Results by Title
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Art of Suicide
Ron Brown
Reaktion Books, 2001
The Art of Suicide is a history of the visual representation of suicide from the ancient world to its decriminalization in the 20th century. After looking at instances of voluntary death in ancient Greece, Ron Brown discusses the contrast between the extraordinary absence of such events in early Christianity and the proliferation of images of biblical suicides in the late medieval era. He emphasizes how differing attitudes to suicide in the early modern world slowly merged, and pays particular attention to the one-time chasm between so-called heroic suicide and self-destruction as a "crying crime".
Brown tracks the changes surrounding the perception of suicide into the pivotal Romantic era, with its notions of the "man of feeling", ready to hurl himself into the abyss over a woman or an unfinishable poem. After the First World War, the meaning of death and attitudes towards suicide changed radically, and in time this led to its decriminalization. The 20th century in fact witnessed a growing ambivalence towards suicidal acts, which today are widely regarded either as expressions of a death-wish or as cries for help. Brown concludes with Warhol's picture of Marilyn Monroe and the videos taken by the notorious Dr Kevorkian.
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Before Their Time
Mary Stimming
Temple University Press, 1998
Library of Congress HV6545.2.B44 1999 | Dewey Decimal 155.937
Before Their Time is the first work to present adult children survivors' (defined as eighteen or above at the time of the parent's death) accounts of their loss, grief, and resolution following a parent's suicide. In once section, the book offers the perspectives of sons and daughters on the deaths of mothers; in another, the perspectives of sons and daughters on the deaths of fathers. In a third section, siblings reflect on the shared loss of their mother.
Each of these survivors faces the common difficulties associated with losing a loved one by suicide. They also experience difficulties specific to their status as both adult and child. Topics such as the impact of the parent's suicide on adult children's personal and professional choices, marriages and parenting, sibling and surviving parent relationships are explored with sensitivity and insight. Various coping skills, including humor, are described.
The writers describe feelings of regret and responsibility related to their parent's suicide. They express concern about other family members' vulnerability to suicide. They speak openly about the fears and stresses they face and how they cope with them.
The authors ranged in age from nineteen to thirty-six at the time of the parent's death. Between one and twenty-five years have passed since that tragedy.
In addition to the first-person narratives, the book includes a resource section with a national listing of suicide survivor support groups; an overview of existing research on survivors of suicide by John L. McIntosh, past president of the American Association of Suicidology; and an essay on elderly suicide by David C. Clark, secretary-general, International Association for Suicide, and editor-in-chief of Crisis. The book is introduced with a Foreword by Rev. Charles Rubey, founder and director of Loving Outreach to Survivors of Suicide.
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Befriending: The American Samaritans
Monica Dickens
University of Wisconsin Press, 1996
Library of Congress HV6548.U5D53 1996 | Dewey Decimal 362.2870973
This book relates the founding in America, and evaluates the effectiveness of, a branch of the worldwide organization of volunteers known as the Samaritans, committed to the prevention of suicide through the simple means of “listening therapy.” Great-granddaughter of Charles Dickens, Monica Dickens was best known in England as a novelist; in America, as the founder of the U.S. Samaritans. Today Samaritans are in every large city of the country. Volunteers work twenty-four hours a day, answering telephones or meeting troubled people, to try to give them, in nonjudgmental ways, the help they need to get their lives back in order.
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The Dark Eclipse: Reflections on Suicide and Absence
A.W. Barnes
Bucknell University Press, 2019
Library of Congress HV6548.U5B37 2019 | Dewey Decimal 362.28092
The Dark Eclipse is a book of personal essays in which author A.W. Barnes seeks to come to terms with the suicide of his older brother, Mike. Using source documentation—police report, autopsy, suicide note, and death certificate—the essays explore Barnes’ relationship with Mike and their status as gay brothers raised in a large conservative family in the Midwest. In addition, the narrative traces the brothers’ difficult relationship with their father, a man who once studied to be a Trappist monk before marrying and fathering eight children. Because of their shared sexual orientation, Andrew hoped he and Mike would be close, but their relationship was as fraught as the author’s relationship with his other brothers and father. While the rest of the family seems to have forgotten about Mike, who died in 1993, Barnes has not been able to let him go. This book is his attempt to do so.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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Developing a Research Strategy for Suicide Prevention in the Department of Defense: Status of Current Research, Prioritizing Areas of Need, and Recommendations for Moving Forward
Rajeev Ramchand
RAND Corporation, 2014
Library of Congress U22.3.R38 2014 | Dewey Decimal 355.61
To support U.S. Department of Defense (DoD) efforts to create a unified, comprehensive strategic plan for suicide prevention research, a RAND study cataloged studies funded by DoD and other entities, examined whether current research maps to DoD’s strategic research needs, and provided recommendations to encourage better alignment and narrow the research-practice gap when it comes to disseminating findings to programs serving military personnel.
