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29775 books about History and 1462 start with F
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The Founders, the Constitution, and Public Administration: A Conflict in World Views
Michael W. Spicer
Georgetown University Press, 1995
Library of Congress JA84.U5S66 1995 | Dewey Decimal 350.000973

Viewed alternately as an obstacle to justice, an impediment to efficient government, and a tool by which some groups gain benefits and privileges at the expense of others, public administration threatens to become the whipping boy of American government. In this innovative look at the nation's bureaucracy, Michael W. Spicer revisits the values of the Constitution in order to reconcile the administrative state to its many critics.

Drawing on political and social philosophy, Spicer argues that there is a fundamental philosophical conflict over the role of reason in society between writers in public administration and the designers of the American Constitution. This examination of worldviews illuminates the problem that American government faces in trying to ground a legitimate public administration in the Constitution. Defending and developing the Founders' idea that political power, whatever its source, must be checked, he critically examines existing ideas about the role of public administration in American governance and offers an alternative vision of public administration more in line with the Founders' constitutional design. This book will provide fresh insights for anyone interested in the role of public administration in the United States today.

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Founding Choices: American Economic Policy in the 1790s
Edited by Douglas A. Irwin and Richard Sylla
University of Chicago Press, 2010
Library of Congress HC105.F68 2011 | Dewey Decimal 330.973

The political decisions made by the founding fathers were crucial to the success of the early republic. But the economic decisions they made were just as pivotal, ensuring the general welfare and common defense of the United States for decades to come. Founding Choices explores these economic choices and their profound influence on American life, westward expansion, and influence abroad. Among the topics covered are finance, trade, and monetary and banking policy, with a focus on the factors guiding those policies and their end result. 

This book redresses the relative neglect of the economic achievements of the founders. It will be essential reading for historians and economists alike.

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Founding Families Of Pittsburgh: The Evolution Of A Regional Elite 1760-1910
Joseph F Rishel
University of Pittsburgh Press, 1990
Library of Congress HN80.P6R57 1990 | Dewey Decimal 305.5520974886

As Pittsburgh and its surrounding area grew into an important commercial and industrial center, a group of families emerged who were distinguished by their wealth and social position. Joseph Rishel studies twenty of these families to determine the degree to which they formed a coherent upper class and the extent to which they were able to maintain their status over time. His analysis shows that Pittsburgh's elite upper class succeeded in creating the institutions needed to sustain a local aristocracy and possessed the ability to adapt its accumulated advantages to social and economic changes.
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The Founding Fathers v. the People: Paradoxes of American Democracy
Anthony King
Harvard University Press, 2011
Library of Congress JK31.K56 2011 | Dewey Decimal 320.973

As pundits and politicians remind us at every election cycle or turn of the television dial, the United States sees itself as the world’s greatest democracy. But what citizens might also hear, if they knew how to listen, is the grinding of two tectonic plates on which this democracy was established. In the venerable tradition of keen foreign observers of American politics, Anthony King exposes the political paradoxes in our system that we may well be too close to see—founding principles of our great democracy that are distinctly undemocratic.

In an extended essay eloquent in its plainspoken good sense, King begins, on the one hand, with the founding fathers who emphasized moderation, deliberation, checks and balances, and the separation of powers—a system in which “the people” were allowed to play only a limited role. On the other hand were radical democrats who insisted that the people, and only the people, should rule. The result was a political system tangled up in conflicts that persist to this day: unelected and unaccountable Supreme Court justices who exercise enormous personal power; severe restrictions on the kind of person the people can elect as president; popular referendums at the state and local level but none at the federal level, not even to ratify amendments to the Constitution.

In King’s provocative analysis, we see how these puzzles play out in the turmoil of our nation’s public life and political culture—and we glimpse, perhaps, a new way to address them.

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Founding Federalist: The Life of Oliver Ellsworth
Michael C. Toth
Intercollegiate Studies Institute, 2011
Library of Congress KF8745.E4T68 2011 | Dewey Decimal 347.732634

In Founding Federalist, Michael C. Toth provides an in-depth look at the life and work of Oliver Ellsworth, a largely forgotten but eminently important Founding Father.

The American Founding was the work of visionaries and revolutionaries. But amid the celebrated luminaries, the historic transformations, the heroic acts, and unforgettable discourses were practical politicians, the consensus builders who made the system work. Oliver Ellsworth—Framer, senator, chief justice, diplomat—was such a leader.

Founding Federalist brings to life a figure whose contributions shape American political life even today. Vividly capturing the pivotal debates at Philadelphia in the summer of 1787, Toth shows how Ellsworth was a vital force in shaping the Constitution as a Federalist document, one that did not extinguish the role of the states even as it recognized the need for national institutions. The author illuminates what Ellsworth and other Founders understood to be the meaning of the new constitutional order—a topic highly relevant to twenty-first-century debates about the role of government. Toth, an attorney, also brilliantly analyzes Ellsworth’s most important legislative achievement: the creation of the U.S. federal court system.

With this insightful new biography, Michael Toth has reclaimed a figure who made crucial contributions to a lasting creation: a federal republic.

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Founding Fictions
Jennifer R. Mercieca
University of Alabama Press, 2010
Library of Congress E302.1.M47 2010 | Dewey Decimal 973.2

An extended analysis of how Americans imagined themselves as citizens between 1764 and 1845
 
Founding Fictions develops the concept of a “political fiction,” or a narrative that people tell about their own political theories, and analyzes how republican and democratic fictions positioned American citizens as either romantic heroes, tragic victims, or ironic partisans. By re-telling the stories that Americans have told themselves about citizenship, Mercieca highlights an important contradiction in American political theory and practice: that national stability and active citizen participation are perceived as fundamentally at odds.
 
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Founding Finance: How Debt, Speculation, Foreclosures, Protests, and Crackdowns Made Us a Nation
By William Hogeland
University of Texas Press, 2014
Library of Congress HJ247.H64 2012 | Dewey Decimal 336.7309033

Recent movements such as the Tea Party and anti-tax “constitutional conservatism” lay claim to the finance and taxation ideas of America’s founders, but how much do we really know about the dramatic clashes over finance and economics that marked the founding of America? Dissenting from both right-wing claims and certain liberal preconceptions, Founding Finance brings to life the violent conflicts over economics, class, and finance that played directly, and in many ways ironically, into the hardball politics of forming the nation and ratifying the Constitution—conflicts that still continue to affect our politics, legislation, and debate today.

Mixing lively narrative with fresh views of America’s founders, William Hogeland offers a new perspective on America’s economic infancy: foreclosure crises that make our current one look mild; investment bubbles in land and securities that drove rich men to high-risk borrowing and mad displays of ostentation before dropping them into debtors’ prisons; depressions longer and deeper than the great one of the twentieth century; crony mercantilism, war profiteering, and government corruption that undermine any nostalgia for a virtuous early republic; and predatory lending of scarce cash at exorbitant, unregulated rates, which forced people into bankruptcy, landlessness, and working in the factories and on the commercial farms of their creditors. This story exposes and corrects a perpetual historical denial—by movements across the political spectrum—of America’s all-important founding economic clashes, a denial that weakens and cheapens public discourse on American finance just when we need it most.

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The Founding Mothers of Mackinac Island: The Agatha Biddle Band of 1870
Theresa L. Weller
Michigan State University Press, 2021
Library of Congress E78.M6W45 2021 | Dewey Decimal 929.3774923

Drawing on a wide array of historical sources, Theresa L. Weller provides a comprehensive history of the lineage of the seventy-four members of the Agatha Biddle band in 1870. A highly unusual Native and Métis community, the band included just eight men but sixty-six women. Agatha Biddle was a member of the band from its first enumeration in 1837 and became its chief in the early 1860s. Also, unlike most other bands, which were typically made up of family members, this one began as a small handful of unrelated Indian women joined by the fact that the US government owed them payments in the form of annuities in exchange for land given up in the 1836 Treaty of Washington, DC. In this volume, the author unveils the genealogies for all the families who belonged to the band under Agatha Biddle’s leadership, and in doing so, offers the reader fascinating insights into Mackinac Island life in the nineteenth century.
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The Founding of Alabama: Background and Formative Period in the Great Bend and Madison County
Frances Cabaniss Roberts, edited and introduced by Thomas Reidy
University of Alabama Press, 2020
Library of Congress F332.M3R63 2019 | Dewey Decimal 976.197

The most thorough history of Alabama’s Madison County region, widely available for the first time

The 1956 dissertation by Frances Cabaniss Roberts is a classic text on Alabama history that continues to be cited by southern historians. Roberts was the first woman to earn a PhD from the University of Alabama’s history department. In the 1950s, she was the only full-time faculty member at what is now the University of Alabama in Huntsville, where she was appointed chair of the history department in 1966.

Roberts’s dissertation, “Background and Formative Period in the Great Bend and Madison County,” remains the most thorough history of the region yet produced. While certainly a product of its era, Roberts work is visionary in its own way and offers a useful look at Alabama’s rise to statehood. Thomas Reidy, editor of this edition, has kept Roberts’s words intact except for correction of minor typographical errors and helpful additions to the notes and citations. His introduction describes both the value of Roberts’s decades of service to UAH and the importance of her dissertation over time. While highlighting the great intrinsic value of Roberts’s research and writing, Reidy also notes its significance in demonstrating how the practice of history—its methods, priorities, and values—has evolved over the intervening decades.

In her examination of Madison County, Roberts spotlights exemplars of civic performance and good community behavior, giving readers one of the earliest accountings of the antebellum southern middle class. Unlike many historians of her time, Roberts displays an interest in both the “common folks” and leaders who built the region—rural and urban—and created the institutions that shaped Madison County. She examines the contributions of merchants, shopkeepers, lawyers, doctors, architects, craftsmen, planters, farmers, elected and appointed officials, board members, and entrepreneurs.
 
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The Founding of Harvard College: With a New Foreword by Hugh Hawkins
Samuel Eliot Morison
Harvard University Press, 1995
Library of Congress LD2151.M63 1995 | Dewey Decimal 378.7444

Pulitzer Prize–winning author Samuel Eliot Morison traces the roots of American universities back to Europe, providing “a lively contemporary perspective…a realistic picture of the founding of the first American university north of the Rio Grande” [Lewis Gannett, New York Herald Tribune].
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Fountains, Statues, and Flowers: Studies in Italian Gardens of the Sixteenth and Seventeenth Centuries
Elizabeth Blair MacDougall
Harvard University Press, 1994
Library of Congress SB457.85.M33 1994 | Dewey Decimal 712.094509031

The essays in this volume focus on the different aspects of Italian gardens of the sixteenth and seventeenth centuries. This volume is divided into two parts, with the first part concentrating on the decorations in Roman gardens of the sixteenth centuries, especially the fountains and statue collections, their iconographic programs, and their relationship to contemporary and ancient literature.

The second half of the volume considers two particular sites. The first, a Savoy duke’s villa, is considered through the history of its construction and its relationship to contemporary festivity architecture. The second essay considers a secret garden at the Palazzo Barberini in the 1630s. Also included are illustrations and text from three Barberini manuscripts documenting the plants used in this garden.

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Four Classic Mormon Village Studies
Howard M. Bahr
University of Utah Press, 2014
Library of Congress F790.M8F68 2014 | Dewey Decimal 979.033

Saints Observed: Studies of Mormon Village Life, 1850–2005 serves as a comprehensive introduction to this second volume, which makes available four of the best Mormon village studies, all previously unpublished. These postwar village studies differ substantially from earlier village studies initiated by Nelson’s work and offer in-depth investigations by observers who lived and participated in village life. Together, they capture in rich detail the dayto- day life of mid-century Mormon villagers. Editor Howard Bahr’s afterword highlights changes in the four villages across the past half-century, drawing upon recent site visits, interviews, and texts.

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Four Comedies
Aristophanes
University of Michigan Press, 1969

Contains Lysistrata, The Congresswomen, The Acharnians, and The Frogs
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Four Cultures of the West
John W. O'Malley
Harvard University Press, 2006
Library of Congress CB245.O45 2004 | Dewey Decimal 909.0982

The workings of Western intelligence in our day--whether in politics or the arts, in the humanities or the church--are as troubling as they are mysterious, leading to the questions: Where are we going? What in the world were we thinking? By exploring the history of four "cultures" so deeply embedded in Western history that we rarely see their instrumental role in politics, religion, education, and the arts, this timely book provides a broad framework for addressing these questions in a fresh way.

The cultures considered here originated in the ancient world, took on Christian forms, and manifest themselves today in more secular ways. These are, as John W. O'Malley identifies them: the prophetic culture that proclaims the need for radical change in the structures of society (represented by, for example, Jeremiah, Martin Luther, and Martin Luther King, Jr.); the academic culture that seeks instead to understand those structures (Aristotle, Aquinas, the modern university); the humanistic culture that addresses fundamental human issues and works for the common good of society (Cicero, Erasmus, and Eleanor Roosevelt); and the culture of art and performance that celebrates the mystery of the human condition (Phidias, Michelangelo, Balanchine).

By showing how these cultures, as modes of activity and discourse in which Western intelligence has manifested itself through the centuries and continues to do so, O'Malley produces an essay that especially through the history of Christianity brilliantly illuminates the larger history of the West.

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The Four Deaths of Acorn Whistler: Telling Stories in Colonial America
Joshua Piker
Harvard University Press, 2013
Library of Congress E99.C9A28 2013 | Dewey Decimal 975.00497385

Who was Acorn Whistler, and why did he have to die? A deeply researched analysis of a bloody eighteenth-century conflict and its tangled aftermath, The Four Deaths of Acorn Whistler unearths competing accounts of the events surrounding the death of this Creek Indian. Told from the perspectives of a colonial governor, a Creek Nation military leader, local Native Americans, and British colonists, each story speaks to issues that transcend the condemned man’s fate: the collision of European and Native American cultures, the struggle of Indians to preserve traditional ways of life, and tensions within the British Empire as the American Revolution approached.

At the hand of his own nephew, Acorn Whistler was executed in the summer of 1752 for the crime of murdering five Cherokee men. War had just broken out between the Creeks and the Cherokees to the north. To the east, colonists in South Carolina and Georgia watched the growing conflict with alarm, while British imperial officials kept an eye on both the Indians’ war and the volatile politics of the colonists themselves. They all interpreted the single calamitous event of Acorn Whistler’s death through their own uncertainty about the future. Joshua Piker uses their diverging accounts to uncover the larger truth of an early America rife with violence and insecurity but also transformative possibility.

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Four Decades On: Vietnam, the United States, and the Legacies of the Second Indochina War
Scott Laderman and Edwin A. Martini, eds.
Duke University Press, 2013
Library of Congress DS559.912.F678 2013 | Dewey Decimal 959.7044

In Four Decades On, historians, anthropologists, and literary critics examine the legacies of the Second Indochina War, or what most Americans call the Vietnam War, nearly forty years after the United States finally left Vietnam. They address matters such as the daunting tasks facing the Vietnamese at the war's end—including rebuilding a nation and consolidating a socialist revolution while fending off China and the Khmer Rouge—and "the Vietnam syndrome," the cynical, frustrated, and pessimistic sense that colored America's views of the rest of the world after its humiliating defeat in Vietnam. The contributors provide unexpected perspectives on Agent Orange, the POW/MIA controversies, the commercial trade relationship between the United States and Vietnam, and representations of the war and its aftermath produced by artists, particularly writers. They show how the war has continued to affect not only international relations but also the everyday lives of millions of people around the world. Most of the contributors take up matters in the United States, Vietnam, or both nations, while several utilize transnational analytic frameworks, recognizing that the war's legacies shape and are shaped by dynamics that transcend the two countries.

Contributors
. Alex Bloom, Diane Niblack Fox, H. Bruce Franklin, Walter Hixson, Heonik Kwon, Scott Laderman, Mariam B. Lam, Ngo Vinh Long, Edwin A. Martini, Viet Thanh Nguyen, Christina Schwenkel, Charles Waugh
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Four Germanys: A Chronicle of the Schorcht Family
Donald S. Pitkin
Temple University Press, 2016
Library of Congress DD801.T48P58 2016 | Dewey Decimal 929.20943

In this last book by the late Donald Pitkin, author of The House that Giacomo Built, comes a story of the Schorcht family, through whose fortunes and struggles one can see the transformations of Germany through the long twentieth century.

Each chapter of Four Germanys is reflective of generational rather than historical time. In 1922, Edwin Schorcht inherited his family farm, and in Part One, Pitkin traces the derivation of this farmstead.  Part Two focuses on Schorcht’s children who came of age in Hitler’s Germany. Part Three has the Schorchts growing up in the Ulbricht years (1950–73) of the German Democratic Republic. The book concludes with the great-granddaughter, Maria, looking back to the past in relation to the new Germany that history had bequeathed her.

Ultimately, Four Germanys reflects the impact of critical historical events on ordinary East Germans while it also reveals how one particular family managed its own historical adaptation to these events.

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Four Histories about Early Dutch Football, 1910-1920: Constructing Discourses
Nicholas Piercey
University College London, 2016

What is the purpose of history today, and how can sporting research help us understand the world around us? In this stimulating book, Nicholas Piercey constructs four new histories of early Dutch football, exploring urban change, club members, the media, and the diaries of Cornelis Johannes Karel van Aalst, a stadium director, to propose practical examples of how history can become an important democratic tool for the 21st century. Using early Dutch football as a field for experimental thinking about the past, the four histories offer new insights into the lives, interests and passions of those connected to the sport in the 1910s and the cities they lived in. How did the First World War impact on Dutch football? Were new stadia a form of social control? Is the spread of the beautiful game really a good thing? And why was one of the sport’s most prominent figures more concerned with potatoes? These stories of early Dutch football suggest how vital sport and history can be in shaping our lives, perceptions and actions, and why we need to challenge the influence they have today. This book also includes a downloadable appendix. Download it here(.xlsx).
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Four Last Songs: Aging and Creativity in Verdi, Strauss, Messiaen, and Britten
Linda Hutcheon and Michael Hutcheon
University of Chicago Press, 2015
Library of Congress ML390.H877 2015 | Dewey Decimal 780.922

Aging and creativity can seem a particularly fraught relationship for artists, who often face age-related difficulties as their audience’s expectations are at a peak. In Four Last Songs, Linda and Michael Hutcheon explore this issue via the late works of some of the world’s greatest composers.

