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2 books about Twenty first Century
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Heggie and Scheer's Moby-Dick: A Grand Opera for the Twenty-first Century
Robert K. Wallace
University of North Texas Press, 2013
Library of Congress ML410.H432W35 2013 | Dewey Decimal 792.542

Mex-Ciné: Mexican Filmmaking, Production, and Consumption in the Twenty-first Century
Frederick Luis Aldama
University of Michigan Press, 2013
Library of Congress PN1993.5.M4A43 2013 | Dewey Decimal 791.430972

Mex-Ciné offers an accessibly written, multidisciplinary investigation of contemporary Mexican cinema that combines industrial, technical, and sociopolitical analysis with analyses of modes of reception through cognitive theory. Mex-Ciné aims to make visible the twenty-first century Mexican film industry, its blueprints, and the cognitive and emotive faculties involved in making and consuming its corpus. A sustained, free-flowing book-length meditation, Mex-Ciné enriches our understanding of the way contemporary Mexican directors use specific technical devices, structures, and characterizations in making films in ways that guide the perceptual, emotive, and cognitive faculties of their ideal audiences, while providing the historical contexts in which these films are made and consumed.
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2 books about Twenty first Century
Heggie and Scheer's Moby-Dick
A Grand Opera for the Twenty-first Century
Robert K. Wallace
University of North Texas Press, 2013

Mex-Ciné
Mexican Filmmaking, Production, and Consumption in the Twenty-first Century
Frederick Luis Aldama
University of Michigan Press, 2013
Mex-Ciné offers an accessibly written, multidisciplinary investigation of contemporary Mexican cinema that combines industrial, technical, and sociopolitical analysis with analyses of modes of reception through cognitive theory. Mex-Ciné aims to make visible the twenty-first century Mexican film industry, its blueprints, and the cognitive and emotive faculties involved in making and consuming its corpus. A sustained, free-flowing book-length meditation, Mex-Ciné enriches our understanding of the way contemporary Mexican directors use specific technical devices, structures, and characterizations in making films in ways that guide the perceptual, emotive, and cognitive faculties of their ideal audiences, while providing the historical contexts in which these films are made and consumed.
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home | accessibility | search | about | contact us

BiblioVault ® 2001 - 2023
The University of Chicago Press