BiblioVault - Books about Interviews

Taking the Naturalistic Turn, Or How Real Philosophy of Science Is Done
Edited Organized and Moderated by Werner Callebaut
University of Chicago Press, 1993
Library of Congress Q175.3.T35 1993 | Dewey Decimal 501

Philosophers of science traditionally have ignored the details of scientific research, and the result has often been theories that lack relevance either to science or to philosophy in general. In this volume, leading philosophers of biology discuss the limitations of this tradition and the advantages of the "naturalistic turn"—the idea that the study of science is itself a scientific enterprise and should be conducted accordingly.

This innovative book presents candid, informal debates among scholars who examine the benefits and problems of studying science in the same way that scientists study the natural world. Callebaut achieves the effect of face-to-face engagement through separate interviews with participants.

Contributors include William Bechtel, Robert Brandon, Richard M. Burian, Donald T. Campbell, Patricia Churchland, Jon Elster, Ronald N. Giere, David L. Hull, Philip Kitcher, Karin Knorr Cetina, Bruno Latour, Richard Levins, Richard C. Lewontin, Elisabeth Lloyd, Helen Longino, Thomas Nickles, Henry C. Plotkin, Robert J. Richards, Alexander Rosenberg, Michael Ruse, Dudley Shapere, Elliott Sober, Ryan Tweney, and William Wimsatt.

"Why can't we have both theoretical ecology and natural histories, lovingly done?"—Philip Kitcher

"Don't underestimate the arrogance of philosophers!"—Elisabeth Lloyd

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Tales Out of School: Selected Interviews
Robert Creeley
University of Michigan Press, 1994
Library of Congress PS3505.R43Z475 1993 | Dewey Decimal 811.54

Since the publication of Robert Creeley’s first book of poems, Le Fou, more than forty years ago, he has emerged as one of the most important and original voices in contemporary poetry. Tales Out of School selects five extended interviews that point to Creeley’s artistic influences and reveal the subjects that have preoccupied the poet’s imagination. The interviews cover a range of themes, including Creeley’s childhood and early writing, the influence of jazz on his work, the history of the Black Mountain School, the relationship of geography to the creative process, and the influences and friendship of other poets, including Pound, Williams, Ginsberg, Levertov, Duncan, and Olson. Taken together, the interviews provide an active context for and complement an understanding of this significant and prolific poet’s achievement.

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Talk Poetry: Poems and Interviews with Nine American Poets
David Baker
University of Arkansas Press, 2012
Library of Congress PS617.B33 2012 | Dewey Decimal 811.608

What is more direct and intimate than one-to-one conversation? Here two forces in American poetry, the Kenyon Review and the University of Arkansas Press, bring together discussions between one of America's leading poets and editors, David Baker, and nine of the most exciting poets of our day. The poets, who represent a wide array of vocations and aesthetic positions, open up about their writing processes, their reading and education, their hopes for and discontents with the contemporary scene, and much more, treating readers to a view of the range and capacity of contemporary American poetry.

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Talking All Morning
Robert Bly
University of Michigan Press, 1980
Library of Congress PS3552.L9Z58 1980 | Dewey Decimal 811.54

Robert Bly is the author of many books, including Jumping Out of Bed, The Man in the Black Coat Turns, and Iron John: A Book About Men. He has translated Neruda, Vallejo, and Lorca and received the National Book Award for his collection The Light Around the Body. His most recent book is The Maiden King: The Reunion of Masculine and Feminine, with Marion Woodman.

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Talking Leadership: Conversations with Powerful Women
Hartman, Mary
Rutgers University Press, 1999
Library of Congress HQ1233.T35 1999 | Dewey Decimal 305.4

Talking Leadership presents an impressive and thought-provoking look at variation and commonality in the lives and leadership approaches of some of today's outstanding women, whose fields range from philanthropy to politics, and from business to academia. Regardless of their different backgrounds and areas of expertise, these women are united in a commitment to positive change - change that includes improving women's lives and options.

This book encourages readers to expand their definition of who a "leader" is and can be. In addition to occupants of formal positions on the upper rungs of major institutions, it urges the inclusion of those whose ability to influence and move people is expressed through teaching, writing, or taking action in arenas-whether local or global-that include neighborhood communities and even family households. The women in Talking Leadership were selected not only for their impressive achievements but for their willingness to offer candid and thoughtful assessments of their experiences in leadership - the costs as well as the rewards, the strategies that worked and those that failed.

