BiblioVault - Books about WOMEN

Results by Title

5 books about WOMEN

	CHALLENGING PARTIES, CHANGING PARLIAMENT: WOMEN AND ELECTED OFFICE IN CONTEMPORARY MIKI CAUL KITTILSON The Ohio State University Press, 2006 Library of Congress HQ1236.5.E85K57 2006 \| Dewey Decimal 324.2082094
	Custome Is an Idiot: JACOBEAN PAMPHLET LITERATURE ON WOMEN Edited by Susan Gushee O'Malley University of Illinois Press, 2004 Library of Congress HQ1599.E5C87 2004 \| Dewey Decimal 305.40942 Containing the complete and annotated texts of six pamphlets written between 1609 and 1620, "Custome Is an Idiot" makes an invaluable contribution to the scholarship on early modern British cultural history, specifically on competing opinions about the role of women in society. During the early seventeenth century a fierce debate raged in British intellectual society regarding the role of women, how much is ordained by God, and how much is merely custom. The pamphlets that circulated at the time reveal a great deal about the terms of the debate, and these six constitute a significant body of primary literature, allowing the contending voices to be heard anew. Included here are two pamphlets about gossips by Samuel Rowlands, William Heale's treatise against wife-beating, Christopher Newstead's argument for the superiority of women, and Hic Mulier and Haec Vir, two pamphlets that address the theme of cross-dressing. Introductions by Susan Gushee O'Malley place each pamphlet in a wider context, and detailed annotations shed light on the individual texts. Expand Description
	ETERNALLY WOUNDED WOMAN: "WOMEN, DOCTORS, AND EXERCISE IN THE LAT Patricia A. Vertinsky University of Illinois Press, 1994 Library of Congress GV482.V47 1994 \| Dewey Decimal 613.7045 "This book is about the historical influence of late nineteenth-century medical beliefs and values on the perceived benefits of physical activity for women across their life span. The practice of medicine and the knowledge which underpins it have never been simple and logical progressions from one truth to another. Rather, scientific knowledge, medical practice and social perception have interacted to affect views concerning what kinds of amounts of physical activity, including sport and healthful exercise, might be most appropriate for girls and women at different points in their life course. "A review of thinking is needed in the field of sociohistorical analysis concerning attitudes toward the female body and attempts to regulate female physical activity. Such analyses may generate new insights into the questions of both social control and the unevenness of progress in women's real or perceived opportunities for participating freely and fully in sports and exercise of their choice." Expand Description
	LITTLE SONGS: WOMEN, SILENCE, AND THE NINETEENTH-CENTURY SONNET AMY CHRISTINE BILLONE The Ohio State University Press, 2002 Library of Congress PR589.S7B55 2007 \| Dewey Decimal 821.042 In Little Songs: Women, Silence, and the Nineteenth-Century Sonnet, Amy Christine Billone analyzes the bond between lyric poetry and silence in women’s sonnets ranging from the late eighteenth-century works of Charlotte Smith, Helen Maria Williams, and Anna Maria Smallpiece to Victorian texts by Elizabeth Barrett, Christina Rossetti, Isabella Southern, and other, lesser-known female poets. Although scholars acknowledge that women initiated the sonnet revival in England, Little Songs is the only major study of nineteenth-century female sonneteers. Billone argues not that women’s sonnets overcame silence in favor of lyrical speech during the nineteenth-century sonnet revival, but rather that women simultaneously posited both muteness and volubility through style and theme. In opposition to criticism that stresses a modern shift from compensatory to non-consolatory poems of mourning, Billone demonstrates how women invented contemporary elegiac poetics a century in advance. Adding to critical interest in the alliance between silence and literature, this book offers a complex study of the overwhelming impact that silence makes, not only on British women’s poetry, but also on the development of modern poetry and intellectual inquiry. Ultimately, Little Songs illustrates how the turn away from the kind of silence that preoccupied nineteenth-century women poets introduced the start of twentieth-century thought. Expand Description
	Waiting for Prime Time: THE WOMEN OF TELEVISION NEWS Marlene Sanders and Marcia Rock University of Illinois Press, 1988 Library of Congress PN4784.W7S26 1994 \| Dewey Decimal 070.92273

READERS
Browse our collection.

