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80 books about Places
Affrilachia
Poems
Frank X Walker
Ohio University Press, 2000
A milestone book of poetry at the intersection of Appalachian and African American literature.
In this pathbreaking debut collection, poet Frank X Walker tells the story of growing up young, Black, artistic, and male in one of America’s most misunderstood geographical regions. As a proud Kentucky native, Walker created the word “Affrilachia” to render visible the unique intersectional experience of African Americans living in the rural and Appalachian South.
Since its publication in 2000, Affrilachia has seen wide classroom use, and is recognized as one of the foundational works of the Affrilachian Poets, a community of writers offering new ways to think about diversity in the Appalachian region and beyond.
Published in 2000 by Old Cove Press
[more]
After Houses
Poetry for the Homeless by Claire Millikin
Claire Millikin
2Leaf Press, 2014
AFTER HOUSES is an extended meditation on homelessness. In unflinching, raw poetry, poet Claire Millikin explores states of homelessness, and a longing for, even a devotion to, houses—houses as spaces where one could be safe and at ease. The poems move through an American landscape, between the South and the North, between childhood and adulthood, reaching toward a home that's never reached, but always at one's fingertips. Throughout this collection, Millikin draws from personal and family history, from classical mythology and architectural theory, to shape a poetry of empathy, in which some of the places where people get lost in America are faced and given place. AFTER HOUSES echo the voices of girls who have not quite survived, but who persist, intact in the way that Rimbaud insists on intactness, in words.
[more]
Aina Hanau / Birth Land
Brandy Nalani McDougall
University of Arizona Press, 2023
‘Āina Hānau / Birth Land is a powerful collection of new poems by Kanaka ʻŌiwi (Native Hawaiian) poet Brandy Nālani McDougall. ‘Āina hānau—or the land of one’s birth—signifies identity through intimate and familial connections to place and creates a profound bond between the people in a community. McDougall’s poems flow seamlessly between ‘Ōlelo Hawai‘i and English, forming rhythms and patterns that impress on the reader a deep understanding of the land. Tracing flows from the mountains to the ocean, from the sky to the earth, and from ancestor to mother to child, these poems are rooted in the rich ancestral and contemporary literature of Hawaiʻi —moʻolelo, moʻokūʻauhau, and mele —honoring Hawaiian ʻāina, culture, language, histories, aesthetics, and futures.
The poems in Āina Hānau / Birth Land cycle through sacred and personal narratives while exposing and fighting ongoing American imperialism, settler colonialism, militarism, and social and environmental injustice to protect the ʻāina and its people. The ongoing environmental crisis in Hawaiʻi, inextricably linked to colonialism and tourism, is captured with stark intensity as McDougall writes, Violence is what we settle for / because we’ve been led to believe / green paper can feed us / more than green land. The experiences of birth, motherhood, miscarriage, and the power of Native Hawaiian traditions and self-advocacy in an often dismissive medical system is powerfully narrated by the speaker of the titular poem, written for McDougall’s daughters.
‘Āina Hānau reflects on what it means to be from and belong to an ʻāina hānau, as well as what it means to be an ‘āina hānau, as all mothers serve as the first birth lands for their children.
The poems in Āina Hānau / Birth Land cycle through sacred and personal narratives while exposing and fighting ongoing American imperialism, settler colonialism, militarism, and social and environmental injustice to protect the ʻāina and its people. The ongoing environmental crisis in Hawaiʻi, inextricably linked to colonialism and tourism, is captured with stark intensity as McDougall writes, Violence is what we settle for / because we’ve been led to believe / green paper can feed us / more than green land. The experiences of birth, motherhood, miscarriage, and the power of Native Hawaiian traditions and self-advocacy in an often dismissive medical system is powerfully narrated by the speaker of the titular poem, written for McDougall’s daughters.
‘Āina Hānau reflects on what it means to be from and belong to an ʻāina hānau, as well as what it means to be an ‘āina hānau, as all mothers serve as the first birth lands for their children.
[more]
Alone in the House of My Heart
Poems
Kari Gunter-Seymour
Ohio University Press, 2022
Deeply rooted in respect and compassion for Appalachia and its people, these poems are both paeans to and dirges for past and present family, farmlands, factories, and coal.
Kari Gunter-Seymour’s second full-length collection resounds with candid, lyrical poems about Appalachia’s social and geographical afflictions and affirmations. History, culture, and community shape the physical and personal landscapes of Gunter-Seymour’s native southeastern Ohio soil, scarred by Big Coal and fracking, while food insecurity and Big Pharma leave their marks on the region’s people. A musicality of language swaddles each poem in hope and a determination to endure. Alone in the House of My Heart offers what only art can: a series of thought-provoking images that evoke such a clear sense of place that it’s familiar to anyone, regardless of where they call home.
[more]
American Home
Sean Cho A.
Autumn House Press, 2021
Cho A.’s poetry wonders at small everyday delights.
Sean Cho A.’s debut poetry chapbook directs a keen eye on everyday occurrences and how these small events shape us as individuals. This collection is filled with longing for love, understanding, and simplicity. But these poems also express great pleasure in continued desire. With exuberant energy that flows through the collection, the speaker announces: “I won’t apologize for the smallness of my delights.” Filled with questions and wonder, these poems revel in the unknowing and liminal spaces, and we as readers are invited to join in this revelry. Cho A.’s poetry reminds and allows us to pause, to wonder, and enjoy our many pleasures.
American Home was selected by Danusha Laméris for the 2020 Autumn House Chapbook Prize.
Sean Cho A.’s debut poetry chapbook directs a keen eye on everyday occurrences and how these small events shape us as individuals. This collection is filled with longing for love, understanding, and simplicity. But these poems also express great pleasure in continued desire. With exuberant energy that flows through the collection, the speaker announces: “I won’t apologize for the smallness of my delights.” Filled with questions and wonder, these poems revel in the unknowing and liminal spaces, and we as readers are invited to join in this revelry. Cho A.’s poetry reminds and allows us to pause, to wonder, and enjoy our many pleasures.
American Home was selected by Danusha Laméris for the 2020 Autumn House Chapbook Prize.
[more]
Beyond Mobility
Planning Cities for People and Places
Robert Cervero, Erick Guerra, and Stefan Al
Island Press, 2017
Cities across the globe have been designed with a primary goal of moving people around quickly—and the costs are becoming ever more apparent. The consequences are measured in smoggy air basins, sprawling suburbs, unsafe pedestrian environments, and despite hundreds of billions of dollars in investments, a failure to stem traffic congestion. Every year our current transportation paradigm generates more than 1.25 million fatalities directly through traffic collisions. Worldwide, 3.2 million people died prematurely in 2010 because of air pollution, four times as many as a decade earlier. Instead of planning primarily for mobility, our cities should focus on the safety, health, and access of the people in them.
Beyond Mobility is about prioritizing the needs and aspirations of people and the creation of great places. This is as important, if not more important, than expediting movement. A stronger focus on accessibility and place creates better communities, environments, and economies. Rethinking how projects are planned and designed in cities and suburbs needs to occur at multiple geographic scales, from micro-designs (such as parklets), corridors (such as road-diets), and city-regions (such as an urban growth boundary). It can involve both software (a shift in policy) and hardware (a physical transformation). Moving beyond mobility must also be socially inclusive, a significant challenge in light of the price increases that typically result from creating higher quality urban spaces.
There are many examples of communities across the globe working to create a seamless fit between transit and surrounding land uses, retrofit car-oriented suburbs, reclaim surplus or dangerous roadways for other activities, and revitalize neglected urban spaces like abandoned railways in urban centers.
The authors draw on experiences and data from a range of cities and countries around the globe in making the case for moving beyond mobility. Throughout the book, they provide an optimistic outlook about the potential to transform places for the better. Beyond Mobility celebrates the growing demand for a shift in global thinking around place and mobility in creating better communities, environments, and economies.
Beyond Mobility is about prioritizing the needs and aspirations of people and the creation of great places. This is as important, if not more important, than expediting movement. A stronger focus on accessibility and place creates better communities, environments, and economies. Rethinking how projects are planned and designed in cities and suburbs needs to occur at multiple geographic scales, from micro-designs (such as parklets), corridors (such as road-diets), and city-regions (such as an urban growth boundary). It can involve both software (a shift in policy) and hardware (a physical transformation). Moving beyond mobility must also be socially inclusive, a significant challenge in light of the price increases that typically result from creating higher quality urban spaces.
There are many examples of communities across the globe working to create a seamless fit between transit and surrounding land uses, retrofit car-oriented suburbs, reclaim surplus or dangerous roadways for other activities, and revitalize neglected urban spaces like abandoned railways in urban centers.
The authors draw on experiences and data from a range of cities and countries around the globe in making the case for moving beyond mobility. Throughout the book, they provide an optimistic outlook about the potential to transform places for the better. Beyond Mobility celebrates the growing demand for a shift in global thinking around place and mobility in creating better communities, environments, and economies.
[more]
Beyond the Lab and the Field
Infrastructures as Places of Knowledge Production Since the Late Nineteenth Century
Eike-Christian Heine and Martin Meiske
University of Pittsburgh Press, 2020
Beyond the Lab and the Field analyzes infrastructures as intense sites of knowledge production in the Americas, Europe, and Asia since the late nineteenth century. Moving beyond classical places known for yielding scientific knowledge, chapters in this volume explore how the construction and maintenance of canals, highways, dams, irrigation schemes, the oil industry, and logistic networks intersected with the creation of know-how and expertise. Referred to by the authors as “scientific bonanzas,” such intersections reveal opportunities for great wealth, but also distress and misfortune.
This volume explores how innovative technologies provided research opportunities for scientists and engineers, as they relied on expertise to operate, which resulted in enormous profits for some. But, like the history of any gold rush, the history of infrastructure also reveals how technologies of modernity transformed nature, disrupting communities and destroying the local environment. Focusing not on the victory march of science and technology but on ambivalent change, contributors consider the role of infrastructures for ecology, geology, archaeology, soil science, engineering, ethnography, heritage, and polar exploration. Together, they also examine largely overlooked perspectives on modernity: the reliance of infrastructure on knowledge, and infrastructures as places and occasions that inspired a greater understanding of the natural world and the technologically made environment.
[more]
Bicycle Cowboy
And Other Poems About Growing Up
Ron Helmboldt
Parkhurst Brothers, Inc., 2016
Ride along with the Bicycle Cowboy as he shares growing-up-in-small-town Michigan stories through free verse poetry
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Black Box
Poems
Frank X Walker
Ohio University Press, 2005
A powerful collection from Frank X Walker, winner of the 2005 Lannan Literary Fellowship for Poetry.
In this collection of sixty-eight poems, Kentucky writer Frank X Walker continues the personal poetic writing of his bestselling debut collection, Affrilachia. In Black Box, he expertly melds autobiography, political commentary, and literary allusions into a devastatingly beautiful journey through the real “Affrilachia”—a word Walker created to render visible the lives of the African Americans who call the rural and Appalachian South home. Written with passion, clarity, and emotional honesty, the poems in Black Box illuminate profound experiences at the intersection of race, love, social justice, family, identity and place.
Published in 2005 by Old Cove Press
[more]
Bounded Lives, Bounded Places
Free Black Society in Colonial New Orleans, 1769–1803
Kimberly S. Hanger
Duke University Press, 1997
During Louisiana’s Spanish colonial period, economic, political, and military conditions combined with local cultural and legal traditions to favor the growth and development of a substantial group of free blacks. In Bounded Lives, Bounded Places, Kimberly S. Hanger explores the origin of antebellum New Orleans’ large, influential, and propertied free black—or libre—population, one that was unique in the South. Hanger examines the issues libres confronted as they individually and collectively contested their ambiguous status in a complexly stratified society.
Drawing on rare archives in Louisiana and Spain, Hanger reconstructs the world of late-eighteenth-century New Orleans from the perspective of its free black residents, and documents the common experiences and enterprises that helped solidify libres’ sense of group identity. Over the course of three and a half decades of Spanish rule, free people of African descent in New Orleans made their greatest advances in terms of legal rights and privileges, demographic expansion, vocational responsibilities, and social standing. Although not all blacks in Spanish New Orleans yearned for expanded opportunity, Hanger shows that those who did were more likely to succeed under Spain’s dominion than under the governance of France, Great Britain, or the United States.
The advent of U.S. rule brought restrictions to both manumission and free black activities in New Orleans. Nonetheless, the colonial libre population became the foundation for the city’s prosperous and much acclaimed Creoles of Color during the antebellum era.
Drawing on rare archives in Louisiana and Spain, Hanger reconstructs the world of late-eighteenth-century New Orleans from the perspective of its free black residents, and documents the common experiences and enterprises that helped solidify libres’ sense of group identity. Over the course of three and a half decades of Spanish rule, free people of African descent in New Orleans made their greatest advances in terms of legal rights and privileges, demographic expansion, vocational responsibilities, and social standing. Although not all blacks in Spanish New Orleans yearned for expanded opportunity, Hanger shows that those who did were more likely to succeed under Spain’s dominion than under the governance of France, Great Britain, or the United States.
The advent of U.S. rule brought restrictions to both manumission and free black activities in New Orleans. Nonetheless, the colonial libre population became the foundation for the city’s prosperous and much acclaimed Creoles of Color during the antebellum era.
[more]
Canadian Wetlands
Places and People
Rod Giblett
Intellect Books, 2014
In Canadian Wetlands, Rod Giblett reads the Canadian canon against the grain, critiquing its popular representation of wetlands and proposing alternatives by highlighting the work of recent and contemporary Canadian authors, such as Douglas Lochhead and Harry Thurston, and by entering into dialogue with American writers. The book will engender mutual respect between researchers for the contribution that different disciplinary approaches can and do make to the study and conservation of wetlands internationally.
[more]
Coffin Honey
Todd Davis
Michigan State University Press, 2022
In Coffin Honey, his seventh book of poems, celebrated poet Todd Davis explores the many forms of violence we do to each other and to the other living beings with whom we share the planet. Here racism, climate collapse, and pandemic, as well as the very real threat of extinction—both personal and across ecosystems—are dramatized in intimate portraits of Rust-Belt Appalachia: a young boy who has been sexually assaulted struggles with dreams of revenge and the possible solace that nature might provide; a girl whose boyfriend has enlisted in the military faces pregnancy alone; and a bear named Ursus navigates the fecundity of the forest after his own mother’s death, literally crashing into the encroaching human world. Each poem in Coffin Honey seeks to illuminate beauty and suffering, the harrowing precipice we find ourselves walking nearer to in the twenty-first century. As with his past prize-winning volumes, Davis, whose work Orion Magazine likens to that of Wendell Berry and Mary Oliver, names the world with love and care, demonstrating what one reviewer describes as his knowledge of “Latin names, common names, habitats, and habits . . . steeped in the exactness of the earth and the science that unfolds in wildness.”