Well beyond the undeniable pleasures of personal details and entertaining anecdotes, these conversations capture for readers a variety of images, experiences, approaches, strategies, and insights about what it is like to be a woman and a major leader at the close of the 20th century. Many of these women are "firsts" in their fields, and each is aware that she occupies space in her work life in which her womanhood sets her apart - more often in more uncomfortable ways than comfortable ones. On the eve of a new millenium, the book presents an image of how far women have come in leadership, and how far they have to go.

Mary S. Hartman is a University Professor and Director of the Institute for Women's Leadership at Douglass College, Rutgers University. She is a former dean of Douglass College.

The leaders featured in this book

Peggy Antrobus - prize-winning economist and founding director of the Women and Development Unit at the University of the West Indies.

Susan Berresford - first woman president of the Ford Foundation.

Mildred Dresselhaus - first tenured woman faculty member in the engineering school at the Massachusetts Institute of Technology; president of the American Association for the Advancement of Science; 1990 National Medal of Science winner.

Antonia Hernandez - President and General Counsel of the Mexican American Legal Defense and Education Fund, the most influential civil rights and advocacy organization for Latinos and Latinas in the U. S.

bell hooks - distinguished professor of English, City University, New York; author of numerous books, including Sisters of the Yam: Black Women and Self Recovery and Ain't I a Woman: Black Women and Feminism.

Lois Juliber - Executive Vice President and chief of operations for developing markets at Colgate-Palmolive Company.

Karen Nussbaum - Director, Working Women's Department, the first women's unit within the AFL-CIO; former director of the U.S. Women's Bureau; founder of "9 to 5."

Jacqueline Pitanguy - former president of Brazil's National Council for Women's Rights; director of a women's advocacy organization; holder of Brazil's highest decoration from the Ministry of Foreign Affairs.

Anna Quindlen - Pulitzer-prize winning journalist, best-selling author, and social critic; only the third woman in New York Times history to write a regular column for the Op-Ed page.

Nafis Sadik - Executive director, United Nations Population Fund; the first woman to head a major United Nations program.

Patricia Schroeder - twenty-four-year Democratic Congresswoman; President and C.E.O., Association of American Publishers.

Ruth Simmons - first African American and third woman president of Smith College.

Christine Todd Whitman - First woman governor of New Jersey.

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Talking Leadership: Conversations with Powerful Women
Hartman, Mary
Rutgers University Press, 1999
Library of Congress HQ1233.T35 1999 | Dewey Decimal 305.4

Whether we love it, hate it, or use it just to pass the time, most adults in the United States are watching more television than ever, up to four hours a day by some estimates. Our devotion to commercial television gives it unprecedented power in our lives.

Advertisers and television executives want us to spend as much time as we can in front of our sets, for it is access to our brains that they buy and sell. Yet the most important effect of television may be one that no one intends-accelerated destruction of the natural environment.

Consuming Environments explores how, with its portrayal of a world of simulated abundance, television has nurtured a culture of consumerism and overconsumption. The average person in the US consumers more than twice the grain and ten times the oil of a citizen of Brazil or Indonesia. And people in less industrialized countries suffer while their resources while their resources are commandeered to support comfortable lifestyles in richer nations.

Using detailed examples illustrated with images from actual commercials, news broadcasts, and television shows, and authors demonstrate how ads and programs are put together in complex way s to manipulate viewers, and they offer specific ways to counteract the effects of TV and overconsumption's assault on the environment.

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Technoscientific Imaginaries: Conversations, Profiles, and Memoirs
Edited by George E. Marcus
University of Chicago Press, 1995
Library of Congress Q141.T43 1995 | Dewey Decimal 306.4509045

What is it like to be a scientist at the end of the twentieth century? How have shifts in power and in assumptions about knowledge affected scientific practice? Who are the people behind the new technologies, and how do they address the difficult moral and professional issues during a time of global change? Techno-Scientific Imaginaries explores these and other important questions at the approach of the new millennium.

