After the Irish Renaissance was first published in 1967.This account of contemporary Irish drama provides critical introductions to some thirty or forty playwrights who have worked in Ireland since 1926, the year Sean O’Casey left Ireland following a riotous protest against his play The Plough and the Stars. The date is regarded by many as marking the end of the Irish Renaissance, the brilliant literary flowering which began with the founding of the Irish Literary Theatre in 1898 by W. B. Yeats, George Moore, and Edward Martyn.Although much has been written about the writers of the Irish Renaissance and their work, most of the plays and playwrights of the modern Irish theatre are relatively obscure outside Ireland. This book introduces their work to a broader audience.Among the writers discussed, in addition to O’Casey and Yeats, are Lennox Robinson, T. C. Murray, Brinsley MacNamara, George Shiels, Louis D’Alton, Paul Vincent Carroll, Denis Johnston, Mary Manning, Micheál Mae Liammóir, Michael Molloy, Walter Macken, Seamus Byrne, John O’Donovan, Bryan MacMahon, Lady Longford, Brendan Behan, Hugh Leonard, James Douglas, John B. Keane, Brian Friel, Tom Coffey, Seamus de Burca, Conor Farrington, G. P. Gallivan, Austin Clarke, Padraie Fallon, Donagh MacDonagh, Joseph Tomelty, and Sam Thompson. The author also discusses the Abbey Theatre’s recent history, the Gate Theatre, Longford Productions, the theatre in Ulster, and the Dublin International Theatre Festival, and provides a full bibliography of plays and criticism. The book is generously illustrated with photographs.
Presenting experimental and boundary-breaking prose from women, people of color, and LGBTQ writers, Behind the Stars, More Stars imagines a more diverse and inclusive Luso-American and Portuguese-American literary scene, which has traditionally been dominated by male voices. Since its first "Writing the Luso Experience" workshops were held in 2011, Dzanc Books's Disquiet International Literary Program in Lisbon has aimed to break silences within today's Luso-American communities. Disquiet faculty Katherine Vaz and Frank X. Gaspar appear alongside up-and-coming writers from the workshops, such as Traci Brimhall, Megan Fernandes, Hugo Dos Santos, and previously unpublished women writers.
Longlisted for the 2022 Kraszna-Krausz Book Award, Moving Image Category
Despite their considerable presence in Hollywood, extras and working actors have received scant attention within film and media studies as significant contributors to the history of the industry. Looking not to the stars but to these supporting players in film, television, and, recently, streaming programming, Below the Stars highlights such actors as precarious laborers whose work as freelancers has critically shaped the entertainment industry throughout the twentieth and twenty-first centuries. By addressing ordinary actors as a labor force, Kate Fortmueller proposes a media industry history that positions underrepresented and quotidian experiences as the structural elements of the culture and business of Hollywood.
Resisting a top-down assessment, Fortmueller explores the wrangling of labor unions and guilds that advocated for collective action for everyday actors and helped shape professional norms. She pulls from archival research, in-person interviews, and firsthand observation to examine a history that cuts across industry boundaries and situates actors as a labor group at the center of industrial and technological upheavals, with lasting implications for race, gender, and labor relations in Hollywood.
Cargo Hold of Stars is an ode to the forgotten voyage of a forgotten people. Khal Torabully gives voice to the millions of indentured men and women, mostly from India and China, who were brought to Mauritius between 1849 and 1923. Many were transported overseas to other European colonies. Kept in close quarters in the ship’s cargo hold, many died. Most never returned home.
With Cargo Hold of Stars, Torabully introduces the concept of ‘Coolitude’ in a way that echoes Aimé Césaire’s term ‘Negritude,’ imbuing the term with dignity and pride, as well as a strong and resilient cultural identity and language. Stating that ordinary language was not equipped to bring to life the diverse voices of indenture, Torabully has developed a ‘poetics of Coolitude’: a new French, peppered with Mauritian Creole, wordplay, and neologisms—and always musical. The humor in these linguistic acrobatics serves to underscore the violence in which his poems are steeped.
Deftly translated from the French by Nancy Naomi Carlson, Cargo Hold of Stars is the song of an uprooting, of the destruction and the reconstruction of the indentured laborer’s identity. But it also celebrates setting down roots, as it conjures an ideal homeland of fraternity and reconciliation in which bodies, memories, stories, and languages mingle—a compelling odyssey that ultimately defines the essence of humankind.