Giuseppe Verdi (1813–1901), Richard Strauss (1864–1949), Olivier Messiaen (1908–92), and Benjamin Britten (1913–76) all wrote operas late in life, pieces that reveal unique responses to the challenges of growing older. Verdi’s Falstaff, his only comedic success, combated Richard Wagner’s influence by introducing young Italian composers to a new model of national music. Strauss, on the other hand, struggling with personal and political problems in Nazi Germany, composed the self-reflexive Capriccio, a “life review” of opera and his own legacy. Though it exhausted him physically and emotionally, Messiaen at the age of seventy-five finished his only opera, Saint François d’Assise, which marked the pinnacle of his career. Britten, meanwhile, suffering from heart problems, refused surgery until he had completed his masterpiece, Death in Venice. For all four composers, age, far from sapping their creative power, provided impetus for some of their best accomplishments.

With its deft treatment of these composers’ final years and works, Four Last Songs provides a valuable look at the challenges—and opportunities—that present themselves as artists grow older.
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Four of the Three Musketeers: The Marx Brothers on Stage
Robert S. Bader
Northwestern University Press, 2022
Library of Congress PN2297.M3B33 2016 | Dewey Decimal 792.70280922

An updated paperback version of the book heralded as “a new benchmark in Marx scholarship” by the Los Angeles Times

Before film made them international comedy legends, the Marx Brothers developed their comic skills on stage for twenty-five years. In Four of the Three Musketeers: The Marx Brothers on Stage, Robert S. Bader offers the first comprehensive history of the foursome’s hardscrabble early years honing their act in front of live audiences.

From Groucho’s debut in 1905 to their final live performances of scenes from A Night in Casablanca in 1945, the brothers’ stage career shows how their characters and routines evolved before their arrival in Hollywood. Four of the Three Musketeers draws on an unmatched array of sources, many not referenced elsewhere. Bader’s detailed portrait of the struggling young actors both brings to vivid life a typical night on the road for the Marx Brothers and illuminates the inner workings of the vaudeville business, especially during its peak in the 1920s.

As Bader traces the origins of the characters that would later come to be beloved by filmgoers, he also skillfully scrapes away the accretion of rumors and mythology perpetuated not only by fans and writers but by the Marx Brothers themselves. Revealing, vital, and entertaining, Four of the Three Musketeers has taken its place as an essential reference for this legendary American act. Now, the updated edition adds newly discovered performances—some submitted by readers—and additional information provided by descendants of long-departed vaudevillians mentioned in the book.

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Four Russian Serf Narratives
Translated, edited, and with an introduction by John MacKay
University of Wisconsin Press, 2009
Library of Congress HT807.F68 2009 | Dewey Decimal 306.365092247

Although millions of Russians lived as serfs until the middle of the nineteenth century, little is known about their lives. Identifying and documenting the conditions of Russian serfs has proven difficult because the Russian state discouraged literacy among the serfs and censored public expressions of dissent. To date scholars have identified only twenty known Russian serf narratives.
    Four Russian Serf Narratives contains four of these accounts and is the first translated collection of autobiographies by serfs. Scholar and translator John MacKay brings to light for an English-language audience a diverse sampling of Russian serf narratives, ranging from an autobiographical poem to stories of adventure and escape. “Autobiography” (1785) recounts a highly educated serf’s attempt to escape to Europe, where he hoped to study architecture. The long testimonial poem “News About Russia” (ca. 1849) laments the conditions under which the author and his fellow serfs lived. In “The Story of My Life and Wanderings” (1881) a serf tradesman tells of his attempt to simultaneously escape serfdom and captivity from Chechen mountaineers. The fragmentary “Notes of a Serf Woman” (1911) testifies to the harshness of peasant life with extraordinary acuity and descriptive power.
    These accounts offer readers a glimpse, from the point of view of the serfs themselves, into the realities of one of the largest systems of unfree labor in history. The volume also allows comparison with slave narratives produced in the United States and elsewhere, adding an important dimension to knowledge of the institution of slavery and the experience of enslavement in modern times.
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Four Shakespearean Period Pieces
Margreta de Grazia
University of Chicago Press, 2021
Library of Congress PR2976.D36 2021 | Dewey Decimal 822.33

In the study of Shakespeare since the eighteenth century, four key concepts have served to situate Shakespeare in history: chronology, periodization, secularization, and anachronism.

Yet recent theoretical work has called for their reappraisal. Anachronisms, previously condemned as errors in the order of time, are being hailed as alternatives to that order. Conversely chronology and periods, its mainstays, are now charged with having distorted the past they have been entrusted to represent, and secularization, once considered the driving force of the modern era, no longer holds sway over the past or the present.

In light of this reappraisal, can Shakespeare studies continue unshaken? This is the question Four Shakespearean Period Pieces takes up, devoting a chapter to each term: on the rise of anachronism, the chronologizing of the canon, the staging of plays “in period,” and the use of Shakespeare in modernity’s secularizing project.

To read these chapters is to come away newly alert to how these fraught concepts have served to regulate the canon’s afterlife. Margreta de Grazia does not entirely abandon them but deftly works around and against them to offer fresh insights on the reading, editing, and staging of the author at the heart of our literary canon. 
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Four Walls and a Roof: The Complex Nature of a Simple Profession
Reinier de Graaf
Harvard University Press, 2017
Library of Congress NA1995.G69 2017 | Dewey Decimal 720

A Financial Times Best Book of the Year
A Guardian Best Architecture Book of the Year


“Sharp, revealing, funny.”
—The Guardian

“An original and even occasionally hilarious book about losing ideals and finding them again… [De Graaf] deftly shows that architecture cannot be better or more pure than the flawed humans who make it.”
—The Economist

Architecture, we like to believe, is an elevated art form that shapes the world as it pleases. Four Walls and a Roof turns this fiction on its head, offering a candid account of what it’s really like to work as an architect. Drawing on his own tragicomic experiences in the field, Reinier de Graaf reveals the world of contemporary architecture in vivid snapshots: from the corridors of wealth in London, Moscow, and Dubai to the demolished hopes of postwar social housing in New York and St. Louis. We meet ambitious oligarchs, developers for whom architecture is nothing more than an investment, and layers of bureaucrats, consultants, and mysterious hangers-on who lie between any architect’s idea and the chance of its execution.

“This is a book about power, money and influence, and architecture’s complete lack of any of them… Witty, insightful and funny, it is a (sometimes painful) dissection of a profession that thinks it is still in control.”
—Financial Times

“This is the most stimulating book on architecture and its practice that I have read for years.”
—Architects’ Journal

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The Fourteenth Amendment: From Political Principle to Judicial Doctrine
William E. Nelson
Harvard University Press, 1988
Library of Congress KF4757.N45 1988 | Dewey Decimal 342.73085

In a remarkably fresh and historically grounded reinterpretation of the American Constitution, William Nelson argues that the fourteenth amendment was written to affirm the general public’s long-standing rhetorical commitment to the principles of equality and individual rights on the one hand, and to the principle of local self-rule on the other.
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The Fourth Estate at the Fourth Wall: Newspapers on Stage in July Monarchy France
Cary Hollinshead-Strick
Northwestern University Press, 2019
Library of Congress PQ548.H65 2019 | Dewey Decimal 842.709

New media are often greeted with suspicion by older media. The Fourth Estate at the Fourth Wall explores how, when the commercial press arrived in France in 1836, popular theater critiqued its corruption, its diluted politics, and its tendency to orient its content toward the lowest common denominator.

July Monarchy plays, which provided affordable entertainment to a broad section of the public, constitute a large, nearly untapped reservoir of commentary on the arrival of the forty-franc press. Vaudevilles and comedies ask whether journalism that benefits from advertisement can be unbiased. Dramas explore whether threatening to spread false news is an acceptable way for journalists to exercise their influence. Hollinshead-Strick uses both plays and novels to show that despite their claims to enlighten their readers, newspapers were often accused of obscuring public access to information. Balzac’s interventions in this media sphere reveal his utopian views on print technology. Nerval’s and Pyat’s demonstrate the nefarious impact that corrupt theater critics could have on authors and on the public alike.

Scholars of press and media studies, French literature, theater, and nineteenth-century literature more generally will find this book a valuable introduction to a cross-genre debate about press publicity that remains surprisingly resonant today.
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The Fourth Great Awakening and the Future of Egalitarianism
Robert William Fogel
University of Chicago Press, 2000
Library of Congress JC575.F64 2000 | Dewey Decimal 305.0973

Robert William Fogel was awarded the Nobel Prize in Economic Science in 1993.

"To take a trip around the mind of Robert Fogel, one of the grand old men of American economic history, is a rare treat. At every turning, you come upon some shiny pearl of information."—The Economist

In this broad-thinking and profound piece of history, Robert William Fogel synthesizes an amazing range of data into a bold and intriguing view of America's past and future—one in which the periodic Great Awakenings of religion bring about waves of social reform, the material lives of even the poorest Americans improve steadily, and the nation now stands poised for a renewed burst of egalitarian progress.
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Fourth of July, Asbury Park: A History of the Promised Land
Daniel Wolff
Rutgers University Press, 2022
Library of Congress F144.A6W65 2022 | Dewey Decimal 974.946

Bruce Springsteen brought international attention to the Jersey shore by naming his debut album Greetings from Asbury Park, NJ. But the real Asbury Park has an even more fascinating story behind it: a seaside city of dreams that became a magnet for both the best and worst of America, playing host to John Philip Sousa, Count Basie, and Dr. Martin Luther King, as well as the mob and the Ku Klux Klan. 
 
Fourth of July, Asbury Park tells the tale of the city’s first 150 years, guiding us through the development of its lavish amusement parks and bandstands, as well as the decay of its working-class neighborhoods and spread of its racially-segregated ghettos. Featuring exclusive interviews with Springsteen and other prominent Asbury Park residents, Daniel Wolff uncovers the history of how this Jersey shore resort town came to epitomize both the promises of the American dream and the tragic consequences when those promises are broken. 
 
Hailed by The New York Times as a “wonderfully evocative…grand, sad story” when first published in 2006, this revised and expanded edition considers how Asbury Park has changed in the twenty-first century, experiencing both gentrification and new forms of segregation.
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Foxconned: Imaginary Jobs, Bulldozed Homes, and the Sacking of Local Government
Lawrence Tabak
University of Chicago Press, 2021
Library of Congress HC107.W62R338 2021 | Dewey Decimal 338.762138109775

Powerful and resonant, Foxconned is both the definitive autopsy of the Foxconn fiasco and a dire warning to communities and states nationwide.

When Wisconsin governor Scott Walker stood shoulder to shoulder with President Trump and Speaker of the House Paul Ryan at the White House in July 2017, they painted a glorious picture of his state’s future. Foxconn, the enormous China-based electronics firm, was promising to bring TV manufacturing back to the United States with a $10 billion investment and 13,000 well-paying jobs. They actually were making America great again, they crowed.
 
Two years later, the project was in shambles. Ten thousand construction workers were supposed to have been building what Trump had promised would be “the eighth wonder of the world.” Instead, land had been seized, homes had been destroyed, and hundreds of millions of municipal dollars had been committed for just a few hundred jobs—nowhere near enough for Foxconn to earn the incentives Walker had shoveled at them. In Foxconned, journalist Lawrence Tabak details the full story of this utter collapse, which was disturbingly inevitable.
 
As Tabak shows, everything about Foxconn was a disaster. But worse, he reveals how the economic incentive infrastructure across the country is broken, leading to waste, cronyism, and the steady transfer of tax revenue to corporations. Tabak details every kind of financial chicanery, from eminent domain abuse to good old-fashioned looting—all to benefit a coterie of consultants, politicians, and contractors. With compassion and care, he also reports the distressing stories of the many individuals whose lives were upended by Foxconn.
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The Foxie Otter Site: A Multicomponent Occupation North of Lake Huron
Christopher C. Hanks
University of Michigan Press, 1988
Library of Congress GN2.M5 no. 79 | Dewey Decimal 306

In this volume, the author reports on the excavation and interpretation of the Foxie Otter Site, a large archaeological site on Fox Lake in Ontario, Canada. This site, which was used by native people for about 7,000 years, contains one of the longest archaeological records in the Upper Great Lakes.
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Fra Angelico: Dissemblance and Figuration
Georges Didi-Huberman
University of Chicago Press, 1995
Library of Congress ND623.F5D5313 1995 | Dewey Decimal 759.5

The traditional story of Renaissance painting is one of inexorable progress toward the exact representation of the real and visible. Georges Didi-Huberman disrupts this story with a new look—and a new way of looking—at the fifteenth-century painter Fra Angelico. In doing so, he alters our understanding of both early Renaissance art and the processes of art history.

A Florentine painter who took Dominican vows, Fra Angelico (1400-1455) approached his work as a largely theological project. For him, the problems of representing the unrepresentable, of portraying the divine and the spiritual, mitigated the more secular breakthroughs in imitative technique. Didi-Huberman explores Fra Angelico's solutions to these problems—his use of color to signal approaching visibility, of marble to recall Christ's tomb, of paint drippings to simulate (or stimulate) holy anointing. He shows how the painter employed emptiness, visual transformation, and displacement to give form to the mystery of faith.

In the work of Fra Angelico, an alternate strain of Renaissance painting emerges to challenge rather than reinforce verisimilitude. Didi-Huberman traces this disruptive impulse through theological writings and iconographic evidence and identifies a widespread tradition in Renaissance art that ranges from Giotto's break with Byzantine image-making well into the sixteenth century. He reveals how the techniques that served this ultimately religious impulse may have anticipated the more abstract characteristics of modern art, such as color fields, paint spatterings, and the absence of color.
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Fractured Politics: Peruvian Democracy Past and Present
Edited by John Crabtree
University of London Press, 2011
Library of Congress JL3431.F73 2011 | Dewey Decimal 320.985

Fractured: Race, Class, Gender and the Hatred of Identity Politics
Michael
Pluto Press, 2022

Identity politics has smeared political discourse for over a decade. The right uses it to lament the loss of free speech, while many on the left bemoan that it will be the end of class politics. It has been used to dismiss movements such as Black Lives Matter and brought seemingly progressive people into the path of fascism. It has armed the march of the transphobes.

In Fractured, the authors move away from the identity politics debate. Instead of crudely categorizing race, gender, and sexuality as 'identities', or forcing them under the heading of 'diversity', they argue that the interconnectedness of these groupings has always been inseparable from the history of class struggle under British and American capitalism.

Through an appraisal of pivotal historical moments in Britain and the US, and a sharp look at contemporary debates, the authors tame the frenzied culture war, offering a refreshing and reasoned way to understand how class struggle is formed and creating the possibilities for new forms of solidarity in an increasingly fractured world.  

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Fractured Rebellion: The Beijing Red Guard Movement
Andrew G. Walder
Harvard University Press, 2012
Library of Congress DS778.7.W33 2009 | Dewey Decimal 951.056

Fractured Rebellion is the first full-length account of the evolution of China’s Red Guard Movement in Beijing, the nation’s capital, from its beginnings in 1966 to its forcible suppression in 1968. Andrew Walder combines historical narrative with sociological analysis as he explores the radical student movement’s crippling factionalism, devastating social impact, and ultimate failure.

Most accounts of the movement have portrayed a struggle among Red Guards as a social conflict that pitted privileged “conservative” students against socially marginalized “radicals” who sought to change an oppressive social and political system. Walder employs newly available documentary evidence and the recent memoirs of former Red Guard leaders and members to demonstrate that on both sides of the bitter conflict were students from comparable socioeconomic backgrounds, who shared similar—largely defensive—motivations. The intensity of the conflict and the depth of the divisions were an expression of authoritarian political structures that continued to exert an irresistible pull on student motives and actions, even in the midst of their rebellion.

Walder’s nuanced account challenges the main themes of an entire generation of scholarship about the social conflicts of China’s Cultural Revolution, shedding light on the most tragic and poorly understood period of recent Chinese history.

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The Fracturing of the American Corporate Elite
Mark S. Mizruchi
Harvard University Press, 2013
Library of Congress HD2785.M574 2013 | Dewey Decimal 322.30973

In the aftermath of a financial crisis marked by bank-friendly bailouts and loosening campaign finance restrictions, a chorus of critics warns that business leaders have too much influence over American politics. Mark Mizruchi worries about the ways they exert too little. The Fracturing of the American Corporate Elite advances the surprising argument that American CEOs, seemingly more powerful today than ever, have abrogated the key leadership role they once played in addressing national challenges, with grave consequences for American society.

Following World War II, American business leaders observed an ethic of civic responsibility and enlightened self-interest. Steering a course of moderation and pragmatism, they accepted the legitimacy of organized labor and federal regulation of the economy and offered support, sometimes actively, as Congress passed legislation to build the interstate highway system, reduce discrimination in hiring, and provide a safety net for the elderly and needy. In the 1970s, however, faced with inflation, foreign competition, and growing public criticism, corporate leaders became increasingly confrontational with labor and government. As they succeeded in taming their opponents, business leaders paradoxically undermined their ability to act collectively. The acquisition wave of the 1980s created further pressures to focus on shareholder value and short-term gain rather than long-term problems facing their country.

Today’s corporate elite is a fragmented, ineffectual group that is unwilling to tackle the big issues, despite unprecedented wealth and political clout. Mizruchi’s sobering assessment of the dissolution of America’s business class helps explain the polarization and gridlock that stifle U.S. politics.