In these penetrating essays, twenty-four distinguished contributors from a broad range of fields present the voices of the scientists themselves—through interviews, conversations, and memoirs. We hear from Lithuanian physicists who discuss science after Communism and their own fantasies about what Western science is; a Japanese-American woman struggling with her ambivalence over designing nuclear weapons; political activists in India who examine relations among science, environmental politics, and government ideology in the aftermath of the Bhopal disaster; and many others, including biologists, physicians, corporate researchers, and scientists working with virtual reality and other cutting-edge technologies.

The contributors to this volume are Mario Biagioli, Maria E. Carson, Gary Lee Downey, Joseph Dumit, Michael M. J. Fischer, Mary-Jo DelVecchio Good, Hugh Gusterson, Diana L. L. Hill, James Holston, Herbert C. Hoover, Jr., Gudrun Klein, Leszek Koczanowicz, Irene Kuter, Kim Laughlin, Rita Linggood, George E. Marcus, Kathryn Milun, Livia Polanyi, Christopher Pound, Simon Powell, Paul Rabinow, Kathleen Stewart, Allucquere Rosanne Stone, and Sharon Traweek.

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Telling Stories, Writing Songs: An Album of Texas Songwriters
By Kathleen Hudson
University of Texas Press, 2001
Library of Congress ML390.H878 2001 | Dewey Decimal 782.421640922764

Willie Nelson, Joe Ely, Marcia Ball, Tish Hinojosa, Stevie Ray Vaughan, Lyle Lovett...the list of popular songwriters from Texas just goes on and on. In this collection of thirty-four interviews with these and other songwriters, Kathleen Hudson pursues the stories behind the songs, letting the singers' own words describe where their songs come from and how the diverse, eclectic cultures, landscapes, and musical traditions of Texas inspire the creative process.

Conducted in dance halls, dressing rooms, parking lots, clubs-wherever the musicians could take time to tell their stories-the interviews are refreshingly spontaneous and vivid. Hudson draws out the songwriters on such topics as the sources of their songs, the influence of other musicians on their work, the progress of their careers, and the nature of Texas music. Many common threads emerge from these stories, while the uniqueness of each songwriter becomes equally apparent. To round out the collection, Hudson interviews Larry McMurtry and Darrell Royal for their perspectives as longtime friends and fans of Texas musicians. She also includes a brief biography and discography of each songwriter.

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Terence Davies
Michael Koresky
University of Illinois Press, 2014
Library of Congress PN1998.3.D3815K68 2014 | Dewey Decimal 791.430233092

Called the most important British filmmaker of his generation, Terence Davies made his reputation with modern classics like Distant Voices, Still Lives and The Long Day Closes, personal works exploring his fractured childhood in Liverpool. His idiosyncratic and unorthodox narrative films defy easy categorization, as their seeming existence within realism and personal memory cinema is undermined by an abstractness that makes the way he lays bare personal pain come across as distant, even alien.

Film critic Michael Koresky explores the unique emotional tenor of Davies's work by focusing on four paradoxes within the director's oeuvre: films that are autobiographical yet fictional; melancholy yet elating; conservative in tone and theme yet radically constructed; and obsessed with the passing of time yet frozen in time and space. Through these contradictions, the films' intricate designs reveal a cumulative, deeply personal meditation on the self. Koresky also analyzes how Davies's ongoing negotiation of--and struggle with--questions of identity related to his past and his homosexuality imbue the details and jarring juxtapositions in his films with a queer sensibility, which is too often overlooked due to the complexity of Davies's work and his unfashionable ambivalence toward his own sexual orientation.

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The Terror of the Machine: Technology, Work, Gender, and Ecology on the U.S.-Mexico Border
By Devon G. Peña
University of Texas Press, 1995
Library of Congress HD8119.M49P46 1997 | Dewey Decimal 331.48704209721

Born of thirteen years of field research, this interdisciplinary work explores the complex intersections of technology, class, gender, and ecology in the transnational milieu of Mexico's maquiladoras, foreign-owned assembly plants located along the U.S. border.

Devon Peña examines workplace and community struggles from the perspective of the women who work in the maquiladoras. He describes the workers' struggles for workplace democracy, social justice, and sustainable development. He also observes the circulation of struggle from the factory to the community, highlighting the efforts to establish worker-owned cooperatives in the border region during the 1970s and 1980s.