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Fyodor Dostoevsky, Walker Percy, and the Age of Suicide
John F. Desmond
Catholic University of America Press, 2019
Library of Congress PN56.S744D47 2019 | Dewey Decimal 809.393548
Fyodor Dostoevsky, Walker Percy, and the Age of Suicide is a study of the phenomenon of suicide in modern and post-modern society as represented in the major fictional works of Fyodor Dostoevsky and Walker Percy. In his study, suicide is understood in both a literal and spiritual sense as referring to both the actual suicides in their works and to the broader social malaise of spiritual suicide, or despair. In the 19th century Dostoevsky called suicide “the terrible question of our age”. For his part, Percy understood 20th century Western culture as “suicidal” in both its social, political and military behavior and in the deeper sense that its citizenry had suffered an ontological “loss of self” or “deformation” of being. Likewise, Thomas Merton called the 20th century an “age of suicide”.
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An Ideological Death: Suicide in Israeli Literature
Rachel S. Harris
Northwestern University Press, 2014
Library of Congress PJ5021.H37 2014 | Dewey Decimal 892.4093548
An Ideological Death: Suicide in Israeli Literature explores literary challenges to Israel’s national narratives. Many prominent Israeli writers use their fiction to confront the centrality of the army, the mythology of the “new Jew,” the positioning of Tel Aviv as the first Israeli city, and the very process by which a nation’s history is constructed.
Yehudit Katzir, Etgar Keret, Amos Oz, Yaakov Shabtai, Benjamin Tammuz, and A. B. Yehoshua are among the writers who engage with depictions of suicide in a critical and rhetorical process that reconsiders myths at the heart of the Zionist project. In Israeli literature, suicide is linked to a society’s compulsion to create impossible ideals that leave its populace disappointed and deluded. Yet, as Rachel S. Harris shows, even at their harshest these writers also acknowledge the idealism that helped build Israel as a modern nation-state.
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Joy of the Worm: Suicide and Pleasure in Early Modern English Literature
Drew Daniel
University of Chicago Press, 2022
Library of Congress PR408.S843 | Dewey Decimal 820.93548
Consulting an extensive archive of early modern literature, Joy of the Worm asserts that voluntary death in literature is not always a matter of tragedy.
In this study, Drew Daniel identifies a surprisingly common aesthetic attitude that he calls “joy of the worm,” after Cleopatra’s embrace of the deadly asp in Shakespeare’s play—a pattern where voluntary death is imagined as an occasion for humor, mirth, ecstatic pleasure, even joy and celebration.
Daniel draws both a historical and a conceptual distinction between “self-killing” and “suicide.” Standard intellectual histories of suicide in the early modern period have understandably emphasized attitudes of abhorrence, scorn, and severity toward voluntary death. Daniel reads an archive of literary scenes and passages, dating from 1534 to 1713, that complicate this picture. In their own distinct responses to the surrounding attitude of censure, writers including Shakespeare, Donne, Milton, and Addison imagine death not as sin or sickness, but instead as a heroic gift, sexual release, elemental return, amorous fusion, or political self-rescue. “Joy of the worm” emerges here as an aesthetic mode that shades into schadenfreude, sadistic cruelty, and deliberate “trolling,” but can also underwrite powerful feelings of belonging, devotion, and love.