In the 1990s, Ed Galindo, a high school science teacher on the Fort Hall Reservation in Idaho, took a team of Shoshone-Bannock students first to Johnson Space Center in Texas and then to Kennedy Space Center in Florida. These students had submitted a project to a competitive NASA program that was usually intended for college students—and they earned a spot to see NASA astronauts test out their experiment in space. The students designed and built the project themselves: a system to mix phosphate and water in space to create a fertilizer that would aid explorers in growing food on other planets.
In Children of the Stars, Galindo relates his experience with this first team and with successive student teams, who continued to participate in NASA programs over the course of a decade. He discusses the challenges of teaching American Indian students, from the practical limits of a rural reservation school to the importance of respecting and incorporating Indigenous knowledge systems. In describing how he had to earn the trust of his students to truly be successful as their teacher, Galindo also touches on the complexities of community belonging and understanding; although Indigenous himself, Galindo is not a member of the Shoshone-Bannock tribes and was still an outsider who had as much to learn as the students.
Children of the Stars is the story of students and a teacher, courage and hope. Written in a conversational style, it’s an accessible story about students who were supported and educated in culturally relevant ways and so overcame the limitations of an underfunded reservation school to reach great heights.
Where did humanity get the idea that outer space is a frontier waiting to be explored? Destined for the Stars unravels the popularization of the science of space exploration in America between 1944 and 1955, arguing that the success of the US space program was due not to technological or economic superiority, but was sustained by a culture that had long believed it was called by God to settle new frontiers and prepare for the inevitable end of time and God’s final judgment. Religious forces, Newell finds, were in no small way responsible for the crescendo of support for and interest in space exploration in the early 1950s, well before Project Mercury—the United States’ first human spaceflight program—began in 1959.
In this remarkable history, Newell explores the connection between the art of Chesley Bonestell—the father of modern space art whose paintings drew inspiration from depictions of the American West—and the popularity of that art in Cold War America; Bonestell’s working partnership with science writer and rocket expert Willy Ley; and Ley and Bonestell’s relationship with Wernher von Braun, father of both the V-2 missile and the Saturn V rocket, whose millennial conviction that God wanted humankind to leave Earth and explore other planets animated his life’s work. Together, they inspired a technological and scientific faith that awoke a deep-seated belief in a sense of divine destiny to reach the heavens. The origins of their quest, Newell concludes, had less to do with the Cold War strife commonly associated with the space race and everything to do with the religious culture that contributed to the invention of space as the final frontier.
This study is the first to examine the important political role played by astrology in Italian court culture. Reconstructing the powerful dynamics existing between astrologers and their prospective or existing patrons, The Duke and the Stars illustrates how the “predictive art” of astrology was a critical source of information for Italian Renaissance rulers, particularly in times of crisis. Astrological “intelligence” was often treated as sensitive, and astrologers and astrologer-physicians were often trusted with intimate secrets and delicate tasks that required profound knowledge not only of astrology but also of the political and personal situation of their clients. Two types of astrological predictions, medical and political, were taken into the most serious consideration. Focusing on Milan, Monica Azzolini describes the various ways in which the Sforza dukes (and Italian rulers more broadly) used astrology as a political and dynastic tool, guiding them as they contracted alliances, made political decisions, waged war, planned weddings, and navigated health crises.
The Duke and the Stars explores science and medicine as studied and practiced in fifteenth-century Italy, including how astrology was taught in relation to astronomy.
