BiblioVault - Books about Nature (Aesthetics)

The Aesthetics of Environment
Arnold Berleant
Temple University Press, 1995
Library of Congress GF90.B47 1992 | Dewey Decimal 304.23

"Not since Thoreau has an American author displayed such a profound appreciation for the aesthetics of nature; but, unlike Thoreau, Berleant has designed a program for allowing others to join in on that appreciation." --E. F. Kaelin, Professor of Philosophy, Florida State University Environmental aesthetics is an emerging discipline that explores the meaning and influence of environmental perception and experience on human life. Arguing for the idea that environment is not merely a setting for people but fully integrated and continuous with us, Arnold Berleant explores the aesthetic dimensions of the human-environment continuum in both theoretical terms and concrete situations. Insisting on the need to reconceptualize environment and recognize its aesthetic implications, he pursues a variety of topics and approaches to environmental aesthetics. Aesthetic experience, maintains Berleant, is always contextual. Recognizing that humans, along with all other things, inhabit a single intraconnected realm, he names the quality of engagement as the foremost characteristic of environmental perception. Berleant moves from natural to nonnatural environments, suggesting that the aesthetic aspect of any human habitat is an essential part of its desirability. From outer space to the museum, from architecture to landscape, from city to wilderness, this book discovers in the aesthetic perception of environment the reciprocity that constitutes both person and place. "Arnold Berleant's Aesthetics of Environment poses an important path for philosophy to walk down--instead of environmental ethics, where what is right and wrong in nature is discussed, he goes after the difficult destination of deciding how to articulate what is beautiful in the nature we want, not the nature we see." --Human Ecology Review "Berleant's new environmental aesthetics is a challenge not only to the philosophers but also to the practitioners of environment-making. With rich illustrations and freedom from technical jargon, Berleant applies his new aesthetics to analyzing and solving the practical problems concerning various environmental designs of today." --Canadian Philosophical Review "A pioneering contribution to this discipline. It raises a large number of challenging questions and suggests new dirrections in the analysis of the environment as an aesthetic category." --Michael H. Mutias, Professor of Philosophy, Millsaps College

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Aesthetics of the Natural Environment
Emily Brady
University of Alabama Press, 2003
Library of Congress BH301.N3B73 2003 | Dewey Decimal 111.85

How “beauty” in nature is understood and appreciated

Aesthetic experience is one of the fundamental ways that we develop a relationship to our natural surroundings. Emily Brady provides a comprehensive study of this type of experience and the central philosophical issues related to it, developing her own original theory of aesthetic appreciation of nature. She provides useful background to the current debate and an up-to-date critical appraisal of contemporary theories.

The context of the contemporary debate is laid out through a discussion of aesthetic experience and aesthetic qualities; early theories of aesthetic appreciation of nature, including the beautiful, the sublime, and the picturesque; and differences between artistic and environmental appreciation and interpretation. Brady situates her own approach in relation to a set of noncognitive accounts of appreciation. Her "integrated aesthetic" brings together various features of appreciation, including the senses, emotion, and imagination, with a reappraisal of the concept of disinterestedness. These ideas are further developed within the more practical domains of aesthetic judgment and education of the environment and through an examination of the role of aesthetic value in environmental conservation.

Arnold Berleant of Long Island University, a pioneer in this area of research, has declared Brady’s work, “admirably comprehensive coverage of the subject.” Julie C. Van Camp of California State University, Long Beach, has said, “The bibliography is priceless. . . . The discussions of such philosophers as Kant and Dewey seem plausible and understandable to an audience of students and the educated public.” This book will be valuable to readers interested in such wide-ranging subjects as philosophy, aesthetics, ethics, ecology, conservation, environmental policy-making, geography, and landscape architecture.

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Animal, Vegetable, Digital: Experiments in New Media Aesthetics and Environmental Poetics
Elizabeth Swanstrom
University of Alabama Press, 2016
Library of Congress N7433.94.S93 2016 | Dewey Decimal 302.23

Winner of the Elizabeth Agee Prize in American Literature

An audacious, interdisciplinary study that combines the burgeoning fields of digital aesthetics and eco-criticism

In Animal, Vegetable, Digital, Elizabeth Swanstrom makes a confident and spirited argument for the use of digital art in support of ameliorating human engagement with the environment and suggests a four-part framework for analyzing and discussing such applications.