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Marx on Suicide
Karl Marx
Northwestern University Press, 1999
Library of Congress HV6545.M276 1999 | Dewey Decimal 362.28
In 1846, two years before the publication of The Communist Manifesto and twenty-one years before the publication of Das Kapital, Karl Marx published an essay titled "Peuchet on Suicide." Based on the writings of Jacques Peuchet, a leading French police administrator, economist, and statistician whose memoirs included discussions of suicides in Paris, Marx's essay is not a straightforward translation of Peuchet but instead an essay reflecting his own strong positions on the subjects addressed in Peuchet's work.
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Myths about Suicide
Thomas Joiner
Harvard University Press, 2011
Library of Congress HV6545.J648 2010 | Dewey Decimal 362.28
Around the world, more than a million people die by suicide each year. Yet many of us know very little about a tragedy that may strike our own loved ones—and much of what we think we know is wrong. This clear and powerful book dismantles myth after myth to bring compassionate and accurate understanding of a massive international killer.
Drawing on a fascinating array of clinical cases, media reports, literary works, and scientific studies, Thomas Joiner demolishes both moralistic and psychotherapeutic clichés. He shows that suicide is not easy, cowardly, vengeful, or selfish. It is not a manifestation of "suppressed rage" or a side effect of medication. Threats of suicide, far from being idle, are often followed by serious attempts. People who are prevented once from killing themselves will not necessarily try again.
The risk for suicide, Joiner argues, is partly genetic and is influenced by often agonizing mental disorders. Vulnerability to suicide may be anticipated and treated. Most important, suicide can be prevented.
An eminent expert whose own father's death by suicide changed his life, Joiner is relentless in his pursuit of the truth about suicide and deeply sympathetic to such tragic waste of life and the pain it causes those left behind.
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The New Gods
E. M. Cioran
University of Chicago Press, 2013
Library of Congress BL226.C5613 2013 | Dewey Decimal 210
Dubbed “Nietzsche without his hammer” by literary critic James Wood, the Romanian philosopher E. M. Cioran is known as much for his profound pessimism and fatalistic approach as for the lyrical, raging prose with which he communicates them. Unlike many of his other works, such as On the Heights of Despair and Tears and Saints, The New Gods eschews his usual aphoristic approach in favor of more extensive and analytic essays.
Returning to many of Cioran’s favorite themes, The New Gods explores humanity’s attachment to gods, death, fear, and infirmity, in essays that vary widely in form and approach. In “Paleontology” Cioran describes a visit to a museum, finding the relatively pedestrian destination rife with decay, death, and human weakness. In another chapter, Cioran explores suicide in shorter, impressionistic bursts, while “The Demiurge” is a shambolic exploration of man’s relationship with good, evil, and God. All the while, The New Gods reaffirms Cioran’s belief in “lucid despair,” and his own signature mixture of pessimism and skepticism in language that never fails to be a pleasure. Perhaps his prose itself is an argument against Cioran’s near-nihilism: there is beauty in his books.
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Nothing Happened: Charlotte Salomon and an Archive of Suicide
Darcy C. Buerkle
University of Michigan Press, 2013
Library of Congress ND1954.S24B84 2013 | Dewey Decimal 759.3
Charlotte Salomon's (1917-43) fantastical autobiography, Life? or Theater?, consists of 769 sequenced gouache paintings, through which the artist imagined the circumstances of the eight suicides in her family, all but one of them women. But Salomon's focus on suicide was not merely a familial idiosyncrasy. Nothing Happened argues that the social history of early-twentieth-century Germany has elided an important cultural and social phenomenon by not including the story of German Jewish women and suicide. This absence in social history mirrors an even larger gap in the intellectual history of deeply gendered suicide studies that have reproduced the notion of women's suicide as a rarity in history. Nothing Happened is a historiographic intervention that operates in conversation and in tension with contemporary theory about trauma and the reconstruction of emotion in history.
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The Power to Die: Slavery and Suicide in British North America
Terri L. Snyder
University of Chicago Press, 2015
Library of Congress E443.S594 2015 | Dewey Decimal 306.362097
The history of slavery in early America is a history of suicide. On ships crossing the Atlantic, enslaved men and women refused to eat or leaped into the ocean. They strangled or hanged themselves. They tore open their own throats. In America, they jumped into rivers or out of windows, or even ran into burning buildings. Faced with the reality of enslavement, countless Africans chose death instead.