The Embers and the Stars
Erazim Kohák University of Chicago Press, 1987 Library of Congress BD581.K54 1984 | Dewey Decimal 113
"It is hard to put this profound book into a category. Despite the author's criticisms of Thoreau, it is more like Walden than any other book I have read. . . . The book makes great strides toward bringing the best insights from medieval philosophy and from contemporary environmental ethics together. Anyone interested in both of these areas must read this book."—Daniel A. Dombrowski, The Thomist
"Those who share Kohák's concern to understand nature as other than a mere resource or matter in motion will find his temporally oriented interpretation of nature instructive. It is here in particular that Kohák turns moments of experience to account philosophically, turning what we habitually overlook or avoid into an opportunity and basis for self-knowledge. This is an impassioned attempt to see the vital order of nature and the moral order of our humanity as one."—Ethics
“I hadn’t, till I really started digging, gauged the fierce intensity of the need for myth in the human psyche, of any age, or sensed the variety of motives dictating that need,” writes Peter Green in the introduction to this wide-ranging collection of essays on classical mythology and the mythic experience. Using the need for myth as the starting point for exploring a number of topics in Greek mythology and history, Green advances new ideas about why the human urge to make myths persists across the millennia and why the borderland between mythology and history can sometimes be hard to map. Green looks at both specific problems in classical mythology and larger theoretical issues. His explorations underscore how mythic expression opens a door into non-rational and quasi-rational modes of thought in which it becomes possible to rewrite painful truths and unacceptable history—which is, Green argues, a dangerous enterprise. His study of the intersections between classical mythology and Greek history ultimately drives home a larger point, “the degree of mythification and deception (of oneself no less than of others) of which the human mind is capable.”
Mars, the red planet named for the god of war, a mysterious dust-ridden place, is most like Earth in its climate and seasons. Of all the possible destinations in space to travel, Mars is the most likely for humans to reach. According to esteemed scientist Louis Friedman, it may be the only destination outside the moon to ever see human footprints.
Far from diminishing our future in space, Human Spaceflight lays out a provocative future for human space travel. The noted aerospace engineer and scientist says that human space exploration will continue well into the future, but space travel by humans will stop at Mars. Instead, nanotechnology, space sails, robotics, biomolecular engineering, and artificial intelligence will provide the vehicles of the future for an exciting evolution not just of space travel but of humankind.
Friedman has worked with agencies around the globe on space exploration projects to extend human presence beyond Mars and beyond the solar system. He writes that once we accept Mars as the only viable destination for humans, our space program on planet Earth can become more exciting and more relevant. Mars, he writes, will take hundreds, even thousands, of years to settle. During that time, humans and all our supporting technologies will evolve, allowing our minds to be present throughout the universe while our bodies stay home on Earth and Mars.
In Light of Stars
Bruce Willard Four Way Books, 2021 Library of Congress PS3623.I5534I5 2021 | Dewey Decimal 811.6
Willard’s love of music combines with his love and respect for the natural world. Often rooted in, or coming out of, domestic encounters, the poems of this collection rise up (much like the clouds over his oft-traversed Rockies), as the speaker throws his attention to earth and sky, better to understand his own dynamic and shifting inner weather.
A Man Who Loved the Stars
John A. Brashear University of Pittsburgh Press, 1988 Library of Congress QB36.B85A3 1988 | Dewey Decimal 522.20924
The inspiring story of a man whose avocation as a stargazer and vocation as a millwright led to his development of lenses, mirrors and other astronomical apparatus. John A. Brashear's technological advances were later employed by astronomers in the United States and Europe. Brashear also attracted the friendship and financial support of astronomer Samuel Lagley, railroad magnate William Thaw, Henry Clay Frick, and Andrew Carnegie, who gave him $20,000 for the construction of Allegheny Observatory in Pittsburgh. The inspiring story of a man whose avocation as a stargazer and vocation as a millwright led to his development of lenses, mirrors and other astronomical apparatus. John A. Brashear's technological advances were later employed by astronomers in the United States and Europe. Brashear also attracted the friendship and financial support of astronomer Samuel Lagley, railroad magnate William Thaw, Henry Clay Frick, and Andrew Carnegie, who gave him $20,000 for the construction of Allegheny Observatory in Pittsburgh.
What if Earth had several moons or massive rings like Saturn? What if the Sun were but one star in a double-star or triple-star system? What if Earth were the only planet circling the Sun?
These and other imaginative scenarios are the subject of Arthur Upgren's inventive book Many Skies: Alternative Histories of the Sun, Moon, Planets, and Stars. Although the night sky as we know it seems eternal and inevitable, Upgren reminds us that, just as easily, it could have been very different.
Had the solar sytem happened to be in the midst of a star cluster, we might have many more bright stars in the sky. Yet had it been located beyond the edge of the Milky Way galaxy, we might have no stars at all. If Venus or Mars had a moon as large as ours, we would be able to view it easily with the unaided eye. Given these or other alternative skies, what might Ptolemy or Copernicus have concluded about the center of the solar sytem and the Sun?