Female maquila workers are typically portrayed as passive, apolitical, and easily exploited. This book, however, presents an opposing view, investigating the "subaltern life of the shop floor"—the workers' informal methods of resistance to hazardous conditions, sexual harassment, and managerial tyranny. Using survey research, oral history, discourse analysis, and site ethnography, the author develops a cogent critique of labor-process theory, a critique grounded on his extensive study of actual workplace politics in the maquiladoras.

The Terror of the Machine is a trenchant analysis of the political, cultural, and environmental effects of maquila industrialization and an eloquent and persuasive call for alternatives in the direction of ecologically sustainable and culturally appropriate modes of development.

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Things You Need to Hear: Collected Memories of Growing Up in Arkansas, 1890–1980
Margaret Jones Bolsterli
University of Arkansas Press, 2016
Library of Congress F411.6.B65 2012 | Dewey Decimal 976.7

Things You Need to Hear gathers memories of Arkansans from all over the state with widely different backgrounds. In their own words, these people tell of the things they did growing up in the early twentieth century to get an education, what they ate, how they managed to get by during difficult times, how they amused themselves and earned a living, and much more. Some of Margaret Bolsterli's "informants," as she calls them, are famous (Johnny Cash, Maya Angelou, Levon Helm, Joycelyn Elders), but many more are not. Their vivid personal stories have been taken from published works and from original interviews conducted by Bolsterli. All together, these tales preserve memories of ways of life that are compelling, entertaining, and certainly well worth remembering.

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Thinking en español: Interviews with Critics of Chicana/o Literature
Jesús Rosales; Foreword by Rolando Hinojosa-Smith
University of Arizona Press, 2014
Library of Congress PS508.M4R68 20147 | Dewey Decimal 810.8086872

Thinking en español captures conversations with leading Chicana and Chicano literary critics. This unique book consists of interviews with founding members of Chicano criticism conducted by the author, Jesús Rosales, who, through his conversations with leaders such as Luis Leal, María Herrera-Sobek, Tey Diana Rebolledo, and Juan Rodríguez, shows the path of criticism from 1848 to the present.

The twelve critics interviewed for this project share certain characteristics. For each one, Mexico plays an essential role in his or her personal and academic background, and each is bilingual and bicultural, having received formal literary education in Spanish graduate programs. As products of the working class, each scholar here shares a sense of social consciousness and commitment that lends an urgency to their desire to promote Chicano literature and culture at the local, regional, national, and international levels. They serve as a source of inspiration and commitment for future generations of scholars of Chicano literature and leave a lasting legacy of their own.

Thinking en español legitimizes Chicana/o criticism as an established discipline, and documents the works of some of the most important critics of Chicano literature at the turn of the twentieth and into the twenty-first century. This timely book immortalizes literary historical figures and documents the trajectory of Chicano criticism.

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Thinking in Jazz: The Infinite Art of Improvisation
Paul F. Berliner
University of Chicago Press, 1994
Library of Congress ML3506.B475 1994 | Dewey Decimal 781.65136

A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea.

The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker.

Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators.

Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.

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Thinking in the Past Tense: Eight Conversations
Alexander Bevilacqua and Frederic Clark
University of Chicago Press, 2019
Library of Congress D16.8.B427 2019 | Dewey Decimal 901

If the vibrancy on display in Thinking in the Past Tense is any indication, the study of intellectual history is enjoying an unusually fertile period in both Europe and North America. This collection of conversations with leading scholars brims with insights from such diverse fields as the history of science, the reception of classical antiquity, book history, global philology, and the study of material culture. The eight practitioners interviewed here specialize in the study of the early modern period (c. 1400–1800), for the last forty years a crucial laboratory for testing new methods in intellectual history. The lively conversations don’t simply reveal these scholars’ depth and breadth of thought; they also disclose the kind of trade secrets that historians rarely elucidate in print. Thinking in the Past Tense offers students and professionals alike a rare tactile understanding of the practice of intellectual history. Here is a collectively drawn portrait of the historian’s craft today.