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Fragile but Resilient?: Turkish Electoral Dynamics, 2002-2015
Ali Çarkoglu and Ersin Kalaycioglu
University of Michigan Press, 2021
Library of Congress JQ1809.A5 | Dewey Decimal 324.9561041

Ersin Kalaycıoğlu and Ali Çarkoğlu, who conducted surveys comparable to the American National Election Survey for the 2002 and 2015 national elections in Turkey, chart the dynamics that brought the pro-Islamist conservative Justice and Development Party (Adalet ve Kalkınma Partisi-AKP) to power in 2002, and that continue to influence electoral politics. The authors trace the uneven course of democratization in Turkey, as revealed through elections, since the first competitive, multi-party elections in 1950. Since the market liberalization reforms of 1980, Turkey has been rapidly evolving from a closed, agricultural, comparatively underdeveloped polity into an open and industrial state primarily integrated with the global economy. Kalaycıoğlu and Çarkoğlu analyze different dimensions of five elections surveys in 2002-2015 period to show how the consequent socio-economic changes and traditional socio-cultural divisions have affected elections, political parties, and individual voters. The authors conclude that the historical-cultural divide between rural, peripheral, conservative groups and more urban, centrist, and modernized groups not only persists but shapes elections more than ever. This book not only provides an original comprehensive and critical evaluation of the Turkish electoral and party politics, it also offers a case study of voting behavior in a state undergoing both democratization and market liberalization in a rapidly changing and volatile international environment.

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Fragile Dreams: Tales of Liberalism and Power in Central Europe
John A. Gould
University of Michigan Press, 2021
Library of Congress JC574.2.E8515G68 2021 | Dewey Decimal 320.510943

A highly readable account of Central Europe’s experience after communism
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Fragile Lives: Violence, Power, and Solidarity in Eighteenth-Century Paris
Arlette Farge
Harvard University Press, 1993
Library of Congress DC715.F3713 1993 | Dewey Decimal 944.36

The rich and complex texture of working-class neighborhoods in eighteenth-century Paris comes vibrantly alive in this collage of the experiences of ordinary people—men and women, rich and poor, masters and servants, neighbors and colleagues. Exploring three arenas of conflict and solidarity—the home, the workplace, and the street—Arlette Farge offers the reader an intimate social history, bringing long-dead citizens and vanished social groups back to life with sensitivity and perception.

Fragile Lives reconstructs the rhythms of this population's daily existence, the way they met, formed relationships and broke them off, conducted their affairs in the community, and raised their young. Farge follows them into the factory and describes the ways they organized to improve their working conditions, and how they were controlled by the authorities. She shows how these Parisians behaved in the context of collective events, from festive street spectacles to repressive displays of power by the police. As the author examines interwoven lives as revealed in judicial records, we come to know and understand the criminals and the underworld of the time; the situation of women as lovers, wives, or prostitutes; anxieties about food and drink, and the rules of conduct in a “fragile” society. Elegantly written and skillfully translated, Fragile Lives is a book for the curious general reader and for those interested in social and cultural history.

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The Fragile We: Ethical Implications Of Heidegger's "Being and Time"
Lawrence Vogel
Northwestern University Press, 1994
Library of Congress B3279.H48S489 1994 | Dewey Decimal 111

Critics have charged that Heidegger's account of authenticity is morally nihilistic, that his fundamental ontology is either egocentric or chauvinistic; and many see Heidegger's turn to Nazism in 1933 as following logically from an indifference, and even hostility, to "otherness" in the premises of his early philosophy.

In The Fragile "We": Ethical Implications of Heidegger's "Being and Time," Lawrence Vogel presents three interpretations of authentic existence—the existentialist, the historicist, and the cosmopolitan—each of which is a plausible version of the personal ideal depicted in Being and Time. He then draws parallels between these interpretations and three moments in the contemporary liberal-communitarian debate over the relationship of the "I" and the "We." His book contributes both to a diagnosis of what there is about Being and Time that invites moral nihilism and to a sense of how fundamental ontology might be recast so that "the other" is accorded an appropriate place in an account of human existence.
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Fragmented Memories: Struggling to be Tai-Ahom in India
Yasmin Saikia
Duke University Press, 2004
Library of Congress DS432.A39S25 2004 | Dewey Decimal 954.16200495919

Fragmented Memories is a beautifully rendered exploration of how, during the 1990s, socially and economically marginalized people in the northeastern Indian state of Assam sought to produce a past on which to base a distinctive contemporary identity recognized within late-twentieth-century India. Yasmin Saikia describes how groups of Assamese identified themselves as Tai-Ahom—a people with a glorious past stretching back to the invasion of what is now Assam by Ahom warriors in the thirteenth century. In her account of the 1990s Tai-Ahom identity movement, Saikia considers the problem of competing identities in India, the significance of place and culture, and the outcome of the memory-building project of the Tai-Ahom.

Assamese herself, Saikia lived in several different Tai-Ahom villages between 1994 and 1996. She spoke with political activists, intellectuals, militant leaders, shamans, and students and observed and participated in Tai-Ahom religious, social, and political events. She read Tai-Ahom sacred texts and did archival research—looking at colonial documents and government reports—in Calcutta, New Delhi, and London. In Fragmented Memories, Saikia reveals the different narratives relating to the Tai-Ahom as told by the postcolonial Indian government, British colonists, and various texts reaching back to the thirteenth century. She shows how Tai-Ahom identity is practiced in Assam and also in Thailand. Revealing how the “dead” history of Tai-Ahom has been transformed into living memory to demand rights of citizenship, Fragmented Memories is a landmark history told from the periphery of the Indian nation.

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Fragments and Assemblages: Forming Compilations of Medieval London
Arthur Bahr
University of Chicago Press, 2013
Library of Congress PR255.B27 2013 | Dewey Decimal 820.9001

In Fragments and Assemblages, Arthur Bahr expands the ways in which we interpret medieval manuscripts, examining the formal characteristics of both physical manuscripts and literary works. Specifically, Bahr argues that manuscript compilations from fourteenth-century London reward interpretation as both assemblages and fragments: as meaningfully constructed objects whose forms and textual contents shed light on the city’s literary, social, and political cultures, but also as artifacts whose physical fragmentation invites forms of literary criticism that were unintended by their medieval makers. Such compilations are not simply repositories of data to be used for the reconstruction of the distant past; their physical forms reward literary and aesthetic analysis in their own right. The compilations analyzed reflect the full vibrancy of fourteenth-century London’s literary cultures: the multilingual codices of Edwardian civil servant Andrew Horn and Ricardian poet John Gower, the famous Auchinleck manuscript of texts in Middle English, and Chaucer’s Canterbury Tales. By reading these compilations as both formal shapes and historical occurrences, Bahr uncovers neglected literary histories specific to the time and place of their production. The book offers a less empiricist way of interpreting the relationship between textual and physical form that will be of interest to a wide range of literary critics and manuscript scholars.
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Fragments for a History of a Vanishing Humanism
Myra Seaman and Eileen A. Joy
The Ohio State University Press, 2016
Library of Congress B821.F695 2016 | Dewey Decimal 809.93384

Fragments for a History of a Vanishing Humanism brings together scholars working in prehistoric, classical, medieval, and early modern studies who are developing, from longer and slower historical perspectives, critical post/humanisms that explore: 1) the significance (historical, sociocultural, psychic, etc.) of human expression and affectivity; 2) the impact of technology and new sciences on what it means to be a human self; 3) the importance of art and literature in defining and enacting human selves; 4) the importance of history in defining the human; 5) the artistic plasticity of the human; 6) the question of a human collectivity—what is the value, and peril, of “being human” or “being post/human” together?; and finally, 7) the constructive, and destructive, relations (aesthetic, historical, and philosophical) of the human to the nonhuman.
 
This volume, edited by Myra Seaman and Eileen A. Joy, insists on the always provisional and contingent formations of the human, and of various humanisms, over time, while also aiming to demonstrate the different ways these formations emerge (and also disappear) in different times and places, from the most ancient past to the most contemporary present. The essays are offered as “fragments” because the authors do not believe there can ever be a “total history” of either the human or the post/human as they play themselves out in differing historical contexts. At the same time, the volume as a whole argues that defining what “the human” (or “post/human”) is has always been an ongoing, never finished cultural project.
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Fragments of a Golden Age: The Politics of Culture in Mexico Since 1940
Gilbert M. Joseph, Anne Rubenstein, and Eric Zolov, eds.
Duke University Press, 2001
Library of Congress F1210.F72 2001 | Dewey Decimal 972.082

During the twentieth century the Mexican government invested in the creation and promotion of a national culture more aggressively than any other state in the western hemisphere. Fragments of a Golden Age provides a comprehensive cultural history of the vibrant Mexico that emerged after 1940. Agreeing that the politics of culture and its production, dissemination, and reception constitute one of the keys to understanding this period of Mexican history, the volume’s contributors—historians, popular writers, anthropologists, artists, and cultural critics—weigh in on a wealth of topics from music, tourism, television, and sports to theatre, unions, art, and magazines.
Each essay in its own way addresses the fragmentation of a cultural consensus that prevailed during the “golden age” of post–revolutionary prosperity, a time when the state was still successfully bolstering its power with narratives of modernization and shared community. Combining detailed case studies—both urban and rural—with larger discussions of political, economic, and cultural phenomena, the contributors take on such topics as the golden age of Mexican cinema, the death of Pedro Infante as a political spectacle, the 1951 “caravan of hunger,” professional wrestling, rock music, and soap operas.
Fragments of a Golden Age will fill a particular gap for students of modern Mexico, Latin American studies, cultural studies, political economy, and twentieth century history, as well as to others concerned with rethinking the cultural dimensions of nationalism, imperialism, and modernization.

Contributors. Steven J. Bachelor, Quetzil E. Castañeda, Seth Fein, Alison Greene, Omar Hernández, Jis & Trino, Gilbert M. Joseph, Heather Levi, Rubén Martínez, Emile McAnany, John Mraz, Jeffrey M. Pilcher, Elena Poniatowska, Anne Rubenstein, Alex Saragoza, Arthur Schmidt, Mary Kay Vaughan, Eric Zolov

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Fragments of a World: William of Auvergne and His Medieval Life
Lesley Smith
University of Chicago Press, 2023

The first modern biography of medieval French scholar and bishop William of Auvergne.
 
Today, William of Auvergne (1180?–1249) is remembered for his scholarship about the afterlife as well as the so-called Trial of the Talmud. But the medieval bishop of Paris also left behind nearly 600 sermons delivered to all manner of people—from the royal court to the poorest in his care. In Fragments of a World, Lesley Smith uses these sermons to paint a vivid picture of this extraordinary cleric, his parishioners, and their bustling world. The first modern biography of the influential teacher, bishop, and theologian, Fragments of a World casts a new image of William of Auvergne for our times—deeply attuned to both the spiritual and material needs of an ever-changing populace in the medieval city.
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Fragments of Lives: Chronicles of the Gulag
Jacques Rossi
Karolinum Press, 2018

In Fragments of Lives, Gulag survivor Jacques Rossi opens a window onto everyday life inside the notorious Soviet prison camp through a series of portraits of inmates and camp personnel across all walks of life—from workers to peasants, soldiers, civil servants, and party apparatchiks. Featuring Rossi’s original illustrations and written in a tone as sharp and dry as that of Russian writer Varlam Shalamov, Rossi’s vignettes are also filled with surprising humor. A former agent in the Spanish Civil War and a lifelong Communist, Rossi never considered himself a victim. Instead, in the manner of Primo Levi, Solzhenitsyn, and Margaret Buber-Neumann, he sought to share and transmute his experience within the living hell of the Gulag. In so doing, he gives voice to the inmates whose lives were shattered by one of the most corrupt and repressive regimes of the twentieth century.

An impassioned reminder to always question one’s beliefs, to have the courage to give up one’s illusions at the risk of one’s life, Fragments of Lives lays bare, with acute observations and biting wit, the falsity of the Soviet utopia that transformed Rossi’s home into a “huge Potemkin village, a farcical sham dissimulating oceans of mud and blood.”
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Fragments of the Histories. Letters to Caesar
Sallust
Harvard University Press, 2015
Library of Congress PA6654.E5R36 2015 | Dewey Decimal 937.0508

Sallust, Gaius Sallustius Crispus (86–35 BCE), a Sabine from Amiternum, acted as tribune against Cicero and Milo in 52, joined Caesar after being expelled from the Senate in 50, was restored to the Senate by Caesar and took part in his African campaign as praetor in 46, and was then appointed governor of New Africa (Numidia). Upon his return to Rome he narrowly escaped conviction for malfeasance in office, retired from public life, and took up historiography. Sallust’s last work, the annalistic Histories in five books, is much more expansive than his monographs on Catiline and Jugurtha (LCL 116), treating the whole of Roman history at home and abroad in the post-Sullan age. Although fragmentary, it provides invaluable information and insight about a crucial period of history spanning the period from 78 to around 67 BCE.

Although Sallust is decidedly unsubtle and partisan in analyzing people and events, his works are important and significantly influenced later historians, notably Tacitus. Taking Thucydides as his model but building on Roman stylistic and rhetorical traditions, Sallust achieved a distinctive style, concentrated and arresting; lively characterizations, especially in the speeches; and skill at using particular episodes to illustrate large general themes.

For this volume, which completes the Loeb Classical Library edition of Sallust’s works, John T. Ramsey has freshly edited the Histories and the two pseudo-Sallustian Letters to Caesar, supplying ample annotation.

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Fragments of the Holocaust: The Amsterdam Hollandsche Schouwburg as a Site of Memory
David Duindam
Amsterdam University Press, 2018

Why do we attach so much value to sites of Holocaust memory, if all we ever encounter are fragments of a past that can never be fully comprehended? David Duindam examines how the Hollandsche Schouwburg, a former theater in Amsterdam used for the registration and deportation of nearly 50,000 Jews, fell into disrepair after World War II before it became the first Holocaust memorial museum of the Netherlands. Fragments of the Holocaust: The Amsterdam Hollandsche Schouwburg as a Site of Memory combines a detailed historical study of the postwar period of this site with a critical analysis of its contemporary presentation by placing it within international debates concerning memory, emotionally fraught heritage and museum studies. A case is made for the continued importance of theHollandsche Schouwburg and other comparable sites, arguing that these will remain important in the future as indexical fragments where new generations can engage with the memory of the Holocaust on a personal and affective level.
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Fragments of Truth: Residential Schools and the Challenge of Reconciliation in Canada
Naomi Angel. Edited by Dylan Robinson and Jamie Berthe.
Duke University Press, 2022
Library of Congress E96.5.A54 2022

In 2008, the Canadian government established a Truth and Reconciliation Commission (TRC) to review the history of the residential school system, a brutal colonial project that killed and injured many Indigenous children and left a legacy of trauma and pain. In Fragments of Truth Naomi Angel analyzes the visual culture of reconciliation and memory in relation to this complex and painful history. In her analyses of archival photographs from the residential school system, representations of the schools in popular media and literature, and testimonies from TRC proceedings, Angel traces how the TRC served as a mechanism through which memory, trauma, and visuality became apparent. She shows how many Indigenous communities were able to use the TRC process as a way to claim agency over their memories of the schools. Bringing to light the ongoing costs of transforming settler states into modern nations, Angel demonstrates how the TRC offers a unique optic through which to survey the long history of colonial oppression of Canada’s Indigenous populations.
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Fragonard: Art and Eroticism
Mary D. Sheriff
University of Chicago Press, 1990
Library of Congress ND553.F7S53 1990 | Dewey Decimal 759.4

In the aftermath of the French Revolution, Jean Honoré Fragonard, perhaps the most significant French painter of the eighteenth century, was condemned first as a purveyor of luxury items and later as an artist who abandoned noble subjects for the erotic genre. In this revisionist, art-historical study, Mary D. Sheriff challenges such pejorative views of Fragonard by arguing that he is better understood as an artist whose unsurpassed technical skill and witty manipulation of academic standards established a dynamic relation with the audience his art both courted and created.

Sheriff begins her inquiry with an appraisal of Fragonard criticism, followed by an extensive and thoroughly original reading of selected works by Fragonard and of the eroticism encoded in them. Art and eroticism converge in a discussion of execution, in which Sheriff explores the changing conception of execution and elucidates its complex rhetorical and cultural underpinnings. Drawing on analytic methods from contemporary critical theory and an understanding of each work's cultural milieu, Sheriff pays particular attention throughout to the relation between beholder and work of art, which she views as manifest in the artist's preoccupation with the play between the real and the fictive. Scholars and students of art history, eighteenth-century culture and history, critical theory, literary criticism, and all those drawn to the work of this great French painter will find this work essential reading.
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The Framed Houses of Massachusetts Bay, 1625–1725
Abbott Lowell Cummings
Harvard University Press, 1979
Library of Congress NA730.M4C85 | Dewey Decimal 728

A nation's buildings are a record of the character and aspirations of its people. In a rich blend of social and architectural history, Abbott Lowell Cummings reconstructs, through text and pictures, the framed houses of Massachusetts Bay that reflect the straightforward honesty of our earliest northern settlers and their profound love of craftsmanship.

A substantial number of the nation's seventeenth-century houses have been preserved in Massachusetts, and Cummings provides illustrations for a majority of them. He describes the dwellings in detail, and includes architectural drawings that were especially commissioned for this book. He demonstrates that the builders were far more sophisticated than previously imagined and that, while maintaining their English timber-building traditions, they were astonishingly adaptable to their new environment.

Beyond the houses themselves, Cummings discusses evolutions in pioneer life. The most simple kinds of changes in architecture, Cummings shows, indicated singular changes in family living. Such additions as kitchens and parlors, or the moving of the master bedroom to a second floor, suggest shifts in the private and social lives of families.

The Framed Houses of Massachusetts Bay is a splendid story of innovations— of restless, migratory people and their architectural and social responses to the heavily forested New World. It is the first chapter in the long saga of America's preoccupation with technology as it affected the early American home.

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Framed Narratives: Diderot’s Genealogy of the Beholder
Jay CaplanAfterword by Jochen Schulte-Sasse
University of Minnesota Press, 1985
Library of Congress PQ1979.C28 1985 | Dewey Decimal 848.509

Framed Narratives was first published in 1985. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The work of French philosophe Denis Diderot (1713-1784) has inspired conflicting reactions in those who encounter him. Diderot has been admired and despised; he has moved his readers and irritated them - often at the same time. His work continually shifts between mutually exclusive positions - neither of which provides an entirely satisfactory answer to the question at hand, yet neither of which can be disregarded. The nature of these paradoxes has been the fundamental problem in Diderot, a problem that his interpreters have approached by imagining synthetic perspectives or frames within which the paradoxes could be resolved.