This book not only examines the changes in science that these alternative solar, stellar, and galactic arrangements would have brought, it also explores the different theologies, astrologies, and methods of tracking time that would have developed to reflect them. Our perception of our surroundings, the number of gods we worship, the symbols we use in art and literature, even the way we form nations and empires are all closely tied to our particular (and accidental) placement in the universe.
Many Skies, however, is not merely a fanciful play on what might have been. Upgren also explores the actual ways that human interferences such as light pollution are changing the night sky. Our atmosphere, he warns, will appear very different if we have belt of debris circling the globe and blotting out the stars, as will happen if advertisers one day pollute space with brilliant satellites displaying their products.
From fanciful to foreboding, the scenarios in Many Skies will both delight and inspire reflection, reminding us that ours is but one of many worldviews based on our experience of a universe that is as much a product of accident as it is of intention.
Often dismissed as trivial or even “trash,” celebrity culture offers a unique way of considering what it means to be human. In Mapping the Stars, Claire Sisco King shows how close analysis of the complex and sometimes contradictory forms of celebrity culture can challenge dominant ideas about selfhood. In particular, as a formation that develops across time, mediums, and texts, celebrity is useful for demonstrating how humanness is defined by relationality, contingency, and even vulnerability.
King considers three stars with popular and controversial personas: Norman Rockwell, Will Smith, and Kim Kardashian. Working in very different contexts and with very different public images, these figures nonetheless share a consistent, if not conspicuous, interest in celebrity as a construct. Offering intertextual readings of their public images across such sites as movie posters, magazines, cinema, and social media—and deploying rhetorical theories of metonymy (a linguistic device linking signifiers by shared associations)—King argues that these stars’ self-reflexive attention to the processes by which celebrity is created and constrained creates opportunities for reframing public discourse about what it means to be famous and what it means to be a person.
William Bradford Huie’s first novel, Mud on the Stars, is largely autobiographical and is set in the years 1929-1942. As in many of his later books, the theme here is of the education of the inexperienced youth, which is, after all, the quintessential American story. Drawing on his own boyhood, Huie gives the reader a detailed account of rural life and race relations in the Tennessee Valley in the early years of this century, including a vivid picture of college life at The University of Alabama during the Great Depression. Through a careful weaving of characters and events, fact and fiction, Huie’s novel captures the tumultuous times before World War II in the urban South, times of social unrest and testing of new political ideologies. The book’s publication in 1942 was a huge financial success, by the economic standards of the day, and not only brought Huie the acclaim his talent warranted but also focused an approving national spotlight on this prolific Alabama writer.
Circumstellar disks are vast expanses of dust that form around new stars in the earliest stages of their birth. Predicted by astronomers as early as the eighteenth century, they weren’t observed until the late twentieth century, when interstellar imaging technology enabled us to see nascent stars hundreds of light years away. Since then, circumstellar disks have become an area of intense study among astrophysicists, largely because they are thought to be the forerunners of planetary systems like our own—the possible birthplaces of planets.
This volume brings together a team of leading experts to distill the most up-to-date knowledge of circumstellar disks into a clear introductory volume. Understanding circumstellar disks requires a broad range of scientific knowledge, including chemical processes, the properties of dust and gases, hydrodynamics and magnetohydrodynamics, radiation transfer, and stellar evolution—all of which are covered in this comprehensive work, which will be indispensable for graduate students, seasoned researchers, or even advanced undergrads setting out on the study of planetary evolution.
“The polarization study of celestial objects is a valuable part of optical astronomy, and the author has done exceptionally well in bringing together contributions treating all aspects of the polarimetry field. . . . The first section contains a fine introduction and an excellent and definitive history of the subject. . . . The volume is well illustrated. . . . Highly recommended.”—Choice
“The high quality of this book is clearly due to strict editorial attention to each paper and the discussions. Gehrels’s book will surely stand for many years as the fundamental reference source for polarization studies in astronomy as well as in atmospheric physics.”—Journal of the Association of Lunar and Planetary Observers
Donald D. Clayton's Principles of Stellar Evolution and Nucleosynthesis remains the standard work on the subject, a popular textbook for students in astronomy and astrophysics and a rich sourcebook for researchers. The basic principles of physics as they apply to the origin and evolution of stars and physical processes of the stellar interior are thoroughly and systematically set out. Clayton's new preface, which includes commentary and selected references to the recent literature, reviews the most important research carried out since the book's original publication in 1968.