In The Power to Die, Terri L. Snyder excavates the history of slave suicide, returning it to its central place in early American history. How did people—traders, plantation owners, and, most importantly, enslaved men and women themselves—view and understand these deaths, and how did they affect understandings of the institution of slavery then and now? Snyder draws on ships’ logs, surgeons' journals, judicial and legislative records, newspaper accounts, abolitionist propaganda and slave narratives, and many other sources to build a grim picture of slavery’s toll and detail the ways in which suicide exposed the contradictions of slavery, serving as a powerful indictment that resonated throughout the Anglo-Atlantic world and continues to speak to historians today.
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Suicidal: Why We Kill Ourselves
Jesse Bering
University of Chicago Press, 2018
Library of Congress HV6545.B425 2018 | Dewey Decimal 362.281
For much of his thirties, Jesse Bering thought he was probably going to kill himself. He was a successful psychologist and writer, with books to his name and bylines in major magazines. But none of that mattered. The impulse to take his own life remained. At times it felt all but inescapable.
Bering survived. And in addition to relief, the fading of his suicidal thoughts brought curiosity. Where had they come from? Would they return? Is the suicidal impulse found in other animals? Or is our vulnerability to suicide a uniquely human evolutionary development? In Suicidal, Bering answers all these questions and more, taking us through the science and psychology of suicide, revealing its cognitive secrets and the subtle tricks our minds play on us when we’re easy emotional prey. Scientific studies, personal stories, and remarkable cross-species comparisons come together to help readers critically analyze their own doomsday thoughts while gaining broad insight into a problem that, tragically, will most likely touch all of us at some point in our lives. But while the subject is certainly a heavy one, Bering’s touch is light. Having been through this himself, he knows that sometimes the most effective response to our darkest moments is a gentle humor, one that, while not denying the seriousness of suffering, at the same time acknowledges our complicated, flawed, and yet precious existence.
Authoritative, accessible, personal, profound—there’s never been a book on suicide like this. It will help you understand yourself and your loved ones, and it will change the way you think about this most vexing of human problems.
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Suicide Bombers: Allah's New Martyrs
Farhad Khosrokhavar
Pluto Press, 2005
Library of Congress BP190.5.M3K4913 2005 | Dewey Decimal 297.72
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The Suicide of Miss Xi: Democracy and Disenchantment in the Chinese Republic
Bryna Goodman
Harvard University Press, 2021
Library of Congress DS776.6.G66 2021 | Dewey Decimal 951.132041
A suicide scandal in Shanghai reveals the social fault lines of democratic visions in China’s troubled Republic in the early 1920s.
On September 8, 1922, the body of Xi Shangzhen was found hanging in the Shanghai newspaper office where she worked. Although her death occurred outside of Chinese jurisdiction, her US-educated employer, Tang Jiezhi, was kidnapped by Chinese authorities and put on trial. In the unfolding scandal, novelists, filmmakers, suffragists, reformers, and even a founding member of the Chinese Communist Party seized upon the case as emblematic of deep social problems. Xi’s family claimed that Tang had pressured her to be his concubine; his conviction instead for financial fraud only stirred further controversy.
The creation of a republic ten years earlier had inspired a vision of popular sovereignty and citizenship premised upon gender equality and legal reform. After the quick suppression of the first Chinese parliament, commercial circles took up the banner of democracy in their pursuit of wealth. But, Bryna Goodman shows, the suicide of an educated “new woman” exposed the emptiness of republican democracy after a flash of speculative finance gripped the city. In the shadow of economic crisis, Tang’s trial also exposed the frailty of legal mechanisms in a political landscape fragmented by warlords and enclaves of foreign colonial rule.
The Suicide of Miss Xi opens a window onto how urban Chinese in the early twentieth century navigated China’s early passage through democratic populism, in an ill-fated moment of possibility between empire and party dictatorship. Xi Shangzhen became a symbol of the failures of the Chinese Republic as well as the broken promises of citizen’s rights, gender equality, and financial prosperity betokened by liberal democracy and capitalism.