In Framed Narratives, Jay Caplan focuses on the problem of framing in and of Diderot. He proposes an interpretive model that draws upon the notion of dialogue developed by Mikhail Bakhtin. For Bakhtin, no utterance can be reduced to a univocal meaning; one's discourse is always marked by other voices. In Diderot, Caplan shows, the narrative device of the tableau engages the reader (or beholder) in a dialogic relationship with the author and the characters. Diderot defines the players of those roles as members of a family, one of whom is always missing, and that sacrificial relationship becomes an integral part of the text. Caplan then uses the concept of the tableau to interpret the rhetoric of gender, genre, and pathos in Diderot's works for and about the theater, his novel The Nun, the philosophical dialogue D'Alembert's Dream,and his correspondence.

What emerges from these readings is not only an interpretation of certain texts, but a description of Diderot's—and, by implication, early bourgeois—poetics. Framed Narratives is, in addition, one of the first attempts to rely upon Bakhtin's concepts in the interpretation of specific texts, in this case the work of an essentially dialogic writer. A socio-historical supplement to Framed Narratives is provided in Jochen Schulte-Sasse's afterword.

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Framed Spaces: Photography and Memory in Contemporary Installation Art
Monica E. McTighe
Dartmouth College Press, 2012
Library of Congress N72.P5M38 2012 | Dewey Decimal 709.04074

While earlier theorists held up “experience” as the defining character of installation art, few people have had the opportunity to walk through celebrated installation pieces from the past. Instead, installation art of the past is known through archival photographs that limit, define, and frame the experience of the viewer. Monica E. McTighe argues that the rise of photographic–based theories of perception and experience, coupled with the inherent closeness of installation art to the field of photography, had a profound impact on the very nature of installation art, leading to a flood of photography– and film–based installations. With its close readings of specific works, Framed Spaces will appeal to art historians and theorists across a broad spectrum of the visual arts.
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Framed: The New Woman Criminal in British Culture at the Fin de Siecle
Elizabeth Carolyn Miller
University of Michigan Press, 2008
Library of Congress PR878.D4M55 2008 | Dewey Decimal 823.087209

Framed uses fin de siècle British crime narrative to pose a highly interesting question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque?

In this elegantly argued study, Elizabeth Carolyn Miller addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres.

"This is a truly extraordinary argument, one that will forever alter our view of turn-of-the-century literary culture, and Miller has demonstrated it with an enrapturing series of readings of fictional and filmic criminal figures. In the process, she has filled a gap between feminist studies of the New Woman of the 1890s and more gender-neutral studies of early twentieth-century literary and social change. Her book offers an extraordinarily important new way to think about the changing shape of political culture at the turn of the century."
---John Kucich, Professor of English, Rutgers University

"Given the intellectual adventurousness of these chapters, the rich material that the author has brought to bear, and its combination of archival depth and disciplinary range, any reader of this remarkable book will be amply rewarded."
---Jonathan Freedman, Professor of English and American Culture, University of Michigan

Elizabeth Carolyn Miller is Assistant Professor of English at the University of California, Davis.

digitalculturebooks is an imprint of the University of Michigan and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.

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Frames of Evil: The Holocaust as Horror in American Film
Caroline J. S. Picart, and David A. Frank. Foreword by Dominick LaCapra. Introduction by Edward J. Ingebretsen
Southern Illinois University Press, 2006
Library of Congress PN1995.9.H53P53 2006 | Dewey Decimal 791.43658

Challenging the classic horror frame in American film

American filmmakers appropriate the “look” of horror in Holocaust films and often use Nazis and Holocaust imagery to explain evil in the world, say authors Caroline Joan (Kay) S. Picart and David A. Frank. In Frames of Evil: The Holocaust as Horror in American Film, Picart and Frank challenge this classic horror frame—the narrative and visual borders used to demarcate monsters and the monstrous. After examining the way in which directors and producers of the most influential American Holocaust movies default to this Gothic frame, they propose that multiple frames are needed to account for evil and genocide.

Using Schindler’s List, The Silence of the Lambs, and Apt Pupil as case studies, the authors provide substantive and critical analyses of these films that transcend the classic horror interpretation. For example, Schindler’s List, say Picart and Frank, has the appearance of a historical docudrama but actually employs the visual rhetoric and narrative devices of the Hollywood horror film. The authors argue that evil has a face: Nazism, which is configured as quintessentially innate, and supernaturally crafty.

Frames of Evil, which is augmented by thirty-six film and publicity stills, also explores the commercial exploitation of suffering in film and offers constructive ways of critically evaluating this exploitation. The authors suggest that audiences will recognize their participation in much larger narrative formulas that place a premium on monstrosity and elide the role of modernity in depriving millions of their lives and dignity, often framing the suffering of others in a manner that allows for merely “documentary” enjoyment.

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Framing a Lost City: Science, Photography, and the Making of Machu Picchu
By Amy Cox Hall
University of Texas Press, 2017
Library of Congress F3429.1.M3H35 2017 | Dewey Decimal 985.37

<p>When Hiram Bingham, a historian from Yale University, first saw Machu Picchu in 1911, it was a ruin obscured by overgrowth whose terraces were farmed a by few families. A century later, Machu Picchu is a UNESCO world heritage site visited by more than a million tourists annually. This remarkable transformation began with the photographs that accompanied Bingham&rsquo;s article published in <i>National Geographic</i> magazine, which depicted Machu Picchu as a lost city discovered. Focusing on the practices, technologies, and materializations of Bingham&rsquo;s three expeditions to Peru (1911, 1912, 1914&ndash;1915), this book makes a convincing case that visualization, particularly through the camera, played a decisive role in positioning Machu Picchu as both a scientific discovery and a Peruvian heritage site.</p><p>Amy Cox Hall argues that while Bingham&rsquo;s expeditions relied on the labor, knowledge, and support of Peruvian elites, intellectuals, and peasants, the practice of scientific witnessing, and photography specifically, converted Machu Picchu into a cultural artifact fashioned from a distinct way of seeing. Drawing on science and technology studies, she situates letter writing, artifact collecting, and photography as important expeditionary practices that helped shape the way we understand Machu Picchu today. Cox Hall also demonstrates that the photographic evidence was unstable, and, as images circulated worldwide, the &ldquo;lost city&rdquo; took on different meanings, especially in Peru, which came to view the site as one of national patrimony in need of protection from expeditions such as Bingham&rsquo;s.</p>
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Framing Disease: Studies in Cultural History
Rosenberg, Charles E
Rutgers University Press, 1992
Library of Congress RA418.F665 1991 | Dewey Decimal 610.9

"In some ways disease does not exist until we have agreed that it does, by perceiving, naming, and responding to it, " writes Charles E. Rosenberg in his introduction to this stimulating set of essays. Disease is both a biological event and a social phenomenon. Patient, doctor, family, and social institutions—including employers, government, and insurance companies—all find ways to frame the biological event in terms that make sense to them and serve their own ends.

Many diseases discussed here—endstage renal disease, rheumatic fever, parasitic infectious diseases, coronary thrombosis—came to be defined, redefined, and renamed over the course of several centuries. As these essays show, the concept of disease has also been used to frame culturally resonant behaviors: suicide, homosexuality, anorexia nervosa, chronic fatigue syndrome. Disease is also framed by public policy, as the cases of industrial disability and of forensic psychiatry demonstrate. Medical institutions, as managers of people with disease, come to have vested interests in diagnoses, as the histories of facilities to treat tuberculosis or epilepsy reveal. Ultimately, the existence and conquest of disease serves to frame a society's sense of its own "healthiness" and to give direction to social reforms.   

The contributors include Steven J. Peitzman, Peter C. English, John Farley, Christopher Lawrence, Michael MacDonald, Bert Hansen, Joan Jacobs Brumberg, Robert A. Aronowitz, Gerald Markowitz, David Rosner, Janet A. Tighe, Barbara Bates, Ellen Dwyer, John M. Eyler, and Elizabeth Fee. For any student of disease and society, this book is essential, compelling reading.

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Framing Fat: Competing Constructions in Contemporary Culture
Kwan, Samantha
Rutgers University Press, 2013
Library of Congress RC628.K95 2013 | Dewey Decimal 362.196398

According to public health officials, obesity poses significant health risks and has become a modern-day epidemic. A closer look at this so-called epidemic, however, suggests that there are multiple perspectives on the fat body, not all of which view obesity as a health hazard.

Alongside public health officials at the Centers for Disease Control and Prevention are advertisers of the fashion-beauty complex, food industry advocates at the Center for Consumer Freedom, and activists at the National Association to Advance Fat Acceptance.

Framing Fat
takes a bird’s-eye view of how these multiple actors construct the fat body by identifying the messages these groups put forth, particularly where issues of beauty, health, choice and responsibility, and social justice are concerned. Samantha Kwan and Jennifer Graves examine how laypersons respond to these conflicting messages and illustrate the gendered, raced, and classed implications within them. In doing so, they shed light on how dominant ideas about body fat have led to the moral indictment of body nonconformists, essentially “framing” them for their fat bodies.
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Framing History: The Rosenberg Story and the Cold War
Virginia Carmichael
University of Minnesota Press, 1993
Library of Congress PS374.R67C37 1993 | Dewey Decimal 813.5409351

Framing Power in Visigothic Society: Discourses, Devices, and Artifacts
Eleonora Dell' Elicine
Amsterdam University Press, 2020

This volume examines how power was framed in Visigothic society and how a diverse population with a complex and often conflicting cultural inheritance was thereby held together as a single kingdom. Indeed, through this dynamic process a new, early medieval society emerged. Understanding this transformation is no simple matter, as it involved the deployment of an array of political and cultural resources: the production of knowledge, the appropriation of Patristic literature, controlling and administering rural populations, reconceptualizing the sacred, capital punishment and exile, controlling the manufacture of currency, and defining Visigothic society in relation to other polities such as the neighbouring Byzantine state. In order to achieve an analysis of these different phenomena, this volume brings together researchers from a variety of disciplines. This interdisciplinary approach therefore expands the available sources and reformulates topics of traditional scholarship in order to engage with a renewal of Visigothic Studies and reformulate the paradigm of study itself. As a result, this volume rethinks frameworks of power in the Peninsula along not only historical and archaeological but also anthropological terms, presenting the reader with a new understanding of Iberian society as a whole.
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Framing Premodern Desires: Sexual Ideas, Attitudes, and Practices in Europe
Edited by Satu Lidman, Tom Linkinen, and Marjo Kaartinen
Amsterdam University Press, 2017
Library of Congress HQ18.E8F73 2017

The way that we have perceived, described, and understood sexual desire has changed dramatically over time and across cultures. This collection brings together a group of experts from a variety of disciplines to explore the history of sexual desires and the transformation of sexual ideas, attitudes, and practices in premodern Europe. Among the topics considered are the visibility of sexual offenses and the construction of passions; the geographical range extends to Great Britain, with extended attention also to France as well as Northern and Eastern Europe. The result is a groundbreaking volume that adds significantly to our understanding of premodern European history, history of sexualities, gender studies, religious history, and many other fields.
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Framing Public Memory
Edited by Kendall R. Phillips
University of Alabama Press, 2007
Library of Congress D16.163.F73 2004 | Dewey Decimal 901.09

A collection of essays by prominent scholars from many disciplines on the construction of public memories

The study of public memory has grown rapidly across numerous disciplines in recent years, among them American studies, history, philosophy, sociology, architecture, and communications. As scholars probe acts of collective remembrance, they have shed light on the cultural processes of memory. Essays contained in this volume address issues such as the scope of public memory, the ways we forget, the relationship between politics and memory, and the material practices of memory.

Stephen Browne’s contribution studies the alternative to memory erasure, silence, and forgetting as posited by Hannah Arendt in her classic Eichmann in Jerusalem. Rosa Eberly writes about the Texas tower shootings of 1966, memories of which have been minimized by local officials. Charles Morris examines public reactions to Larry Kramer’s declaration that Abraham Lincoln was homosexual, horrifying the guardians of Lincoln’s public memory. And Barbie Zelizer considers the impact on public memory of visual images, specifically still photographs of individuals about to perish (e.g., people falling from the World Trade Center) and the sense of communal loss they manifest.

Whether addressing the transitory and mutable nature of collective memories over time or the ways various groups maintain, engender, or resist those memories, this work constitutes a major contribution to our understanding of how public memory has been and might continue to be framed.
 
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Framing the Audience: Art and the Politics of Culture in the United States, 1929-1945
Isadora Helfgott
Temple University Press, 2015
Library of Congress N72.S6H3915 2015 | Dewey Decimal 701.03097309041

Framing the Audience explores the cultural politics of the Great Depression and World War II through the prism of art appreciation. Isadora Helfgott interrogates the ideological and political motivations for breaking down barriers between fine art and popular culture. She charts the impact that changes in art appreciation had on the broader political, social, cultural, and artistic landscape.

Framing the Audience argues that efforts to expand the social basis of art became intertwined with—and helped shape—broader debates about national identity and the future of American political economy. Helfgott chronicles artists’ efforts toinfluence the conditions of artistic production and display. She highlights the influence of the Federal Art Project, the impact of the Museum of Modern Art as an institutional home for modernism in America and as an organizer of traveling exhibitions, and the efforts by LIFE and Fortune magazines to integrate art education into their visual record of modern life. In doing so, Helfgott makes critical observations about the changing relationship between art and the American public.

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Framing the Black Panthers: The Spectacular Rise of a Black Power Icon
Jane Rhodes
University of Illinois Press, 2017
Library of Congress E185.615.R48 2017 | Dewey Decimal 322.4209

A potent symbol of black power and radical inspiration, the Black Panthers still evoke strong emotions. This edition of Jane Rhodes's acclaimed study examines the extraordinary staying power of the Black Panthers in the American imagination. Probing the group's longtime relationship to the media, Rhodes traces how the Panthers articulated their message through symbols and tactics the mass media could not resist. By exploiting press coverage through everything from posters to public appearances to photo ops, the Panthers created a linguistic and symbolic universe as salient today as during the group's heyday. They also pioneered a sophisticated version of mass media activism that powers contemporary African American protest. Featuring a timely new preface by the author, Framing the Black Panthers is a breakthrough reconsideration of a fascinating phenomenon.
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Framing the Holocaust
Edited by Valerie Hébert
University of Wisconsin Press, 2023

In December 1941, German police and their local collaborators murdered 2,749 Jews at the beach in Šķēde, near Liepāja, Latvia. Twelve photographs were taken at the scene. These now-infamous images show people in extreme distress, sometimes without clothing. Some capture the very moments when women and children confronted their imminent deaths, while others show their dead bodies. They are nearly unbearable to look at—so why should we? Framing the Holocaust offers a multidimensional response to this question.

While photographs are central to our memory of modern historical events, they often inhabit an ambivalent intellectual space. What separates the sincere desire to understand from voyeuristic curiosity? Comprehending these images requires the viewer to place oneself in the very positions of the perpetrator who took the images. When we engage with atrocity photographs, do we risk replicating the original violence? In this tightly organized book, scholars from Holocaust studies, modern European history, Jewish studies, visual studies, and the history of photography examine the images of the Liepāja atrocity, giving historical, contextual, political, and moral depth to the act of looking and interpreting.

With a foreword by Edward Anders, who narrowly escaped the December shooting, Framing the Holocaust represents an original approach to an iconic series of Holocaust photographs. This book will contribute to powerful debates in the emerging field of visual history, including the challenges and responsibilities of teaching about atrocity. 
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Framing the Past: The Historiograpy of German Cinema and Television
Edited by Bruce A. Murray and Christopher J. Wickham
Southern Illinois University Press, 1992
Library of Congress PN1993.5.G3F67 1993 | Dewey Decimal 791.43750943

This collection of essays was selected from those presented in October 1988 at a conference sponsored by the National Endowment for the Humanities, "Concepts of History in German Cinema." The contributors include notable historians, film scholars, and German studies specialists who explore the complex network of social, political, and religious institutions that have influenced the historiography of German cinema and television.

Before the turn of the century, Germans began to employ the medium of film to represent the past when they attempted to document their Prussian heritage. Since then, German cinema and television have promoted history as a component of personal, cultural, and national identity by consistently providing prominent treatment of historical subjects.

Although it is relatively easy to document changes in the selection and handling of these subjects, it is more difficult to determine precisely which factors have motivated those changes.

In attempting to define these factors, the link between German cinema, television, and history has developed around three interrelated issues: (1) the reception of Weimar cinema, which for most film scholars continues to be mediated to one extent or another by Siegfried Kracauer’s work; (2) the inscribing of fascism in cinema and television; and (3) the nature of, and potential for, alternatives to mainstream cinema and television.

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Framing the Sixties: The Use and Abuse of a Decade from Ronald Reagan to George W. Bush
Bernard von Bothmer
University of Massachusetts Press, 2009
Library of Congress E841.B68 2010 | Dewey Decimal 973.92

Over the past quarter century, American liberals and conservatives alike have invoked memories of the 1960s to define their respective ideological positions and to influence voters. Liberals recall the positive associations of what might be called the "good Sixties"—the "Camelot" years of JFK, the early civil rights movement, and the dreams of the Great Society—while conservatives conjure images of the "bad Sixties"—a time of urban riots, antiwar protests, and countercultural revolt.

In Framing the Sixties, Bernard von Bothmer examines this battle over the collective memory of the decade primarily through the lens of presidential politics. He shows how four presidents—Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush—each sought to advance his political agenda by consciously shaping public understanding of the meaning of "the Sixties." He compares not only the way that each depicted the decade as a whole, but also their commentary on a set of specific topics: the presidency of John F. Kennedy, Lyndon Johnson's "Great Society" initiatives, the civil rights movement, and the Vietnam War.