Through close readings of a panoply of texts, artworks, and cultural artifacts, Swanstrom demonstrates that the division popular culture has for decades observed between nature and technology is artificial. Not only is digital technology not necessarily a brick in the road to a dystopian future of environmental disaster, but digital art forms can be a revivifying bridge that returns people to a more immediate relationship to nature as well as their own embodied selves.

To analyze and understand the intersection of digital art and nature, Animal, Vegetable, Digital explores four aesthetic techniques: coding, collapsing, corresponding, and conserving. “Coding” denotes the way artists use operational computer code to blur distinctions between the reader and text, and, hence, the world. Inviting a fluid conception of the boundary between human and technology, “collapsing” voids simplistic assumptions about the human body’s innate perimeter. The process of translation between natural and human-readable signs that enables communication is described as “corresponding.” “Conserving” is the application of digital art by artists to democratize large- and small-scale preservation efforts.

A fascinating synthesis of literary criticism, communications and journalism, science and technology, and rhetoric that draws on such disparate phenomena as simulated environments, video games, and popular culture, Animal, Vegetable, Digital posits that partnerships between digital aesthetics and environmental criticism are possible that reconnect humankind to nature and reaffirm its kinship with other living and nonliving things.

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Balance Art & Nature Revised Edition
John K. Grande
Black Rose Books, 2003 Dewey Decimal 153.35

Believing that artistic expression can and does play an important role in changing the way we perceive our relation to the world we live in, art critic John Grande takes an in-depth look at the work of some very unusual environmental artists in the United States, Canada, and -Europe. Dealing with everything from materials to the politics of curatorship, from the permanence of art works to the artist's role as cultural critic, Balance Art and Nature takes theory into action as it critically examines the works of Anish Kapoor, Antony Gormley, Armand Vaillancourt, Bill Reid, Carl Beam, Kevin Kelly, Ana Mendieta, James Carl, Patrick Dougherty, Keith Haring, and others. What emerges is a viable socio-environmental framework for evaluating contemporary art and insights into art's actual and potential roles. "Grande's commentaries represent an important contribution to the theory of art."--Claude Levi-Strauss "A call to reawaken creativity in this time of alienation."--Antony Gormley "Encourages us to rethink what it means to be an artist in a time of global eco-crisis."--Suzi Gablik, The Re-enchantment of Art "Makes unexpected connections giving new insights into contemporary art."--Public Art Review "Grande's book contains a lot of ideas, all of which are thought-provoking."--Globe and Mail "Details makes this book convincing."--Books In Canada "Grande's ideas and style are fresh, sincere, intuitive, lively and compelling."--Journal of Comparative Literature and Aesthetics "Offers interesting parallels between different aspects of public art."--Espace Sculptur Writer and art critic John Grande's reviews and feature -articles have been published in art magazines and catalogues internationally. He is author of Intertwining: Landscape, Technology, Issues, Artists (Black Rose Books), Nils-Udo: Art with Nature (Wienand Verlag), and Art Nature Dialogues (SUNY Press).

Library of Congress subject headings for this publication:
Creation (Literary, artistic, etc.)
Art, Modern -- 20th century.
Nature (Aesthetics)

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Ecological Aesthetics: artful tactics for humans, nature, and politics
Nathaniel Stern
Dartmouth College Press, 2018
Library of Congress N6497.S745 2018 | Dewey Decimal 704.943

With this poetic and scholarly collection of stories about art, artists, and their materials, Nathaniel Stern argues that ecology, aesthetics, and ethics are inherently entwined, and together act as the cornerstone for all contemporary arts practices. An ecological approach, says Stern, takes account of agents, processes, thoughts, and relations. Humans, matter, concepts, things, not-yet-things, politics, economics, and industry are all actively shaped in, and as, their interrelation. And aesthetics are a style of, and orientation toward, thought—and thus action. Including dozens of color images, this book narrativizes artists and artworks—ranging from print to installation, bio art to community activism—contextualizing and amplifying our experiences and practices of complex systems and forces, our experiences and practices of thought. Stern, an artist himself, writes with an eco-aesthetic that continually unfurls artful tactics that can also be used in everyday existence.

