BiblioVault - Books about Twenty Years

Chance and Circumstance: Twenty Years with Cage and Cunningham
Carolyn Brown
Northwestern University Press, 2009

Carolyn Brown, one of the most renowned dancers of the last half-century, lived at the center of New York's bold and vibrant artistic community, which included not only dancers and choreographers but composers and painters as well. Brown's memoir recounts her own remarkable twenty-year tenure with the Merce Cunningham Dance Company and provides a first-hand account of a pivotal period in twentieth-century art.

From the 1950s to the 1970s, Brown developed close relationships with musical director John Cage and set-designer Robert Rauschenberg and with Cunningham himself. Brown's memoir reveals the personal dynamics between the reserved and moody Cunningham and the playful and ebullient Cage, as well as the controversial yet undeniably brilliant creativity that resulted when the two collaborated. Brown relates the company's rise from its cash-strapped early years when the group traveled by VW bus to perform in small venues to the 1964 world tour that left the group exhausted but finally brought them large-scale acclaim.

A unique chronicle of the avant-garde's struggle for acceptance, Brown's memoir provides a riveting first-hand account of a little-documented era in modern dance that nonetheless had a tremendous impact on the course of art in the twentieth century.

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The Fruit Machine: Twenty Years of Writings on Queer Cinema
Thomas Waugh
Duke University Press, 2000
Library of Congress PN1995.9.H55W38 2000 | Dewey Decimal 791.43653

For more than twenty years, film critic, teacher, activist, and fan Thomas Waugh has been writing about queer movies. As a member of the Jump Cut collective and contributor to the Toronto-based gay newspaper the Body Politic, he emerged in the late 1970s as a pioneer in gay film theory and criticism, and over the next two decades solidified his reputation as one of the most important and influential gay film critics. The Fruit Machine—a collection of Waugh’s reviews and articles originally published in gay community tabloids, academic journals, and anthologies—charts the emergence and maturation of Waugh’s critical sensibilities while lending an important historical perspective to the growth of film theory and criticism as well as queer moviemaking.
In this wide-ranging anthology Waugh touches on some of the great films of the gay canon, from Taxi zum Klo to Kiss of the Spider Woman. He also discusses obscure guilty pleasures like Born a Man . . . Let Me Die a Woman, unexpectedly rich movies like Porky’s and Caligula, filmmakers such as Fassbinder and Eisenstein, and film personalities from Montgomery Clift to Patty Duke. Emerging from the gay liberation movement of the 1970s, Waugh traverses crises from censorship to AIDS, tackling mainstream potboilers along with art movies, documentaries, and avant-garde erotic videos. In these personal perspectives on the evolving cinematic landscape, his words oscillate from anger and passion to wry wit and irony. With fifty-nine rare film stills and personal photographs and an introduction by celebrated gay filmmaker John Greyson, this volume demonstrates that the movie camera has been the fruit machine par excellence.

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Good-Bye Samizdat: Twenty Years of Czechoslovak Underground Writing
Marketa Goetz-Stankiewicz
Northwestern University Press, 1992
Library of Congress PG5145.E1G66 1992 | Dewey Decimal 891.8609005

Good-bye, Samizdat offers the first collection of the best of Czechoslovakia's samizdat, underground texts from the era 1948 through 1990. Divided into three sections, the volume includes fiction, cultural and political works, and philosophical essays. The writings reflect the thought of some of Czechoslovakia's best-known minds--Klima, Vaculik, and Havel--as well as others yet unknown in the West. Taken together, they capture the artistic and intellectual mood of a country situated at a focal point between East and West at a fascinating point in history.

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The Great Society and Its Legacy: Twenty Years of U.S. Social Policy
Marshall Kaplan and Peggy Cuciti, eds.
Duke University Press, 1986
Library of Congress HN65.G74 1986 | Dewey Decimal 361.610973

A uniquely balanced look at the Great Society and its aftermath, this work describes and evaluates America's key social policy initiatives from Presidents Johnson to Reagan.

