Scott C. Martin examines leisure as a “contested cultural space” in which nineteenth-century Americans articulated and developed ideas about ethnicity, class, gender, and community.  This new perspective demonstrates how leisure and sociability mediated the transition from an agricultural to an industrial society.  Martin argues persuasively that southwestern Pennsylvanians used leisure activities to create identities and define values in a society being transformed by market expansion.  The transportation revolution brought new commercial entertainments and recreational opportunities but also fragmented and privatized customary patterns of communal leisure.

By using leisure as a window on the rapid changes sweeping through the region, Martin shows how southwestern Pennsylvanians used voluntary associations, private parties, and public gatherings to construct social identities better suited to their altered circumstances.  The prosperous middle class devised amusements to distinguish them from workers who, in turn, resisted reformers’ attempts to constrain their use of free time.  Ethnic and racial minorities used holiday observances and traditional celebrations to define their place in American society, while women tested the boundaries of the domestic sphere through participation in church fairs, commercial recreation, and other leisure activities.

This study illuminates the cultural history of the region and offers broader insights into perceptions of free time, leisure, and community in antebellum America.

Klezmer presents a lively and detailed overview of the folk musical tradition as practiced in Philadelphia's twentieth-century Jewish community. Through interviews, archival research, and recordings, Hankus Netsky constructs an ethnographic portrait of Philadelphia’s Jewish musicians, the environment they worked in, and the repertoire they performed at local Jewish lifestyle and communal celebrations.

Netsky defines what klezmer music is, how it helped define Jewish immigrant culture in Philadelphia, and how its current revival has changed klezmer’s meaning historically. Klezmer also addresses the place of musicians and celebratory music in Jewish society, the nature of klezmer culture, the tensions between sacred and secular in Jewish music, and the development of Philadelphia's distinctive “Russian Sher” medley, a unique and masterfully crafted composition.

Including a significant amount of musical transcriptions, Klezmer chronicles this special musical genre from its heyday in the immigrant era, through the mid-century period of its decline through its revitalization from the 1980s to today.

Bradley's stunning volume offers a surprising and delightful glimpse behind the scenes of New York history, and invites readers into the world of Diedrich Knickerbocker, the antihero who surprised everyone by becoming the standard-bearer for the city's exceptional sense of self, or what we now call a New York "attitude."

A 2010 AAUP Best of the Best title

“A briskly engaging book.” —Christopher Benfey, New York Review of Books

“This is cultural history at its best.” —Journal of American Culture

“Elizabeth L. Bradley sorts, catalogues and deciphers the shifting Knickerbocker currents in a metropolis constantly reinventing itself. She does the sturdy Dutchman proud in a scholarly and polished rendition.” —Star-Ledger

“Bradley creates an engaging account of the city through the fictional Knickerbocker, who was a steady presence ‘over two centuries of wrenching urban transformation, from the post-colonial to the postmodern.’ Bradley is a perceptive and lively writer and does a superb job of tracing the many strands of the Knickerbocker myth. She provided the historical context necessary to illustrate the ways the Knickerbocker brand was invoked and provides deft analysis of the cultural meanings it accrued.” —Bookforum