[more]
The Columbus Anthology
Amanda Page
The Ohio State University Press, 2020
Columbus, Ohio, is a place whose identity centers on its supposed lack of identity—an American “every place” that has launched countless chain dining concepts. Enter the contributors to this wide-ranging volume, who are all too happy to fight back against that reputation, even as they recognize it as an inevitable facet of the ever-growing city they call home. “Maybe we’re not having trouble designing a definitive identity,” writes Amanda Page in her introduction. “Maybe we are a city that is constantly considering what it will become.”
Race, sports, the endless squeeze of gentrification, the city’s booming literary and comics scenes, its reputation as a haven for queer life, the sometimes devastating differences in perspective among black and white, native and transplant residents—and more than one tribute to Buckeye Donuts—make this anthology a challenging and an energizing read. From Hanif Abdurraqib’s sparkling and urgent portrait of Columbus’s vital immigrant culture as experienced through Crew games to Nick Dekker’s insights into breakfast as a vehicle for getting to know a city to the poetry of Maggie Smith and Ruth Awad, the pieces gathered here show us a Columbus far more textured than any test marketer could dream up.
Race, sports, the endless squeeze of gentrification, the city’s booming literary and comics scenes, its reputation as a haven for queer life, the sometimes devastating differences in perspective among black and white, native and transplant residents—and more than one tribute to Buckeye Donuts—make this anthology a challenging and an energizing read. From Hanif Abdurraqib’s sparkling and urgent portrait of Columbus’s vital immigrant culture as experienced through Crew games to Nick Dekker’s insights into breakfast as a vehicle for getting to know a city to the poetry of Maggie Smith and Ruth Awad, the pieces gathered here show us a Columbus far more textured than any test marketer could dream up.
[more]
Conceiving Cultures
Reproducing People and Places on Nuakata, Papua New Guinea
Shelley Mallett
University of Michigan Press, 2003
Conceiving Cultures critically reflects on the ways anthropologists come to understand and represent the people and cultures that they study. These ideas are developed through an ethnographic study that explores notions of the gendered person through knowledge and practices relating to reproductive health on the Massim island of Nuakata in Papua New Guinea. Conceiving Cultures makes explicit anthropology's implicit project to understand the self by way of the other.
Shelley Mallett is Research Fellow at the Key Centre for Women's Health in Society at Melbourne University.
Shelley Mallett is Research Fellow at the Key Centre for Women's Health in Society at Melbourne University.
[more]
Creep Love
Michael Walsh
Autumn House Press, 2021
Michael Walsh’s poetry collection Creep Love explores a family contending with a complex and ongoing crisis, the aftermath of which creates a shockwave that reverberates through these poems. Stories, half-truths, and lies combine into disturbing fable: A young pregnant woman flees her abusive boyfriend only to discover with terror that he is focused on her younger sister. When her younger sister later gives birth to her abusive ex’s other sons, the unsettling presence of the child’s father becomes unavoidable, and the family soon forces the first son to become a family secret.
We come to find out that the father carries a secret of his own. As tensions rise, attacks within the family escalate and finally culminate in an attempted murder. In Creep Love, Walsh captures the terror of this event, and these poems take us through the surprising outcomes. Near death, rather than floating into light due to hypoxia—a temporary release from the grip of compounding trauma—the speaker sinks into all-encompassing darkness. The anxiety of this moment returns him to his body from the edge of death. These poems give witness to the fallout, demonstrating how love can be charged with something ultimately unknowable.
We come to find out that the father carries a secret of his own. As tensions rise, attacks within the family escalate and finally culminate in an attempted murder. In Creep Love, Walsh captures the terror of this event, and these poems take us through the surprising outcomes. Near death, rather than floating into light due to hypoxia—a temporary release from the grip of compounding trauma—the speaker sinks into all-encompassing darkness. The anxiety of this moment returns him to his body from the edge of death. These poems give witness to the fallout, demonstrating how love can be charged with something ultimately unknowable.
[more]
Cutlish
Rajiv Mohabir
Four Way Books, 2021
In Cutlish, a title referencing the rural recasting of the cutlass or machete, Rajiv Mohabir creates a form migrated from Caribbean chutney music in order to verse the precarity of a queer Indo-Caribbean speaker in the newest context of the United States. By joining the disparate threads of his fading, often derided, multilingual Guyanese Creole and Guyanese Bhojpuri linguistic inheritances, Mohabir mingles the ghosts that haunt from the cane fields his ancestors worked with the canonical colonial education of his elders, creating a new syncretic American poetry — pushing through the “post” of postcolonial, the “poet” in the poetic.
[more]
Democracy's Lot
Rhetoric, Publics, and the Places of Invention
Candice Rai
University of Alabama Press, 2016
Traces the communication strategies of various constituencies in a Chicago neighborhood, offering insights into the challenges that beset diverse urban populations and demonstrating persuasively rhetoric’s power to illuminate and resolve charged conflicts
Candice Rai’s Democracy’s Lot is an incisive exploration of the limitations and possibilities of democratic discourse for resolving conflicts in urban communities. Rai roots her study of democratic politics and publics in a range of urban case studies focused on public art, community policing, and urban development. These studies examine the issues that erupted within an ethnically and economically diverse Chicago neighborhood over conflicting visions for a vacant lot called Wilson Yard. Tracing how residents with disparate agendas organized factions and deployed language, symbols, and other rhetorical devices in the struggle over Wilson Yard’s redevelopment and other contested public spaces, Rai demonstrates that rhetoric is not solely a tool of elite communicators, but rather a framework for understanding the agile communication strategies that are improvised in the rough-and-tumble work of democratic life.
Wilson Yard, a lot eight blocks north of Wrigley Field in Chicago’s gentrifying Uptown neighborhood, is a diverse enclave of residents enlivened by recent immigrants from Guatemala, Mexico, Vietnam, Ethiopia, and elsewhere. The neighborhood’s North Broadway Street witnesses a daily multilingual hubbub of people from a wide spectrum of income levels, religions, sexual identifications, and interest groups. When a fire left the lot vacant, this divided community projected on Wilson Yard disparate and conflicting aspirations, the resolution of which not only determined the fate of this particular urban space, but also revealed the lot of democracy itself as a process of complex problem-solving. Rai’s detailed study of one block in an iconic American city brings into vivid focus the remarkable challenges that beset democratic urban populations anywhere on the globe—and how rhetoric supplies a framework to understand and resolve those challenges.
Based on exhaustive field work, Rai uses rhetorical ethnography to study competing publics, citizenship, and rhetoric in action, exploring “rhetorical invention,” the discovery or development by individuals of the resources or methods of engaging with and persuading others. She builds a case for democratic processes and behaviors based not on reflexive idealism but rather on the hard work and practice of democracy, which must address apathy, passion, conflict, and ambivalence.
Candice Rai’s Democracy’s Lot is an incisive exploration of the limitations and possibilities of democratic discourse for resolving conflicts in urban communities. Rai roots her study of democratic politics and publics in a range of urban case studies focused on public art, community policing, and urban development. These studies examine the issues that erupted within an ethnically and economically diverse Chicago neighborhood over conflicting visions for a vacant lot called Wilson Yard. Tracing how residents with disparate agendas organized factions and deployed language, symbols, and other rhetorical devices in the struggle over Wilson Yard’s redevelopment and other contested public spaces, Rai demonstrates that rhetoric is not solely a tool of elite communicators, but rather a framework for understanding the agile communication strategies that are improvised in the rough-and-tumble work of democratic life.
Wilson Yard, a lot eight blocks north of Wrigley Field in Chicago’s gentrifying Uptown neighborhood, is a diverse enclave of residents enlivened by recent immigrants from Guatemala, Mexico, Vietnam, Ethiopia, and elsewhere. The neighborhood’s North Broadway Street witnesses a daily multilingual hubbub of people from a wide spectrum of income levels, religions, sexual identifications, and interest groups. When a fire left the lot vacant, this divided community projected on Wilson Yard disparate and conflicting aspirations, the resolution of which not only determined the fate of this particular urban space, but also revealed the lot of democracy itself as a process of complex problem-solving. Rai’s detailed study of one block in an iconic American city brings into vivid focus the remarkable challenges that beset democratic urban populations anywhere on the globe—and how rhetoric supplies a framework to understand and resolve those challenges.
Based on exhaustive field work, Rai uses rhetorical ethnography to study competing publics, citizenship, and rhetoric in action, exploring “rhetorical invention,” the discovery or development by individuals of the resources or methods of engaging with and persuading others. She builds a case for democratic processes and behaviors based not on reflexive idealism but rather on the hard work and practice of democracy, which must address apathy, passion, conflict, and ambivalence.
[more]
Discover Colorado
Its People, Places, and Times
Matthew Downey and Ty Bliss
University Press of Colorado, 2012
Discover Colorado
Its People, Places, and Times
Matthey Downey
University Press of Colorado, 2012
Dream Play Build
Hands-On Community Engagement for Enduring Spaces and Places
James Rojas and John Kamp
Island Press, 2022
The room is dim, the chairs are in perfectly lined rows. The city planner puts up a color-coded diagram of the street improvement project, dreading the inevitable angry responses.
Jana loves her community and is glad to be able to attend the evening meeting, and she has a lot of ideas for community change. But she has a hard time hearing, and can’t see the diagrams clearly. She leaves early.
It’s time to imagine a different type of community engagement – one that inspires connection, creativity, and fun.
People love their communities and want them to become safer, healthier, more prosperous places. But the standard approach to public meetings somehow makes everyone miserable. Conversations that should be inspiring can become shouting matches. So what would it look like to facilitate truly meaningful discussions between citizens and planners? What if they could be fun?
For twenty years, James Rojas and John Kamp have been looking to art, creative expression, and storytelling to shake up the classic community meeting. In Dream Play Build, they share their insights into building common ground and inviting active participation among diverse groups. Their approach, “Place It!,” draws on three methods: the interactive model-building workshop, the pop-up, and site exploration using our senses. Using our hands to build and create is central to what makes us human, helping spark ideas without relying on words to communicate. Deceptively playful, this method is remarkably effective at teasing out community dreams and desires from hands-on activities. Dream Play Build offers wisdom distilled from workshops held around the world, and a deep dive into the transformational approach and results from the South Colton community in southern California. While much of the process was developed through in-person meetings, the book also translates the experience to online engagement--how to make people remember their connections beyond the computer screen.
Inspirational and fun, Dream Play Build celebrates the value of engaging with the dreams we have for our communities. Readers will find themselves weaving these artful, playful lessons and methods into their own efforts for making change within the landscape around them.
Jana loves her community and is glad to be able to attend the evening meeting, and she has a lot of ideas for community change. But she has a hard time hearing, and can’t see the diagrams clearly. She leaves early.
It’s time to imagine a different type of community engagement – one that inspires connection, creativity, and fun.
People love their communities and want them to become safer, healthier, more prosperous places. But the standard approach to public meetings somehow makes everyone miserable. Conversations that should be inspiring can become shouting matches. So what would it look like to facilitate truly meaningful discussions between citizens and planners? What if they could be fun?
For twenty years, James Rojas and John Kamp have been looking to art, creative expression, and storytelling to shake up the classic community meeting. In Dream Play Build, they share their insights into building common ground and inviting active participation among diverse groups. Their approach, “Place It!,” draws on three methods: the interactive model-building workshop, the pop-up, and site exploration using our senses. Using our hands to build and create is central to what makes us human, helping spark ideas without relying on words to communicate. Deceptively playful, this method is remarkably effective at teasing out community dreams and desires from hands-on activities. Dream Play Build offers wisdom distilled from workshops held around the world, and a deep dive into the transformational approach and results from the South Colton community in southern California. While much of the process was developed through in-person meetings, the book also translates the experience to online engagement--how to make people remember their connections beyond the computer screen.
Inspirational and fun, Dream Play Build celebrates the value of engaging with the dreams we have for our communities. Readers will find themselves weaving these artful, playful lessons and methods into their own efforts for making change within the landscape around them.
[more]
Embattled Bodies, Embattled Places
War in Pre-Columbian Mesoamerica and the Andes
Andrew K. Scherer
Harvard University Press
With spears and arrows, atl-atls and slings, the people of the New World fought to defend themselves against European invasion and conquest. Over a century of scholarship on warfare has substantially enhanced our understanding of the scope and scale of violent conflict in Pre-Columbian America. Yet we still struggle to understand the nuances of indigenous warfare and its importance for native politics and society. This volume sheds new light on the nature of war in Mesoamerica and the Andes. Relying on methodological and theoretical developments in anthropological archaeology, bioarchaeology, and ethnohistory, contributors highlight the particularities of warfare in indigenous societies and examine the commonalities of warfare in cross-cultural perspective. Their essays focus on place and the body, as they explore the importance of captive-taking, sacrifice, performance, and political history in the conduct of war. Observers have debated whether the indigenous peoples of the Americas were distinctly noble or frightfully savage in their way of war. This volume shows that such polarized positions are unfounded. By focusing on the nuances of indigenous violent conflict, the contributors demonstrate that war in the Americas was much like war elsewhere in the ancient and modern world: strategic, political, bloody, socially productive, yet terribly destructive.
[more]
English Lit
Poems
Bernard Clay
Ohio University Press, 2021
Autobiographical poetry from one of Kentucky’s rising Affrilachian literary stars.
Bernard Clay’s autobiographical poetry debut, English Lit, juxtaposes the roots of Black male identity against an urban and rural Kentucky landscape. Hailed as one of the most authentic voices of his generation, Clay artfully renders coming-of-age in the predominately Black West End of Louisville, Kentucky. Balancing the spirited grit of a farmer and the careful lyricism of a poet, English Lit is a triumph of new Affrilachian—African American and Appalachian—literature.