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Finding Thoreau: The Meaning of Nature in the Making of an Environmental Icon
Richard W. Judd
University of Massachusetts Press, 2018
Library of Congress PS3057.N3J83 2018 | Dewey Decimal 818.309

In his 1862 eulogy for Henry David Thoreau, Ralph Waldo Emerson reflected that his friend "dedicated his genius with such entire love to the fields, hills, and waters of his native town, that he made them known and interesting to all reading Americans, and to people over the sea." Finding Thoreau traces the reception of Thoreau's work from the time of his death to his ascendancy as an environmental icon in the 1970s, revealing insights into American culture's conception of the environment.

Moving decade by decade through this period, Richard W. Judd unveils a cache of commentary from intellectuals, critics, and journalists to demonstrate the dynamism in the idea of nature, as Americans defined and redefined the organic world around them amidst shifting intellectual, creative, and political forces. This book tells the captivating story of one writer's rise from obscurity to fame through a cultural reappraisal of the work he left behind.

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Natura: Environmental Aesthetics After Landscape
Edited by Jens Andermann, Lisa Blackmore, and Dayron Carrillo Morell
Diaphanes, 2018
Library of Congress BH301.E58.N576 2018

For poets, artists, philosophers, and even environmental activists and historians, the landscape has long constituted a surface onto which to project visions of utopia beyond modernity and capitalism. Yet amid fracking, deep sea drilling, biopiracy, and all the other environmental ravages of late capitalism, we are brought to re-examine the terms of landscape formations. In what ways might artistic, scholarly, and scientific work on nature push our thinking past seeing the world as something we act on, and instead give agency to the landscape itself?

Natura takes up this challenge, exploring how recent activist practices and eco-artistic turns in Latin America can help us to reconfigure the categories of nature and the human. Moving from botanical explorations of early modernity, through the legacies of mid-twentieth-century landscape design, up to present struggles for the rights of nature and speculative post-human creations, the critical essays and visual contributions in this anthology use interdisciplinary encounters to reimagine the landscape and how we inhabit it.

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On the Animation of the Inorganic: Art, Architecture, and the Extension of Life
Spyros Papapetros
University of Chicago Press, 2012
Library of Congress BH301.N3P36 2012 | Dewey Decimal 700.1

Throughout human history, people have imagined inanimate objects to have intelligence, language, and even souls. In our secular societies today, we still willingly believe that nonliving objects have lives of their own as we find ourselves interacting with computers and other equipment. In On the Animation of the Inorganic, Spyros Papapetros examines ideas about simulated movement and inorganic life during and after the turn of the twentieth century—a period of great technical innovation whose effects continue to reverberate today.

Exploring key works of art historians such as Aby Warburg, Wilhelm Worringer, and Alois Riegl, as well as architects and artists like Fernand Léger, Mies van der Rohe, and Salvador Dalí, Papapetros tracks the evolution of the problem of animation from the fin de siècle through the twentieth century. He argues that empathy—the ability to identify with objects of the external world—was repressed by twentieth-century modernist culture, but it returned, projected onto inorganic objects such as machines, automobiles, and crystalline skyscrapers. These modern artifacts, he demonstrates, vibrated with energy, life, and desire of their own and had profound effects on people. Subtle and insightful, this book will change how we view modernist art, architecture, and their histories.

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Passing Strange and Wonderful: Aesthetics Nature And Culture
Yi-Fu Tuan
Island Press, 1993
Library of Congress BH301.N3T83 1993 | Dewey Decimal 111.85

In this rich and rewarding work, Yi-Fu Tuan vividly demonstrates that feeling and beauty are essential components of life and society. The aesthetic is not merely one aspect of culture but its central core -- both its driving force and its ultimate goal.

Beginning with the individual and his physical world, Tuan's exploration progresses from the simple to the complex. His initial evaluation of the building blocks of aesthetic experience (sight, hearing, smell, taste, touch) develops gradually into a wide-ranging examination of the most elaborate of human constructs, including art, architecture, literature, philosophy, music, and more.