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Thinking Out of Sight: Writings on the Arts of the Visible
Jacques Derrida
University of Chicago Press, 2021
Library of Congress N67.D4713 2020 | Dewey Decimal 700.1

Jacques Derrida remains a leading voice of philosophy, his works still resonating today—and for more than three decades, one of the main sites of Derridean deconstruction has been the arts. Collecting nineteen texts spanning from 1979 to 2004, Thinking out of Sight brings to light Derrida’s most inventive ideas about the making of visual artworks.

The book is divided into three sections. The first demonstrates Derrida’s preoccupation with visibility, image, and space. The second contains interviews and collaborations with artists on topics ranging from the politics of color to the components of painting. Finally, the book delves into Derrida’s writings on photography, video, cinema, and theater, ending with a text published just before his death about his complex relationship to his own image. With many texts appearing for the first time in English, Thinking out of Sight helps us better understand the critique of representation and visibility throughout Derrida’s work, and, most importantly, to assess the significance of his insights about art and its commentary.

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Those Who Remain: A Photographer's Memoir of South Carolina Indians
Gene J. Crediford
University of Alabama Press, 2009
Library of Congress E78.S6C74 2009 | Dewey Decimal 975.700497

Through interviews and a generous photograph montage stretching over two decades, reveals the commonality and diversity among these people of Indian identity

When DeSoto (in 1540) and later Juan Pardo (in 1567) marched through what was known as the province of Cofitachequi (which covered the southern part of today’s North Carolina and most of South Carolina), the native population was estimated at well over 18,000. Most shared a common Catawba language, enabling this confederation of tribes to practice advanced political and social methods, cooperate and support each other, and meet their common enemy. The footprint of the Cofitachequi is the footprint of this book.

The contemporary Catawba, Midland, Santee, Natchez-Kusso, Varnertown, Waccamaw, Pee Dee, and Lumbee Indians of North and South Carolina, have roots in pre-contact Cofitachequi. Names have changed through the years; tribes split and blended as the forces of nature, the influx of Europeans, and the imposition of federal government authority altered their lives. For a few of these tribes, the system has worked well—or is working well now. For others, the challenge continues to try to work with and within the federal government’s system for tribal recognition—a system governing Indians but not created by them. Through interviews and a generous photograph montage stretching over two decades, Gene Crediford reveals the commonality and diversity among these people of Indian identity; their heritage, culture, frustrations with the system, joys in success of the younger generation, and hope for the future of those who come after them. This book is the story of those who remain.

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Three Decades of Engendering History
Linda Heidenreich
University of North Texas Press, 2014
Library of Congress E184.M5.C36782 2014 | Dewey Decimal 305.4886872073

To Make a Prairie: Essays on Poets, Poetry, and Country Living
Maxine Kumin
University of Michigan Press, 1980
Library of Congress PS3521.U638Z475 1979 | Dewey Decimal 808.1

Kumin reflects on the process of writing poetry and on life in the country

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To Stand Aside or Stand Alone: Southern Reform Rabbis and the Civil Rights Movement
P. Allen Krause, Edited by Mark K. Bauman with Stephen Krause
University of Alabama Press, 2016
Library of Congress BM750.K73 2016 | Dewey Decimal 323.119607300883

A landmark collection of previously unpublished interviews with Reform rabbis concerning their roles in the civil rights movement.

In 1966, a young rabbinical student named P. Allen Krause conducted interviews with twelve Reform rabbis from southern congregations concerning their thoughts, principles, and activities as they related to the civil rights movement. Perhaps because he was a young seminary student or more likely because the interviewees were promised an embargo of twenty-five years before the interviews would be released to the public, the rabbis were extremely candid about their opinions on and their own involvement with what was still an incendiary subject. Now, in To Stand Aside or Stand Alone: Southern Reform Rabbis and the Civil Rights Movement, their stories help elucidate a pivotal moment in time.

After a distinguished rabbinical career, Krause wrote introductions to and annotated the interviews. When Krause succumbed to cancer in 2012, Mark K. Bauman edited the manuscripts further and wrote additional introductions with the assistance of Stephen Krause, the rabbi’s son. The result is a unique volume offering insights into these rabbis’ perceptions and roles in their own words and with more depth and nuance than hitherto available. This exploration into the lives of these teachers and civic leaders is supported by important contextual information on the local communities and other rabbis, with such background information forming the basis of a demographic profile of the Reform rabbis working in the South.

