Results by Title
5 books about Masterpieces
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Armenia: Masterpieces from an Enduring Culture
Theo Maarten van Lint and Robin Meyer
Bodleian Library Publishing, 2015
Library of Congress Z8.A74L56 2015 | Dewey Decimal 947.6
Between East and West, Armenian culture bears the influence of the country’s long history of foreign occupation, with a vibrant national art and literature that reinterprets elements from a wide variety of cultures, from the Sasanian dynasty of Iran to the Byzantine Empire.
Published to accompany an exhibition at the Bodleian Library, Armenia: Masterpieces from an Enduring Culture draws on the Libraries’ magnificent collection of Armenian manuscripts and early printed books, as well as works of art and religious artifacts to tell the story of the region. The book contains nearly two hundred color illustrations of some of the most treasured masterpieces, from philosophical treatises to splendidly illuminated gospel manuscripts. Also including four essays by experts in the field, the book affords ample insight into the perseverance of the Armenian people in the face of tremendous adversity.
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Edvard Munch: Masterpieces from Bergen
Edited by Barnaby Wright
Paul Holberton Publishing, 2022
A showcase of eighteen masterworks by one of the world’s greatest modern artists.
This important publication accompanies a major exhibition at the Courtauld Gallery, London, of paintings by Edvard Munch (1863–1944). The catalog and accompanying exhibition showcase eighteen major works from the collection of KODE Art Museums in Bergen, one of the most important collections of Munch paintings in the world. The works span the most significant part of Munch’s artistic development and have never before been shown as a group outside of Scandinavia.
This book explores this group of remarkable works in detail and considers the important role of its collector, Rasmus Meyer. The exhibition and publication include seminal paintings from Munch’s early “realist” phase of the 1880s, such as Morning and Summer Night, pivotal works that show the artist’s move towards the expressive and psychologically charged work for which he became famous. These paintings launched Munch’s career and set the stage for his renowned, highly expressive paintings of the 1890s. Such works are a major feature of the exhibition that includes remarkable canvases from Munch’s famous Frieze of Life series, which address profound themes of human existence, from love to death. Munch’s powerful use of color and form marked him as one of the most radical painters at the turn of the twentieth century.
This fully illustrated publication includes a catalog of the works, with contributions by leading experts in their field from KODE and the Courtauld.
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Marks of Genius: Masterpieces from the Collections of the Bodleian Libraries
Stephen Hebron
Bodleian Library Publishing, 2014
What sets Mary Shelley’s Frankenstein apart from so many other famous works of fiction? What special combination of creativity and vision made possible the drafting of Magna Carta—a document both so unprecedented and so fundamental to the concept of basic human rights that its name can now be used to define the many declarations that came after it. When describing exceptional accomplishments like these—and the men and women behind them—we use the word “genius.” And while genius is difficult to define, we all recognize that elusive, special quality when we encounter it.
Marks of Genius pays tribute to some of the most remarkable testaments to genius throughout human history, from ancient texts on papyrus and the extraordinary medieval manuscript The Douce Apocalypse to the renowned children’s work The Wind in the Willows. Bringing together some of the rarest and most impressive treasures in the collections of the Bodleian Libraries, it tells the story of each work’s creation and its journey through time, offering insight into the breadth and depth of its influence as well as and its power to fascinate.
Published to accompany an exhibition of the same name at the Morgan Library and Museum in New York, Marks of Genius celebrates with two hundred full-color illustrations works that constitute the pinnacle of human creativity and which we continue to restore and revisit—perhaps in the hopes that some of their remarkable brilliance will rub off.
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Marks of Genius: Masterpieces from the Collections of the Bodleian Libraries
Stephen Hebron
Bodleian Library Publishing, 2014
What sets Mary Shelley’s Frankenstein apart from so many other famous works of fiction? What special combination of creativity and vision made possible the drafting of Magna Carta—a document both so unprecedented and so fundamental to the concept of basic human rights that its name can now be used to define the many declarations that came after it. When describing exceptional accomplishments like these—and the men and women behind them—we use the word “genius.” And while genius is difficult to define, we all recognize that elusive, special quality when we encounter it.
Marks of Genius pays tribute to some of the most remarkable testaments to genius throughout human history, from ancient texts on papyrus and the extraordinary medieval manuscript The Douce Apocalypse to the renowned children’s work The Wind in the Willows. Bringing together some of the rarest and most impressive treasures in the collections of the Bodleian Libraries, it tells the story of each work’s creation and its journey through time, offering insight into the breadth and depth of its influence as well as and its power to fascinate.
Published to accompany an exhibition of the same name at the Morgan Library and Museum in New York, Marks of Genius celebrates with two hundred full-color illustrations works that constitute the pinnacle of human creativity and which we continue to restore and revisit—perhaps in the hopes that some of their remarkable brilliance will rub off.
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Masterpieces of Metonymy: From Ancient Greek Times to Now
Gregory Nagy
Harvard University Press, 2015
Library of Congress PA3052.N34 2015 | Dewey Decimal 809.91
In Masterpieces of Metonymy, Gregory Nagy analyzes metonymy as a mental process that complements metaphor. If metaphor is a substitution of something unfamilar for something familiar, then metonymy can be seen as a connecting of something familiar with something else that is already familiar. Applying this formulation, Nagy offers close readings of over one hundred examples of metonymy as it comes to life in the verbal and the visual arts of Greek culture, as well as in the arts of other cultures. Though it is debatable whether all the selected examples really qualify as masterpieces, what they all have in common is their potential for artistic greatness. A close reading of the verbal and the visual evidence, Nagy argues, leads to a fuller appreciation of this greatness.
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