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Patricia Johanson’s House and Garden Commission: Re-construction of Modernity
Xin Wu
Harvard University Press, 2007
Library of Congress SB470.J64W89 2007 | Dewey Decimal 712.2

In 1969, House and Garden magazine commissioned one of the first minimalist artists, Patricia Johanson, to propose new directions for American garden art. Having never been exhibited or published before as a whole, the resulting garden proposals reveal an unknown dimension of the New York art world of the late 1960s. Three years of research have brought 146 surviving drawings to light. They demonstrate the intimate progress of the artist’s engagement with nature in her quest for an art concerned with ethical relationships between humans and the natural world. Shuttling between the West and the East, and the contemporary and the historical, Johanson takes equal distances from earthworks created by her peer artists such as Robert Smithson, and the environmentalism advocated by landscape architects following Ian McHarg. Her vision of a new modernity is still significant today. The book is divided into 2 volumes, and includes a preface by Stephen Bann and a catalogue of 146 original garden proposals.

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Senses of Landscape
John Sallis
Northwestern University Press, 2015
Library of Congress BH301.L3S25 2015 | Dewey Decimal 704.943601

Beginning with the assertion that earth is the elemental place that grants an abode to humans and to other living things, in Senses of Landscape the philosopher John Sallis turns to landscapes, and in particular to their representation in painting, to present a powerful synthetic work.

Senses of Landscape proffers three kinds of analyses, which, though distinct, continually intersect in the course of the book. The first consists of extended analyses of distinctive landscapes from four exemplary painters, Paul Cezanne, Caspar David Friedrich, Paul Klee, and Guo Xi. Sallis then turns to these artists’ own writings—treatises, essays, and letters—about art in general and landscape painting in particular, and he sets them into a philosophical context. The third kind of analysis draws both on Sallis’s theoretical writings and on the canonical texts in the philosophy of art (Kant, Schelling, Hegel, and Heidegger). These analyses present for a wide audience a profound sense of landscape and of the earthly abode of the human.

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The Spiral Jetty Encyclo: Exploring Robert Smithson's Earthwork through Time and Place
Hikmet Sidney Loe
University of Utah Press, 2017
Library of Congress NB237.S5694A76 2017 | Dewey Decimal 704.943

Copublished with the Tanner Trust Fund, J. Willard Marriott Library.

Robert Smithson’s earthwork, Spiral Jetty (1970), an icon of the Land Art movement of the 1960s and 1970s, is located on the northern shores of Utah’s Great Salt Lake. Smithson built a masterpiece from local materials, one that spirals counterclockwise into the lake and appears or is submerged with fluctuations in the lake’s locally red, saline water.

The Spiral Jetty Encyclo draws on Smithson’s writings for encyclopedic entries that bring to light the context of the earthwork and Smithson’s many points of reference in creating it. Visitors and armchair travelers, too, will discover how much significance Smithson placed on regional considerations, his immersion in natural history, his passion for travel, and his ability to use diverse mediums to create a cohesive and lasting work of art. Containing some 220 images, most of them in color, with some historical black and whites, The Spiral Jetty Encyclo lets readers explore the construction, connections, and significance of Smithson’s 1,500-foot-long curl into Great Salt Lake, created, in Smithson’s words, of “mud, salt crystals, rocks, water.”

Winner of 15 Bytes Book Award for Art Book.
Finalist for the Utah State Historical Society Best Book Award.

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Where the Sky Touched the Earth: The Cosmological Landscapes of the Southwest
Don Lago
University of Nevada Press, 2017
Library of Congress QH76.5.S695L34 2016 | Dewey Decimal 577.27

The landscapes of the American Southwest—the Grand Canyon, Monument Valley, the Sedona red rocks—have long filled humans with wonder about nature. This is the home of Lowell Observatory, where astronomers first discovered evidence that the universe is expanding; Meteor Crater, where Apollo astronauts trained for the moon; and Native American tribes with their own ancient, rich ways of relating to the cosmos. With the personal, poetic style of the very best literary nature writing, Don Lago explores how these landscapes have offered humans a deeper sense of connection with the universe. While most nature writing never leaves the ground, Lago is one of the few writers who has applied it to the universe, seeking ties between humans and the astronomical forces that gave us birth.

Nowhere else in the world is the link between earth and sky so powerful. Lago witnesses a solar eclipse over the Grand Canyon, climbs primeval volcanos, and sees the universe in tree rings. Through ageless Native American ceremonies, modern telescopes, and even dreams of flying saucers, Lago, who is not only a poet but a true philosopher of science, strives to find order and meaning in the world and brings out the Southwest’s beauty and mystery.

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