In a series of unflinching vignettes laced with heartbreak and often with humor, Places in the Bone gives an unforgettable account of loss and survival, childhood secrets banished from memory, and the power of language to retrieve the missing parts of oneself and one’s past. Woven together with unmistakable lyricism, Carol Dine’s narrative moves back and forth in time and place—from the childhood bedroom that fills her with fear, to a hospital room after her surgery for breast cancer, to an adobe hut in a New Mexico artists’ colony where she escapes and finds her voice.

This voice, it turns out, is a chorus—a harmony of cries, both anguished and triumphant. Among them we hear a young girl speak about the abuse by her father; we hear the tormented reflections of a mother who, for several years after a divorce, loses contact with her young son; and we hear the testimony of a cancer survivor. Through it all, we feel the determination, courage, and creativity of a woman who has spent more than two decades confronting her past, her body, and her identity. Despite her struggles, Dine finds positive influences in her life, including her mentor, Anne Sexton, who recognizes the fire in her words, and Stanley Kunitz, whose indomitable spirit provides enduring inspiration.  

More than a story of personal loss, the memoir moves us with its humanity, its unnerving wit, and its defiant faith. As the fragments come together, we experience Dine’s joy in living and her reconciliation with the past that allow her to renew bonds with her son, her sister, and her mother. In page after page, we witness the power of art to refigure a body, to transform suffering, and ultimately, to redeem.  

Winner of the 2006 Booker Worthen Literary Prize and the 2004 Ragsdale Award.

Sidney Sanders McMath was a pivotal figure not only in Arkansas history but in the history of the Democratic Party and of American law. Still vibrant and engaged in his nineties, he sets out his story in full for the first time: how he rose and fell in public office, and rose again as a lawyer seeking justice for ordinary people.

McMath divides his story into four parts. In the first, he describes how his early life in rural Arkansas sparked his commitment to people. The second section describes his service to democracy in the military, including his commission in the U.S. Marines, a battlefield promotion in the Pacific and other honors, and his subsequent advancement to the rank of major general.

The revealing third section details McMath’s extraordinary life in politics, starting with his explosive debut in 1945, when he and other recent veterans dethroned one of Arkansas’s most powerful and corrupt political machines. Later, as a two-term governor, he fulfilled this promise of reform and modernization: he brought the first roads and electricity to rural areas, fought the poll tax, and built the state’s first medical center. He also helped change the party’s rules so that black citizens could vote in primaries. McMath describes how he worked with President Truman to keep the segregationist Dixiecrats from taking over the Democratic Party—and the presidency.

But here his story takes a dramatic turn: political opponents alleged bribery in his highway program, and although no indictments were handed down, McMath’s political career ended. Arguing his case for the first time in fifty years, he sets the facts straight.

McMath turned to the practice of law to fight for the people he had represented as governor. In the concluding section of the book he describes some of his most important cases, examples of how he put his life’s experience, knowledge, and integrity in the service of those who had few resources. These stories show exactly why he has been honored with membership in such exclusive groups as the Inner Circle of Advocates as well as the presidency of the International Academy of Trial Lawyers.

Promises Kept shows us the excitement and the hard choices of real democracy, offering compelling human stories, new information on past conflicts, and the crucial perspective of a man at the center of history.

In 1950, as a young bride, Margaret Laurence set out with her engineer husband to what was then Somaliland: a British protectorate in North Africa few Canadians had ever heard of. Her account of this voyage into the desert is full of wit and astonishment. Laurence honestly portrays the difficulty of colonial relationships and the frustration of trying to get along with Somalis who had no reason to trust outsiders. There are moments of surprise and discovery when Laurence exclaims at the beauty of a flock of birds only to discover that they are locusts, or offers medical help to impoverished neighbors only to be confronted with how little she can help them. During her stay, Laurence moves past misunderstanding the Somalis and comes to admire memorable individuals: a storyteller, a poet, a camel-herder. The Prophet’s Camel Bell is both a fascinating account of Somali culture and British colonial characters, and a lyrical description of life in the desert.