BiblioVault - Books about O'Sullivan, Sean

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3 books about O'Sullivan, Sean

	Folktales of Ireland Edited by Sean O'Sullivan University of Chicago Press, 1999 Few countries can boast such a plentitude of traditional folktales as Ireland. In 1935, the creation of The Irish Folklore Commission set in motion the first organized efforts of collecting and studying a multitude of folktales, both written as well as those of the Irish oral tradition. The Commission has collected well over a million pages of manuscripts. Folktales of Ireland offers chief archivist Sean O'Sullivan's representation of this awe-inspiring collection. These tales represent the first English language collection of Gaelic folktales. "Without doubt the finest group of Irish tales that has yet been published in English."—The Guardian "O'Sullivan writes out of an intimacy with his subject and an instinctive grasp of the language of the originals. He tells us that his archives contain more than a million and a half pages of manuscript. If Mr. O'Sullivan translates them, I'll read them."—Seamus Heaney, New Statesman "The stories have an authentic folktale flavor and will satisfy both the student of folklore and the general reader."—Booklist Expand Description
	Folktales of Ireland Edited by Sean O'Sullivan University of Chicago Press, 1966 Library of Congress PB1383.O7 1966 \| Dewey Decimal 398.2 Few countries can boast such a plentitude of traditional folktales as Ireland. In 1935, the creation of The Irish Folklore Commission set in motion the first organized efforts of collecting and studying a multitude of folktales, both written as well as those of the Irish oral tradition. The Commission has collected well over a million pages of manuscripts. Folktales of Ireland offers chief archivist Sean O'Sullivan's representation of this awe-inspiring collection. These tales represent the first English language collection of Gaelic folktales. "Without doubt the finest group of Irish tales that has yet been published in English."—The Guardian "O'Sullivan writes out of an intimacy with his subject and an instinctive grasp of the language of the originals. He tells us that his archives contain more than a million and a half pages of manuscript. If Mr. O'Sullivan translates them, I'll read them."—Seamus Heaney, New Statesman "The stories have an authentic folktale flavor and will satisfy both the student of folklore and the general reader."—Booklist Expand Description
	Mike Leigh Sean O'Sullivan University of Illinois Press, 2011 Library of Congress PN1998.3.L445O88 2011 \| Dewey Decimal 791.430233092 In this much needed examination of Mike Leigh, Sean O'Sullivan reclaims the British director as a practicing theorist--a filmmaker deeply invested in cinema's formal, conceptual, and narrative dimensions. In contrast with Leigh's prevailing reputation as a straightforward crafter of social realist movies, O'Sullivan illuminates the visual tropes and storytelling investigations that position Leigh as an experimental filmmaker who uses the art and artifice of cinema to frame tales of the everyday and the extraordinary alike. O'Sullivan challenges the prevailing characterizations of Leigh's cinema by detailing the complicated constructions of his realism, positing his films not as transparent records of life but as aesthetic transformations of it. Concentrating on the most recent two decades of Leigh's career, the study examines how Naked, Secrets and Lies, Topsy-Turvy, Vera Drake, and other films engage narrative convergence and narrative diffusion, the tension between character and plot, the interplay of coincidence and design, cinema's relationship to other systems of representation, and the filmic rendering of the human figure. The book also spotlights such earlier, less-discussed works as Four Days in July and The Short and Curlies, illustrating the recurring visual and storytelling concerns of Leigh's cinema. With a detailed filmography, this volume also includes key selections from O'Sullivan's several interviews with Leigh. Expand Description

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3 books about O'Sullivan, Sean

Folktales of Ireland

Edited by Sean O'Sullivan

University of Chicago Press, 1999

Few countries can boast such a plentitude of traditional folktales as Ireland. In 1935, the creation of The Irish Folklore Commission set in motion the first organized efforts of collecting and studying a multitude of folktales, both written as well as those of the Irish oral tradition. The Commission has collected well over a million pages of manuscripts. Folktales of Ireland offers chief archivist Sean O'Sullivan's representation of this awe-inspiring collection. These tales represent the first English language collection of Gaelic folktales.

"Without doubt the finest group of Irish tales that has yet been published in English."—The Guardian

"O'Sullivan writes out of an intimacy with his subject and an instinctive grasp of the language of the originals. He tells us that his archives contain more than a million and a half pages of manuscript. If Mr. O'Sullivan translates them, I'll read them."—Seamus Heaney, New Statesman

"The stories have an authentic folktale flavor and will satisfy both the student of folklore and the general reader."—Booklist

Folktales of Ireland

Edited by Sean O'Sullivan

University of Chicago Press, 1966

Few countries can boast such a plentitude of traditional folktales as Ireland. In 1935, the creation of The Irish Folklore Commission set in motion the first organized efforts of collecting and studying a multitude of folktales, both written as well as those of the Irish oral tradition. The Commission has collected well over a million pages of manuscripts. Folktales of Ireland offers chief archivist Sean O'Sullivan's representation of this awe-inspiring collection. These tales represent the first English language collection of Gaelic folktales.

"Without doubt the finest group of Irish tales that has yet been published in English."—The Guardian

"O'Sullivan writes out of an intimacy with his subject and an instinctive grasp of the language of the originals. He tells us that his archives contain more than a million and a half pages of manuscript. If Mr. O'Sullivan translates them, I'll read them."—Seamus Heaney, New Statesman

"The stories have an authentic folktale flavor and will satisfy both the student of folklore and the general reader."—Booklist

Sean O'Sullivan

University of Illinois Press, 2011

In this much needed examination of Mike Leigh, Sean O'Sullivan reclaims the British director as a practicing theorist--a filmmaker deeply invested in cinema's formal, conceptual, and narrative dimensions. In contrast with Leigh's prevailing reputation as a straightforward crafter of social realist movies, O'Sullivan illuminates the visual tropes and storytelling investigations that position Leigh as an experimental filmmaker who uses the art and artifice of cinema to frame tales of the everyday and the extraordinary alike.

O'Sullivan challenges the prevailing characterizations of Leigh's cinema by detailing the complicated constructions of his realism, positing his films not as transparent records of life but as aesthetic transformations of it. Concentrating on the most recent two decades of Leigh's career, the study examines how Naked, Secrets and Lies, Topsy-Turvy, Vera Drake, and other films engage narrative convergence and narrative diffusion, the tension between character and plot, the interplay of coincidence and design, cinema's relationship to other systems of representation, and the filmic rendering of the human figure. The book also spotlights such earlier, less-discussed works as Four Days in July and The Short and Curlies, illustrating the recurring visual and storytelling concerns of Leigh's cinema. With a detailed filmography, this volume also includes key selections from O'Sullivan's several interviews with Leigh.