PUBLISHERS
See BiblioVault's publisher services.

STUDENT SERVICES
Files for college accessibility offices.

More to explore...
Recently published by academic presses

5 books about WOMEN

CHALLENGING PARTIES, CHANGING PARLIAMENT

WOMEN AND ELECTED OFFICE IN CONTEMPORARY

MIKI CAUL KITTILSON

The Ohio State University Press, 2006

Custome Is an Idiot

JACOBEAN PAMPHLET LITERATURE ON WOMEN

Edited by Susan Gushee O'Malley

University of Illinois Press, 2004

Containing the complete and annotated texts of six pamphlets written between 1609 and 1620, "Custome Is an Idiot" makes an invaluable contribution to the scholarship on early modern British cultural history, specifically on competing opinions about the role of women in society.

During the early seventeenth century a fierce debate raged in British intellectual society regarding the role of women, how much is ordained by God, and how much is merely custom. The pamphlets that circulated at the time reveal a great deal about the terms of the debate, and these six constitute a significant body of primary literature, allowing the contending voices to be heard anew.

Included here are two pamphlets about gossips by Samuel Rowlands, William Heale's treatise against wife-beating, Christopher Newstead's argument for the superiority of women, and Hic Mulier and Haec Vir, two pamphlets that address the theme of cross-dressing. Introductions by Susan Gushee O'Malley place each pamphlet in a wider context, and detailed annotations shed light on the individual texts.

ETERNALLY WOUNDED WOMAN

"WOMEN, DOCTORS, AND EXERCISE IN THE LAT

Patricia A. Vertinsky

University of Illinois Press, 1994

"This book is about the historical influence of late nineteenth-century medical beliefs and values on the perceived benefits of physical activity for women across their life span. The practice of medicine and the knowledge which underpins it have never been simple and logical progressions from one truth to another. Rather, scientific knowledge, medical practice and social perception have interacted to affect views concerning what kinds of amounts of physical activity, including sport and healthful exercise, might be most appropriate for girls and women at different points in their life course.

"A review of thinking is needed in the field of sociohistorical analysis concerning attitudes toward the female body and attempts to regulate female physical activity. Such analyses may generate new insights into the questions of both social control and the unevenness of progress in women's real or perceived opportunities for participating freely and fully in sports and exercise of their choice."

WOMEN, SILENCE, AND THE NINETEENTH-CENTURY SONNET

AMY CHRISTINE BILLONE

The Ohio State University Press, 2002

In Little Songs: Women, Silence, and the Nineteenth-Century Sonnet, Amy Christine Billone analyzes the bond between lyric poetry and silence in women’s sonnets ranging from the late eighteenth-century works of Charlotte Smith, Helen Maria Williams, and Anna Maria Smallpiece to Victorian texts by Elizabeth Barrett, Christina Rossetti, Isabella Southern, and other, lesser-known female poets. Although scholars acknowledge that women initiated the sonnet revival in England, Little Songs is the only major study of nineteenth-century female sonneteers.

Billone argues not that women’s sonnets overcame silence in favor of lyrical speech during the nineteenth-century sonnet revival, but rather that women simultaneously posited both muteness and volubility through style and theme. In opposition to criticism that stresses a modern shift from compensatory to non-consolatory poems of mourning, Billone demonstrates how women invented contemporary elegiac poetics a century in advance.

Adding to critical interest in the alliance between silence and literature, this book offers a complex study of the overwhelming impact that silence makes, not only on British women’s poetry, but also on the development of modern poetry and intellectual inquiry. Ultimately, Little Songs illustrates how the turn away from the kind of silence that preoccupied nineteenth-century women poets introduced the start of twentieth-century thought.

Waiting for Prime Time

THE WOMEN OF TELEVISION NEWS

Marlene Sanders and Marcia Rock

University of Illinois Press, 1988