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The Iowa Award: The Best Stories from Twenty Years
Frank Conroy
University of Iowa Press, 1992
Library of Congress PS648.S5I58 1991 | Dewey Decimal 813.0108

Is William Martinez Not Our Brother?: Twenty Years of the Prison Creative Arts Project
Buzz Alexander
University of Michigan Press, 2010
Library of Congress HV8883.A44 2010 | Dewey Decimal 365.66

A prison arts program attempts to reverse the trends of incarceration in America

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Twenty Years of Life: Why the Poor Die Earlier and How to Challenge Inequity
Suzanne Bohan
Island Press, 2018
Library of Congress HC79.P6B582 2018 | Dewey Decimal 362.57

In Twenty Years of Life, Suzanne Bohan exposes the disturbing flip side of the American dream: your health is largely determined by your zip code. The strain of living in a poor neighborhood, with sub-par schools, lack of parks, fear of violence, few to no healthy food options, and the stress of unpaid bills is literally taking years off people’s lives. The difference in life expectancy between wealthy and distressed neighborhoods can be as much as twenty years.

Bohan chronicles a bold experiment to challenge this inequity. The California Endowment, one of the nation’s largest health foundations, is upending the old-school, top-down charity model and investing $1 billion over ten years to help distressed communities advocate for their own interests. This new approach to community change draws on the latent political power of residents and is driving reform both locally and in the state’s legislative chambers. If it can work in fourteen of California’s most challenging and diverse communities, it has the potential to work anywhere in the country.

Bohan introduces us to former street shooters with official government jobs; kids who convinced their city council members to build skate parks; students and parents who demanded fairer school discipline policies to keep kids in the classroom; urban farmers who pushed for permits to produce and sell their food; and a Native American tribe that revived its traditional forest management practices. Told with compassion and insight, their stories will fundamentally change how we think about the root causes of disease and the prospects for healing.

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Urban Bush Women: Twenty Years of African American Dance Theater, Community Engagement, and Working It Out
Nadine George-Graves
University of Wisconsin Press, 2010
Library of Congress GV1786.U73G46 2010 | Dewey Decimal 792.8097471

Provocative, moving, powerful, explicit, strong, unapologetic. These are a few words that have been used to describe the groundbreaking Brooklyn-based dance troupe Urban Bush Women. Their unique aesthetic borrows from classical and contemporary dance techniques and theater characterization exercises, incorporates breath and vocalization, and employs space and movement to instill their performances with emotion and purpose. Urban Bush Women concerts are also deeply rooted in community activism, using socially conscious performances in places around the country—from the Kennedy Center, the Lincoln Center, and the Joyce, to community centers and school auditoriums—to inspire audience members to engage in neighborhood change and challenge stereotypes of gender, race, and class.
Nadine George-Graves presents a comprehensive history of Urban Bush Women since their founding in 1984. She analyzes their complex work, drawing on interviews with current and former dancers and her own observation of and participation in Urban Bush Women rehearsals. This illustrated book captures the grace and power of the dancers in motion and provides an absorbing look at an innovative company that continues to raise the bar for socially conscious dance.

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Written in Water, Written in Stone: Twenty Years of Poets on Poetry
Martin Lammon, Editor
University of Michigan Press, 1996
Library of Congress PS323.5.W75 1996 | Dewey Decimal 811.5409

For twenty years, the Poets on Poetry series, under the editorship of Donald Hall, has provided readers with a variety of prose reflections, interviews, essays, and other works by America's leading contemporary poets. With Written in Water, Written in Stone, Martin Lammon celebrates the longevity and literary success of the series by gathering together exemplary selections from many of its volumes. Organized by theme ranging from language and form, politics and poetry, to the literary industry, Written in Water, Written in Stone offers a remarkable survey of the salient issues that concern contemporary poets and their readers.
Included are selections from, among others, Robert Bly, Hayden Carruth, Amy Clampitt, Robert Creeley, Tess Gallagher, Donald Hall, Robert Hayden, Galway Kinnell, Richard Kostelanetz, Maxine Kumin, Philip Levine, Marge Piercy, Anne Sexton, Charles Simic, Louis Simpson, William Stafford, Diane Wakoski, Charles Wright, and James Wright. This diverse collection of popular contemporary poets is sure to appeal to a wide range of readers.
Martin Lammon teaches creative writing at Fairmont State College. He is a poet and editor of the literary magazine Kestrel.

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