[more]
Field Rhetoric
Ethnography, Ecology, and Engagement in the Places of Persuasion
Edited by Candice Rai and Caroline Gottschalk Druschke
University of Alabama Press, 2018
A survey of the innovative scholarship emerging at the intersections of rhetoric, and fieldwork
A variety of research areas within rhetorical studies—including everyday and public rhetorics, space and place-based work, material and ecological approaches, environmental communication, technical communication, and critical and participatory action research, among others—have increasingly called for ethnographic fieldwork that grounds the study of rhetoric within the contexts of its use and circulation. Employing field methods more commonly used by ethnographers allows researchers to capture rhetoric in action and to observe the dynamic circumstances that shape persuasion in ordinary life.
Field Rhetoric: Ethnography, Ecology, and Engagement in the Places of Persuasion gathers new essays that describe and theorize this burgeoning transdisciplinary mode of field-based scholarship. Contributors document and support this ethnographic turn in rhetorical studies through sustained examination of the diverse trends, methods, tools, theories, practices, and possibilities for engaging in rhetorical field research.
This fascinating volume offers an introduction to these inquiries and serves as both a practical resource and theoretical foundation for scholars, teachers, and students interested in the intersection of rhetoric and field studies. Editors Candice Rai and Caroline Gottschalk Druschke have assembled scholars working in diverse field sites to map and initiate key debates on the practices, limitations, and value of rhetorical field methods and research. Working synthetically at the junction of rhetorical theory and field practices, the contributors to this collection build from myriad field-based cases to examine diverse theoretical and methodological considerations. The volume also serves as a useful reference for interdisciplinary qualitative researchers interested in doing research from a rhetorical or discursive perspective in various disciplines and fields, such as English, composition, communication, natural resources, geography, sociology, urban planning, anthropology, and more.
A variety of research areas within rhetorical studies—including everyday and public rhetorics, space and place-based work, material and ecological approaches, environmental communication, technical communication, and critical and participatory action research, among others—have increasingly called for ethnographic fieldwork that grounds the study of rhetoric within the contexts of its use and circulation. Employing field methods more commonly used by ethnographers allows researchers to capture rhetoric in action and to observe the dynamic circumstances that shape persuasion in ordinary life.
Field Rhetoric: Ethnography, Ecology, and Engagement in the Places of Persuasion gathers new essays that describe and theorize this burgeoning transdisciplinary mode of field-based scholarship. Contributors document and support this ethnographic turn in rhetorical studies through sustained examination of the diverse trends, methods, tools, theories, practices, and possibilities for engaging in rhetorical field research.
This fascinating volume offers an introduction to these inquiries and serves as both a practical resource and theoretical foundation for scholars, teachers, and students interested in the intersection of rhetoric and field studies. Editors Candice Rai and Caroline Gottschalk Druschke have assembled scholars working in diverse field sites to map and initiate key debates on the practices, limitations, and value of rhetorical field methods and research. Working synthetically at the junction of rhetorical theory and field practices, the contributors to this collection build from myriad field-based cases to examine diverse theoretical and methodological considerations. The volume also serves as a useful reference for interdisciplinary qualitative researchers interested in doing research from a rhetorical or discursive perspective in various disciplines and fields, such as English, composition, communication, natural resources, geography, sociology, urban planning, anthropology, and more.
[more]
Gentefication
Antonio de Jesús López
Four Way Books, 2021
“Gentefication” nuances Latinidad as not just an immigration question, but an academic one. It deals with Latinx death not as the literal passing
of bodies, but as first tied with language. It asks, what are the hauntings of a tongue that is repeatedly told, ‘one must learn English in order to succeed in this country’? What is the psychological trauma deployed not by right-wing bigots, but of white liberal institutions that give scholarships to Latinx students, but nevertheless prop up white supremacy by viewing their payments as charity? How do Latinx students become complicit in this tokenizing? “Gentefication” wrestles with this ‘survivor’s guilt’ of higher education, of feeling as if you’re the only one among your homies that ‘made it.’ And in an American moment dealing with scandals across multiple universities this work is a timely intervention that advocates for first-generation audiences, for readers of color, and for all those vested in the protracted struggle for our fair shot.
[more]
Given
Liza Katz Duncan
Autumn House Press, 2023
A tender poetry collection considering home, family, and personal and ecological loss.
Liza Katz Duncan’s debut collection is a poignant exploration of the unpredictable shifts that shape our lives. Given considers the notions of home and family and how to survive the changes and losses associated with both. Duncan conjures her home, the New Jersey Shore, in clear and unsentimental lines: “Call of the grackle, / whine of the turkey vulture. Blighted clams, // raw and red in their half-shells.” Duncan’s poems also explore the devastation brought to this place and its community by Superstorm Sandy and the continued impacts of climate change.
Interwoven into this thread is the narrator’s miscarriage; the parallels between the desecrated landscape and the personal catastrophe further contribute to the layers of tenderness in this collection, as Duncan urges us to remember and to witness. Despite tragedy and loss, Given is imbued with persistent, dogged hope, showing how survival persists amongst the wreckage, and from this debris is a path towards healing our grief.
Given was the winner of 2022 Autumn House Rising Writer Prize in Poetry.
Liza Katz Duncan’s debut collection is a poignant exploration of the unpredictable shifts that shape our lives. Given considers the notions of home and family and how to survive the changes and losses associated with both. Duncan conjures her home, the New Jersey Shore, in clear and unsentimental lines: “Call of the grackle, / whine of the turkey vulture. Blighted clams, // raw and red in their half-shells.” Duncan’s poems also explore the devastation brought to this place and its community by Superstorm Sandy and the continued impacts of climate change.
Interwoven into this thread is the narrator’s miscarriage; the parallels between the desecrated landscape and the personal catastrophe further contribute to the layers of tenderness in this collection, as Duncan urges us to remember and to witness. Despite tragedy and loss, Given is imbued with persistent, dogged hope, showing how survival persists amongst the wreckage, and from this debris is a path towards healing our grief.
Given was the winner of 2022 Autumn House Rising Writer Prize in Poetry.
[more]
Grand Excursions on the Upper Mississippi River
Places, Landscapes, and Regional Identity after 1854
Curtis C. & Elizabeth M. Roseman & Roseman
University of Iowa Press, 2004
In June 1854 the Grand Excursion celebrated in festive style the completion of the Chicago and Rock Island Railroad to the Mississippi River. Hundreds of dignitaries including newspaper editors and other journalists; politicians; academics, writers and artists; business and industry leaders; and railroad officials were among those who traveled by rail from Chicago to Rock Island, Illinois, then by steamboat to St. Paul in Minnesota Territory. The travelers were shown a region undergoing rapid settlement by Europeans—an area of great natural beauty offering many promises for additional development.
One hundred and fifty years later, the thirteen essays in this volume examine the activities and environments of the 1854 Grand Excursion and place them in the context of an evolving regional identity for the Upper Mississippi River Valley based on the economy, culture, geography, and history of the area. In a series of “excursions,” the contributors explore the building of the Chicago and Rock Island Railroad, eastern newspaper accounts of the 1854 excursion, steamboating, the area’s pictorial landscape, passenger trains along the scenic river, the genesis and features of river towns, the control of the river for navigation, the development of preserves, parks, and recreation areas, the lumber industry, and commercial fishing. The book concludes by examining the resurgence of river-oriented development, as river towns are once again embracing the Mississippi.
Generously illustrated with maps, engravings, ephemera, and historic and present-day photographs, Grand Excursions on the Upper Mississippi River will be of interest to tourists and residents of the area, river aficionados, railroad and steamboat history buffs, as well as academics interested in the history, geography, and regional development of the area.
One hundred and fifty years later, the thirteen essays in this volume examine the activities and environments of the 1854 Grand Excursion and place them in the context of an evolving regional identity for the Upper Mississippi River Valley based on the economy, culture, geography, and history of the area. In a series of “excursions,” the contributors explore the building of the Chicago and Rock Island Railroad, eastern newspaper accounts of the 1854 excursion, steamboating, the area’s pictorial landscape, passenger trains along the scenic river, the genesis and features of river towns, the control of the river for navigation, the development of preserves, parks, and recreation areas, the lumber industry, and commercial fishing. The book concludes by examining the resurgence of river-oriented development, as river towns are once again embracing the Mississippi.
Generously illustrated with maps, engravings, ephemera, and historic and present-day photographs, Grand Excursions on the Upper Mississippi River will be of interest to tourists and residents of the area, river aficionados, railroad and steamboat history buffs, as well as academics interested in the history, geography, and regional development of the area.
[more]
Habitat Threshold
Craig Santos Perez
Omnidawn, 2019
With Habitat Threshold, Craig Santos Perez has crafted a timely collection of eco-poetry that explores his ancestry as a native Pacific Islander, the ecological plight of his homeland, and his fears for the future. The book begins with the birth of the author’s daughter, capturing her growth and childlike awe at the wonders of nature. As it progresses, Perez confronts the impacts of environmental injustice, the ravages of global capitalism, toxic waste, animal extinction, water rights, human violence, mass migration, and climate change. Throughout, he mourns lost habitats and species, and confronts his fears for the future world his daughter will inherit. Amid meditations on calamity, this work does not stop at the threshold of elegy. Instead, the poet envisions a sustainable future in which our ethics are shaped by the indigenous belief that the earth is sacred and all beings are interconnected—a future in which we cultivate love and “carry each other towards the horizon of care.”
Through experimental forms, free verse, prose, haiku, sonnets, satire, and a method he calls “recycling,” Perez has created a diverse collection filled with passion. Habitat Threshold invites us to reflect on the damage done to our world and to look forward, with urgency and imagination, to the possibility of a better future.
Through experimental forms, free verse, prose, haiku, sonnets, satire, and a method he calls “recycling,” Perez has created a diverse collection filled with passion. Habitat Threshold invites us to reflect on the damage done to our world and to look forward, with urgency and imagination, to the possibility of a better future.
[more]
Heritage and Tourism
Places, Imageries and the Digital Age
Edited by Linde Egberts and Maria D. Alvarez
Amsterdam University Press, 2018
Heritage and tourism mutually reinforce each other, with the presentation of heritage at physical sites mirrored by the ways heritage ispresented on the internet. This interdisciplinary book uses humanities and social sciences to analyse the ways that heritage is brandedand commodified, how stakeholders organise place brands, and how digital strategies shape how visitors appreciate heritage sites. The book covers a wide geographic diversity, offering the reader the chance to find cross-cutting themes and area-specific features of the field.
[more]
Hitchcock's People, Places, and Things
John Bruns
Northwestern University Press, 2019
Hitchcock’s People, Places, and Things argues that Alfred Hitchcock was as much a filmmaker of things and places as he was of people. Drawing on the thought of Bruno Latour, John Bruns traces the complex relations of human and nonhuman agents in Hitchcock’s films with the aim of mapping the Hitchcock landscape cognitively, affectively, and politically. Yet this book does not promise that such a map can or will cohere, for Hitchcock was just as adept at misdirection as he was at direction. Bearing this in mind and true to the Hitchcock spirit, Hitchcock’s People, Places, and Things anticipates that people will stumble into the wrong places at the wrong time, places will be made uncanny by things, and things exchanged between people will act as (not-so) secret agents that make up the perilous landscape of Hitchcock’s work.
This book offers new readings of well-known Hitchcock films, including The Lodger, Shadow of a Doubt, Psycho, The Birds, and Marnie, as well as insights into lesser-discussed films such as I Confess and Family Plot. Additional close readings of the original theatrical trailer for Psycho and a Hitchcock-directed episode of Alfred Hitchcock Presents expand the Hitchcock landscape beyond conventional critical borders. In tracing the network of relations in Hitchcock’s work, Bruns brings new Hitchcockian tropes to light. For students, scholars, and serious fans, the author promises a thrilling critical navigation of the Hitchcock landscape, with frequent “mental shake-ups” that Hitchcock promised his audience.
This book offers new readings of well-known Hitchcock films, including The Lodger, Shadow of a Doubt, Psycho, The Birds, and Marnie, as well as insights into lesser-discussed films such as I Confess and Family Plot. Additional close readings of the original theatrical trailer for Psycho and a Hitchcock-directed episode of Alfred Hitchcock Presents expand the Hitchcock landscape beyond conventional critical borders. In tracing the network of relations in Hitchcock’s work, Bruns brings new Hitchcockian tropes to light. For students, scholars, and serious fans, the author promises a thrilling critical navigation of the Hitchcock landscape, with frequent “mental shake-ups” that Hitchcock promised his audience.
[more]
Ice Hours
Marion Starling Boyer
Michigan State University Press, 2023
Ice Hours is a suite of poems set in majestic and severe Antarctica, chronicling the nearly forgotten story of the Ross Sea party. Weaving historical and scientific research into lilting verse, Marion Starling Boyer follows the adventurers who sailed on the Aurora at the beginning of World War I to support Sir Ernest Shackleton’s 1914–1917 Imperial Trans-Antarctic Expedition. These poems reveal the characters of the explorers and the conflicts they faced during the two years they labored to lay a chain of supply depots across the ice, unaware that Shackleton would never come because his ship, the Endurance, sank on the opposite side of the continent. The Ross Sea men battled frozen wastelands, scurvy, snow-blindness, starvation, hypothermia, and frostbite while their ship, the Aurora, was ice-trapped, marooning them without vital equipment, clothing, fuel, and food. Through lyric and formal poetic forms, Ice Hours brings to life the close of a heroic period interwoven with the brooding voice of the Antarctic continent, evoking themes of what occurs when humanity engages with the sublime.
[more]
Imaginarium
Sightings, Galleries, Sightlines
A. Robert Lee
2Leaf Press, 2013
IMAGINARIUM: SIGHTINGS, GALLERIES, SIGHTLINES, A. Robert Lee's latest collection of poetry, turns on two connecting keynotes: imagination and sight. Across a broad canvas each of its sequences explores the ways we go about imagining as much as seeing reality. Sightings, which opens the book, turns upon a dozen or so celebrated paintings, among them J.M.W. Turner and Frida Kahlo. Galleries extends the usual meaning of the term to include vantage-points like a French archeological cave, a Bosphorus Straits crossing and a Tokyo station. Sightlines frames a run of personal encounters within the heights and widths of buildings and landscapes -- whether different Metro stations, or a major Japanese waterfall or Memphis's Beale Street. IMAGINARIUM explores yet other kinds of seeing, including poems that use bird flight as metaphors of imagination, airplane travel and its larger meanings of self-journey, science fiction film and the envisioning of other worlds, a roster of US photography, and imagination itself as a process to be imagined. In sum the reader is invited into a two-way exchange, imagination as seeing, seeing as imagination.