In addition to analyzing the pronouncements of the presidents themselves, von Bothmer draws on interviews he conducted with more than one hundred and twenty cabinet members, speechwriters, advisers, strategists, historians, journalists, and activists from across the political spectrum—from Julian Bond, Daniel Ellsberg, Todd Gitlin, and Arthur Schlesinger to James Baker, Robert Bork, Phyllis Schlafly, and Paul Weyrich.

It is no secret that the upheavals of the 1960s opened fissures within American society that have continued to affect the nation's politics and to intensify its so-called culture wars. What this book documents is the extent to which political leaders, left and right, consciously exploited those divisions by "framing" the memory of that turbulent decade to serve their own partisan interests.
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Fran and Frederick Hamerstrom: Wildlife Conservation Pioneers
Susan Tupper
Wisconsin Historical Society Press, 2016
Library of Congress QL84.22.W6T86 2016 | Dewey Decimal 333.95160922775

Learn how Fran and Frederick Hamerstrom worked to save the greater prairie chicken from extinction in the Wisconsin Historical Society Press’s new book for young readers, "Fran and Frederick Hamerstrom: Wildlife Conservation Pioneers." Fran and Frederick grew up in New England, and married in 1935. They both loved nature and wanted to dedicate their lives to understanding and preserving wildlife. As students of the famous naturalist, Aldo Leopold, they learned about new ways for humans to think about saving land for animals. Fran was a brave, outgoing woman who cared more about interacting with animals than wearing pretty dresses. Frederick was a calm, thoughtful man who loved to study and conduct research. Together, they spent over thirty years mentoring many future scientists, and working to save the greater prairie chicken, and other animals, from extinction. "Fran and Frederick Hamerstrom: Wildlife Conservation Pioneers" is the newest addition to the Society Press’s Badger Biographies Series.

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France after Revolution: Urban Life, Gender, and the New Social Order
Denise Z. Davidson
Harvard University Press, 2007
Library of Congress HN425.D39 2007 | Dewey Decimal 307.76094409034

The decades following the French Revolution saw unprecedented political and social experimentation. As the Napoleonic and Restoration regimes attempted to build a stable order, ordinary city dwellers began to create their own sense of how society operated through everyday activities. Interactions between men and women--in theaters, cafes, and other public settings--helped to fashion new social norms.

In this extensively researched work, Denise Z. Davidson offers a powerful reevaluation of the effects of the French Revolution, especially on women. Arguing against the view that the Revolution forced women from the public realm of informed political discussion, Davidson demonstrates that women remained highly visible in urban public life. Women of all classes moved out of the domestic sphere to participate in the spectacle of city life, inviting frequent commentary on their behavior. This began to change only in the 1820s, when economic and social developments intensified class distinctions and made the bourgeoisie fear the "dangerous classes."

This book provides an important corrective to prevailing views on the ramifications of the French Revolution, while shedding light on how ordinary people understood, shaped, and contested the social transformations taking place around them.

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France and her Eastern Allies, 1919-1925: French-Czechoslovak-Polish Relations from the Paris Peace Conference in Locarno
Piotr S. Wandycz
University of Minnesota Press, 1962

France and her Eastern Allies, 1919–1925 was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Relations between France, Czechoslovakia, and Poland occupied an important position in European diplomacy in the years between World War I and World War II. Beginning with the breakdown of the old political, social, and economic order on the Continent during the first World War, these relations went through many changes. This book deals with the crucial period from the Paris Peace Conference of 1919 to the signing of the Locarno Pact in 1925. During this time France attempted to establish an eastern barrier of buffer states with Poland and Czechoslovakia at the core, with the aim of keeping Germany and Bolshevik Russia apart. This, France hoped, would guarantee European peace and security. Although an effective eastern barrier was never realized, the attempt to create one was a worthy and important undertaking.

Professor Wandycz considers in detail the various aspects of the complex relationship between France and the two western Slav states — geographic, economic, social, and political. In addition, he provides a clear and interesting picture of some of the personalities involved. Through the use of hitherto unpublished source material, he throws new light on many events of general European diplomatic history as well as on Polish, French, and Czechoslovak foreign policy in particular.

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France, Fin de Siècle
Eugen Weber
Harvard University Press, 1986
Library of Congress DC33.6.W43 1986 | Dewey Decimal 944.06

The end of the nineteenth century in France was marked by political scandals, social unrest, dissension, and “decadence.” Yet the fin de siècle was also an era of great social and scientific progress, a time when advantages previously reserved for the privileged began to be shared by the many. Public transportation, electrical illumination, standard time, and an improved water supply radically altered the life of the modest folk, who found time for travel and leisure activities—including sports such as cycling. Change became the nature of things, and people believed that further improvement was not only possible but inevitable.

In this thoroughly engaging history, Eugen Weber describes ways of life, not as recorded by general history, but as contemporaries experienced them. He writes about political atmosphere and public prejudices rather than standard political history. Water and washing, bicycles and public transportation engage him more than great scientific discoveries. He discusses academic painting and poster art, the popular stage and music halls, at greater length than avant-garde and classic theater or opera. In this book the importance of telephones, plumbing, and central heating outranks such traditional subjects as international developments, the rise of organized labor, and the spread of socialism.

Weber does not neglect the darker side of the fin de siècle. The discrepancy between material advance and spiritual dejection, characteristic of our own times, interests him as much as the idea of progress, and he reminds us that for most people the period was far from elegant. In the lurid context of military defeat, political instability, public scandal, and clamorous social criticism, one had also to contend with civic dirt, unsanitary food, mob violence, and the seeds of modern-day scourges: pollution, drugs, sensationalism, debased art, the erosion of moral character. Yet millions of fin de siècle French lived as only thousands had lived fifty years before; while their advance was slow, their right to improvement was conceded.

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France in the Enlightenment
Daniel Roche
Harvard University Press

A panorama of a whole civilization, a world on the verge of cataclysm, unfolds in this magisterial work by the foremost historian of eighteenth-century France. Since Tocqueville's account of the Old Regime, historians have struggled to understand the social, cultural, and political intricacies of this efflorescence of French society before the Revolution. France in the Enlightenment is a brilliant addition to this historical interest.

France in the Enlightenment brings the Old Regime to life by showing how its institutions operated and how they were understood by the people who worked within them. Daniel Roche begins with a map of space and time, depicting France as a mosaic of overlapping geographical units, with people and goods traversing it to the rhythms of everyday life. He fills this frame with the patterns of rural life, urban culture, and government institutions. Here as never before we see the eighteenth-century French "culture of appearances": the organization of social life, the diffusion of ideas, the accoutrements of ordinary people in the folkways of ordinary living--their food and clothing, living quarters, reading material. Roche shows us the eighteenth-century France of the peasant, the merchant, the noble, the King, from Paris to the provinces, from the public space to the private home.

By placing politics and material culture at the heart of historical change, Roche captures the complexity and depth of the Enlightenment. From the finest detail to the widest view, from the isolated event to the sweeping trend, his masterly book offers an unparalleled picture of a society in motion, flush with the transformation that will be its own demise.

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France: Modern Architectures in History
Jean-Louis Cohen
Reaktion Books, 2015

Everyone knows Notre Dame, the Eiffel Tower, and the chateaux of the Loire Valley, but French architects have also produced some of the most iconic buildings of the twentieth century, playing a central role in the emergence and development of modernism. In France, Jean-Louis Cohen presents a complete narrative of the unfolding architectural modernity in the country, grappling not only with the buildings but also with the political and critical context surrounding them.
           
Cohen examines the developments in urban design and architecture within France, depicting the continuities and breaks in French architecture since 1900 against a broader international background. Describing the systems of architectural exchange with other countries—including Italy, Germany, Russia, and the United States—he offers a new view on the ideas, projects, and buildings otherwise so often considered only from narrow nationalistic perspectives. Cohen also maps the problematic search for a national identity against the background of European rivalries and France’s colonial past. Drawing on a wealth of recent research, this authoritatively written book will challenge the way design professionals and historians view modern French architecture. 
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Frances Burney
Doody, Margaret A
Rutgers University Press, 1988
Library of Congress PR3316.A4Z63 1988 | Dewey Decimal 823.6

Treating Frances Burney (1752-1840) with the seriousness usually reserved for later novelists of the nineteenth and twentieth centuries, Margaret Anne Doody combines biographical narrative with informed literary criticism as she analyzes not only Burney's published novels, but her plays, fragments of novels, poems, and other works never published. Doody also draws upon a mine of letters and diaries for detailed and sometimes surprising biographical information. Burney's feelings and emotions forcefully emerge in her sophisticated and complex late novels, Camilla and The Wanderer. Her novels all relate to personal experience; as an artist she is attracted to the violent, the grotesque, and the macabre. She is a powerful comic writer, but her comedy is far from reflecting a shallow cheerfulness. Bringing a novelist's perspective to her material, in this 1989 book Doody shows an appreciation of the many dimensions of a predecessor's writings and she tells her story with force and conviction.
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Frances Burney
Doody, Margaret A
Rutgers University Press, 1988
Library of Congress PR3316.A4Z63 1988 | Dewey Decimal 823.6

Treating Frances Burney (1752-1840) with the seriousness usually reserved for later novelists of the nineteenth and twentieth centuries, Margaret Anne Doody combines biographical narrative with informed literary criticism as she analyzes not only Burney's published novels, but her plays, fragments of novels, poems, and other works never published. Doody also draws upon a mine of letters and diaries for detailed and sometimes surprising biographical information. Burney's feelings and emotions forcefully emerge in her sophisticated and complex late novels, Camilla and The Wanderer. Her novels all relate to personal experience; as an artist she is attracted to the violent, the grotesque, and the macabre. She is a powerful comic writer, but her comedy is far from reflecting a shallow cheerfulness. Bringing a novelist's perspective to her material, in this 1989 book Doody shows an appreciation of the many dimensions of a predecessor's writings and she tells her story with force and conviction.
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Frances Hodgson Burnett: The Unexpected Life of the Author of the Secret Garden
Gerzina, Gretchen H
Rutgers University Press, 2006

Hugely successful in her own time for adult novels and plays, Frances Hodgson Burnett (1849-1924) would be astounded to find out she is remembered for a handful of books for children, but most of all for the enormously popular Secret Garden. This fascinating biography-the first to have the full cooperation of Burnett's descendants and relatives-examines her life with lively intelligence, sensitivity, and fascinating new, never-before-published material.

Burnett's life was full of those reversals of fortune that mark her work. Following modest beginnings in mid-Victorian Manchester, she arrived in post-Civil War Tennessee at the age of fifteen with her widowed mother and two sisters. Burnett was the breadwinner of the family from the age of seventeen, eventually publishing a total of fifty-two books and writing and producing thirteen plays. She made and spent a fortune in her lifetime, was generous and profligate, yet anxious about money and obsessively hardworking.

Constantly restless and inventive, Burnett's personal life was as complex as her professional one. Her first marriage to a southern doctor disintegrated as a result of her notorious flirtations and a scandalous affair, and her subsequent marriage to an English doctor turned actor suffered a similar fate. She understood the intensity and loneliness of the thoughtful child, but was herself a largely absent mother of two sons-overwhelmed by guilt when tragedy struck one of them; the other one never got over being the model for Little Lord Fauntleroy.

A woman of contrasts and paradoxes, this quintessentially British writer was equally at home in the United States, which honored her with a memorial in Central Park. Frances Hodgson Burnett reinvented for herself and for generations to come in both countries the magic and the mystery of the childhood she never had.

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France’s Long Reconstruction: In Search of the Modern Republic
Herrick Chapman
Harvard University Press, 2018
Library of Congress DC404.C464 2018 | Dewey Decimal 944.082

At the end of World War II, France’s greatest challenge was to repair a civil society torn asunder by Nazi occupation and total war. Recovery required the nation’s complete economic and social transformation. But just what form this “new France” should take remained the burning question at the heart of French political combat until the Algerian War ended, over a decade later. Herrick Chapman charts the course of France’s long reconstruction from 1944 to 1962, offering fresh insights into the ways the expansion of state power, intended to spearhead recovery, produced fierce controversies at home and unintended consequences abroad in France’s crumbling empire.

Abetted after Liberation by a new elite of technocratic experts, the burgeoning French state infiltrated areas of economic and social life traditionally free from government intervention. Politicians and intellectuals wrestled with how to reconcile state-directed modernization with the need to renew democratic participation and bolster civil society after years spent under the Nazi and Vichy yokes. But rather than resolving the tension, the conflict between top-down technocrats and grassroots democrats became institutionalized as a way of framing the problems facing Charles de Gaulle’s Fifth Republic.

Uniquely among European countries, France pursued domestic recovery while simultaneously fighting full-scale colonial wars. France’s Long Reconstruction shows how the Algerian War led to the further consolidation of state authority and cemented repressive immigration policies that now appear shortsighted and counterproductive.

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Frances Newman: Southern Satirist and Literary Rebel
Barbara Ann Wade
University of Alabama Press, 1998
Library of Congress PS3527.E883Z95 1998 | Dewey Decimal 813.52

This first biographical and literary assessment of Frances Newman highlights one of the most experimental writers of the Southern Renaissance
 

Novelist, translator, critic, and acerbic book reviewer Frances Newman (1883–1928) was praised by Virginia novelist James Branch Cabell and critic H. L. Mencken. Her experimental novels The Hard-Boiled Virgin (1926) and Dead Lovers Are Faithful Lovers (1928), have recently begun to receive serious critical attention, but this is the first book-length study to focus both on Newman’s life and on her fiction.
 
Frances Newman was born into a prominent Atlanta family and was educated at private schools in the South and the Northeast. Her first novel, The Hard-Boiled Virgin, was hailed by James Branch Cabell as “the most brilliant, the most candid, the most civilized, and the most profound yet written by any American woman.” Cabell and H. L. Mencken became Newman’s literary mentors and loyally supported her satire of southern culture, which revealed the racism, class prejudice, and religious intolerance that reinforced the idealized image of the white southern lady. Writing within a nearly forgotten feminist tradition of southern women’s fiction, Newman portrayed the widely acclaimed social change in the early part of the century in the South as superficial rather than substantial, with its continued restrictive roles for women in courtship and marriage and limited educational and career opportunities.
 
Barbara Wade explores Newman’s place in the feminist literary tradition by comparing her novels with those of her contemporaries Ellen Glasgow, Mary Johnston, and Isa Glenn. Wade draws from Newman’s personal correspondence and newspaper articles to reveal a vibrant, independent woman who simultaneously defied and was influenced by the traditional southern society she satirized in her writing.


 
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Francesca Caccini at the Medici Court: Music and the Circulation of Power
Suzanne G. Cusick
University of Chicago Press, 2009
Library of Congress ML410.C19C87 2009 | Dewey Decimal 780.92

A contemporary of Shakespeare and Monteverdi, and a colleague of Galileo and Artemisia Gentileschi at the Medici court, Francesca Caccini was a dominant musical figure there for thirty years. Dazzling listeners with the transformative power of her performances and the sparkling wit of the music she composed for more than a dozen court theatricals, Caccini is best remembered today as the first woman to have composed opera. Francesca Caccini at the Medici Court reveals for the first time how this multitalented composer established a fully professional musical career at a time when virtually no other women were able to achieve comparable success.

Suzanne G. Cusick argues that Caccini’s career depended on the usefulness of her talents to the political agenda of Grand Duchess Christine de Lorraine, Tuscany’s de facto regent from 1606 to 1636. Drawing on Classical and feminist theory, Cusick shows how the music Caccini made for the Medici court sustained the culture that enabled Christine’s power, thereby also supporting the sexual and political aims of its women.

In bringing Caccini’s surprising story so vividly to life, Cusick ultimately illuminates how music making functioned in early modern Italy as a significant medium for the circulation of power.
 

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Francesco Ignazio Lazzari’s Discrizione della villa pliniana: Visions of Antiquity in the Landscape of Umbria
Anatole Tchikine
Harvard University Press
Library of Congress DG70.S2415T34 2021 | Dewey Decimal 937.573

A cultivated patrician, a prolific playwright, and a passionate student of local antiquity, Francesco Ignazio Lazzari (1634–1717) was a mainstay of the artistic and intellectual life of Città di Castello, an Umbrian city that maintained a remarkable degree of cultural autonomy during the early modern period. He was also the first author to identify the correct location of the lost villa “in Tuscis” owned by the Roman writer and statesman Pliny the Younger and known through his celebrated description. Lazzari’s reconstruction of this ancient estate, in the form of a large-scale drawing and a textual commentary, adds a unique document to the history of Italian gardens while offering a fascinating perspective on the role of landscape in shaping his native region’s identity.

Published with an English translation for the first time since its creation, this manuscript is framed by the scholarly contributions of Anatole Tchikine and Pierre de la Ruffinière du Prey. At the core of their discussion is the interplay of two distinct ideas of antiquity—one embedded in the regional landscape and garden culture of Umbria and the other conveyed by the international tradition of Plinian architectural reconstructions—that provide the essential context for understanding Lazzari’s work.

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Francis Bacon: The Logic of Sensation
Gilles Deleuze
University of Minnesota Press, 2005
Library of Congress ND497.B16D413 2004 | Dewey Decimal 759.2915

Translated and with an Introduction by Daniel W. Smith
 Afterword by Tom Conley 

Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter’s method and style as well as his motifs of seriality, difference, and repetition influenced Deleuze’s work. This first English translation shows us one of the most original and important French philosophers of the twentieth century in intimate confrontation with one of that century’s most original and important painters. 

In considering Bacon, Deleuze offers implicit and explicit insights into the origins and development of his own philosophical and aesthetic ideas, ideas that represent a turning point in his intellectual trajectory. First published in French in 1981, Francis Bacon has come to be recognized as one of Deleuze’s most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon’s paintings but also as a crucial text within Deleuze’s broader philosophy of art. 

In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon’s paintings but at the same time finds a place in the “general logic of sensation.” Illuminating Bacon’s paintings, the nonrational logic of sensation, and the act of painting itself, this work—presented in lucid and nuanced translation—also points beyond painting toward connections with other arts such as music, cinema, and literature. Francis Bacon is an indispensable entry point into the conceptual proliferation of Deleuze’s philosophy as a whole. 

