The First Military Action Authorized by Pennsylvania and How it Changed the Future of the American Colonies
On the morning of September 8, 1756, a band of about three hundred volunteers of a newly created Pennsylvania militia led by Lt. Col. John Armstrong crept slowly through the western Pennsylvania brush. The night before they had reviewed a plan to quietly surround and attack the Lenape, or Delaware, Indian village of Kittanning. The Pennsylvanians had learned that several prominent Delaware who had led recent attacks on frontier settlements as well as a number of white prisoners were at the village. Seeking reprisal, Armstrong’s force successfully assaulted Kittanning, killing one of the Delaware they sought, but causing most to flee—along with their prisoners. Armstrong then ordered the village burned. The raid did not achieve all of its goals, but it did lead to the Indians relocating their villages further away from the frontier settlements. However, it was a major victory for those Pennsylvanians—including some Quaker legislators—who believed the colony must be able to defend itself from outside attack, whether from the French, Indians, or another colony.
In War in the Peaceable Kingdom: The Kittanning Raid of 1756, historian Brady J. Crytzer follows the two major threads that intertwined at Kittanning: the French and Indian War that began in the Pennsylvania frontier, and the bitter struggle between pacifist Quakers and those Quakers and others—most notably, Benjamin Franklin—who supported the need to take up arms. It was a transformational moment for the American colonies. Rather than having a large, pacifist Pennsylvania in the heart of British North America, the colony now joined the others in training soldiers for defense. Ironically, it would be Pennsylvania soldiers who, in the early days of the American Revolution, would be crucial to the survival of George Washington’s army.

What might a sensible community choose to do if its economy has fallen apart and becoming a ghost town is not an acceptable option? Unfortunately, answers to this question have long been measured against an implicit standard: the postwar economy of the 1950s. After showing why that economy provides an implausible standard—made possible by the lack of economic competition from the European and Asian countries, winners or losers, touched by the war—John Henry Schlegel attempts to answer the question of what to do.

While Waiting for Rain first examines the economic history of the United States as well as that of Buffalo, New York: an appropriate stand-in for any city that may have seen its economy start to fall apart in the 1960s, 70s, and 80s. It makes clear that neither Buffalo nor the United States as a whole has had an economy in the sense of “a persistent market structure that is the fusion of an understanding of economic life with the patterns of behavior within the economic, political, and social institutions that enact that understanding” since both economies collapsed. Next, this book builds a plausible theory of how economic growth might take place by examining the work of the famous urbanist, Jane Jacobs, especially her book Cities and the Wealth of Nations. Her work, like that of many others, emphasizes the importance of innovation for economic growth, but is singular in its insistence that such innovation has to come from local resources. It can neither be bought nor given, even by well-intentioned political actors. As a result Americans generally, as well as locally, are like farmers in the midst of a drought, left to review their resources and wait. Finally, it returns to both the local Buffalo and the national economies to consider what these political units might plausibly do while waiting for an economy to emerge.

“One of the greatest artists our country has is Benny Golson. He is not only a great musician, but an original and fabulous composer. He is inventive and creative and his work is loved the world over. Benny is a rare, creative genius. All I would like to say is THREE CHEERS for Benny Golson!”—Tony Bennett

“Composer supreme, tenor man supreme, jazz man supreme, good guy supreme: that’s BENNY GOLSON!"—Sonny Rollins

Born during the de facto inaugural era of jazz, saxophonist Benny Golson learned his instrument and the vocabulary of jazz alongside John Coltrane while Golson was still in high school in Philadelphia. Quickly establishing himself as an iconic fixture on the jazz landscape, Golson performed with dozens of jazz greats, from Sonny Rollins, Coleman Hawkins, and Jimmy Heath to Dizzy Gillespie, Freddie Hubbard, and many others. An acclaimed composer, Golson also wrote music for Hollywood films and television and composed such memorable jazz standards as “Stablemates,” “Killer Joe,” and “Whisper Not.”

An eloquent account of Golson’s exceptional life—presented episodically rather than chronologically—Whisper Not includes a dazzling collection of anecdotes, memories, experiences, and photographs that recount the successes, the inevitable failures, and the rewards of a life eternally dedicated to jazz.

Women and the Trades has long been regarded as a masterwork in the field of social investigation. Originally published in 1909, it was one of six volumes of the path breaking Pittsburgh Survey, the first attempt in the United States to study, systematically and comprehensively, life and labor in one industrial city. No other book documents so precisely the many technological and organizational changes that transformed women's wage work in the early 1900s.

Despite Pittsburgh's image as a male-oriented steel town, many women also worked for a living-rolling cigars, canning pickles, or clerking in stores. The combination of manufacturing, distribution, and communication services made the city of national economic developments.

What Butler found in her visits to countless workplaces did not flatter the city, its employers, or its wage earners. With few exceptions, labor unions served the interests of skilled males. Women's jobs were rigidly segregated, low paying, usually seasonal, and always insecure. Ethnic distinctions erected powerful barriers between different groups of women, as did status hierarchies based on job function.

Professor Maurine Weiner Greenwald's introduction provides biographical sketches of Butler and photographer Lewis Hine and examines the validity of Butler's assumptions and findings, especially with regard to protective legislation, women worker's “passivity,” and working-class family strategies.

The monumental American Guide Series, published by the Federal Writers’ Project, provided work to thousands of unemployed writers, editors, and researchers in the midst of the Great Depression. Featuring books on states, cities, rivers, and ethnic groups, it also opened an unprecedented view into the lives of the American people during this time. Untold numbers of projects in progress were lost when the program was abruptly shut down by a hostile Congress in 1939.

One of those, "The Negro in Pittsburgh," lay dormant in the Pennsylvania State Library until it was microfilmed in 1970. The WPA History of the Negro in Pittsburgh marks the first publication of this rich body of information. This unique historical study of the city’s black population features articles on civil rights, social class, lifestyle, culture, folklore, and institutions from colonial times through the 1930s.