In his autobiography, John Addington Symonds relates a glorious night of passion, in which he and his lover "lay covered from the cold in bed, tasting the honey of softly spoken words and the blossoms of lips pressed on lips." Christopher Isherwood's first autobiography, on the other hand, was far less direct; he wrote a second autobiography in part because the first was "not truly autobiographical" in that "the author conceals important facts about himself." These contradictions, evasions, and explicit sexual details of the life stories of fourteen men form Gay Lives, a revealing account of homosexual autobiography.

Paul Robinson reads the memoirs of French, British, and American gay authors—André Gide, Quentin Crisp, and Martin Duberman, among others—through the prism of sexual identity, asking fascinating questions about homosexuality and its relation to literary form. How did these authors discover their sexual identity? Did they embrace it or reject it? How did they express often conflicted desires in their words, which ranged from defiant and brutally frank to ambiguous and abstract? Robinson considers the choices each made—as a man and an author—to accommodate himself to society's homophobia or live in protest against his oppression.

Despite the threads that connect these stories, Gay Lives refutes the notion that there is a typical homosexual "career" by showing that gay men have led wildly dissimilar lives—from the exuberant to the miserable—and that they have found no less dissimilar meanings in those lives.

Opera, Sex, and Other Vital Matters gathers both classic and never-before-published essays from one of the leading stylists in contemporary American letters, and one of our more revered public intellectuals, Paul Robinson. Diverse and elegant, the essays in this new collection showcase the sly wit and lightly worn erudition of their author. Each celebrates art and the flesh, directing us to the twin ecstasies of music and eros.

The essays on opera gathered here explore how masterpieces like Fidelio and The Magic Flute reflect the intellectual currents of their day. Be it the work of Verdi or Mozart, Wagner or Strauss, Robinson compels us to search for meaning not just in the lyrics of opera but also in the music. In melody, not libretto, we are more likely to discern key historical complexities and appreciate the way opera transcends language and time. The essays on sexuality, meanwhile, are ruminative, funny, and even moving. At one moment, Robinson measures whether homosexuality is the result of destiny or free choice. In another, he shares a touching exchange of letters with a gay student in the process of coming out. The final essays that encompass "other vital matters" find Robinson at his most incisive. Whether defending Freud as the most influential thinker of the twentieth century, attacking the dreaded use of semicolons, reflecting on his own mortality, or even meditating on the nature of cats, Sex, Opera, and Other Vital Matters is an eclectic work that will appeal to any reader interested in the continuing relevance of ideas to life.

From the 1969 rebellion at Stonewall to recent battles over same-sex marriage, Gay Liberation in the United States has always been closely associated with the political left. But in recent years, Gay Liberation has taken a dramatic turn toward the right. And gaycons, as they were once archly referred to in the Nation, have taken politics and the media by storm. New Republic columnist Andrew Sullivan, for instance, is one of the most popular bloggers on the Internet. Writer Bruce Bawer, meanwhile, is celebrated for his incisive criticism of gay culture and its connections with camp and diva worship.

Queer Wars limns this new gay right, offering the first extended consideration of gay conservatism and its more trenchant critics. Here celebrated historian of gay culture Paul Robinson draws particular attention to three features of this new political movement. First, he explores how gay conservatives have rejected the idea that commitment to gay freedom should involve equal dedication to the causes of other marginalized people, be they racial minorities, women, or the poor. Second, Robinson demonstrates why gay conservatives embrace more traditional gender ideals—why they are hostile to effeminacy among men and mannishness among women. Finally, exploring the support for sexual restraint among gay conservatives, Robinson dissects their condemnation of promiscuity and their assault on behavior they deem dissolute.

Timely and rich in suggestive propositions, Queer Wars will prove to be essential reading for anyone interested in gay culture and contemporary politics.