Gilles Deleuze (1925–1995) was professor of philosophy at the University of Paris, Vincennes–St. Denis. He coauthored Anti-Oedipus and A Thousand Plateaus with Félix Guattari. These works, as well as Cinema 1, Cinema 2, The Fold, Proust and Signs, and others, are published in English by Minnesota. 

Daniel W. Smith teaches in the Department of Philosophy at Purdue University.
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Franciscan Books and their Readers: Friars and Manuscripts in Late Medieval Italy
René Hernández
Amsterdam University Press, 2022

The book explores the manuscripts written, read, and studied by Franciscan friars from the thirteenth to the fifteenth centuries in Northern Italy, and specifically Padua, assessing four key aspects: ideal, space, form and readership. The ideal is studied through the regulations that determined what manuscripts should aim for. Space refers to the development and role of Franciscan libraries. The form is revealed by the assessment of the physical configuration of a set of representative manuscripts read, written, and manufactured by the friars. Finally, the study of the readership shows how Franciscans were skilled readers who employed certain forms of the manuscript as a portable, personal library, and as a tool for learning and pastoral care. By comparing the book collections of Padua’s reformed and unreformed medieval Franciscan libraries for the first time, this study reveals new features of the ground-breaking cultural agency of medieval friars.
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The Franciscan Order in the Medieval English Province and Beyond
Edited by Michael Robson and Patrick Zutshi
Amsterdam University Press, 2018
Library of Congress BV2280.F69 2018 | Dewey Decimal 271.3042

Commemorating John Moorman's immense contribution to Franciscan history across five decades, the essays in this collection reflect upon Moorman's diverse writings on biography, hagiography, history, art, and prosopography. Contributors draw upon Moorman's diaries and his materials for a biographical register of the Franciscans in medieval England. The volume is in tune with recent developments in Franciscan history in general, with a special interest in the English province. This is exemplified by studies on Franciscan iconography; the English province's impact of the wider order; the scholastic enterprise; prosopography; economy; sermons; the application of Canon Law to the debates at the papal court; and the evolution of John Moorman's studies on St Francis and his followers.
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Francisco de los Cobos: Secretary of the Emperor Charles V
Hayward Keniston
University of Pittsburgh Press, 1960

A comprehensive biography of the Seceretary of State and Comendador for the kingdom of Castile under Emperor Charles I of Spain.

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Francisco de Osuna’s "Norte de los estados" in Modernized Spanish: A Practical Guide to Conjugal Life in Sixteenth-Century Europe
Dana Bultman
Arc Humanities Press, 2019

Best known for his works on the mystical practice of meditative recollection, Franciscan friar Francisco de Osuna published his candid manual for lay life, Norte de los estados (North Star) in 1531 before leaving Spain to reside in Antwerp. True to its title, the book was intended as a North Star that would dependably guide readers through the stages of youth, marriage, and widowhood. Although the historical literature on these themes is dominated by the works of his humanist contemporaries, Erasmus of Rotterdam and Juan Luis Vives, Osuna’s close attention to women’s experiences and his critical awareness of social class are distinctive. This first modern edition in Spanish restores Osuna’s reformist voice and expansive vision to the animated conversations on marriage and family in which he engaged. His detailed attention to practical questions and his intense spiritualization of spousal love make it an invaluable resource for understanding conjugal relationships in the popular imagination of the early modern world.
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The Francklyn Land & Cattle Company: A Panhandle Enterprise, 1882-1957
By Lester Fields Sheffy
University of Texas Press, 1963

An intensive study of a large Texas ranch, particularly of its business and financial aspects, in which the author has utilized many company records and firsthand accounts by the men who were engaged in the difficult task of establishing and maintaining a major cattle and land operation in wild, relatively isolated, semidesert country.
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Franco: A Personal and Political Biography
Stanley G. Payne and Jesús Palacios
University of Wisconsin Press, 2018
Library of Congress DP264.F7P34 2014 | Dewey Decimal 946.082092

General Francisco Franco (1892–1975), ruler of Spain for nearly forty years, was one of the most powerful and controversial leaders in that nation's long history. This deeply researched biography treats the three major aspects of his life—personal, military, and political. It depicts his early life, explains his career and rise to prominence as an army officer who became Europe's youngest interwar brigadier general in 1926, and then discusses his role in the affairs of the troubled Second Spanish Republic.

Stanley G. Payne and Jesús Palacios examine in detail how Franco became dictator and how his leadership led to victory in the Spanish Civil War that consolidated his regime. They also explore Franco's role in the great repression that accompanied the Civil War—resulting in tens of thousands of executions—and examine at length his controversial role in World War II. This masterful biography highlights Franco's metamorphoses and adaptations to retain power as politics, culture, and economics shifted in the four decades of his dictatorship.



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The Franco Regime, 1936–1975
Stanley G. Payne
University of Wisconsin Press, 2011
Library of Congress DP270.P365 1987 | Dewey Decimal 946.081

The history of modern Spain is dominated by the figure of Francisco Franco, who presided over one of the longest authoritarian regimes of the twentieth century. Between 1936 and the end of the regime in 1975, Franco’s Spain passed through several distinct phases of political, institutional, and economic development, moving from the original semi-fascist regime of 1936–45 to become the Catholic corporatist “organic democracy” under the monarchy from 1945 to 1957. Distinguished historian Stanley G. Payne offers deep insight into the career of this complex and formidable figure and the enormous changes that shaped Spanish history during his regime.

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Francois Mauriac on Race, War, Politics and Religion
Nathan Bracher
Catholic University of America Press, 2016
Library of Congress PQ2625.A93A6 2015 | Dewey Decimal 848.91209

Nathan Bracher's François Mauriac on Race, War, Politics, and Religion: The Great War Through the 1960s consists of a selection of some ninety editorials penned by the Catholic novelist and intellectual François Mauriac, who received the Nobel Prize for literature and who was admitted to the Académie Française in 1933. As is often the case for prominent writers and intellectuals in France, Mauriac became active in political punditry early in his career, at the time of the First World War. Intensifying notably in the tumultuous years of the 1930s on, this activity continues to expand over the next five decades. After 1952, Mauriac's editorials came to represent the most important dimension of his intellectual activity. He was, to cite the prominent journalist and intellectual Jean Daniel of Le Nouvel Observateur, France’s most distinguished and formidable editorialist of the twentieth century.
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Francois Vallé and His World: Upper Louisiana before Lewis and Clark
Carl J. Ekberg
University of Missouri Press, 2002
Library of Congress F474.S135E38 2002 | Dewey Decimal 977.8692

Winner of the Kemper & Leila Williams Prize in Louisiana History for excellence in historical scholarship for the year 2002, awarded by The Historic New Orleans Collection, The Louisiana Historical Association.

In François Vallé and His World, Carl Ekberg provides a fascinating biography of François Vallé (1716–1783), placing him within the context of his place and time. Vallé, who was born in Beauport, Canada, immigrated to Upper Louisiana (the Illinois Country) as a penniless common laborer sometime during the early 1740s. Engaged in agriculture, lead mining, and the Indian trade, he ultimately became the wealthiest and most powerful individual in Upper Louisiana, although he never learned to read or write.
 
Ekberg focuses on Upper Louisiana in colonial times, long before Lewis and Clark arrived in the Mississippi River valley and before American sovereignty had reached the eastern bank of the Mississippi. He vividly captures the ambience of life in the eighteenth-century frontier agricultural society that Vallé inhabited, shedding new light on the French and Spanish colonial regimes in Louisiana and on the Mississippi River frontier before the Americans arrived.
 
Based entirely on primary source documents—wills and testaments, parish registers of baptisms, marriages, and burials, and Spanish administrative correspondence—found in archives ranging from St. Louis and Ste. Genevieve to New Orleans and Seville, François Vallé and His World traces not only the life of François Vallé and the lives of his immediate family members, but also the lives of his slaves. In doing so, it provides a portrait of Missouri’s very first black families, something that has never before been attempted. Ekberg also analyzes how the illiterate Vallé became the richest person in all of Upper Louisiana, and how he rose in the sociopolitical hierarchy to become an important servant of the Spanish monarchy.
 
François Vallé and His World provides a useful corrective to the fallacious notion that Missouri’s history began with the arrival of Lewis and Clark at the turn of the nineteenth century. Anyone with an interest in colonial history or the history of the Mississippi River valley will find this book of great value.
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Francophonie and the Orient: French-Asian Transcultural Crossings (1840-1940)
Mathilde Kang
Amsterdam University Press, 2018

Based on transnational France-Asia approaches, this book studies Asian cultures once steeped in French civilisation but free of a colonial mode in order to highlight the transliterary examples of cultural transfer. This book is a pioneering study of the Francophone phenomenon within the context of cultures categorised as non-Francophone. Espousing a transcultural approach, Francophonie and the Orient examines the emergence of French heritage in the Far-East, the various forms of its manifestation, and the modes of its identification.Several thematic signposts guide the diverse pathways of the research. Firstly, the question is posed as to whether colonisation is the ultimate coat of arms for entry into Francophonie? Secondly, the book raises issues relative to Asian Francophone works: the emergence of literatures with French expression from Asian countries historically free of French domination. Finally, the study reconfigures the Asian Francophone heritage with new paradigms (transnational/global studies), which redefine the frontiers of Francophonie in Asia.
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The Franco-Texan Land Company
By Virginia H. Taylor
University of Texas Press, 1969

The Franco-Texan Land Company was formed, ostensibly, by the French bondholders of the Memphis, El Paso, and Pacific Railroad in an attempt to salvage their investments through sale of lands in the railroad's Texas land grant. Most of the land company's wealth, however, went into the pockets of unscrupulous local managers and directors, and another railroad eventually built a road across Texas along the Memphis, El Paso, and Pacific right of way. Despite their unsavory histories, the land company and its railroad parent played an important part in the development of Northwest Texas. Virginia Taylor's account of their activities furthers the study of the role of land companies in the settlement of the United States and adds interesting sidelights on one of the immigrant groups that left the imprint of Europe on frontier Texas.
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Frank Lloyd Wright
Robert McCarter
Reaktion Books, 2006

A cultural icon who defined the twentieth-century American landscape, Frank Lloyd Wright has been studied from what seems to be every possible angle. While many books focus on his works, torrid personal life, or both, few solely consider his professional persona, as a man enmeshed in a web of prominent public figures and political ideas. In this new biography, Robert McCarter distills Wright’s life and work into a concise account that explores the beliefs and relationships so powerfully reflected in his architectural works. 

McCarter examines here how Wright aspired to influence America’s evolving democratic society by the challenges his buildings posed to traditional views of private and public space. He investigates Wright’s relationships with key leaders of art, industry, and society, and how their views came to have concrete significance in Wright’s work and writings. Wright argued that architecture should be the “background or framework” for daily life, not the “object,” and McCarter dissects how and why he aspired to this and other ideals, such as his belief in the ethical duty of architects to improve society and culture. 

A penetrating study of the foremost pioneer in modern architecture, Frank Lloyd Wright offers a fascinating biographical chronicle that reveals the principles and relationships at the base of Wright’s production.
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The Frank Lloyd Wright Companion, Revised Edition
William Allin Storrer
University of Chicago Press, 2006
Library of Congress NA737.W7A4 2006 | Dewey Decimal 720.92

The comprehensive source for as-built plans of Wright's work
 
Published to critical acclaim more than a decade ago, The Frank Lloyd Wright Companion brought together in one volume all the essential descriptions, photographs, and plans of everything built by America's most famous architect. Now, for this handsomely produced revised edition, William Allin Storrer brings the history of every Wright structure up to the present.

Storrer treats the full range of Wright's architecture—from vacation cottages in Montana and Michigan, to such monuments of modernism as the Johnson Wax Building and the Guggenheim Museum, to buildings completed after Wright’s death in 1959. Since the first edition, some of Wright’s buildings have been relocated, some have been refurbished, and, sadly, some have even been destroyed by Hurricane Katrina. Storrer documents these changes and includes new information about the extent of Wright’s work on the buildings, the contributions of his associates, and the details of his business arrangements. Wright aficionados will be especially pleased to find comprehensive coverage of the newly discovered Mitchell residence in Racine, Wisconsin.

Organized chronologically, The Frank Lloyd Wright Companion features a description of each building that details the history of its design, construction, and ownership. Floor plans allow readers intimate access to each of Wright’s built works. With nearly 1,000 photographs (many new to this edition), elevations, historical images, and floor plans that show changes in Wright’s preliminary plans, this reference is unmatched in its authority. The indispensable centerpiece of any Wright collection, the newly revised Companion is a must for any serious library of art and architecture.
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Frank Lloyd Wright's Forgotten House: How an Omission Transformed the Architect's Legacy
Nicholas D. Hayes
University of Wisconsin Press, 2021
Library of Congress NA737.W7H39 2021 | Dewey Decimal 720.92

While the grandiosity of Fallingwater and elegance of Taliesin are recognized universally, Frank Lloyd Wright’s first foray into affordable housing is frequently overlooked. Although Wright began work on his American System-Built Homes (ASBH, 1911–17) with great energy, the project fell apart following wartime shortages and disputes between the architect and his developer. While continuing to advocate for the design of affordable small homes, Wright never spoke publicly of ASBH. As a result, the heritage of many Wright-designed homes was forgotten.
 
When Nicholas and Angela Hayes became stewards of the unassuming Elizabeth Murphy House near Milwaukee, they began to unearth evidence that ultimately revealed a one-hundred-year-old fiasco fueled by competing ambitions and conflicting visions of America. The couple’s forensic pursuit of the truth untangled the ways Wright’s ASBH experiment led to the architect’s most productive, creative period. Frank Lloyd Wright’s Forgotten House includes a wealth of drawings and photographs, many of which have never been previously published. Historians, architecture buffs, and Wrightophiles alike will be fascinated by this untold history that fills a crucial gap in the architect’s oeuvre.
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Frank Lloyd Wright's Larkin Building: Myth and Fact
Jack Quinan
University of Chicago Press, 2006
Library of Congress NA6233.B84L376 2006

Frank Lloyd Wright’s Larkin Building has become an icon of modern architecture. And the fact that it was demolished only forty-six years after its 1904 completion makes Jack Quinan’s study of the building—which housed a Buffalo, New York, soap company—all the more valuable. 

Quinan’s history draws on engineering documents, personal accounts of the building, and other papers he acquired from the family of Darwin D. Martin, a Larkin executive who proposed commissioning Wright to design the company’s offices. With access to these rare sources, Quinan reveals how a young Wright landed the commission and traces the evolution of his cutting-edge plans. Quinan then takes Wright studies to a new level, examining the Larkin Building as a structure at the center of economic and personal relationships. 

Illustrated with more than one hundred photographs, floor plans, maps, and diagrams, Frank Lloyd Wright’s Larkin Building provides a concise but complete record of how the building was conceived, built, evaluated, and finally demolished in what has been called a tragic loss for American architecture.
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Frank Lloyd Wright’s Penwern: A Summer Estate
Mark Hertzberg
Wisconsin Historical Society Press, 2019
Library of Congress NA737.W7H463 2019 | Dewey Decimal 720.92

Frank Lloyd Wright is best known for his urban and suburban houses. Lesser known are the more than 40 summer “cottages” he designed in Michigan, Wisconsin, and Ontario. Many of the early summer cottages have a rustic feel and are not as easily recognized as Wright’s prolific year-round domestic designs. Among them is a stunning estate on Delavan Lake in southern Wisconsin called Penwern. Commissioned by Chicago capitalist Fred B. Jones around 1900, Penwern has received both national and state recognition. The home’s current stewards have dedicated themselves to restoring the estate to Wright’s vision, ensuring its future. Featuring beautiful color photographs, plus vintage black and white pictures and original Wright drawings, this book transports readers back to the glory days of gracious living and entertaining on the lake.
 
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Frank Lloyd Wright’s Taliesin: Illustrated by Vintage Postcards
Randolph C. Henning
University of Wisconsin Press, 2011
Library of Congress NA737.W7H44 2011 | Dewey Decimal 720.92

The Wisconsin-born Frank Lloyd Wright (1867–1959) is recognized worldwide as an iconic architectural genius. In 1911 he designed Taliesin to use as his personal residence, architectural studio, and working farm. A century later Randolph C. Henning has assembled a splendid collection of rare vintage postcards, some never before published, that provides a revealing and visually unique journey through Wright’s work at Taliesin. Included are intimate images of Taliesin at various stages and views of the building just after the tragic 1914 fire. The postcards also depict nearby buildings designed by Wright, including the Romeo and Juliet windmill and two buildings for the Hillside Home School. Henning provides useful explanations that highlight relevant details and accompany each image. Frank Lloyd Wright’s Taliesin documents and celebrates Wright’s 100-year-old masterpiece.

Finalist, Midwest Book Awards for Cover Design and for Regional Interest Illustrated Book

Best Books for General Audiences, selected by the American Association of School Librarians

Best Books for General Audiences, selected by the Public Library Reviewers
 
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Frank Miller's Daredevil and the Ends of Heroism
Young, Paul
Rutgers University Press, 2016
Library of Congress PN6727.M55Z96 2016 | Dewey Decimal 741.50973

2017 EISNER AWARD NOMINEE for Best Academic/Scholarly Work

In the late 1970s and early 1980s, writer-artist Frank Miller turned Daredevil from a tepid-selling comic into an industry-wide success story, doubling its sales within three years. Lawyer by day and costumed vigilante by night, the character of Daredevil was the perfect vehicle for the explorations of heroic ideals and violence that would come to define Miller’s work.   
 
Frank Miller’s Daredevil and the Ends of Heroism is both a rigorous study of Miller’s artistic influences and innovations and a reflection on how his visionary work on Daredevil impacted generations of comics publishers, creators, and fans. Paul Young explores the accomplishments of Miller the writer, who fused hardboiled crime stories with superhero comics, while reimagining Kingpin (a classic Spider-Man nemesis), recuperating the half-baked villain Bullseye, and inventing a completely new kind of Daredevil villain in Elektra. Yet, he also offers a vivid appreciation of the indelible panels drawn by Miller the artist, taking a fresh look at his distinctive page layouts and lines.  
 