The twelve rabbis whom Krause interviewed served in Alabama, Georgia, Louisiana, Mississippi, Tennessee, and Virginia, and the substance and scope of their discussions cover some of the most crucial periods in the civil rights movement. Although some have provided accounts that appeared elsewhere or have written about their experiences themselves, several new voices appear here, suggesting that more southern rabbis were active than previously thought. These men functioned within a harsh environment: rabbis’ homes, synagogues, and Jewish community centers were bombed; one rabbi, who had been beaten and threatened, carried a pistol to protect himself and his family. The views and actions of these men followed a spectrum from gradualism to activism; while several of the rabbis opposed the evils of the separate and unequal system, others made peace with it or found reasons to justify inaction. Additionally, their approaches differed from their activist colleagues in the North even more than from each other.

Within these pages, readers learn about the attitudes of the rabbis toward each other, toward their congregants, toward national Jewish organizations, and toward local leaders of black and white and Protestant and Catholic groups. Theirs are dramatic stories of frustration, cooperation, and conflict.

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Tom Stoppard in Conversation
Paul Delaney, Editor
University of Michigan Press, 1994
Library of Congress PR6069.T6Z47 1994 | Dewey Decimal 822.914

This collection of interviews with British playwright Tom Stoppard, author of such well-known comedies as Travesties, Jumpers, and Rosencrantz and Guildenstern Are Dead, brings together for the first time Stoppard's most significant assessments of his own work.

A wide range of discussions are featured, from extensive conversations with the editors of Theatre Quarterly and Gambit to important interviews in lesser-known periodicals. The interviews include the playwright's unguarded comments to the daily press, from those of a dazzled young Stoppard the morning after the triumphant opening of Rosencrantz and Guildenstern to those of a veteran playwright still smarting from caustic reviews 36 hours after the opening of Hapgood. The interviews cover the full range of Stoppard's work, from his adaptations for the stage to his increasing involvement in film, and this volume makes many of them available for the first time. Also appearing for the first time in print are transcripts of radio interviews and an informal lecture by Stoppard called "The Event and the Text."

Tom Stoppard's conversations about his work shed light on questions of authorial intent and the creative process. Debates over interpretations of the plays will be enhanced by this record of Stoppard's own perceptions and insights. The collection also includes the most extensive bibliography and discography ever compiled of Stoppard's print interviews, broadcast interviews, and lectures.

Witty, illuminating, and informative, Tom Stoppard in Conversation will be of interest to scholars, students, directors, actors, and fans of Stoppard's work.

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Transgender Voices: Beyond Women and Men
Lori B. Girshick
University Press of New England, 2009
Library of Congress HQ77.7.G57 2008 | Dewey Decimal 306.768

In this extraordinary book, based on 150 in-depth interviews, Lori B. Girshick, a sociologist and social justice activist, brings together the voices of sex- and gender-diverse people who speak with absolute candor about their lives. Girshick presents transpeople speaking in their own voices about identity, coming out, passing, sexual orientation, relationship negotiations and the dynamics of attraction, homophobia (including internalized fears), and bullying. She exposes the guilt and the shame that “gender police” use in their attempts to exert control and points out the many ways transpeople are discriminated against in daily life, from filling out identification documents to gender-segregated bathrooms. By showing us a variety of descriptions of diverse real lives and providing a thorough exploration of the embodied experiences of gender variant people, Girshick demonstrates that there is nothing inherently binary about gender, and that the way each of us experiences our own gender is, in fact, normal and natural.

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Translated Nation: Rewriting the Dakhóta Oyáte
Christopher J. Pexa
University of Minnesota Press, 2019
Library of Congress E99.D1P49 2019 | Dewey Decimal 978.004975243

How authors rendered Dakhóta philosophy by literary means to encode ethical and political connectedness and sovereign life within a settler surveillance state

Translated Nation examines literary works and oral histories by Dakhóta intellectuals from the aftermath of the 1862 U.S.–Dakota War to the present day, highlighting creative Dakhóta responses to violences of the settler colonial state. Christopher Pexa argues that the assimilation era of federal U.S. law and policy was far from an idle one for the Dakhóta people, but rather involved remaking the Oyáte (the Očéti Šakówiŋ Oyáte or People of the Seven Council Fires) through the encrypting of Dakhóta political and relational norms in plain view of settler audiences.