[more]
In the Antarctic Circle
Dennis James Sweeney
Autumn House Press, 2021
This collection addresses issues of identity as two people find themselves living in an uncommon landscape. Through hybrid narrative prose poems, Hank and an unnamed narrator try to navigate their relationship and understand their identities amid a landscape that offers them almost nothing. The continent at first seems empty, but something emerges in the vacuum of Antarctica. The narrator’s gender skips and changes, and the characters’ self-awareness grows into a sort of horror. Dennis James Sweeney’s poems consider the fullness of emptiness, revealing attempts to love and grow when surrounded by a white and frigid landscape that seems to go on forever.
The space of these poems is something beyond the Antarctic of scientific exploration, the icy outpost that has served for so long as a masculine proving ground for polar explorers. This is the Antarctica of domestic disharmony, of love amid loneliness, where two people encounter themselves in the changeless breadth at the end of the world.
In the Antarctic Circle is the winner of the Autumn House Press 2020 Rising Writer Prize in Poetry.
The space of these poems is something beyond the Antarctic of scientific exploration, the icy outpost that has served for so long as a masculine proving ground for polar explorers. This is the Antarctica of domestic disharmony, of love amid loneliness, where two people encounter themselves in the changeless breadth at the end of the world.
In the Antarctic Circle is the winner of the Autumn House Press 2020 Rising Writer Prize in Poetry.
[more]
In the Antarctic Circle
Dennis James Sweeney
Autumn House Press, 2021
This collection addresses issues of identity as two people find themselves living in an uncommon landscape. Through hybrid narrative prose poems, Hank and an unnamed narrator try to navigate their relationship and understand their identities amid a landscape that offers them almost nothing. The continent at first seems empty, but something emerges in the vacuum of Antarctica. The narrator’s gender skips and changes, and the characters’ self-awareness grows into a sort of horror. Dennis James Sweeney’s poems consider the fullness of emptiness, revealing attempts to love and grow when surrounded by a white and frigid landscape that seems to go on forever.
The space of these poems is something beyond the Antarctic of scientific exploration, the icy outpost that has served for so long as a masculine proving ground for polar explorers. This is the Antarctica of domestic disharmony, of love amid loneliness, where two people encounter themselves in the changeless breadth at the end of the world.
In the Antarctic Circle is the winner of the Autumn House Press 2020 Rising Writer Prize in Poetry.
The space of these poems is something beyond the Antarctic of scientific exploration, the icy outpost that has served for so long as a masculine proving ground for polar explorers. This is the Antarctica of domestic disharmony, of love amid loneliness, where two people encounter themselves in the changeless breadth at the end of the world.
In the Antarctic Circle is the winner of the Autumn House Press 2020 Rising Writer Prize in Poetry.
[more]
Ishmael Mask
Charles Kell
Autumn House Press, 2023
Poems that consider the instability of identity through fictional and religious characters.
In Ishmael Mask, Charles Kell reminds us that identity is precarious. Kell’s collection is a collage of the journeys and interior lives of various wanderers—from Ishmael, the son of Hagar, to Melville’s Ishmael, and from Pierre of The Ambiguities to Pierre Guyotat. Each poem strips back the mask and beckons us to witness humanity in its barest forms. Captain Ahab’s leg, Ishmael’s arm, and Pierre’s severed head serve as invitations to consider hunger and hope. The inspirations behind these poems—the Bible, Heraclitus, Melville, Guyotat, Tomaž Šalamun—are transformed by Kell, conjuring dreamscapes both dazzling and haunting.
Ishmael Mask masterfully allows a glimpse into the human experience of feeling lost—even when right at home, even in our own bodies.
In Ishmael Mask, Charles Kell reminds us that identity is precarious. Kell’s collection is a collage of the journeys and interior lives of various wanderers—from Ishmael, the son of Hagar, to Melville’s Ishmael, and from Pierre of The Ambiguities to Pierre Guyotat. Each poem strips back the mask and beckons us to witness humanity in its barest forms. Captain Ahab’s leg, Ishmael’s arm, and Pierre’s severed head serve as invitations to consider hunger and hope. The inspirations behind these poems—the Bible, Heraclitus, Melville, Guyotat, Tomaž Šalamun—are transformed by Kell, conjuring dreamscapes both dazzling and haunting.
Ishmael Mask masterfully allows a glimpse into the human experience of feeling lost—even when right at home, even in our own bodies.
[more]
The Land of the Dead Is Open for Business
Jacob Strautmann
Four Way Books, 2020
The Land of the Dead Is Open for Business is an extended elegy for Jacob Strautmann’s home state of West Virginia and its generations of inhabitants sold out by the false promise of the American Dream. Throughout the book, voices rise up from the page to describe a landscape eroded and plundered by runaway capitalism—its mountain tops leveled by the extractive industries, its waters polluted by runoff from mines—and the fallout from that waste. Those who remain are consigned to life in a ravaged land denuded of nature where birds die and “Sheep / birth limp two-headed things and some / that speak like men if they speak at all.”
[more]
Looping Detroit
A People Mover Travelogue
Nick Tobier
Michigan Publishing Services, 2016
Equal parts urban culture and poetic travelogue, Looping Detroit is a collection of observations each taking place in and around one station stop of Detroit’s People Mover. Built in 1987, the People Mover was and is largely regarded as a public transit boondoggle—costly, circumscribed, and, in light of these, a particularly egregious investment within a city lacking sufficient public transportation. At a time when Detroit’s downtown development is booming, with tremendous investment in a downtown that was ignored for decades, the very real possibility exists that this new interest will parallel the same investment patterns that brought the over invested People Mover to a fragment of the city.
Looping Detroit invites artists and writers to ride the small loop as an explorer, mining the environs around each station as a poetic ramble, a psycho geographic wander, a cultural inquiry that simultaneously ponders the poetics of circulating above the city streets while probing the greater narrative of Detroit’s public transit conundrum.
Contributors include award-winning Detroit novelists Lolita Hernandez and Michael Zardoorian, poets Gloria House and Walter Lacy, music producer Cornelius Harris, Chace MicWrite Morris, frontman of the Detroit hip-hop trio Coldmen Young, and radio producer Zak Rosen.
Looping Detroit invites artists and writers to ride the small loop as an explorer, mining the environs around each station as a poetic ramble, a psycho geographic wander, a cultural inquiry that simultaneously ponders the poetics of circulating above the city streets while probing the greater narrative of Detroit’s public transit conundrum.
Contributors include award-winning Detroit novelists Lolita Hernandez and Michael Zardoorian, poets Gloria House and Walter Lacy, music producer Cornelius Harris, Chace MicWrite Morris, frontman of the Detroit hip-hop trio Coldmen Young, and radio producer Zak Rosen.
[more]
Loving Mountains, Loving Men
Memoirs of a Gay Appalachian
Jeff Mann
Ohio University Press, 2023
Second edition, with a new afterword
A Gay man chronicles his relationship to his native Appalachian culture and society.
Appalachians are known for their love of place, yet many LGBTQ+ people from the mountains flee to urban areas in search of community and broader acceptance. Jeff Mann tells his story as one who left and then returned, who insists on claiming and celebrating both regional and sexual identities.
In memoir and poetry, Mann describes his life as an openly gay man who has remained true to his mountain roots. Mann recounts his upbringing in Hinton, a small town in southern West Virginia, as well as his realization of his homosexuality, his early encounters with homophobia, his coterie of supportive lesbian friends, and his initial attempts to escape his native region in hopes of finding a freer life in urban gay communities. Mann depicts his difficult search for a romantic relationship, the family members who have given him the strength to defy convention, his anger against religious intolerance and the violence of homophobia, and his love for the rich folk culture of the Highland South.
His character and values shaped by the mountains, Mann has reconciled his sexuality with both traditional definitions of Appalachian manhood and his own attachment to home and kin. Loving Mountains, Loving Men is a compelling, universal story of making peace with oneself and the wider world.
[more]
Metabolics
Poems
Jessica E. Johnson
Acre Books, 2023
In this debut poetry collection, a single speaker tries to control her body and negotiate her time with digital devices, all the while navigating identities, impulses, and relationships that are often in tension.
Metabolics, a book-length poem, borrows the movements of metabolic pathways to consider how nature accomplishes both balance and deep transformation. In visual figures and prose blocks that bridge the divide between poetry and nonfiction, Jessica E. Johnson employs scientific idioms to construct an allegory about a family in the Pacific Northwest. The region becomes a character in its own right, with cedars, moss, and heavy cloud knitting the mother, father, boy, and girl into their setting.
This far-reaching volume also serves as a study of the ecologies of contemporary parenting, with adults and children affected by “feeds” both on screen and off as their bodies metabolize food, the environment, and excess feelings such as rage. From climate change to kombucha to smartphones and curated produce, the smallest details of daily life in “Plasticland” catalyze a larger examination of selfhood: “Despite so many attempts to resolve this tension, sometimes you are you and also sometimes mother just as light can be both particle and wave.”
Metabolics, a book-length poem, borrows the movements of metabolic pathways to consider how nature accomplishes both balance and deep transformation. In visual figures and prose blocks that bridge the divide between poetry and nonfiction, Jessica E. Johnson employs scientific idioms to construct an allegory about a family in the Pacific Northwest. The region becomes a character in its own right, with cedars, moss, and heavy cloud knitting the mother, father, boy, and girl into their setting.
This far-reaching volume also serves as a study of the ecologies of contemporary parenting, with adults and children affected by “feeds” both on screen and off as their bodies metabolize food, the environment, and excess feelings such as rage. From climate change to kombucha to smartphones and curated produce, the smallest details of daily life in “Plasticland” catalyze a larger examination of selfhood: “Despite so many attempts to resolve this tension, sometimes you are you and also sometimes mother just as light can be both particle and wave.”
[more]
Nature's Restoration
People and Places on the Front Lines of Conservation
Peter Friederici
Island Press, 2006
With fewer and fewer pristine places on earth left to preserve, restoration is the "new" conservation. Yet the work is anything but easy. Ecology is complex, and restoration projects are often controversial. How do we know what's natural? What should nature look like? Can we ever really turn back the clock?
These debates have real consequences for the land, and for the values people live by. Nature's Restoration poses intriguing questions about how people can live on the earth without destroying its natural systems.
Through detailed reporting and numerous interviews, Friederici's lyrical writing puts us on the front lines of restoration to learn how this growing movement shapes places and inspires people.
Nature's Restoration relates the passion of ordinary citizens who are changing the way we think about nature. They are restoring animal habitats, reintroducing native plants, bringing back lost species, and gaining a greater intimacy with the natural world. On a planet suffering from serious ecological problems, the growing restoration movement is a refreshing attempt to set things right.
These debates have real consequences for the land, and for the values people live by. Nature's Restoration poses intriguing questions about how people can live on the earth without destroying its natural systems.
Through detailed reporting and numerous interviews, Friederici's lyrical writing puts us on the front lines of restoration to learn how this growing movement shapes places and inspires people.
Nature's Restoration relates the passion of ordinary citizens who are changing the way we think about nature. They are restoring animal habitats, reintroducing native plants, bringing back lost species, and gaining a greater intimacy with the natural world. On a planet suffering from serious ecological problems, the growing restoration movement is a refreshing attempt to set things right.
[more]
New Faces in New Places
The Changing Geography of American Immigration
Douglas S. Massey
Russell Sage Foundation, 2008
Beginning in the 1990s, immigrants to the United States increasingly bypassed traditional gateway cites such as Los Angeles and New York to settle in smaller towns and cities throughout the nation. With immigrant communities popping up in so many new places, questions about ethnic diversity and immigrant assimilation confront more and more Americans. New Faces in New Places, edited by distinguished sociologist Douglas Massey, explores today's geography of immigration and examines the ways in which native-born Americans are dealing with their new neighbors. Using the latest census data and other population surveys, New Faces in New Places examines the causes and consequences of the shift toward new immigrant destinations. Contributors Mark Leach and Frank Bean examine the growing demand for low-wage labor and lower housing costs that have attracted many immigrants to move beyond the larger cities. Katharine Donato, Charles Tolbert, Alfred Nucci, and Yukio Kawano report that the majority of Mexican immigrants are no longer single male workers but entire families, who are settling in small towns and creating a surge among some rural populations long in decline. Katherine Fennelly shows how opinions about the growing immigrant population in a small Minnesota town are divided along socioeconomic lines among the local inhabitants. The town's leadership and professional elites focus on immigrant contributions to the economic development and the diversification of the community, while working class residents fear new immigrants will bring crime and an increased tax burden to their communities. Helen Marrow reports that many African Americans in the rural south object to Hispanic immigrants benefiting from affirmative action even though they have just arrived in the United States and never experienced historical discrimination. As Douglas Massey argues in his conclusion, many of the towns profiled in this volume are not equipped with the social and economic institutions to help assimilate new immigrants that are available in the traditional immigrant gateways of New York, Los Angeles, and Chicago. And the continual replenishment of the flow of immigrants may adversely affect the nation's perception of how today's newcomers are assimilating relative to previous waves of immigrants. New Faces in New Places illustrates the many ways that communities across the nation are reacting to the arrival of immigrant newcomers, and suggests that patterns and processes of assimilation in the twenty-first century may be quite different from those of the past. Enriched by perspectives from sociology, anthropology, and geography New Faces in New Places is essential reading for scholars of immigration and all those interested in learning the facts about new faces in new places in America.
[more]
Off Course
Roundabouts and Deviations
A. Robert Lee
2Leaf Press, 2016
OFF COURSE: ROUNDABOUTS & DEVIATIONS is A. Robert Lee's latest collection that interleaves poetry and prose. Beneath the carefully crafted and accessible surface of Lee's work lies a profound, complex voice that deliberately disrupts traditional literary boundaries and distinctions. Different takes on the odd, oftentimes the antic, at work in the daily round. Seamed in wit, dark but congenial humor, Lee's work is aimed to amuse yet at the same time, stir recognitions. Fake correspondence might just be real. Foodways edge towards the gothic. Each composition comes over as slant, diagonal, oblique. Set phrases turn askew. Geographies un-map themselves, whether ostensibly Europe, England Japan, or America. Of course, it's all OFF COURSE. Enchanting tales of travel and transformation, comedy and capitalism, and unforgettable stories that teach us about our present as well as our past, OFF COURSE uses irony to tickle the mind. It reminds us that contradictions in life are inescapable, and how precarious and unpredictable life really is. Acerbic, volatile and incisive. Life episodes take on the patina of waking slumber, not to say japery and the absurd. Read OFF COURSE without discretion and take out some personal insurance before reading.