A childhood fan of Miller’s Daredevil, Young takes readers on a personal journey as he seeks to reconcile his love for the comic with his distaste for the fascistic overtones of Miller’s controversial later work. What he finds will resonate not only with Daredevil fans, but with anyone who has contemplated what it means to be a hero in a heartless world.   
 
Other titles in the Comics Culture series include Twelve-Cent Archie, Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948, and Considering Watchmen: Poetics, Property, Politics.
 
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Frank Murphy: The Detroit Years
Sidney Fine
University of Michigan Press, 1975
Library of Congress KF8745.M8F49 | Dewey Decimal 347.732634

Tells of Frank Murphy's early career as Recorder's Court judge and mayor of Depression-era Detroit
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Frank O'Hara: Poet Among Painters
Marjorie Perloff
University of Chicago Press, 1997
Library of Congress PS3529.H28Z8 1998 | Dewey Decimal 811.54

Drawing extensively upon the poet's unpublished manuscripts—poems, journals, essays, and letters—as well as all his published works, Marjorie Perloff presents Frank O'Hara as one of the central poets of the postwar period and an important critic of the visual arts. Perloff traces the poet's development through his early years at Harvard and his interest in French Dadaism and Surrealism to his later poems that fuse literary influence with elements from Abstract Expressionist painting, atonal music, and contemporary film. This edition contains a new Introduction addressing O'Hara's homosexuality, his attitudes toward racism, and changes in poetic climate cover the past few decades.

"A groundbreaking study. [This book] is a genuine work of criticism. . . . Through Marjorie Perloff's book we see an O'Hara perhaps only his closer associates saw before: a poet fully aware of the traditions and techniques of his craft who, in a life tragically foreshortened, produced an adventurous if somewhat erratic body of American verse."—David Lenson, Chronicle of Higher Education

"Perloff is a reliable, well-informed, discreet, sensitive . . . guide. . . . She is impressive in the way she deals with O'Hara's relationship to painters and paintings, and she does give first-rate readings of four major poems."—Jonathan Cott, New York Times Book Review
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Frank O'Hara: The Poetics of Coterie
Lytle Shaw
University of Iowa Press, 2006
Library of Congress PS3529.H28Z86 2006 | Dewey Decimal 811.54

In this stimulating and innovative synthesis of New York's artistic and literary worlds, Lytle Shaw uses the social and philosophical problems involved in “reading” a coterie to propose a new language for understanding the poet, art critic, and Museum of Modern Art curator Frank O'Hara (1926-1966).

O'Hara's poems are famously filled with proper names---from those of his immediate friends and colleagues in the New York writing and art worlds (John Ashbery, Kenneth Koch, Grace Hartigan, Willem de Kooning, and many musicians, dancers, and filmmakers) to a broad range of popular cultural and literary heroes (Apollinaire to Jackie O). But rather than understand O'Hara's most commonly referenced names as a fixed and insular audience, Shaw argues that he uses the ambiguities of reference associated with the names to invent a fluid and shifting kinship structure---one that opened up radical possibilities for a gay writer operating outside the structure of the family.

As Shaw demonstrates, this commitment to an experimental model of association also guides O'Hara's art writing. Like his poetry, O'Hara's art writing too has been condemned as insular, coterie writing. In fact, though, he was alone among 1950s critics in his willingness to consider abstract expressionism not only within the dominant languages of existentialism and formalism but also within the cold war political and popular cultural frameworks that anticipate many of the concerns of contemporary art historians. Situating O'Hara within a range of debates about art's possible relations to its audience, Shaw demonstrates that his interest in coterie is less a symptomatic offshoot of his biography than a radical literary and artistic invention.

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29775 books about History and 1462 29775 books about History
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The Founders, the Constitution, and Public Administration
A Conflict in World Views
Michael W. Spicer
Georgetown University Press, 1995

Viewed alternately as an obstacle to justice, an impediment to efficient government, and a tool by which some groups gain benefits and privileges at the expense of others, public administration threatens to become the whipping boy of American government. In this innovative look at the nation's bureaucracy, Michael W. Spicer revisits the values of the Constitution in order to reconcile the administrative state to its many critics.

Drawing on political and social philosophy, Spicer argues that there is a fundamental philosophical conflict over the role of reason in society between writers in public administration and the designers of the American Constitution. This examination of worldviews illuminates the problem that American government faces in trying to ground a legitimate public administration in the Constitution. Defending and developing the Founders' idea that political power, whatever its source, must be checked, he critically examines existing ideas about the role of public administration in American governance and offers an alternative vision of public administration more in line with the Founders' constitutional design. This book will provide fresh insights for anyone interested in the role of public administration in the United States today.

[more]

Founding Choices
American Economic Policy in the 1790s
Edited by Douglas A. Irwin and Richard Sylla
University of Chicago Press, 2010

The political decisions made by the founding fathers were crucial to the success of the early republic. But the economic decisions they made were just as pivotal, ensuring the general welfare and common defense of the United States for decades to come. Founding Choices explores these economic choices and their profound influence on American life, westward expansion, and influence abroad. Among the topics covered are finance, trade, and monetary and banking policy, with a focus on the factors guiding those policies and their end result. 

This book redresses the relative neglect of the economic achievements of the founders. It will be essential reading for historians and economists alike.

[more]

Founding Families Of Pittsburgh
The Evolution Of A Regional Elite 1760-1910
Joseph F Rishel
University of Pittsburgh Press, 1990
As Pittsburgh and its surrounding area grew into an important commercial and industrial center, a group of families emerged who were distinguished by their wealth and social position. Joseph Rishel studies twenty of these families to determine the degree to which they formed a coherent upper class and the extent to which they were able to maintain their status over time. His analysis shows that Pittsburgh's elite upper class succeeded in creating the institutions needed to sustain a local aristocracy and possessed the ability to adapt its accumulated advantages to social and economic changes.
[more]

The Founding Fathers v. the People
Paradoxes of American Democracy
Anthony King
Harvard University Press, 2011

As pundits and politicians remind us at every election cycle or turn of the television dial, the United States sees itself as the world’s greatest democracy. But what citizens might also hear, if they knew how to listen, is the grinding of two tectonic plates on which this democracy was established. In the venerable tradition of keen foreign observers of American politics, Anthony King exposes the political paradoxes in our system that we may well be too close to see—founding principles of our great democracy that are distinctly undemocratic.

In an extended essay eloquent in its plainspoken good sense, King begins, on the one hand, with the founding fathers who emphasized moderation, deliberation, checks and balances, and the separation of powers—a system in which “the people” were allowed to play only a limited role. On the other hand were radical democrats who insisted that the people, and only the people, should rule. The result was a political system tangled up in conflicts that persist to this day: unelected and unaccountable Supreme Court justices who exercise enormous personal power; severe restrictions on the kind of person the people can elect as president; popular referendums at the state and local level but none at the federal level, not even to ratify amendments to the Constitution.

In King’s provocative analysis, we see how these puzzles play out in the turmoil of our nation’s public life and political culture—and we glimpse, perhaps, a new way to address them.

[more]

Founding Federalist
The Life of Oliver Ellsworth
Michael C. Toth
Intercollegiate Studies Institute, 2011

In Founding Federalist, Michael C. Toth provides an in-depth look at the life and work of Oliver Ellsworth, a largely forgotten but eminently important Founding Father.

The American Founding was the work of visionaries and revolutionaries. But amid the celebrated luminaries, the historic transformations, the heroic acts, and unforgettable discourses were practical politicians, the consensus builders who made the system work. Oliver Ellsworth—Framer, senator, chief justice, diplomat—was such a leader.

Founding Federalist brings to life a figure whose contributions shape American political life even today. Vividly capturing the pivotal debates at Philadelphia in the summer of 1787, Toth shows how Ellsworth was a vital force in shaping the Constitution as a Federalist document, one that did not extinguish the role of the states even as it recognized the need for national institutions. The author illuminates what Ellsworth and other Founders understood to be the meaning of the new constitutional order—a topic highly relevant to twenty-first-century debates about the role of government. Toth, an attorney, also brilliantly analyzes Ellsworth’s most important legislative achievement: the creation of the U.S. federal court system.

With this insightful new biography, Michael Toth has reclaimed a figure who made crucial contributions to a lasting creation: a federal republic.

[more]

Founding Fictions
Jennifer R. Mercieca
University of Alabama Press, 2010
An extended analysis of how Americans imagined themselves as citizens between 1764 and 1845
 
Founding Fictions develops the concept of a “political fiction,” or a narrative that people tell about their own political theories, and analyzes how republican and democratic fictions positioned American citizens as either romantic heroes, tragic victims, or ironic partisans. By re-telling the stories that Americans have told themselves about citizenship, Mercieca highlights an important contradiction in American political theory and practice: that national stability and active citizen participation are perceived as fundamentally at odds.
 
[more]

Founding Finance
How Debt, Speculation, Foreclosures, Protests, and Crackdowns Made Us a Nation
By William Hogeland
University of Texas Press, 2014

Recent movements such as the Tea Party and anti-tax “constitutional conservatism” lay claim to the finance and taxation ideas of America’s founders, but how much do we really know about the dramatic clashes over finance and economics that marked the founding of America? Dissenting from both right-wing claims and certain liberal preconceptions, Founding Finance brings to life the violent conflicts over economics, class, and finance that played directly, and in many ways ironically, into the hardball politics of forming the nation and ratifying the Constitution—conflicts that still continue to affect our politics, legislation, and debate today.

Mixing lively narrative with fresh views of America’s founders, William Hogeland offers a new perspective on America’s economic infancy: foreclosure crises that make our current one look mild; investment bubbles in land and securities that drove rich men to high-risk borrowing and mad displays of ostentation before dropping them into debtors’ prisons; depressions longer and deeper than the great one of the twentieth century; crony mercantilism, war profiteering, and government corruption that undermine any nostalgia for a virtuous early republic; and predatory lending of scarce cash at exorbitant, unregulated rates, which forced people into bankruptcy, landlessness, and working in the factories and on the commercial farms of their creditors. This story exposes and corrects a perpetual historical denial—by movements across the political spectrum—of America’s all-important founding economic clashes, a denial that weakens and cheapens public discourse on American finance just when we need it most.

[more]

The Founding Mothers of Mackinac Island
The Agatha Biddle Band of 1870
Theresa L. Weller
Michigan State University Press, 2021
Drawing on a wide array of historical sources, Theresa L. Weller provides a comprehensive history of the lineage of the seventy-four members of the Agatha Biddle band in 1870. A highly unusual Native and Métis community, the band included just eight men but sixty-six women. Agatha Biddle was a member of the band from its first enumeration in 1837 and became its chief in the early 1860s. Also, unlike most other bands, which were typically made up of family members, this one began as a small handful of unrelated Indian women joined by the fact that the US government owed them payments in the form of annuities in exchange for land given up in the 1836 Treaty of Washington, DC. In this volume, the author unveils the genealogies for all the families who belonged to the band under Agatha Biddle’s leadership, and in doing so, offers the reader fascinating insights into Mackinac Island life in the nineteenth century.
[more]

The Founding of Alabama
Background and Formative Period in the Great Bend and Madison County
Frances Cabaniss Roberts, edited and introduced by Thomas Reidy
University of Alabama Press, 2020
The most thorough history of Alabama’s Madison County region, widely available for the first time

The 1956 dissertation by Frances Cabaniss Roberts is a classic text on Alabama history that continues to be cited by southern historians. Roberts was the first woman to earn a PhD from the University of Alabama’s history department. In the 1950s, she was the only full-time faculty member at what is now the University of Alabama in Huntsville, where she was appointed chair of the history department in 1966.

Roberts’s dissertation, “Background and Formative Period in the Great Bend and Madison County,” remains the most thorough history of the region yet produced. While certainly a product of its era, Roberts work is visionary in its own way and offers a useful look at Alabama’s rise to statehood. Thomas Reidy, editor of this edition, has kept Roberts’s words intact except for correction of minor typographical errors and helpful additions to the notes and citations. His introduction describes both the value of Roberts’s decades of service to UAH and the importance of her dissertation over time. While highlighting the great intrinsic value of Roberts’s research and writing, Reidy also notes its significance in demonstrating how the practice of history—its methods, priorities, and values—has evolved over the intervening decades.

In her examination of Madison County, Roberts spotlights exemplars of civic performance and good community behavior, giving readers one of the earliest accountings of the antebellum southern middle class. Unlike many historians of her time, Roberts displays an interest in both the “common folks” and leaders who built the region—rural and urban—and created the institutions that shaped Madison County. She examines the contributions of merchants, shopkeepers, lawyers, doctors, architects, craftsmen, planters, farmers, elected and appointed officials, board members, and entrepreneurs.
 
[more]

The Founding of Harvard College
With a New Foreword by Hugh Hawkins
Samuel Eliot Morison
Harvard University Press, 1995
Pulitzer Prize–winning author Samuel Eliot Morison traces the roots of American universities back to Europe, providing “a lively contemporary perspective…a realistic picture of the founding of the first American university north of the Rio Grande” [Lewis Gannett, New York Herald Tribune].
[more]

Fountains, Statues, and Flowers
Studies in Italian Gardens of the Sixteenth and Seventeenth Centuries
Elizabeth Blair MacDougall
Harvard University Press, 1994

The essays in this volume focus on the different aspects of Italian gardens of the sixteenth and seventeenth centuries. This volume is divided into two parts, with the first part concentrating on the decorations in Roman gardens of the sixteenth centuries, especially the fountains and statue collections, their iconographic programs, and their relationship to contemporary and ancient literature.

The second half of the volume considers two particular sites. The first, a Savoy duke’s villa, is considered through the history of its construction and its relationship to contemporary festivity architecture. The second essay considers a secret garden at the Palazzo Barberini in the 1630s. Also included are illustrations and text from three Barberini manuscripts documenting the plants used in this garden.

[more]

Four Classic Mormon Village Studies
Howard M. Bahr
University of Utah Press, 2014
Saints Observed: Studies of Mormon Village Life, 1850–2005 serves as a comprehensive introduction to this second volume, which makes available four of the best Mormon village studies, all previously unpublished. These postwar village studies differ substantially from earlier village studies initiated by Nelson’s work and offer in-depth investigations by observers who lived and participated in village life. Together, they capture in rich detail the dayto- day life of mid-century Mormon villagers. Editor Howard Bahr’s afterword highlights changes in the four villages across the past half-century, drawing upon recent site visits, interviews, and texts.

[more]

Four Comedies
Aristophanes
University of Michigan Press, 1969
Contains Lysistrata, The Congresswomen, The Acharnians, and The Frogs
[more]

Four Cultures of the West
John W. O'Malley
Harvard University Press, 2006

The workings of Western intelligence in our day--whether in politics or the arts, in the humanities or the church--are as troubling as they are mysterious, leading to the questions: Where are we going? What in the world were we thinking? By exploring the history of four "cultures" so deeply embedded in Western history that we rarely see their instrumental role in politics, religion, education, and the arts, this timely book provides a broad framework for addressing these questions in a fresh way.

The cultures considered here originated in the ancient world, took on Christian forms, and manifest themselves today in more secular ways. These are, as John W. O'Malley identifies them: the prophetic culture that proclaims the need for radical change in the structures of society (represented by, for example, Jeremiah, Martin Luther, and Martin Luther King, Jr.); the academic culture that seeks instead to understand those structures (Aristotle, Aquinas, the modern university); the humanistic culture that addresses fundamental human issues and works for the common good of society (Cicero, Erasmus, and Eleanor Roosevelt); and the culture of art and performance that celebrates the mystery of the human condition (Phidias, Michelangelo, Balanchine).

By showing how these cultures, as modes of activity and discourse in which Western intelligence has manifested itself through the centuries and continues to do so, O'Malley produces an essay that especially through the history of Christianity brilliantly illuminates the larger history of the West.

[more]

The Four Deaths of Acorn Whistler
Telling Stories in Colonial America
Joshua Piker
Harvard University Press, 2013

Who was Acorn Whistler, and why did he have to die? A deeply researched analysis of a bloody eighteenth-century conflict and its tangled aftermath, The Four Deaths of Acorn Whistler unearths competing accounts of the events surrounding the death of this Creek Indian. Told from the perspectives of a colonial governor, a Creek Nation military leader, local Native Americans, and British colonists, each story speaks to issues that transcend the condemned man’s fate: the collision of European and Native American cultures, the struggle of Indians to preserve traditional ways of life, and tensions within the British Empire as the American Revolution approached.

At the hand of his own nephew, Acorn Whistler was executed in the summer of 1752 for the crime of murdering five Cherokee men. War had just broken out between the Creeks and the Cherokees to the north. To the east, colonists in South Carolina and Georgia watched the growing conflict with alarm, while British imperial officials kept an eye on both the Indians’ war and the volatile politics of the colonists themselves. They all interpreted the single calamitous event of Acorn Whistler’s death through their own uncertainty about the future. Joshua Piker uses their diverging accounts to uncover the larger truth of an early America rife with violence and insecurity but also transformative possibility.

[more]

Four Decades On
Vietnam, the United States, and the Legacies of the Second Indochina War
Scott Laderman and Edwin A. Martini, eds.
Duke University Press, 2013
In Four Decades On, historians, anthropologists, and literary critics examine the legacies of the Second Indochina War, or what most Americans call the Vietnam War, nearly forty years after the United States finally left Vietnam. They address matters such as the daunting tasks facing the Vietnamese at the war's end—including rebuilding a nation and consolidating a socialist revolution while fending off China and the Khmer Rouge—and "the Vietnam syndrome," the cynical, frustrated, and pessimistic sense that colored America's views of the rest of the world after its humiliating defeat in Vietnam. The contributors provide unexpected perspectives on Agent Orange, the POW/MIA controversies, the commercial trade relationship between the United States and Vietnam, and representations of the war and its aftermath produced by artists, particularly writers. They show how the war has continued to affect not only international relations but also the everyday lives of millions of people around the world. Most of the contributors take up matters in the United States, Vietnam, or both nations, while several utilize transnational analytic frameworks, recognizing that the war's legacies shape and are shaped by dynamics that transcend the two countries.