Previous Space Science Series volumes Protostars and Planets (1978) and Protostars and Planets II (1985) were among the most timely offerings of this illustrious collection of technical works. Now Protostars and Planets III continues to address fundamental questions concerning the formation of stars and planetary systems in general and of our solar system in particular. Drawing from recent advances in observational, experimental, and theoretical research, it summarizes our current understanding of these processes and addresses major open questions and research issues. Among the more notable subjects covered in the more than three dozen chapters are the collapse of clouds and the formation and evolution of stars and disks; nucleosynthesis and star formation; the occurrence and properties of disks around young stars; T Tauri stars and their accretion disks; gaseous accretion and the formation of the giant planets; comets and the origin of the Solar-System; and the long-term dynamical evolution and stability of the solar system. Protostars and Planets III reflects the enormous progress made in understanding star and planet formation as a result of new observational capabilities and cooperative research among scientists from diverse fields. As new discoveries continue to be made, it will stand as an unparalleled reference for tomorrow's research.
Protostars and Planets IV
Vince Mannings University of Arizona Press, 2000 Library of Congress QB806.P78 2000 | Dewey Decimal 523.88
Click here for the online version of this book!
This title, out of print in 2008, is now available free of charge, in it's entirety, online through the University of Arizona Press! Both a textbook and a status report for every facet of research into the formation of stars and planets, Protostars and Planets IV brings together 167 authors who report on the most significant advances in the field since the publication of the previous volume in 1993. Protostars and Planets IV reflects improvements in observational techniques and the availability of new facilities such as the Infrared Space Observatory, the refurbished Hubble Space Telescope, and the 10-m Keck telescopes. Advances in computer technology and modeling methods have benefited theoretical studies of molecular clouds, star formation, and jets and disks, while recent analyses of meteorites yield important insights into conditions and processes within our Sun's early protoplanetary disk. The 49 chapters describe context and progress for observational and theoretical studies of the structure, chemistry, and dynamics of molecular clouds; the collapse of cores and the formation of protostars; the formation and properties of young binary stars; the properties of winds, jets, and molecular outflows from young stellar objects; the evolution of circumstellar envelopes and disks; grain growth in disks and the formation of planets; and the properties of the early Solar nebula. Protostars and Planets IV is also the first book to include chapters describing the discoveries of extrasolar planets, brown dwarfs, and Edgeworth-Kuiper Belt objects, and the first to include high-resolution optical and near-infrared images of protoplanetary disks. Protostars and Planets IV is an unsurpassed reference not only for established researchers but also for younger scientists whose imagination and work will lead to tomorrow's discoveries.
Protostars and Planets VI
Edited by Henrik Beuther, Ralf S. Klessen, Cornelis P. Dullemond, and Thomas Henning University of Arizona Press, 2014 Library of Congress QB806.P78 2014 | Dewey Decimal 523.24
The revolutionary discovery of thousands of confirmed and candidate planets beyond the solar system brings forth the most fundamental
question: How do planets and their host stars form and evolve? Protostars and Planets VI brings together more than 250 contributing authors at the forefront of their field, conveying the latest results in this research area and establishing a new foundation for advancing our understanding of stellar and planetary formation.
Continuing the tradition of the Protostars and Planets series, this latest volume uniquely integrates the cross-disciplinary aspects of this broad field. Covering an extremely wide range of scales, from the formation of large clouds in our Milky Way galaxy down to small chondrules in our solar system, Protostars and Planets VI takes an encompassing view with the goal of not only highlighting what we know but, most importantly, emphasizing the frontiers of what we do not know.
As a vehicle for propelling forward new discoveries on stars, planets, and their origins, this latest volume in the Space Science Series is an indispensable resource for both current scientists and new students in astronomy, astrophysics, planetary science, and the study of meteorites.
This is the first of six volumes collecting significant papers of the distinguished astrophysicist and Nobel laureate S. Chandrasekhar. His work is notable for its breadth as well as for its brilliance; his practice has been to change his focus from time to time to pursue new areas of research. The result has been a prolific career full of discoveries and insights, some of which are only now being fully appreciated.
Chandrasekhar has selected papers that trace the development of his ideas and that present aspects of his work not fully covered in the books he has periodically published to summarize his research in each area.