From Nicholas Black Elk to Charles Alexander Eastman to Ella Cara Deloria, Pexa analyzes well-known writers from a tribally centered perspective that highlights their contributions to Dakhóta/Lakhóta philosophy and politics. He explores how these authors, as well as oral histories from the Spirit Lake Dakhóta Nation, invoke thióšpaye (extended family or kinship) ethics to critique U.S. legal translations of Dakhóta relations and politics into liberal molds of heteronormativity, individualism, property, and citizenship. He examines how Dakhóta intellectuals remained part of their social frameworks even while negotiating the possibilities and violence of settler colonial framings, ideologies, and social forms.

Bringing together oral and written as well as past and present literatures, Translated Nation expands our sense of literary archives and political agency and demonstrates how Dakhóta peoplehood not only emerges over time but in everyday places, activities, and stories. It provides a distinctive view of the hidden vibrancy of a historical period that is often tied only to Indigenous survival.

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Transmitting Jewish History: Yosef Hayim Yerushalmi in Conversation with Sylvie Anne Goldberg
Yosef Hayim Yerushalmi and Sylvie Anne Goldberg
Brandeis University Press, 2021
Library of Congress DS115.9.Y44A5 2021 | Dewey Decimal 909.049240092

The deeply personal reflections of a giant of Jewish history.

Scholar Yosef Hayim Yerushalmi (1932–2009) possessed a stunning range of erudition in all eras of Jewish history, as well as in world history, classical literature, and European culture. What Yerushalmi also brought to his craft was a brilliant literary style, honed by his own voracious reading from early youth and his formative undergraduate studies. This series of interviews paints a revealing portrait of this giant of history, bringing together exceptional material on Yerushalmi’s personal and intellectual journeys that not only attests to the astonishing breakthrough of the issues of Jewish history into “general history,” but also offers profound insight into being Jewish in today's world.

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Trappings: Stories of Women, Power, and Clothing
Ludwig, Tiffany
Rutgers University Press, 2007
Library of Congress HQ1421.L83 2007 | Dewey Decimal 305.420973090511

What do you wear that makes you feel powerful? How about the woman next to you at the bank? In line with you at the store? Think about your mother. What would she put on to reveal her power source to the world? These are the questions that inspired Tiffany Ludwig and Renee Piechocki to embark on an interview journey across the United States. Over a period of six years, they talked with more than 500 women and girls, ages four through ninety-two, who ranged from office workers to drag-kings, stay-at-home moms to attorneys, fashion industry executives to elected officials, students to cowgirls.

It is these women’s sensitive, funny, and always revealing thoughts that are at the heart of Trappings—a book that although it begins with a question about clothing is not about fashion at all. Here, clothing is simply a vehicle to access a larger dialogue about a diverse range of issues women face related to power and identity, including what expectations and limitations are placed upon them by their affiliation with a specific gender, culture, race, class, or profession. A complex spectrum of responses include discussions about the importance of clothing’s comfort and practicality, how clothing can facilitate women’s movement through class and social strata, how sex is used strategically in business and social settings, and how clothing can be used to empower women by connecting them with cultural or personal history.

Complimented by 148 color and black-and-white photographs, the visual and written portraits in this book reveal much more than the contents of women’s closets. Through the intimate lens of clothing, Ludwig and Piechocki expose the very personal ways that power is sought, experienced, and projected by women.

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Travels in a Gay Nation: Portraits of LGBTQ Americans
Philip Gambone
University of Wisconsin Press, 2010
Library of Congress HQ75.2.G36 2010 | Dewey Decimal 306.766092273

For two years, Philip Gambone traveled the length and breadth of the United States, talking candidly with LGBTQ people about their lives. In addition to interviews from David Sedaris, George Takei, Barney Frank, and Tammy Baldwin, Travels in a Gay Nation brings us lesser-known voices—a retired Naval officer, a transgender scholar and “drag king,” a Princeton philosopher, two opera sopranos who happen to be lovers, an indie rock musician, the founder of a gay frat house, and a pair of Vermont garden designers.
In this age when contemporary gay America is still coming under attack, Gambone captures the humanity of each individual. For some, their identity as a sexual minority is crucial to their life’s work; for others, it has been less so, perhaps even irrelevant. But, whether splashy or quiet, center-stage or behind the scenes, Gambone’s subjects have managed—despite facing ignorance, fear, hatred, intolerance, injustice, violence, ridicule, or just plain indifference—to construct passionate, inspiring lives.