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Suicide or Murder?: The Strange Death of Governor Meriwether Lewis
Vardis Fisher
Ohio University Press, 1962
Library of Congress F592.7.L68 1993
The death of Meriwether Lewis is one of the great mysteries of American history. Was he murdered at Grinder’s Stand or did he commit suicide? Vardis Fisher meticulously reconstructs the events and presents his own version of the case with the precision and persuasiveness of a fine trial lawyer. But Fisher was also a great novelist and it is his sense of character that serves him best here. We know Lewis’ complex sensibility as well as we know that of any man of his time—his journals are so self-revealing, so exacting in the record they make of his musings, doubts, and elations. Fisher offers us this complex Lewis and, with equal perceptiveness, sets the rough, frontier scene at Grinder’s Stand. The result is a fine mystery, well solved, that leans toward tragedy.
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Suicide Postvention in the Department of Defense: Evidence, Policies and Procedures, and Perspectives of Loss Survivors
Rajeev Ramchand
RAND Corporation, 2015
Library of Congress U22.3.R383 2015 | Dewey Decimal 362.2870973
A review of the scientific evidence on suicide postvention (organizational responses to prevent additional suicides and help loss survivors cope), guidance for other types of organizations, and the perspectives of the family and friends of service members who have died by suicide provide insights that may help the U.S. Department of Defense formulate its own policies and programs in a practical and efficient way.
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Undoing Suicidism: A Trans, Queer, Crip Approach to Rethinking (Assisted) Suicide
Alexandre Baril
Temple University Press, 2023
In Undoing Suicidism, Alexandre Baril argues that suicidal people are oppressed by what he calls structural suicidism, a hidden oppression that, until now, has been unnamed and under-theorized. Each year, suicidism and its preventionist script and strategies reproduce violence and cause additional harm and death among suicidal people through forms of criminalization, incarceration, discrimination, stigmatization, and pathologization. This is particularly true for marginalized groups experiencing multiple oppressions, including queer, trans, disabled, or Mad people.
Undoing Suicidism questions the belief that the best way to help suicidal people is through the logic of prevention. Alexandre Baril presents the thought-provoking argument that supporting assisted suicide for suicidal people could better prevent unnecessary deaths. Offering a new queercrip model of (assisted) suicide, he invites us to imagine what could happen if we started thinking about (assisted) suicide from an anti-suicidist and intersectional framework.
Baril provides a radical reconceptualization of (assisted) suicide and invaluable reflections for academics, activists, practitioners, and policymakers.
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Violent Death in the City: Suicide, Accident, and Murder in Nineteenth-Century Philadelphia
Roger Lane
Harvard University Press, 1979
Library of Congress HN80.P5L36 | Dewey Decimal 301.6330974811
Roger Lane uses the statistics on violent death in Philadelphia from 1839 to 1901 to study the behavior of the living. His extensive research into murder, suicide, and accident rates in Philadelphia provides an excellent factual foundation for his theories. A computerized study of every homicide indictment during the sixty-two years covered is the source of the most detailed information. Analysis of suicide and accident statistics reveals differences in behavior patterns between the sexes, the races, young and old, professional and laborer, native and immigrant, and how these patterns changed overtime.
Using both these group differences and the changing overall incidence of the three forms of death, Lane synthesizes a comprehensive theory of the influences of industrial urbanization on social behavior. He believes that the demands of the rising industrial system, as transmitted through factory, school, and bureaucracy, combined to socialize city dwellers in new ways, to raise the rate of suicide, and to lower rates of simple accident and murder. Finally, Lane suggests a relation between these developments and the violent disorder in the postindustrial city, which has lost the older mechanisms of socialization without finding any effective new ones. Original and probing, Lane's combination of statistics and theory makes this a significant new work in social, urban, and medical history.
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Wandering Spirits: Loneliness and Longing in Greenland
Janne Flora
University of Chicago Press, 2019
Library of Congress E99.E7F565 2019 | Dewey Decimal 998.20049712
It is common to think of the Arctic as remote, perched at the farthest reaches of the world—a simple and harmonious, isolated utopia. But the reality, as Janne Flora shows us, is anything but. In Wandering Spirits, Flora reveals how deeply connected the Arctic is to the rest of the world and how it has been affected by the social, political, economic, and environmental shifts that ushered in the modern age.