Volume 1, Stellar Structure and Stellar Atmospheres, covers primarily the period 1930-40 and includes early papers on the theory of white dwarfs. In the Preface, Chandrasekhar explains the criteria for selection and provides historical background. Each subsequent volume will include a foreword by an authority on the topics covered.
This is the second of six volumes collecting significant papers of the distinguished astrophysicist and Nobel laureate S. Chandrasekhar. His work is notable for its breadth as well as for its brilliance; his practice has been to change his focus from time to time to pursue new areas of research. The result has been a prolific career full of discoveries and insights, some of which are only now being fully appreciated.
Chandrasekhar has selected papers that trace the development of his ideas and that present aspects of his work not fully covered in the books he has periodically published to summarize his research in each area.
Volume 2 covers primarily the period 1940-50 and includes papers on the theory of radiative transfer and on the physics and astrophysics of the negative ion of hydrogen. Of particular note are Chandrasekhar's Gibbs Lecture to the American Mathematical Society in 1946 and his "Personal Account" presented at a conference at Erevan in the U.S.S.R. in 1981. A foreword by T. W. Mullikin, a distinguished scholar in the area of radiative transfer, and an author's note provide a historical context for the papers.
In these selections readers are treated to a rare opportunity to see the
world through the eyes of one of the twentieth century's most brilliant
and sensitive scientists. Conceived by Chandrasekhar as a supplement to
his Selected Papers, this volume begins with eight papers he
wrote with Valeria Ferrari on the non-radial oscillations of stars. It
then explores some of the themes addressed in Truth and Beauty,
with meditations on the aesthetics of science and the world it examines.
Highlights include: "The Series Paintings of Claude Monet and the
Landscape of General Relativity," "The Perception of Beauty and the
Pursuit of Science," "On Reading Newton's Principia at Age Past
Eighty," and personal recollections of Indira Gandhi, Jawaharlal Nehru,
Selected Papers, Volume 7 paints a picture of Chandra's universe,
filled with stars and galaxies, but with space for poetics, paintings,
The late S. Chandrasekhar was best known for his discovery of the upper
limit to the mass of a white dwarf star, for which he received the Nobel
Prize in Physics in 1983. He was the author of many books, including The Mathematical Theory of Black Holes and, most recently, Newton's Principia for the Common Reader.
All communities are teeming with energy, spirit, and knowledge, and Spiral to the Stars taps into and activates this dynamism to discuss Indigenous community planning from a Mvskoke perspective. This book poses questions about what community is, how to reclaim community, and how to embark on the process of envisioning what and where the community can be.
Geographer Laura Harjo demonstrates that Mvskoke communities have what they need to dream, imagine, speculate, and activate the wishes of ancestors, contemporary kin, and future relatives—all in a present temporality—which is Indigenous futurity.
Organized around four methodologies—radical sovereignty, community knowledge, collective power, and emergence geographies—Spiral to the Stars provides a path that departs from traditional community-making strategies, which are often extensions of the settler state. Readers are provided a set of methodologies to build genuine community relationships, knowledge, power, and spaces for themselves. Communities don’t have to wait on experts because this book helps them activate their own possibilities and expertise. A detailed final chapter provides participatory tools that can be used in workshop settings or one on one.
This book offers a critical and concrete map for community making that leverages Indigenous way-finding tools. Mvskoke narratives thread throughout the text, vividly demonstrating that theories come from lived and felt experiences. This is a must-have book for community organizers, radical pedagogists, and anyone wishing to empower and advocate for their community.
Edgar Morin University of Minnesota Press, 2005 Library of Congress PN1998.2.M668 2005 | Dewey Decimal 791.430280922
Worshipped as heroes, treated as gods, movie stars are more than objects of admiration. A star's influence touches on every aspect of ordinary life, dictating taste in fashion, lifestyle, and desire. Edgar Morin's remarkable investigation into the cultural and social significance of the star system traces its evolution from the earliest days of the cinema - when stars like Chaplin, Garbo, and Valentino lived at a distance from their fans, far beyond all mortals, to the postwar era in which stars like Humphrey Bogart and Marilyn Monroe became familiar and familial, less unapproachable but more moving, and concludes with an analysis of the furious religious adulation surrounding the life and death of James Dean. Ultimately, Morin finds, stars are more than just creations of the movie studios; they serve as intermediaries between the real and the imaginary. Today, with the cult of fame more pervasive and influential than ever, The Stars remains a vibrant, vital, and surprising work.
