BiblioVault - Books about Revolution, 1971

1971: A Global History of the Creation of Bangladesh
Srinath Raghavan
Harvard University Press, 2013
Library of Congress DS395.5.R199 2013 | Dewey Decimal 954.92051

The war of 1971 was the most significant geopolitical event in the Indian subcontinent since its partition in 1947. At one swoop, it led to the creation of Bangladesh, and it tilted the balance of power between India and Pakistan steeply in favor of India. The Line of Control in Kashmir, the nuclearization of India and Pakistan, the conflicts in Siachen Glacier and Kargil, the insurgency in Kashmir, the political travails of Bangladesh--all can be traced back to the intense nine months in 1971.

Against the grain of received wisdom, Srinath Raghavan contends that far from being a predestined event, the creation of Bangladesh was the product of conjuncture and contingency, choice and chance. The breakup of Pakistan and the emergence of Bangladesh can be understood only in a wider international context of the period: decolonization, the Cold War, and incipient globalization. In a narrative populated by the likes of Nixon, Kissinger, Zhou Enlai, Indira Gandhi, Zulfikar Ali Bhutto, Sheikh Mujibur Rahman, Tariq Ali, George Harrison, Ravi Shankar, and Bob Dylan, Raghavan vividly portrays the stellar international cast that shaped the origins and outcome of the Bangladesh crisis.

This strikingly original history uses the example of 1971 to open a window to the nature of international humanitarian crises, their management, and their unintended outcomes.

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Ethical Encounters: Transnational Feminism, Human Rights, and War Cinema in Bangladesh
Elora Halim Chowdhury
Temple University Press, 2022
Library of Congress PN1993.5.B3C48 2022 | Dewey Decimal 791.43082095492

Ethical Encounters is an exploration of the intersection of feminism, human rights, and memory to illuminate how visual practices of recollecting violent legacies in Bangladeshi cinema can conjure a global cinematic imagination for the advancement of humanity.

By examining contemporary, women-centered Muktijuddho cinema—features and documentaries that focus on the Bangladesh Liberation War of 1971—Elora Chowdhury shows how these films imagine, disrupt, and reinscribe a gendered nationalist landscape of trauma, freedom, and agency. Chowdhury analyzes Bangladeshi feminist films including Meherjaan, and Itihaash Konna (Daughters of History), as well as socially-engaged films by activist-filmmakers including Jonmo Shathi (Born Together), and Shadhinota (A Certain Liberation), to show how war films of Bangladesh can generate possibilities for gender justice.

Chowdhury argues that justice-driven films are critical to understanding and negotiating the layered meanings and consequences of catastrophic human suffering yet at the same time they hint at subjectivities and identities that are not reducible to the politics of suffering. Rather, they are key to creating an alternative and disruptive archive of feminist knowledge—a sensitive witnessing, responsible spectatorship, and just responsibility across time, and space.

Drawing on Black and transnational feminist critiques, Chowdhury explores questions around women’s place, social roles, and modes of participation in war as well as the visual language through which they become legible as victims/subjects of violence and agents of the nation. Ethical Encounters illuminates the possibilities of film as a site to articulate an ethics that acknowledges a founding violence of the birth of a nation, recuperates it even if in fragments, and imagines differently the irreconcilable relationship between humanity, liberty, and justice.

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The Spectral Wound: Sexual Violence, Public Memories, and the Bangladesh War of 1971
Nayanika Mookherjee
Duke University Press, 2015
Library of Congress DS395.5.M65 2015

Following the 1971 Bangladesh War, the Bangladesh government publicly designated the thousands of women raped by the Pakistani military and their local collaborators as birangonas, ("brave women”). Nayanika Mookherjee demonstrates that while this celebration of birangonas as heroes keeps them in the public memory, they exist in the public consciousness as what Mookherjee calls a spectral wound. Dominant representations of birangonas as dehumanized victims with disheveled hair, a vacant look, and rejected by their communities create this wound, the effects of which flatten the diversity of their experiences through which birangonas have lived with the violence of wartime rape. In critically examining the pervasiveness of the birangona construction, Mookherjee opens the possibility for a more politico-economic, ethical, and nuanced inquiry into the sexuality of war.

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Women, War, and the Making of Bangladesh: Remembering 1971
Yasmin Saikia
Duke University Press, 2011
Library of Congress HQ1236.5.B33S255 2011 | Dewey Decimal 954.920511082

Fought between India and what was then East and West Pakistan, the war of 1971 led to the creation of Bangladesh, where it is remembered as the War of Liberation. For India, the war represents a triumphant settling of scores with Pakistan. If the war is acknowledged in Pakistan, it is cast as an act of betrayal by the Bengalis. None of these nationalist histories convey the human cost of the war. Pakistani and Indian soldiers and Bengali militiamen raped and tortured women on a mass scale. In Women, War, and the Making of Bangladesh, survivors tell their stories, revealing the power of speaking that deemed unspeakable. They talk of victimization—of rape, loss of status and citizenship, and the “war babies” born after 1971. The women also speak as agents of change, as social workers, caregivers, and wartime fighters. In the conclusion, men who terrorized women during the war recollect their wartime brutality and their postwar efforts to achieve a sense of humanity. Women, War, and the Making of Bangladesh sheds new light on the relationship among nation, history, and gender in postcolonial South Asia.

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