Finalist, Foreword Magazine’s Anthology of the Year

Outstanding Book in the High School Category, selected by the American Association of School Libraries

Best Book in Special Interest Category, selected by the Public Library Association

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Tribal Policing: Asserting Sovereignty, Seeking Justice
Eileen Luna-Firebaugh
University of Arizona Press, 2007
Library of Congress E98.C87L86 2007 | Dewey Decimal 363.208997073

What does it mean to be a tribal police officer? What are the complexities of that role? And how do tribal communities, tribal police departments, and other law enforcement agencies collaborate to address the alarmingly high rate of violent crime in Indian country?

Author Eileen Luna-Firebaugh answers these and other questions in this well-documented text about tribal government and law enforcement in America. Based on extensive research with tribal police departments conducted over a period of eight years, Tribal Policing reveals the complicated role of police officials in Indian country and the innovative methods they are developing to address crime within their borders and to advance tribal sovereignty in the United States.

Tribal police departments face many challenges, such as heightened crime rates, a lack of resources (working patrol vehicles, 911 systems, access to police radios), and vast patrol areas. Luna-Firebaugh demonstrates that tribal officers see themselves as members of the tribal community and that tribal law enforcement is a complex balance of tribal position and authority within the community. Among other topics, Luna-Firebaugh analyzes the structure of tribal law enforcement and the ways it differs from mainstream policing; the role of women, tribal members, and others who comprise tribal law enforcement personnel; tribal jails and corrections; police training; and the legal, political, cultural, and historical issues that affect American Indian tribal policing.

This informative text addresses the scarcity of published material regarding tribal law enforcement and will be a welcome addition to courses in criminal justice, the administration of justice, law enforcement, and Native American studies.

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Trying to Give Ease: Tommie Bass and the Story of Herbal Medicine
John K. Crellin and Jane Philpott
Duke University Press, 1997
Library of Congress RS164.B324C74 1997 | Dewey Decimal 615.3210974

In Trying to Give Ease, John K. Crellin and Jane Philpott focus on the life, practices, and accumulated knowledge of the late A. L. "Tommie" Bass, a widely known and admired Appalachian herbalist. Informed by insights drawn from several disciplines, particularly anthropology, their broad historical analyses of self-care practices and herbal remedies draw heavily on recorded interviews with Bass and his patients. Special attention is given to local resources that shape alternative medicine, the backgrounds of herbal practitioners, and the cultural currency of medical concepts once central to professional medicine and now less common. The authors report on both the physical effects of herbal remedies and the psychological factors that have an impact on their success. Trying to Give Ease is a companion to A Reference Guide to Medicinal Plants, also published by Duke University Press.

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Turning On the Mind: French Philosophers on Television
Tamara Chaplin
University of Chicago Press, 2007
Library of Congress B2421.C53 2007 | Dewey Decimal 194

In 1951, the eight o’clock nightly news reported on Jean-Paul Sartre for the first time. By the end of the twentieth century, more than 3,500 programs dealing with philosophy and its practitioners—including Bachelard, Badiou, Foucault, Lyotard, and Lévy—had aired on French television. According to Tamara Chaplin, this enduring commitment to bringing the most abstract and least visual of disciplines to the French public challenges our very assumptions about the incompatibility of elite culture and mass media. Indeed, it belies the conviction that television is inevitably anti-intellectual and the quintessential archenemy of the book.

Chaplin argues that the history of the televising of philosophy is crucial to understanding the struggle over French national identity in the postwar period. Linking this history to decolonization, modernization, and globalization, Turning On the Mind claims that we can understand neither the markedly public role that philosophy came to play in French society during the late twentieth century nor the renewed interest in ethics and political philosophy in the early twenty-first unless we acknowledge the work of television. Throughout, Chaplin insists that we jettison presumptions about the anti-intellectual nature of the visual field, engages critical questions about the survival of national cultures in a globalizing world, and encourages us to rethink philosophy itself, ultimately asserting that the content of the discipline is indivisible from the new media forms in which it has found expression.

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