[more]
Our Bearings
Poems
Molly McGlennen; Foreword by Ben Burgess
University of Arizona Press, 2020
Our Bearings is a collection of narrative poetry that examines and celebrates Anishinaabe life in modern Minneapolis. Crafted around the four elements—earth, air, water, and fire— the poems are a beautifully layered discourse between landscapes, stories, and the people who inhabit them. Throughout the collection, McGlennen weaves the natural elements of Minnesota with rich historical commentary and current images of urban Native life. Reverence for wildlife and foliage is pierced by the sharp man-made skylines of Minneapolis while McGlennen reckons with the heavy impact of industrial progress on the souls and everyday lives of individuals.
While working with both traditional and contemporary form, McGlennen’s unique use of space and rhythm creates poetry that is both captivating and accessible. Our Bearings does not attempt to speak for a population; rather it offers vibrant stories and moments that give voice to pieces of a large and complex tapestry of experiences. Through keen observation and a deep understanding of Native life in Minneapolis, McGlennen has created a timely collection that contributes beautifully to the important conversation about contemporary urban Native life in North America and globally.
While working with both traditional and contemporary form, McGlennen’s unique use of space and rhythm creates poetry that is both captivating and accessible. Our Bearings does not attempt to speak for a population; rather it offers vibrant stories and moments that give voice to pieces of a large and complex tapestry of experiences. Through keen observation and a deep understanding of Native life in Minneapolis, McGlennen has created a timely collection that contributes beautifully to the important conversation about contemporary urban Native life in North America and globally.
[more]
Paradise
Victoria Redel
Four Way Books, 2022
Rewriting Eden, Victoria Redel interrogates the idea of paradise within the historical context of borders, exile, and diaspora that brought us to the present global migration crisis. Drawing from a long family history of flight and refuge, the poems in Paradise interweave religion and myth, personal lore and nation-building, borders actual and imagined. They ask: What if what we fell from was never, actually, grace? What is a boundary, really? Redel navigates geopolitical perimeters while also questioning the border between the living and the dead and delineating the migrations aging women make in their bodies and lives. With stark lyricism and unflinching attention, Paradise considers how a legacy of trauma shapes imagination and asks readers to see the threads that tie contemporary catastrophes to the exigencies and flight paths that made us.
[more]
Paraíso
Poems by
Jacob Shores-Argüello
University of Arkansas Press, 2017
Winner, 2017 CantoMundo Poetry Prize
Paraíso, the first book in the new CantoMundo Poetry Series, which celebrates the work of Latino/a poets writing in English, is a pilgrimage against sorrow. Erupting from a mother’s death, the poems follow the speaker as he tries to survive his grief. Catholicism, family, good rum . . . these help, but the real medicine happens when the speaker pushes into the cloud forest alone.
In a Costa Rica far away from touristy beaches, we encounter bus trips over the cold mountains of the dead, drug dealers with beautiful dogs, and witches with cell phones. Science fuses with religion, witchcraft is joined with technology, and eventually grief transforms into belief.
Throughout, Paraíso defies categorization, mixing its beautiful sonnets with playful games and magic cures for the reader. In the process, moments of pure life mingle with the aftermath of a death.
Paraíso, the first book in the new CantoMundo Poetry Series, which celebrates the work of Latino/a poets writing in English, is a pilgrimage against sorrow. Erupting from a mother’s death, the poems follow the speaker as he tries to survive his grief. Catholicism, family, good rum . . . these help, but the real medicine happens when the speaker pushes into the cloud forest alone.
In a Costa Rica far away from touristy beaches, we encounter bus trips over the cold mountains of the dead, drug dealers with beautiful dogs, and witches with cell phones. Science fuses with religion, witchcraft is joined with technology, and eventually grief transforms into belief.
Throughout, Paraíso defies categorization, mixing its beautiful sonnets with playful games and magic cures for the reader. In the process, moments of pure life mingle with the aftermath of a death.
[more]
People and Places of Nature and Culture
Rod Giblett
Intellect Books, 2011
Using the rich and vital Australian Aboriginal understanding of country as a model, People and Places of Nature and Culture affirms the importance of a sustainable relationship between nature and culture. While current thought includes the mistaken notion—perpetuated by natural history, ecology, and political economy—that humans have a mastery over the Earth, this book demonstrates the problems inherent in this view. In the current age of climate change, this is an important appraisal of the relationship between nature and culture, and a projection of what needs to change if we want to achieve environmental stability.
[more]
People and Places of the Roman Past
The Educated Traveller's Guide
Peter Hatlie
Arc Humanities Press, 2019
Written by scholars who specialize in Roman history, religion, and culture, this book is written for travellers in search of inspiration and learning as they tour the streets, churches, museums, and monuments of the Roman past. Combining biographical portraits of some of Rome’s most significant historical figures with a study of the monuments, artworks, and places associated with them, <i>People and Places of the Roman Past</i> offers an informative and insightful look at the human and cultural history of one of the great cities of the world.
[more]
Places and Purposes of Popular Music Education
Perspectives from the Field
Edited by Bryan Powell and Gareth Dylan Smith
Intellect Books, 2022
An array of diverse perspectives regarding the what and the why of popular music education.
This book provides a variety of perspectives on popular music education. With a mixture of rants, manifestos, and punchy position pieces, the volume moves from scholarly essays replete with citations and references to descriptions of practice and straight-talking polemics. The writing is approachable in tone, and the chapters are intended to whet appetites, prime pumps, open eyes, and keep cogs turning for academics of all ages and stages.
The book will appeal to those working in popular music studies, communication studies, and education research. It also holds relevance for researchers of the music industry and music ecosystems around the world. International in reach and scope and edited by recognized voices at the vanguard of progressive music education, this is an eye-opening exploration of education in and through the widespread cultural phenomenon of popular music.
This book provides a variety of perspectives on popular music education. With a mixture of rants, manifestos, and punchy position pieces, the volume moves from scholarly essays replete with citations and references to descriptions of practice and straight-talking polemics. The writing is approachable in tone, and the chapters are intended to whet appetites, prime pumps, open eyes, and keep cogs turning for academics of all ages and stages.
The book will appeal to those working in popular music studies, communication studies, and education research. It also holds relevance for researchers of the music industry and music ecosystems around the world. International in reach and scope and edited by recognized voices at the vanguard of progressive music education, this is an eye-opening exploration of education in and through the widespread cultural phenomenon of popular music.
[more]
Places in Man. Glands. Fleshes. Prorrhetic 1–2. Physician. Use of Liquids. Ulcers. Haemorrhoids and Fistulas
Hippocrates
Harvard University Press, 1923
The medical treatises collected under Hippocrates' name are essential sources of information about the practice of medicine in antiquity and about Greek theories concerning the human body. In this eighth volume of the ongoing Loeb edition of these invaluable texts, Paul Potter presents ten treatises that offer an illuminating overview of Hippocratic medicine.
Three theoretical worksPlaces in Man, General Nature of Glands, and Fleshesexpound particular theories of anatomy and physiology and then elaborate on how disease and healing occur in the systems depicted. Prorrhetic 1 and 2 and Physician deal with symptoms and prognosis and with other aspects of the physician-patient relationship. And four practical manualsUse of Liquids, Ulcers, Fistulas, and Haemorrhoidsgive specific instruction for treatments. Thus from the writings in this volume we gain insight into the Hippocratic physician's understanding of the body, his approach to his patient, and his methods for dealing with a variety of disorders.
The other works available in the Loeb Classical Library edition of Hippocrates are the following. Volume I: Ancient Medicine. Airs, Waters, Places. Epidemics 1 and 3. The Oath. Precepts. Nutriment. Volume II: Prognostic. Regimen in Acute Diseases. The Sacred Disease. The Art. Breaths. Law. Decorum. Physician (Ch. 1). Dentition. Volume III: On Wounds in the Head. In the Surgery. On Fractures. On Joints. Mochlicon. Volume IV: Nature of Man. Regimen in Health. Humours. Aphorisms. Regimen 13. Dreams. Volume V: Affections. Diseases 12. Volume VI: Diseases 3. Internal Affections. Regimen in Acute Diseases. Volume VII: Epidemics 2 and 47. Volume IV also contains the fragments of Heracleitus, On the Universe.
[more]
Places in Need
The Changing Geography of Poverty
Scott W. Allard
Russell Sage Foundation, 2017
Americans think of suburbs as prosperous areas that are relatively free from poverty and unemployment. Yet, today more poor people live in the suburbs than in cities themselves. In Places in Need, social policy expert Scott W. Allard tracks how the number of poor people living in suburbs has more than doubled over the last 25 years, with little attention from either academics or policymakers. Rising suburban poverty has not coincided with a decrease in urban poverty, meaning that solutions for reducing poverty must work in both cities and suburbs. Allard notes that because the suburban social safety net is less-developed than the urban safety net, a better understanding of suburban communities is critical for understanding and alleviating poverty in metropolitan areas.
Using census data, administrative data from safety net programs, and interviews with nonprofit leaders in the Chicago, Los Angeles, and Washington, D.C. metropolitan areas, Allard shows that poor suburban households resemble their urban counterparts in terms of labor force participation, family structure, and educational attainment. In the last few decades, suburbs have seen increases in single-parent households, decreases in the number of college graduates, and higher unemployment rates. As a result, suburban demand for safety net assistance has increased. Concerning is evidence suburban social service providers—which serve clients spread out over large geographical areas, and often lack the political and philanthropic support that urban nonprofit organizations can command—do not have sufficient resources to meet the demand.
To strengthen local safety nets, Allard argues for expanding funding and eligibility to federal programs such as SNAP and the Earned Income Tax Credit, which have proven effective in urban and suburban communities alike. He also proposes to increase the capabilities of community-based service providers through a mix of new funding and capacity-building efforts.
Places in Need demonstrates why researchers, policymakers, and nonprofit leaders should focus more on the shared fate of poor urban and suburban communities. This account of suburban vulnerability amidst persistent urban poverty provides a valuable foundation for developing more effective antipoverty strategies.
Using census data, administrative data from safety net programs, and interviews with nonprofit leaders in the Chicago, Los Angeles, and Washington, D.C. metropolitan areas, Allard shows that poor suburban households resemble their urban counterparts in terms of labor force participation, family structure, and educational attainment. In the last few decades, suburbs have seen increases in single-parent households, decreases in the number of college graduates, and higher unemployment rates. As a result, suburban demand for safety net assistance has increased. Concerning is evidence suburban social service providers—which serve clients spread out over large geographical areas, and often lack the political and philanthropic support that urban nonprofit organizations can command—do not have sufficient resources to meet the demand.
To strengthen local safety nets, Allard argues for expanding funding and eligibility to federal programs such as SNAP and the Earned Income Tax Credit, which have proven effective in urban and suburban communities alike. He also proposes to increase the capabilities of community-based service providers through a mix of new funding and capacity-building efforts.
Places in Need demonstrates why researchers, policymakers, and nonprofit leaders should focus more on the shared fate of poor urban and suburban communities. This account of suburban vulnerability amidst persistent urban poverty provides a valuable foundation for developing more effective antipoverty strategies.
[more]
Places in the Bone
A Memoir
Dine, Carol
Rutgers University Press, 2005
In a series of unflinching vignettes laced with heartbreak and often with humor, Places in the Bone gives an unforgettable account of loss and survival, childhood secrets banished from memory, and the power of language to retrieve the missing parts of oneself and one’s past. Woven together with unmistakable lyricism, Carol Dine’s narrative moves back and forth in time and place—from the childhood bedroom that fills her with fear, to a hospital room after her surgery for breast cancer, to an adobe hut in a New Mexico artists’ colony where she escapes and finds her voice.
This voice, it turns out, is a chorus—a harmony of cries, both anguished and triumphant. Among them we hear a young girl speak about the abuse by her father; we hear the tormented reflections of a mother who, for several years after a divorce, loses contact with her young son; and we hear the testimony of a cancer survivor. Through it all, we feel the determination, courage, and creativity of a woman who has spent more than two decades confronting her past, her body, and her identity. Despite her struggles, Dine finds positive influences in her life, including her mentor, Anne Sexton, who recognizes the fire in her words, and Stanley Kunitz, whose indomitable spirit provides enduring inspiration.
More than a story of personal loss, the memoir moves us with its humanity, its unnerving wit, and its defiant faith. As the fragments come together, we experience Dine’s joy in living and her reconciliation with the past that allow her to renew bonds with her son, her sister, and her mother. In page after page, we witness the power of art to refigure a body, to transform suffering, and ultimately, to redeem.
[more]
Places in the Making
A Cultural Geography of American Poetry
Jim Cocola
University of Iowa Press, 2016
Places in the Making maps a range of twentieth- and twenty-first century American poets who have used language to evoke the world at various scales. Distinct from related traditions including landscape poetry, nature poetry, and pastoral poetry—which tend toward more idealized and transcendent lyric registers—this study traces a poetics centered upon more particular and situated engagements with actual places and spaces. Close generic predecessors of this mode, such as topographical poetry and loco-descriptive poetry, folded themselves into the various regionalist traditions of the late-nineteenth and early-twentieth centuries, but place making in modern and contemporary American poetics has extended beyond its immediate environs, unfolding at the juncture of the proximate and the remote, and establishing transnational, planetary, and cosmic formations in the process. Turning to geography as an interdisciplinary point of departure, Places in the Making distinguishes itself by taking a comparative and multiethnic approach, considering the relationship between identity and emplacement among a more representative demographic cross-section of Americans, and extending its inquiry beyond national borders.