The first extended work of its kind, Stars as Laboratories for Fundamental Physics stands at the intersection of two burgeoning fields, astrophysics and particle physics. Georg Raffelt, one of the world's leading researchers in this field, describes what the study of stars reveals about fundamental particle interactions.
Raffelt presents the many uses of stellar astrophysics for research in basic particle physics. He focuses primarily on the properties and nongravitational interactions of elementary particles. Numerous graphs and figures complement the text.
Stars as Laboratories for Fundamental Physics is a valuable reference for cosmologists, astrophysicists, and particle physicists.
Stars in My Eyes
Don Bachardy University of Wisconsin Press, 2011 Library of Congress PN1998.2.B318 2000 | Dewey Decimal 791.430280922
Stars in My Eyes is a revealing and entertaining collection of celebrity portraits, rendered both in acute drawings and in finely observed prose. In the 1970s and 1980s, internationally known artist Don Bachardy made portraits from life, depicting the actors, writers, artists, composers, directors, and Hollywood elite that he and his partner Christopher Isherwood knew. He then made detailed notes about these portrait sittings in the journal he has kept for more than forty years. The result is a unique document: we enter the mind of the artist as he records the images and behavior of his celebrity subjects—from Ruby Keeler and Barbara Stanwyck to Jack Nicholson and Linda Ronstadt—during their often intense collaboration with him.
This collection of 14 stories—each a harrowing sketch of the Vietnam War and its aftermath—offers American readers a glimpse of familiar territory, but from an unfamiliar perspective. Often writing from a young woman's point of view, Le Minh Khue, a war veteran who served in the Youth Volunteers Brigade, uses simple, understated prose to describe numbing horrors. Her stories explore themes such as love and war, the tangles of family relationships, and the complexities of post-war life. Khue gives readers a look into Vietnam before, during, and after the war with the United States.
The Stars, the Earth, the River contains an excellent introduction by the translators, grounding the stories in Le Minh Khue's personal history. You simultaneously feel the rage of the author and the narrator when Khue disparagingly notes that the conversations around her center on luxuries, motor scooters, and business deals. Of what use, these stories ask, is such suffering? How can a culture honor the losses of war?
"This is a remarkable book: a symposium proceedings volume that will also function as a graduate-level text. Dedicated to the great theorist S. Chandrasekhar, the book consists of ten well-written chapters that cover the essential tools of theoretical astrophysics. The first half of the volume is concerned with the theory of how stars work (structure, stability, rotation, magnetism, dynamics) and the latter half is mainly a survey of relativistic astrophysics. . . . Read it for a broad-brush view of what theorists are up to now and how they solve problems."—Journal of the British Astronomical Association
"The book as a whole should be a gift from every research supervisor to every new graduate student in theoretical astronomy."—D. W. Sciama, Science
United Artists was a unique motion picture company in the history of Hollywood. Founded by Charlie Chaplin, Mary Pickford, Douglas Fairbanks, and director D.W. Griffith—four of the greatest names of the silent era—United Artists functioned as a distribution company for independent producers. In this lively and detailed history of United Artists from 1919 through 1951, film scholar Tino Balio chronicles the company’s struggle for survival, its rise to prominence as the Tiffany of the industry, and its near extinction in the 1940s.
This edition is updated with a new introduction by Balio that places in relief UA’s operations for those readers who may be unfamiliar with film industry practices and adds new perspective to the company’s place within Hollywood.
After centuries of colonization, this important new work recovers the literary record of Oceti Sakowin (historically known to some as the Sioux Nation) women, who served as their tribes’ traditional culture keepers and culture bearers. In so doing, it furthers discussions about settler colonialism, literature, nationalism, and gender.
Women and land form the core themes of the book, which brings tribal and settler colonial narratives into comparative analysis. Divided into two parts, the first section of the work explores how settler colonizers used the printing press and boarding schools to displace Oceti Sakowin women as traditional culture keepers and culture bearers with the goal of internally and externally colonizing the Dakota, Nakota, and Lakota nations. The second section focuses on decolonization and explores how contemporary Oceti Sakowin writers and scholars have started to reclaim Dakota, Nakota, and Lakota literatures to decolonize and heal their families, communities, and nations.