptible to them. The middle, title story explores one of Nin’s most controversial themes, that of a woman’s sexual relationship with her father. Elliptical, fragmented prose; unconventional structure; surrealistic psychic landscapes—Nin forged these elements into a style that engaged with the artistic concerns of her time but still registers as strikingly contemporary.

This reissue, accompanied by a new introduction by Laura Frost and the original engravings by Nin’s husband Ian Hugo, presents an important opportunity to consider anew the work of an author who laid the groundwork for later writers. Swallow Press’s Winter of Artifice represents a literary artist coming into her own, with the formal experimentation, thematic daring, and psychological intrigue that became her hallmarks.