Positing place as a pivotal axis of identification and heralding emplacement as a crucial model for cultural, intellectual, and political activity in a period marked and imperiled by a tendency toward dislocation, the critical vocabulary of this project centers upon the work of place-making. It attends to a poetics that extends beyond epic and lyric modes while relying simultaneously on auditory and visual effects and proceeding in the interests of environmental advocacy and social justice, often in contrast to the more orthodox concerns of literary modernism, global capitalism, and print culture. Focusing on poets of international reputation, such as Elizabeth Bishop, Pablo Neruda, Charles Olson, and William Carlos Williams, Places in the Making also considers work by more recent figures, including Kamau Brathwaite, Joy Harjo, Myung Mi Kim, and Craig Santos Perez. In its larger comparative, multiethnic, and transnational emphases, this book addresses questions of particular moment in American literary and cultural studies and aspires to serve as a catalyst for further interdisciplinary work connecting geography and the humanities.
Positing place as a pivotal axis of identification and heralding emplacement as a crucial model for cultural, intellectual, and political activity in a period marked and imperiled by a tendency toward dislocation, the critical vocabulary of this project centers upon the work of place-making. It attends to a poetics that extends beyond epic and lyric modes while relying simultaneously on auditory and visual effects and proceeding in the interests of environmental advocacy and social justice, often in contrast to the more orthodox concerns of literary modernism, global capitalism, and print culture. Focusing on poets of international reputation, such as Elizabeth Bishop, Pablo Neruda, Charles Olson, and William Carlos Williams, Places in the Making also considers work by more recent figures, including Kamau Brathwaite, Joy Harjo, Myung Mi Kim, and Craig Santos Perez. In its larger comparative, multiethnic, and transnational emphases, this book addresses questions of particular moment in American literary and cultural studies and aspires to serve as a catalyst for further interdisciplinary work connecting geography and the humanities.
[more]
Places in the World a Person Could Walk
Family, Stories, Home, and Place in the Texas Hill Country
By David Syring
University of Texas Press, 2000
Spring-fed creeks. Old stone houses. Cedar brakes and bleached limestone. The Hill Country holds powerful sway over the imagination of Texans. So many of us dream of having our own little place in the limestone hills. The Hill Country feels just like home, even if you've never lived there.This beautifully written book explores what the Hill Country has meant as a homeplace to the author, his family, and longtime residents of the area, as well as to newcomers. David Syring listens to the stories that his aunts, uncles, and cousins tell about life in the Hill Country and grapples with their meaning for his own search for a place to belong. He also collects short stories focused around Honey Creek Church to consider how places become containers for memory. And he draws upon several years of living in Fredericksburg to talk about the problems and opportunities created by heritage tourism and the development of the town as a "home" for German Americans. These interconnected stories illuminate what it means to belong to a place and why the Texas Hill Country has become the spiritual, if not actual, home of many people.
[more]
Places of Commemoration
Search for Identity and Landscape Design
Joachim Wolschke-Bulmahn
Harvard University Press, 2001
“Everyone is occupied, consciously or unconsciously, with identity—one’s origin and the question of one’s place in humankind and society of the past, present, and future. Identity and memory are not stable and objective things, but representations or constructions of reality related to a particular interest, such as class, gender, of power relations. Identity is problematic without history and without the commemoration of history, and of course such remembrance may distort historical events and facts. When dealing with gardens, a substantial part of our physical environment, there are always unspoken questions of identity.”
Places of Commemoration examines commemorative sites of different character, including gardens, landscapes, memorials, cemeteries, and sites of former Nazi concentration camps, detailing the ideas behind the creation of memorials and monuments and the struggles over the narratives they present.
[more]
Places of Engagement
Reflections on Higher Education in 2040 - A Global Approach
Armand van der Vaart
Amsterdam University Press, 2018
In his book 'Higher Education in 2040 - A Global Approach' (2017) Bert van der Zwaan developed a thought-provoking vision of the university of the future, based on a thorough discussion of current trends and on a large number of conversations with leaders in higher education worldwide. This book, 'Places of Engagement', offer reflections on themes discussed by Van der Zwaan, written by twenty of his peers and other opinion leaders from around the world. The book was written in honour of Bert van der Zwaan at the occasion of his departure as Vice-Chancellor of Utrecht University. With contributions by John Sexton, José van Dijck, Karl Dittrich, Dilly Fung, Michael Crow and many others.
[more]
The Places of History
Regionalism Revisited in Latin America
Doris Sommer, ed.
Duke University Press, 1999
Responding to the pressures of current theoretical trends toward models of cultural globalization, the essays collected here bring a historical focus to literary studies. They suggest that only by exploring the particularities of regional historical cultures can the multiple meanings of American identities be understood.
Representing a broad range of contemporary criticism, this volume features many short essays by the most well-known and respected Latin Americanists, each devoting attention to specific matters of history. The topics range from Incan architecture to Chicano and Nuyorican habitats; from turn of the century Argentine criminology to Caribbean homophobia; from the rhetorics of independence and dictatorship to Mexican ambivalence about opera and Brazil’s move beyond monarchy; and from the precarious survival of Spanish language in Latin America to its paradoxical legacy of enlightenment in the Philippines. Originally published as a special issue of Modern Language Quarterly (June 1996), this expanded edition includes a new introduction by Doris Sommer and a new essay by Vincente Rafael. Viewed together, these essays reveal a cultural richness that is sure to interest literary scholars and Latin Americanists alike.
Representing a broad range of contemporary criticism, this volume features many short essays by the most well-known and respected Latin Americanists, each devoting attention to specific matters of history. The topics range from Incan architecture to Chicano and Nuyorican habitats; from turn of the century Argentine criminology to Caribbean homophobia; from the rhetorics of independence and dictatorship to Mexican ambivalence about opera and Brazil’s move beyond monarchy; and from the precarious survival of Spanish language in Latin America to its paradoxical legacy of enlightenment in the Philippines. Originally published as a special issue of Modern Language Quarterly (June 1996), this expanded edition includes a new introduction by Doris Sommer and a new essay by Vincente Rafael. Viewed together, these essays reveal a cultural richness that is sure to interest literary scholars and Latin Americanists alike.
Contributors. Carlos J. Alonso, Antonio Benítez-Rojo, John Beverley, Debra A. Castillo, Arcadio Diaz-Quiñones, Juan Flores, Mary M. Gaylord, José Limón, Josefina Ludmer, Francine Masiello, Antonio Mazzotti, Walter D. Mignolo, Sylvia Molloy, Mary Louise Pratt, Vincente Rafael, Julio Ramos, Susana Rotker, Roberto Schwarz, Diana Taylor, Nancy Vogeley
[more]
Places of Public Memory
The Rhetoric of Museums and Memorials
Edited by Greg Dickinson, Carole Blair, and Brian L. Ott
University of Alabama Press, 2010
A sustained and rigorous consideration of the intersections of memory, place, and rhetoric
Though we live in a time when memory seems to be losing its hold on communities, memory remains central to personal, communal, and national identities. And although popular and public discourses from speeches to films invite a shared sense of the past, official sites of memory such as memorials, museums, and battlefields embody unique rhetorical principles.
Places of Public Memory: The Rhetoric of Museums and Memorials is a sustained and rigorous consideration of the intersections of memory, place, and rhetoric. From the mnemonic systems inscribed upon ancient architecture to the roadside accident memorials that line America’s highways, memory and place have always been deeply interconnected. This book investigates the intersections of memory and place through nine original essays written by leading memory studies scholars from the fields of rhetoric, media studies, organizational communication, history, performance studies, and English. The essays address, among other subjects, the rhetorical strategies of those vying for competing visions of a 9/11 memorial at New York City’s Ground Zero; rhetorics of resistance embedded in the plans for an expansion of the National Civil Rights Museum; representations of nuclear energy—both as power source and weapon—in Cold War and post–Cold War museums; and tours and tourism as acts of performance.
By focusing on “official” places of memory, the collection causes readers to reflect on how nations and local communities remember history and on how some voices and views are legitimated and others are minimized or erased.
Though we live in a time when memory seems to be losing its hold on communities, memory remains central to personal, communal, and national identities. And although popular and public discourses from speeches to films invite a shared sense of the past, official sites of memory such as memorials, museums, and battlefields embody unique rhetorical principles.
Places of Public Memory: The Rhetoric of Museums and Memorials is a sustained and rigorous consideration of the intersections of memory, place, and rhetoric. From the mnemonic systems inscribed upon ancient architecture to the roadside accident memorials that line America’s highways, memory and place have always been deeply interconnected. This book investigates the intersections of memory and place through nine original essays written by leading memory studies scholars from the fields of rhetoric, media studies, organizational communication, history, performance studies, and English. The essays address, among other subjects, the rhetorical strategies of those vying for competing visions of a 9/11 memorial at New York City’s Ground Zero; rhetorics of resistance embedded in the plans for an expansion of the National Civil Rights Museum; representations of nuclear energy—both as power source and weapon—in Cold War and post–Cold War museums; and tours and tourism as acts of performance.
By focusing on “official” places of memory, the collection causes readers to reflect on how nations and local communities remember history and on how some voices and views are legitimated and others are minimized or erased.
[more]
Places of Quiet Beauty
Parks, Preserves, and Environmentalism
Rebecca Conard
University of Iowa Press, 1997
Resource protection and public recreation policies have always been subject to the shifting winds of management philosophy governing both national and state parks. Somewhere in the balance, however, parks and preserves have endured as unique places of mind as well as matter. Places of Quiet Beauty allows us to see parks and preserves, forests and wildlife refuges—all those special places that the term “park” conjures up—as measures of our own commitment to caring for the environment. In this broad-ranging book, historian Rebecca Conard examines the complexity of American environmentalism in the twentieth century as manifest in Iowa's state parks and preserves.
[more]
Places of Their Own
African American Suburbanization in the Twentieth Century
Andrew Wiese
University of Chicago Press, 2004
On Melbenan Drive just west of Atlanta, sunlight falls onto a long row of well-kept lawns. Two dozen homes line the street; behind them wooden decks and living-room windows open onto vast woodland properties. Residents returning from their jobs steer SUVs into long driveways and emerge from their automobiles. They walk to the front doors of their houses past sculptured bushes and flowers in bloom.
For most people, this cozy image of suburbia does not immediately evoke images of African Americans. But as this pioneering work demonstrates, the suburbs have provided a home to black residents in increasing numbers for the past hundred years—in the last two decades alone, the numbers have nearly doubled to just under twelve million. Places of Their Own begins a hundred years ago, painting an austere portrait of the conditions that early black residents found in isolated, poor suburbs. Andrew Wiese insists, however, that they moved there by choice, withstanding racism and poverty through efforts to shape the landscape to their own needs. Turning then to the 1950s, Wiese illuminates key differences between black suburbanization in the North and South. He considers how African Americans in the South bargained for separate areas where they could develop their own neighborhoods, while many of their northern counterparts transgressed racial boundaries, settling in historically white communities. Ultimately, Wiese explores how the civil rights movement emboldened black families to purchase homes in the suburbs with increased vigor, and how the passage of civil rights legislation helped pave the way for today's black middle class.
Tracing the precise contours of black migration to the suburbs over the course of the whole last century and across the entire United States, Places of Their Own will be a foundational book for anyone interested in the African American experience or the role of race and class in the making of America's suburbs.
Winner of the 2005 John G. Cawelti Book Award from the American Culture
Association.
Winner of the 2005 Award for Best Book in North American Urban
History from the Urban History Association.
For most people, this cozy image of suburbia does not immediately evoke images of African Americans. But as this pioneering work demonstrates, the suburbs have provided a home to black residents in increasing numbers for the past hundred years—in the last two decades alone, the numbers have nearly doubled to just under twelve million. Places of Their Own begins a hundred years ago, painting an austere portrait of the conditions that early black residents found in isolated, poor suburbs. Andrew Wiese insists, however, that they moved there by choice, withstanding racism and poverty through efforts to shape the landscape to their own needs. Turning then to the 1950s, Wiese illuminates key differences between black suburbanization in the North and South. He considers how African Americans in the South bargained for separate areas where they could develop their own neighborhoods, while many of their northern counterparts transgressed racial boundaries, settling in historically white communities. Ultimately, Wiese explores how the civil rights movement emboldened black families to purchase homes in the suburbs with increased vigor, and how the passage of civil rights legislation helped pave the way for today's black middle class.
Tracing the precise contours of black migration to the suburbs over the course of the whole last century and across the entire United States, Places of Their Own will be a foundational book for anyone interested in the African American experience or the role of race and class in the making of America's suburbs.
Winner of the 2005 John G. Cawelti Book Award from the American Culture
Association.
Winner of the 2005 Award for Best Book in North American Urban
History from the Urban History Association.
[more]
PLEASURE
Angelo Nikolopoulos
Four Way Books, 2022
PLEASURE is a book-length poem which muses on the phenomenology of solitude in a pastoral landscape, written in a diaristic, lyric mode, where the queer “I” alternately savors the decadence of isolation and stands at the precipice of despair. A travelogue in verse, PLEASURE takes place in Syros, the Greek island to which author Angelo Nikolopolous travels a few weeks after the discovery of his mother’s brain tumor. These intertextual, elliptical explorations of solitude and sensuality interweave images of seaside roaming, secluded town life, and ephemeral sexual encounters with the ubiquitous implication of death—the waning summer, the ill, perhaps dying, mother. Staring down true disconnection—both physical and psychic orphanhood —Nikolopoulos writes about the thrill and sadness of turning your back against the world and those in it only to rediscover that which tethers all to human experience: the quotidian, singular pleasures of having a body.
[more]
Protection Spell
Poems
Jennifer Givhan
University of Arkansas Press, 2017
Finalist, 2017 Miller Williams Poetry Prize, edited by Billy Collins
“A poet of great heart and brave directness.”
—Billy Collins
In Protection Spell Jennifer Givhan explores the guilt, sadness, and freedom of relationships: the sticky love that keeps us hanging on for no reason other than love, the inky place that asks us to continue revising and reimagining, tying ourselves to this life and to each other despite the pain (or perhaps because of it). These poems reassemble safe spaces from the fissures cleaving the speaker’s own biracial home and act as witnesses speaking to the racial iniquity of our broader social landscape as well as to the precarious standpoint of a mother-woman of color whose body lies vulnerable to trauma and abuse. From insistent moments of bravery, a collection of poems arises that asks the impossible, like the childhood chant that palliates suffering by demanding nothing less than magical healing: sana sana colita de rana, si no sanas hoy, sanas mañana (the frog who loses his tail is commanded to grow another). In the end, Givhan’s verse offers a place where healing may begin.