In this innovative study, Flora focuses on Inuit communities in Greenland and addresses a central puzzle: their alarmingly high suicide rate. She explores the deep connections between loneliness and modernity in the Arctic, tracing the history of Greenland and analyzing the social dynamics that shaped it. Flora’s thorough, sensitive engagement with the families that make up these communities uncovers the complex interplay between loneliness and a host of economic and environmental practices, including the widespread local tradition of hunting. Wandering Spirits offers a vivid portrait of a largely overlooked world, in all its fragility and nuance, while engaging with core anthropological concerns of kinship and the structure of social relations.
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We Shall Be No More: Suicide and Self-Government in the Newly United States
Richard Bell
Harvard University Press, 2012
Library of Congress HV6548.U5B45 2012 | Dewey Decimal 362.280973
Suicide is a quintessentially individual act, yet one with unexpectedly broad social implications. Though seen today as a private phenomenon, in the uncertain aftermath of the American Revolution this personal act seemed to many to be a public threat that held no less than the fate of the fledgling Republic in its grip.
Salacious novelists and eager newspapermen broadcast images of a young nation rapidly destroying itself. Parents, physicians, ministers, and magistrates debated the meaning of self-destruction and whether it could (or should) be prevented. Jailers and justice officials rushed to thwart condemned prisoners who made halters from bedsheets, while abolitionists used slave suicides as testimony to both the ravages of the peculiar institution and the humanity of its victims. Struggling to create a viable political community out of extraordinary national turmoil, these interest groups invoked self-murder as a means to confront the most consequential questions facing the newly united states: What is the appropriate balance between individual liberty and social order? Who owns the self? And how far should the control of the state (or the church, or a husband, or a master) extend over the individual?
With visceral prose and an abundance of evocative primary sources, Richard Bell lays bare the ways in which self-destruction in early America was perceived as a transgressive challenge to embodied authority, a portent of both danger and possibility. His unique study of suicide between the Revolution and Reconstruction uncovers what was at stake—personally and politically—in the nation’s fraught first decades.
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Why People Die by Suicide
Thomas Joiner
Harvard University Press, 2005
In the wake of a suicide, the most troubling questions are invariably the most difficult to answer: How could we have known? What could we have done? And always, unremittingly: Why? Written by a clinical psychologist whose own life has been touched by suicide, this book offers the clearest account ever given of why some people choose to die.
Drawing on extensive clinical and epidemiological evidence, as well as personal experience, Thomas Joiner brings a comprehensive understanding to seemingly incomprehensible behavior. Among the many people who have considered, attempted, or died by suicide, he finds three factors that mark those most at risk of death: the feeling of being a burden on loved ones; the sense of isolation; and, chillingly, the learned ability to hurt oneself. Joiner tests his theory against diverse facts taken from clinical anecdotes, history, literature, popular culture, anthropology, epidemiology, genetics, and neurobiology--facts about suicide rates among men and women; white and African-American men; anorexics, athletes, prostitutes, and physicians; members of cults, sports fans, and citizens of nations in crisis.
The result is the most coherent and persuasive explanation ever given of why and how people overcome life's strongest instinct, self-preservation. Joiner's is a work that makes sense of the bewildering array of statistics and stories surrounding suicidal behavior; at the same time, it offers insight, guidance, and essential information to clinicians, scientists, and health practitioners, and to anyone whose life has been affected by suicide.
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A Year without Months
Charles Dodd White
West Virginia University Press, 2022
Library of Congress F217.A65W478 2022 | Dewey Decimal 975
“A beautiful, powerful book. Read it and be changed.”—Jim Minick
This collection of fourteen essays by Charles Dodd White—praised by Silas House as “one of the best prose stylists of Appalachian literature”—explores the boundaries of family, loss, masculinity, and place. Contemplating the suicides of his father, uncle, and son, White meditates on what it means to go on when seemingly everything worth living for is lost. What he discovers is an intimate connection to the natural world, a renewed impulse to understand his troubled family history, and a devotion to following the clues that point to the possibility of a whole life.
Avoiding easy sentiment and cliché, White’s transformative language drives toward renewal. A Year without Months introduces lively and memorable characters, as the author draws on a wide range of emotions to analyze everything, including himself.
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