[more]
Rebirth of the Clinic
Places and Agents in Contemporary Health Care
Cindy Patton
University of Minnesota Press, 2010
From physical location to payment processes to expectations of both patients and caregivers, nearly everything surrounding the contemporary medical clinic's central activity has changed since Michel Foucualt's Birth of the Clinic. Indebted to that work, but recognizing the gap between what the modern clinic hoped to be and what it has become, Rebirth of the Clinic explores medical practices that shed light on the fraught relationship between medical systems, practitioners, and patients.
Combining theory, history, and ethnography, the contributors to this volume ground today's clinic in a larger scheme of power relations, identifying the cultural, political, and economic pressures that frame clinical relationships, including the instrumentalist definition of health, actuarial-based medical practices, and patient self-help movements, which simultaneously hem in and create the conditions under which agents creatively change ideas of illness and treatment.
From threatened community health centers in poor African American locales to innovative nursing practices among the marginally housed citizens of Canada's poorest urban neighborhood, this volume addresses not just the who, what, where, and how of place-specific clinical practices, but also sets these local experiences against a theoretical backdrop that links them to the power of modern medicine in shaping fundamental life experiences.
Contributors: Christine Ceci, U of Alberta; Lisa Diedrich, Stony Brook U; Suzanne Fraser, Monash U; John Liesch, Simon Fraser U; Jenna Loyd, CUNY; Annemarie Mol, U of Amsterdam; Mary Ellen Purkis, U of Victoria.
[more]
The Revlon Slough
New and Selected Poems
Ray DiZazzo
2Leaf Press, 2018
THE REVLON SLOUGH, Ray DiZazzo's fourth poetry collection represents fifty years of writing that explores life's observations in harmony with both the natural world, and the often anomalous societies we inhabit. This volume is organized into seven sections that explore creatures both exotic and mundane, the fragility of damaged individuals, social and political perspectives, personal observations, science fiction and space, and perhaps most important, what it means to be a human being in this contested, often volatile world. As the collection's title elucidates, DiZazzo has created a narrative initially inspired by his discovery of a farmland slough, with its own biosystem, and natural dichotomy of beauty and ugliness. His poetry, primarily written in free verse (with an occasional haiku) projects an intimacy with nature that resists sentimentality and romanticism, giving the poetry a vivid, unadorned feel throughout the volume. THE REVLON SLOUGH is DiZazzo's most intimate and eloquent poetry collection to date.
[more]
Roze & Blud
a poem
Jayson Iwen
University of Arkansas Press, 2020
Winner, 2020 Miller Williams Poetry Prize
In this long poem—almost a novel-in-verse—Jayson Iwen examines the intimate thoughts and feelings of two would-be poets: Roze Mertha, a teenage girl growing up in a trailer park, and William Blud, a veteran navigating age and loneliness in an apartment he shares with an Afghan refugee. Deftly crafting distinct voices for these characters in the upper midwestern terrain they inhabit, Iwen explores the quiet heartbreak and tenderly treasured experiences of two apparently unremarkable people using poetry to understand a world that doesn’t make much space for them.
Winner, 2020-2021 Northeastern Minnesota Book Award
In this long poem—almost a novel-in-verse—Jayson Iwen examines the intimate thoughts and feelings of two would-be poets: Roze Mertha, a teenage girl growing up in a trailer park, and William Blud, a veteran navigating age and loneliness in an apartment he shares with an Afghan refugee. Deftly crafting distinct voices for these characters in the upper midwestern terrain they inhabit, Iwen explores the quiet heartbreak and tenderly treasured experiences of two apparently unremarkable people using poetry to understand a world that doesn’t make much space for them.
[more]
Sacred Objects and Sacred Places
Preserving Tribal Traditions
Andrew Gulliford
University Press of Colorado, 2000
Sacred Objects, Sacred Places combines native oral histories, photographs, drawings, and case studies to present current issues of cultural preservation vital to American Indians, Alaska Natives, and Native Hawaiians. Complete with commentaries by native peoples, non-native curators, and archaeologists, this book discusses the repatriation of human remains, the curation and exhibition of sacred masks and medicine bundles, and key cultural compromises for preservation successes in protecting sacred places on private, state, and federal lands.
The author traveled thousands of miles over a ten-year period to meet and interview tribal elders, visit sacred places, and discuss the power of sacred objects in order to present the essential debates surrounding tribal historic preservation. Without revealing the exact locations of sacred places (unless tribes have gone public with their cultural concerns), Gulliford discusses the cultural significance of tribal sacred sites and the ways in which they are being preserved. Some of the case studies included are the Wyoming Medicine Wheel, Devil's Tower National Monument, Mount Shasta in California, Mount Graham in Arizona, and the Sweet Grass Hills in Montana. Federal laws are reviewed in the context of tribal preservation programs, and tribal elders discuss specific cases of repatriation.
Though the book describes numerous tribal tragedies and offers examples of cultural theft, Sacred Objects and Sacred Places affirms living traditions. It reveals how the resolution of these controversies in favor of native people will ensure their cultural continuity in a changing and increasingly complex world. The issues of returning human remains, curating sacred objects, and preserving tribal traditions are addressed to provide the reader with a full picture of Native Americans' struggles to keep their heritage alive.
[more]
The Scorpion's Question Mark
J.D. Debris
Autumn House Press, 2023
A formally inventive debut collection of poetry driven by narrative and character.
In this poetry collection, JD Debris focuses on characters who live on society’s outskirts and demand greater visibility in the face of marginalization. At the book’s heart are extended narrative elegies for two musicians. First, the poet follows Mexican singer and songwriter Chalino Sánchez as he avenges his sister’s sexual assault, and then he turns to Gato Barbieri, an influential Argentine tenor saxophonist who is haunted by a shadowy “man in dusk-colored glasses.” As these musicians question their purpose, we as readers are invited to reflect on our lives, our legacies, and ourselves.
The Scorpion’s Question Mark is personal and mythological, representational and abstract. These formally inventive and metrically attuned poems compose a range of contrasts—boxers Manny Pacquiao and Marvelous Marvin Hagler appear alongside Tupac and Herman Melville, and apparitions of the Virgin Mary manifest in both human and mirage-like forms on public beachfronts. Looking to the scorpion’s tail that forms the shape of a question mark, Debris seeks to occupy uncertain space within the poems, bending forms to find both expansiveness and tension.
The Scorpion’s Question Mark was the winner of the 2022 Donald Justice Poetry Prize.
In this poetry collection, JD Debris focuses on characters who live on society’s outskirts and demand greater visibility in the face of marginalization. At the book’s heart are extended narrative elegies for two musicians. First, the poet follows Mexican singer and songwriter Chalino Sánchez as he avenges his sister’s sexual assault, and then he turns to Gato Barbieri, an influential Argentine tenor saxophonist who is haunted by a shadowy “man in dusk-colored glasses.” As these musicians question their purpose, we as readers are invited to reflect on our lives, our legacies, and ourselves.
The Scorpion’s Question Mark is personal and mythological, representational and abstract. These formally inventive and metrically attuned poems compose a range of contrasts—boxers Manny Pacquiao and Marvelous Marvin Hagler appear alongside Tupac and Herman Melville, and apparitions of the Virgin Mary manifest in both human and mirage-like forms on public beachfronts. Looking to the scorpion’s tail that forms the shape of a question mark, Debris seeks to occupy uncertain space within the poems, bending forms to find both expansiveness and tension.
The Scorpion’s Question Mark was the winner of the 2022 Donald Justice Poetry Prize.
[more]
Separate Destinations
Migration, Immigration, and the Politics of Places
James G. Gimpel
University of Michigan Press, 1999
Natives who change residence do not settle in the same places as immigrants. Separate Destinations argues that these distinct mobility patterns, coupled with record levels of immigration from impoverished third world nations, are balkanizing the American electorate. James G. Gimpel examines the consequences of different patterns of movement and settlement on the politics of the communities in which these different groups settle.
Newer immigrants are con-strained by a lack of education, money, English literacy, and information--and frequently by discrimination--to live in areas of coethnic settlement. Domestic, native-born migrants--predominantly Caucasian--free of discrimination and possessing more money and information, move where they wish, often to communities where immigrants are not welcome or cannot afford to live. Strong evidence suggests that spatially isolated immigrants are slower to naturalize and get involved in politics than domestic migrants.
Gimpel looks closely at states with very different patterns of migration and immigration: California, Colorado, Kansas, Kentucky, Florida, Pennsylvania, and New York. In these states, Gimpel shows the impact of population mobility on party registration, party votes, and voter turnout and asks whether population changes have changed the dominant party in a state or produced a political reaction from natives.
Separate Destinations contains a number of thematic maps detailing the settlement patterns of internal migrants and immigrants for both counties and census tracts. Blending insights from a number of social science disciplines, including economics, demography, sociology, political science, and anthropology, this book will be of interest to a wide and diverse readership of scholars, students, and policymakers.
James G. Gimpel is Associate Professor of Government, University of Maryland.
Newer immigrants are con-strained by a lack of education, money, English literacy, and information--and frequently by discrimination--to live in areas of coethnic settlement. Domestic, native-born migrants--predominantly Caucasian--free of discrimination and possessing more money and information, move where they wish, often to communities where immigrants are not welcome or cannot afford to live. Strong evidence suggests that spatially isolated immigrants are slower to naturalize and get involved in politics than domestic migrants.
Gimpel looks closely at states with very different patterns of migration and immigration: California, Colorado, Kansas, Kentucky, Florida, Pennsylvania, and New York. In these states, Gimpel shows the impact of population mobility on party registration, party votes, and voter turnout and asks whether population changes have changed the dominant party in a state or produced a political reaction from natives.
Separate Destinations contains a number of thematic maps detailing the settlement patterns of internal migrants and immigrants for both counties and census tracts. Blending insights from a number of social science disciplines, including economics, demography, sociology, political science, and anthropology, this book will be of interest to a wide and diverse readership of scholars, students, and policymakers.
James G. Gimpel is Associate Professor of Government, University of Maryland.
[more]
Sky Below
Selected Works
Raul Zurita; Translated from the Spanish and with an introduction by Anna Deeny Morales
Northwestern University Press, 2016
Chilean poet Raúl Zurita has long been recognized as one of the most celebrated and important voices from Latin America. His compelling rhythms combine epic and lyric tones, public and most intimate themes, grief and joy. This bilingual volume of selected works is the first of its kind in any language, representing the remarkable range of an extraordinary poet. Zurita’s work confronts the cataclysm of the Pinochet coup with a powerful urgency matched by remarkable craftsmanship and imaginative vision. In Zurita’s attempt to address the atrocities that indelibly mark Chile, he makes manifest the common history of the Americas.
[more]
South × South
Poems from Antarctica
Charles Hood
Ohio University Press, 2013
A vivid and insightful look at the culture and terrain of Antarctica, as well as the people who choose to live and work there, South × South celebrates and explores life at the extreme edge of our planet. Blending travel narrative, historical research, and the surprises of magical realism, Hood presents life in Antarctica and the history of polar aviation as both a miracle of achievement yet also as a way to understand humanity’s longing to be creatures of the heavens as well as the earth. South × South is poetry at its most inventive and surprising, insisting that the world is stranger and more glorious than we ever might have guessed.
[more]
Sprawl
Poems
Andrew Collard
Ohio University Press, 2023
These lyrical poems about growing up and becoming a parent in Detroit reflect deeply felt connections to places and experiences that inevitably fall victim to irrevocable change.
Sprawl is a reconstruction of the constantly shifting landscape of metropolitan Detroit, which extends over six counties and is home to over four million people, from the perspective of a single parent raising a young child amid financial precarity. Part memoir, part invention, the book is Andrew Collard’s attempt to reconcile the tenderness and sense of purpose found in the parent-child relationship with ongoing societal crises in the empire of the automobile. Here, a mansion may contrast with a burned-out home just up the street. How does one construct a sense of place in such a landscape, where once-familiar neighborhoods turn to strip malls or empty lots and the relationships that root us dissolve? Sprawl suggests that there is solace in recognizing that when we ask this question, we are never alone in asking.
Within the larger geographical space of the metropolis are the in-between places of personal significance: the gas stations, burger joints, malls, and parking lots where many of the defining moments of ordinary lives occur. These poems take deep inspiration from such places, insisting on the value of the people found there, along with their experiences. What might be considered high and low culture are as inextricably linked in the formal cues of the poems as they are in the Michigan landscape, influenced by pop music, midcentury modern aesthetics, comic books, and cars.
While the sprawl of the title refers to the seemingly endless succession of businesses and neighborhoods extending north from Detroit (“a sprawl this extensive breeds / empty pockets”), it also invokes the sprawl of history through poems that move between the past and present. One sequence of poems built on old newspaper clippings draws attention to a Chrysler plant that once constructed Redstone missiles. Elsewhere, two poems refer to the Detroit newspaper strike of the 1990s, a local controversy with lasting implications for the community. Sprawl ultimately illuminates the relationship of one place to other places, contextualizing its characters and locales within a wider societal frame.
[more]
Strangers High, Exp Ed
Places
Michael Frome
University of Tennessee Press, 1993
In this expanded edition of his classic Strangers in High Places, Michael Frome continues to capture the attention and admiration of nature lovers, environmentalists, and professionals as he reviews the last quarter-century in and around the Great Smoky Mountains National Park. Frome's superbly written account tells the story of the Great Smoky Mountains and their inhabitants—Eastern Cherokee, back-country settlers, lumbermen, moonshiners, bears and boars. Frome chronicles the power struggles, legislation, and land transactions surrounding the creation of the national park and discusses the continuing threats to the park's natural beauty.
Frome's recent conversations with residents, new and old, along with a complement of historic and contemporary photographs, confirm the views stated in the book's original 1966 edition.
The author brings his knowledge, experience, and insights to bear on "one of God's special places." He suggests alternatives to commercial overdevelopment and the destruction of the Great Smokies' flora and fauna, citing recent cases such as the Tellico Dam project and the continuing pollution of the Pigeon River. Always emphasizing our inevitable relationship with our surroundings, Frome relates the story of the Great Smoky Mountains with respect and affection for the region, its people, and their history.
Michael Frome ranks among the foremost American authors on travel and conservation. His interests are closely associated with national parks, national forests, and natural beauty in the United States and other countries. He has been a columnist and correspondent for major newspapers and magazines and a university lecturer. He is author of Conscience of a Conservationist: Selected Essays.
Frome's recent conversations with residents, new and old, along with a complement of historic and contemporary photographs, confirm the views stated in the book's original 1966 edition.
The author brings his knowledge, experience, and insights to bear on "one of God's special places." He suggests alternatives to commercial overdevelopment and the destruction of the Great Smokies' flora and fauna, citing recent cases such as the Tellico Dam project and the continuing pollution of the Pigeon River. Always emphasizing our inevitable relationship with our surroundings, Frome relates the story of the Great Smoky Mountains with respect and affection for the region, its people, and their history.
Michael Frome ranks among the foremost American authors on travel and conservation. His interests are closely associated with national parks, national forests, and natural beauty in the United States and other countries. He has been a columnist and correspondent for major newspapers and magazines and a university lecturer. He is author of Conscience of a Conservationist: Selected Essays.
[more]
Tartessos and Other Cities
Claire Millikin
2Leaf Press, 2016
TARTESSOS AND OTHER CITIES is Claire Millikin's second book of poetry with 2Leaf Press that continues to explore homelessness. In this collection, Millikin uses the sensitivity of poetry to express some of the emotions surrounded by homelessness and loss. Named for Tartessos, a lost city on the Guadalquivir, a river in Andalusia, Spain that was likely buried by a devastating tidal wave in BC, the poems in TARTESSSOS gather lost cities and places that were not myths, but were once real. Throughout the collection, Millikin addresses questions such as, What happened to home and Where do I come from? that examines American geographies of loss, with the poems serving as archeological elements that persist against these losses. From New York City to Muscogee Country, Georgia, from New Haven, to the Haw River, TARTESSOS charts a map of disappearances and resistances to vanishing that make up part of the ghostly American landscape. In the end, Millikin leads readers to discover that home is not just the place where you happen to live, it is the place where you become yourself.
[more]
Texas on the Table
People, Places, and Recipes Celebrating the Flavors of the Lone Star State
By Terry Thompson-Anderson, Photos by Sandy Wilson
University of Texas Press, 2014
With a bounty of locally grown meats and produce, artisanal cheeses, and a flourishing wine culture, it’s a luscious time to be cooking in Texas. From restaurant chefs to home cooks, Texans are going to local dairies, orchards, farmers’ markets, ranches, vineyards, and seafood sellers to buy the very freshest ingredients, whether we’re cooking traditional favorites or the latest haute cuisine. We’ve discovered that Texas terroir—our rich variety of climates and soils, as well as our diverse ethnic cultures—creates a unique “taste of place” that gives Texas food a flavor all its own.
Written by one of Texas’s leading cookbook authors, Terry Thompson-Anderson, Texas on the Table presents 150 new and classic recipes, along with stories of the people—farmers, ranchers, shrimpers, cheesemakers, winemakers, and chefs—who inspired so many of them and who are changing the taste of Texas food. The recipes span the full range from finger foods and first courses to soups and breads, salads, seafood, chicken, meat (including wild game), sides and vegetarian dishes, and sweets. Some of the recipes come from the state’s most renowned chefs, and all are user-friendly for home cooks. Finally, the authors and winemakers tell which recipes they turn to when opening their favorite wines.
This delicious compilation of recipes and stories of the people behind them, illustrated with Sandy Wilson’s beautiful photographs, makes Texas on the Table the must-have cookbook for everyone who relishes the flavors of the Lone Star State.
[more]
Towns Facing Railroads
Poems
Jo McDougall
University of Arkansas Press, 1991
In her second book of poetry, Jo McDougall takes her readers to the dusty prairie towns of the central states, places where the flat terrain belies a complex human landscape. In short, dceptively simple lines, McDougall can so keenly trace the lineaments of place and era that her subject stands before us, its essence displayed and made timeless.
Quietly, with an almost aphoristic bit, McDougall writes about ordinary lives and small towns in a way that her readers may never forget.
[more]
Train Music
Writing / Pictures
C.S. Giscombe and Judith Margolis
Omnidawn, 2021
A poet and a book artist take a train across the United States, creating and conversing along the way.
Late in the fall of 2017, poet C. S. Giscombe and book artist Judith Margolis boarded an Amtrak train in New York City and, four days later, stepped off another train at the edge of San Francisco Bay. Giscombe was returning home to California to address an all-white audience on the problem of white supremacy, and expatriate Margolis, accustomed to a somewhat solitary existence, was visiting the United States and making collages. Traveling together, they each turned their train quarters into writing and drawing “studios” where they engaged in conversations and arguments and shared experiences of the discomforts and failures of recent times.
Their original intention had been to travel west and document, in journals and sketchpads, the complex, charged American landscape, but as the trip progressed—and in the months afterwards—the project took on a new shape. Train Music, the book that resulted, recollects and explores the century’s racial and gendered conflicts—sometimes sensually, sometimes in stark images, sometimes in a “mixed economy” of poetry and prose.
Late in the fall of 2017, poet C. S. Giscombe and book artist Judith Margolis boarded an Amtrak train in New York City and, four days later, stepped off another train at the edge of San Francisco Bay. Giscombe was returning home to California to address an all-white audience on the problem of white supremacy, and expatriate Margolis, accustomed to a somewhat solitary existence, was visiting the United States and making collages. Traveling together, they each turned their train quarters into writing and drawing “studios” where they engaged in conversations and arguments and shared experiences of the discomforts and failures of recent times.
Their original intention had been to travel west and document, in journals and sketchpads, the complex, charged American landscape, but as the trip progressed—and in the months afterwards—the project took on a new shape. Train Music, the book that resulted, recollects and explores the century’s racial and gendered conflicts—sometimes sensually, sometimes in stark images, sometimes in a “mixed economy” of poetry and prose.
[more]
Tropic Then
Poems & Stories
Ray DiZazzo
2Leaf Press, 2022
Poems, stories, and photographs that travel through extreme natural and urban landscapes.
Ray DiZazzo is a poet obsessed with imagery, and the poems, photographs, and stories in Tropic Then attest to that obsession. Beginning with a visceral and intensely visual journey through the jungles and rainforests of Brazil, this collection captures what was once the beauty and spiritual aura surrounding the wildness of an untouched tropical forest.
The book is written in four sections. The first section, “Tropic Then,” refers to a time before the clearcutting and burning of the Amazonian jungles. “Polar,” the second section, focuses on cold themes as a counterpoint to the jungle heat. Section three, “The Dark,” consists of grim, shadowy poems, and section four, “Looking up in Los Angeles,” explores life in the jungle of city spaces. Though diverse in their style and content, these poems, stories, and images all work together to deliver stunning imagery. Tropic Then is not an activist, confessional, or heavily introspective work. Rather, it is a real-life poetic journey through our world filled with wonderful “ah-ha” moments that will delight its readers.
Ray DiZazzo is a poet obsessed with imagery, and the poems, photographs, and stories in Tropic Then attest to that obsession. Beginning with a visceral and intensely visual journey through the jungles and rainforests of Brazil, this collection captures what was once the beauty and spiritual aura surrounding the wildness of an untouched tropical forest.
The book is written in four sections. The first section, “Tropic Then,” refers to a time before the clearcutting and burning of the Amazonian jungles. “Polar,” the second section, focuses on cold themes as a counterpoint to the jungle heat. Section three, “The Dark,” consists of grim, shadowy poems, and section four, “Looking up in Los Angeles,” explores life in the jungle of city spaces. Though diverse in their style and content, these poems, stories, and images all work together to deliver stunning imagery. Tropic Then is not an activist, confessional, or heavily introspective work. Rather, it is a real-life poetic journey through our world filled with wonderful “ah-ha” moments that will delight its readers.
[more]
The Truth about Small Towns
Poems
David Baker
University of Arkansas Press, 1998
Winner of the 1998 Ohioana Poetry Award
Skilled at both extended narratives and intense, intimate lyrics, David Baker combines his talents in his fifth collection of poems. Working in syllabics, sonnets, couplets, and free verse, Baker can write unflinchingly about love, illness, madness, and perseverance.
His small towns are the burgs of the Midwest, where there is a constant tension between a future that’s coming and a past that may never vanish. The grocer on the corner now carries mango chutney, and the city council must decide—Wendy’s or wetlands.
From these rural towns, Baker evokes lovers, mothers and fathers, highway workmen, hospital patients, and the long dead. He spots the inner struggles of everyday living, as in these lines from “The Women”: “there comes a rubbing of hands, and not as in cleaning. / As when something’s put away, but it won’t stay down.”
Regional in the best sense, Baker’s poems capture the universal human commerce of love and conflict enduring under the water towers and storefronts of America’s heartland.
[more]
Under the Broom Tree
Natalie Homer
Autumn House Press, 2021
Poems that explore the wilderness in order to find rest and divine providence.
In the story of the prophet Elijah, he must flee his home, and, after an arduous journey, he arrives under a broom tree, where he prays for his own death. But in his sleep, he is touched by an angel who provides food and water. In this moment, the broom tree becomes a symbol for shelter in a barren landscape, a portent of hope and renewal.
Drawing inspiration from this tale, Natalie Homer’s debut poetry collection is a trek through the wildernesses of the heart and of the natural world. Exploring the idea of divine providence, Homer finds seams of light opening between forlorn moments and locates, “Something to run a finger through, / something to shine in the ocher light.” Within these narrow spaces, Homer explores themes of longing, home, family, and self-worth amidst the wondrous backdrop of the American West and the Rust Belt, while integrating a rich mythology of narrative, image, and association. The broom tree, offering the capacity for shade and respite, becomes a source of connection and an inspiration for the collection. It is an invitation to sink deep into the earth and self and feel the roots entwine.
In the story of the prophet Elijah, he must flee his home, and, after an arduous journey, he arrives under a broom tree, where he prays for his own death. But in his sleep, he is touched by an angel who provides food and water. In this moment, the broom tree becomes a symbol for shelter in a barren landscape, a portent of hope and renewal.
Drawing inspiration from this tale, Natalie Homer’s debut poetry collection is a trek through the wildernesses of the heart and of the natural world. Exploring the idea of divine providence, Homer finds seams of light opening between forlorn moments and locates, “Something to run a finger through, / something to shine in the ocher light.” Within these narrow spaces, Homer explores themes of longing, home, family, and self-worth amidst the wondrous backdrop of the American West and the Rust Belt, while integrating a rich mythology of narrative, image, and association. The broom tree, offering the capacity for shade and respite, becomes a source of connection and an inspiration for the collection. It is an invitation to sink deep into the earth and self and feel the roots entwine.
[more]
Under the Broom Tree
Natalie Homer
Autumn House Press, 2021
Poems that explore the wilderness in order to find rest and divine providence.
In the story of the prophet Elijah, he must flee his home, and, after an arduous journey, he arrives under a broom tree, where he prays for his own death. But in his sleep, he is touched by an angel who provides food and water. In this moment, the broom tree becomes a symbol for shelter in a barren landscape, a portent of hope and renewal.
Drawing inspiration from this tale, Natalie Homer’s debut poetry collection is a trek through the wildernesses of the heart and of the natural world. Exploring the idea of divine providence, Homer finds seams of light opening between forlorn moments and locates, “Something to run a finger through, / something to shine in the ocher light.” Within these narrow spaces, Homer explores themes of longing, home, family, and self-worth amidst the wondrous backdrop of the American West and the Rust Belt, while integrating a rich mythology of narrative, image, and association. The broom tree, offering the capacity for shade and respite, becomes a source of connection and an inspiration for the collection. It is an invitation to sink deep into the earth and self and feel the roots entwine.
In the story of the prophet Elijah, he must flee his home, and, after an arduous journey, he arrives under a broom tree, where he prays for his own death. But in his sleep, he is touched by an angel who provides food and water. In this moment, the broom tree becomes a symbol for shelter in a barren landscape, a portent of hope and renewal.
Drawing inspiration from this tale, Natalie Homer’s debut poetry collection is a trek through the wildernesses of the heart and of the natural world. Exploring the idea of divine providence, Homer finds seams of light opening between forlorn moments and locates, “Something to run a finger through, / something to shine in the ocher light.” Within these narrow spaces, Homer explores themes of longing, home, family, and self-worth amidst the wondrous backdrop of the American West and the Rust Belt, while integrating a rich mythology of narrative, image, and association. The broom tree, offering the capacity for shade and respite, becomes a source of connection and an inspiration for the collection. It is an invitation to sink deep into the earth and self and feel the roots entwine.
[more]
Wildlife Sanctuaries and the Audubon Society
Places to Hide and Seek
By John M. "Frosty" Anderson
University of Texas Press, 2000
National Audubon Society sanctuaries across the United States preserve the unique combinations of plants, climates, soils, and water that endangered birds and other animals require to survive. Their success stories include the recovery of the common and snowy egrets, wood storks, Everglade kites, puffins, and sandhill cranes, to name only a few.
In this book, Frosty Anderson describes the development of fifteen NAS sanctuaries from Maine to California and from the Texas coast to North Dakota. Drawn from the newsletter "Places to Hide and Seek," which he edited during his tenure as Director/Vice President of the Wildlife Sanctuary Department of the NAS, these profiles offer a personal, often humorous look at the daily and longer-term activities involved in protecting bird habitats. Collectively, they record an era in conservation history in which ordinary people, without benefit of Ph.Ds, became stewards of the habitats in which they had lived all their lives. It's a story worth preserving, and it's entertainingly told here by the man who knows it best.
[more]
The Wisconsin Story
150 People, Places, and Turning Points that Shaped the Badger State
Dennis McCann
Wisconsin Historical Society Press, 2019
The Wisconsin Story: 150 People, Places, and Turning Points that Shaped the Badger State offers readers engaging vignettes about everything Wisconsin. From portraits of significant figures like Robert and Belle La Follette, Golda Meir, and Edna Ferber, to stories of important events like the Black Hawk War, 1960s campus protests, and oleo smuggling, The Wisconsin Story takes readers on a fun and informative ride all across the Badger State. Where was Calvin Coolidge’s summer White House? What was the “anti-corset resolution?” And why was a cow named Ollie milked on an airplane? Award-winning newspaper columnist Dennis McCann’s talent for distilling complex subjects into brief stories that pack a punch makes this collection the perfect answer to the question “what makes Wisconsin, Wisconsin?”
[more]
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