Contributors
. Alex Bloom, Diane Niblack Fox, H. Bruce Franklin, Walter Hixson, Heonik Kwon, Scott Laderman, Mariam B. Lam, Ngo Vinh Long, Edwin A. Martini, Viet Thanh Nguyen, Christina Schwenkel, Charles Waugh
[more]

Four Germanys
A Chronicle of the Schorcht Family
Donald S. Pitkin
Temple University Press, 2016

In this last book by the late Donald Pitkin, author of The House that Giacomo Built, comes a story of the Schorcht family, through whose fortunes and struggles one can see the transformations of Germany through the long twentieth century.

Each chapter of Four Germanys is reflective of generational rather than historical time. In 1922, Edwin Schorcht inherited his family farm, and in Part One, Pitkin traces the derivation of this farmstead.  Part Two focuses on Schorcht’s children who came of age in Hitler’s Germany. Part Three has the Schorchts growing up in the Ulbricht years (1950–73) of the German Democratic Republic. The book concludes with the great-granddaughter, Maria, looking back to the past in relation to the new Germany that history had bequeathed her.

Ultimately, Four Germanys reflects the impact of critical historical events on ordinary East Germans while it also reveals how one particular family managed its own historical adaptation to these events.

[more]

Four Histories about Early Dutch Football, 1910-1920
Constructing Discourses
Nicholas Piercey
University College London, 2016
What is the purpose of history today, and how can sporting research help us understand the world around us? In this stimulating book, Nicholas Piercey constructs four new histories of early Dutch football, exploring urban change, club members, the media, and the diaries of Cornelis Johannes Karel van Aalst, a stadium director, to propose practical examples of how history can become an important democratic tool for the 21st century. Using early Dutch football as a field for experimental thinking about the past, the four histories offer new insights into the lives, interests and passions of those connected to the sport in the 1910s and the cities they lived in. How did the First World War impact on Dutch football? Were new stadia a form of social control? Is the spread of the beautiful game really a good thing? And why was one of the sport’s most prominent figures more concerned with potatoes? These stories of early Dutch football suggest how vital sport and history can be in shaping our lives, perceptions and actions, and why we need to challenge the influence they have today. This book also includes a downloadable appendix. Download it here(.xlsx).
[more]

Four Last Songs
Aging and Creativity in Verdi, Strauss, Messiaen, and Britten
Linda Hutcheon and Michael Hutcheon
University of Chicago Press, 2015
Aging and creativity can seem a particularly fraught relationship for artists, who often face age-related difficulties as their audience’s expectations are at a peak. In Four Last Songs, Linda and Michael Hutcheon explore this issue via the late works of some of the world’s greatest composers.

Giuseppe Verdi (1813–1901), Richard Strauss (1864–1949), Olivier Messiaen (1908–92), and Benjamin Britten (1913–76) all wrote operas late in life, pieces that reveal unique responses to the challenges of growing older. Verdi’s Falstaff, his only comedic success, combated Richard Wagner’s influence by introducing young Italian composers to a new model of national music. Strauss, on the other hand, struggling with personal and political problems in Nazi Germany, composed the self-reflexive Capriccio, a “life review” of opera and his own legacy. Though it exhausted him physically and emotionally, Messiaen at the age of seventy-five finished his only opera, Saint François d’Assise, which marked the pinnacle of his career. Britten, meanwhile, suffering from heart problems, refused surgery until he had completed his masterpiece, Death in Venice. For all four composers, age, far from sapping their creative power, provided impetus for some of their best accomplishments.

With its deft treatment of these composers’ final years and works, Four Last Songs provides a valuable look at the challenges—and opportunities—that present themselves as artists grow older.
[more]

Four of the Three Musketeers
The Marx Brothers on Stage
Robert S. Bader
Northwestern University Press, 2022

An updated paperback version of the book heralded as “a new benchmark in Marx scholarship” by the Los Angeles Times

Before film made them international comedy legends, the Marx Brothers developed their comic skills on stage for twenty-five years. In Four of the Three Musketeers: The Marx Brothers on Stage, Robert S. Bader offers the first comprehensive history of the foursome’s hardscrabble early years honing their act in front of live audiences.

From Groucho’s debut in 1905 to their final live performances of scenes from A Night in Casablanca in 1945, the brothers’ stage career shows how their characters and routines evolved before their arrival in Hollywood. Four of the Three Musketeers draws on an unmatched array of sources, many not referenced elsewhere. Bader’s detailed portrait of the struggling young actors both brings to vivid life a typical night on the road for the Marx Brothers and illuminates the inner workings of the vaudeville business, especially during its peak in the 1920s.

As Bader traces the origins of the characters that would later come to be beloved by filmgoers, he also skillfully scrapes away the accretion of rumors and mythology perpetuated not only by fans and writers but by the Marx Brothers themselves. Revealing, vital, and entertaining, Four of the Three Musketeers has taken its place as an essential reference for this legendary American act. Now, the updated edition adds newly discovered performances—some submitted by readers—and additional information provided by descendants of long-departed vaudevillians mentioned in the book.

[more]

Four Russian Serf Narratives
Translated, edited, and with an introduction by John MacKay
University of Wisconsin Press, 2009
Although millions of Russians lived as serfs until the middle of the nineteenth century, little is known about their lives. Identifying and documenting the conditions of Russian serfs has proven difficult because the Russian state discouraged literacy among the serfs and censored public expressions of dissent. To date scholars have identified only twenty known Russian serf narratives.
    Four Russian Serf Narratives contains four of these accounts and is the first translated collection of autobiographies by serfs. Scholar and translator John MacKay brings to light for an English-language audience a diverse sampling of Russian serf narratives, ranging from an autobiographical poem to stories of adventure and escape. “Autobiography” (1785) recounts a highly educated serf’s attempt to escape to Europe, where he hoped to study architecture. The long testimonial poem “News About Russia” (ca. 1849) laments the conditions under which the author and his fellow serfs lived. In “The Story of My Life and Wanderings” (1881) a serf tradesman tells of his attempt to simultaneously escape serfdom and captivity from Chechen mountaineers. The fragmentary “Notes of a Serf Woman” (1911) testifies to the harshness of peasant life with extraordinary acuity and descriptive power.
    These accounts offer readers a glimpse, from the point of view of the serfs themselves, into the realities of one of the largest systems of unfree labor in history. The volume also allows comparison with slave narratives produced in the United States and elsewhere, adding an important dimension to knowledge of the institution of slavery and the experience of enslavement in modern times.
[more]

Four Shakespearean Period Pieces
Margreta de Grazia
University of Chicago Press, 2021
In the study of Shakespeare since the eighteenth century, four key concepts have served to situate Shakespeare in history: chronology, periodization, secularization, and anachronism.

Yet recent theoretical work has called for their reappraisal. Anachronisms, previously condemned as errors in the order of time, are being hailed as alternatives to that order. Conversely chronology and periods, its mainstays, are now charged with having distorted the past they have been entrusted to represent, and secularization, once considered the driving force of the modern era, no longer holds sway over the past or the present.

In light of this reappraisal, can Shakespeare studies continue unshaken? This is the question Four Shakespearean Period Pieces takes up, devoting a chapter to each term: on the rise of anachronism, the chronologizing of the canon, the staging of plays “in period,” and the use of Shakespeare in modernity’s secularizing project.

To read these chapters is to come away newly alert to how these fraught concepts have served to regulate the canon’s afterlife. Margreta de Grazia does not entirely abandon them but deftly works around and against them to offer fresh insights on the reading, editing, and staging of the author at the heart of our literary canon. 
[more]

Four Walls and a Roof
The Complex Nature of a Simple Profession
Reinier de Graaf
Harvard University Press, 2017

A Financial Times Best Book of the Year
A Guardian Best Architecture Book of the Year


“Sharp, revealing, funny.”
—The Guardian

“An original and even occasionally hilarious book about losing ideals and finding them again… [De Graaf] deftly shows that architecture cannot be better or more pure than the flawed humans who make it.”
—The Economist

Architecture, we like to believe, is an elevated art form that shapes the world as it pleases. Four Walls and a Roof turns this fiction on its head, offering a candid account of what it’s really like to work as an architect. Drawing on his own tragicomic experiences in the field, Reinier de Graaf reveals the world of contemporary architecture in vivid snapshots: from the corridors of wealth in London, Moscow, and Dubai to the demolished hopes of postwar social housing in New York and St. Louis. We meet ambitious oligarchs, developers for whom architecture is nothing more than an investment, and layers of bureaucrats, consultants, and mysterious hangers-on who lie between any architect’s idea and the chance of its execution.

“This is a book about power, money and influence, and architecture’s complete lack of any of them… Witty, insightful and funny, it is a (sometimes painful) dissection of a profession that thinks it is still in control.”
—Financial Times

“This is the most stimulating book on architecture and its practice that I have read for years.”
—Architects’ Journal

[more]

The Fourteenth Amendment
From Political Principle to Judicial Doctrine
William E. Nelson
Harvard University Press, 1988
In a remarkably fresh and historically grounded reinterpretation of the American Constitution, William Nelson argues that the fourteenth amendment was written to affirm the general public’s long-standing rhetorical commitment to the principles of equality and individual rights on the one hand, and to the principle of local self-rule on the other.
[more]

The Fourth Estate at the Fourth Wall
Newspapers on Stage in July Monarchy France
Cary Hollinshead-Strick
Northwestern University Press, 2019
New media are often greeted with suspicion by older media. The Fourth Estate at the Fourth Wall explores how, when the commercial press arrived in France in 1836, popular theater critiqued its corruption, its diluted politics, and its tendency to orient its content toward the lowest common denominator.

July Monarchy plays, which provided affordable entertainment to a broad section of the public, constitute a large, nearly untapped reservoir of commentary on the arrival of the forty-franc press. Vaudevilles and comedies ask whether journalism that benefits from advertisement can be unbiased. Dramas explore whether threatening to spread false news is an acceptable way for journalists to exercise their influence. Hollinshead-Strick uses both plays and novels to show that despite their claims to enlighten their readers, newspapers were often accused of obscuring public access to information. Balzac’s interventions in this media sphere reveal his utopian views on print technology. Nerval’s and Pyat’s demonstrate the nefarious impact that corrupt theater critics could have on authors and on the public alike.

Scholars of press and media studies, French literature, theater, and nineteenth-century literature more generally will find this book a valuable introduction to a cross-genre debate about press publicity that remains surprisingly resonant today.
[more]

The Fourth Great Awakening and the Future of Egalitarianism
Robert William Fogel
University of Chicago Press, 2000
Robert William Fogel was awarded the Nobel Prize in Economic Science in 1993.

"To take a trip around the mind of Robert Fogel, one of the grand old men of American economic history, is a rare treat. At every turning, you come upon some shiny pearl of information."—The Economist

In this broad-thinking and profound piece of history, Robert William Fogel synthesizes an amazing range of data into a bold and intriguing view of America's past and future—one in which the periodic Great Awakenings of religion bring about waves of social reform, the material lives of even the poorest Americans improve steadily, and the nation now stands poised for a renewed burst of egalitarian progress.
[more]

Fourth of July, Asbury Park
A History of the Promised Land
Daniel Wolff
Rutgers University Press, 2022
Bruce Springsteen brought international attention to the Jersey shore by naming his debut album Greetings from Asbury Park, NJ. But the real Asbury Park has an even more fascinating story behind it: a seaside city of dreams that became a magnet for both the best and worst of America, playing host to John Philip Sousa, Count Basie, and Dr. Martin Luther King, as well as the mob and the Ku Klux Klan. 
 
Fourth of July, Asbury Park tells the tale of the city’s first 150 years, guiding us through the development of its lavish amusement parks and bandstands, as well as the decay of its working-class neighborhoods and spread of its racially-segregated ghettos. Featuring exclusive interviews with Springsteen and other prominent Asbury Park residents, Daniel Wolff uncovers the history of how this Jersey shore resort town came to epitomize both the promises of the American dream and the tragic consequences when those promises are broken. 
 
Hailed by The New York Times as a “wonderfully evocative…grand, sad story” when first published in 2006, this revised and expanded edition considers how Asbury Park has changed in the twenty-first century, experiencing both gentrification and new forms of segregation.
[more]

Foxconned
Imaginary Jobs, Bulldozed Homes, and the Sacking of Local Government
Lawrence Tabak
University of Chicago Press, 2021
Powerful and resonant, Foxconned is both the definitive autopsy of the Foxconn fiasco and a dire warning to communities and states nationwide.

When Wisconsin governor Scott Walker stood shoulder to shoulder with President Trump and Speaker of the House Paul Ryan at the White House in July 2017, they painted a glorious picture of his state’s future. Foxconn, the enormous China-based electronics firm, was promising to bring TV manufacturing back to the United States with a $10 billion investment and 13,000 well-paying jobs. They actually were making America great again, they crowed.
 
Two years later, the project was in shambles. Ten thousand construction workers were supposed to have been building what Trump had promised would be “the eighth wonder of the world.” Instead, land had been seized, homes had been destroyed, and hundreds of millions of municipal dollars had been committed for just a few hundred jobs—nowhere near enough for Foxconn to earn the incentives Walker had shoveled at them. In Foxconned, journalist Lawrence Tabak details the full story of this utter collapse, which was disturbingly inevitable.
 
As Tabak shows, everything about Foxconn was a disaster. But worse, he reveals how the economic incentive infrastructure across the country is broken, leading to waste, cronyism, and the steady transfer of tax revenue to corporations. Tabak details every kind of financial chicanery, from eminent domain abuse to good old-fashioned looting—all to benefit a coterie of consultants, politicians, and contractors. With compassion and care, he also reports the distressing stories of the many individuals whose lives were upended by Foxconn.
[more]

The Foxie Otter Site
A Multicomponent Occupation North of Lake Huron
Christopher C. Hanks
University of Michigan Press, 1988
In this volume, the author reports on the excavation and interpretation of the Foxie Otter Site, a large archaeological site on Fox Lake in Ontario, Canada. This site, which was used by native people for about 7,000 years, contains one of the longest archaeological records in the Upper Great Lakes.
[more]

Fra Angelico
Dissemblance and Figuration
Georges Didi-Huberman
University of Chicago Press, 1995
The traditional story of Renaissance painting is one of inexorable progress toward the exact representation of the real and visible. Georges Didi-Huberman disrupts this story with a new look—and a new way of looking—at the fifteenth-century painter Fra Angelico. In doing so, he alters our understanding of both early Renaissance art and the processes of art history.

A Florentine painter who took Dominican vows, Fra Angelico (1400-1455) approached his work as a largely theological project. For him, the problems of representing the unrepresentable, of portraying the divine and the spiritual, mitigated the more secular breakthroughs in imitative technique. Didi-Huberman explores Fra Angelico's solutions to these problems—his use of color to signal approaching visibility, of marble to recall Christ's tomb, of paint drippings to simulate (or stimulate) holy anointing. He shows how the painter employed emptiness, visual transformation, and displacement to give form to the mystery of faith.

In the work of Fra Angelico, an alternate strain of Renaissance painting emerges to challenge rather than reinforce verisimilitude. Didi-Huberman traces this disruptive impulse through theological writings and iconographic evidence and identifies a widespread tradition in Renaissance art that ranges from Giotto's break with Byzantine image-making well into the sixteenth century. He reveals how the techniques that served this ultimately religious impulse may have anticipated the more abstract characteristics of modern art, such as color fields, paint spatterings, and the absence of color.
[more]

Fractured Politics
Peruvian Democracy Past and Present
Edited by John Crabtree
University of London Press, 2011

Fractured
Race, Class, Gender and the Hatred of Identity Politics
Michael
Pluto Press, 2022

Identity politics has smeared political discourse for over a decade. The right uses it to lament the loss of free speech, while many on the left bemoan that it will be the end of class politics. It has been used to dismiss movements such as Black Lives Matter and brought seemingly progressive people into the path of fascism. It has armed the march of the transphobes.

In Fractured, the authors move away from the identity politics debate. Instead of crudely categorizing race, gender, and sexuality as 'identities', or forcing them under the heading of 'diversity', they argue that the interconnectedness of these groupings has always been inseparable from the history of class struggle under British and American capitalism.

Through an appraisal of pivotal historical moments in Britain and the US, and a sharp look at contemporary debates, the authors tame the frenzied culture war, offering a refreshing and reasoned way to understand how class struggle is formed and creating the possibilities for new forms of solidarity in an increasingly fractured world.  

[more]

Fractured Rebellion
The Beijing Red Guard Movement
Andrew G. Walder
Harvard University Press, 2012

Fractured Rebellion is the first full-length account of the evolution of China’s Red Guard Movement in Beijing, the nation’s capital, from its beginnings in 1966 to its forcible suppression in 1968. Andrew Walder combines historical narrative with sociological analysis as he explores the radical student movement’s crippling factionalism, devastating social impact, and ultimate failure.

Most accounts of the movement have portrayed a struggle among Red Guards as a social conflict that pitted privileged “conservative” students against socially marginalized “radicals” who sought to change an oppressive social and political system. Walder employs newly available documentary evidence and the recent memoirs of former Red Guard leaders and members to demonstrate that on both sides of the bitter conflict were students from comparable socioeconomic backgrounds, who shared similar—largely defensive—motivations. The intensity of the conflict and the depth of the divisions were an expression of authoritarian political structures that continued to exert an irresistible pull on student motives and actions, even in the midst of their rebellion.

Walder’s nuanced account challenges the main themes of an entire generation of scholarship about the social conflicts of China’s Cultural Revolution, shedding light on the most tragic and poorly understood period of recent Chinese history.

[more]

The Fracturing of the American Corporate Elite
Mark S. Mizruchi
Harvard University Press, 2013

In the aftermath of a financial crisis marked by bank-friendly bailouts and loosening campaign finance restrictions, a chorus of critics warns that business leaders have too much influence over American politics. Mark Mizruchi worries about the ways they exert too little. The Fracturing of the American Corporate Elite advances the surprising argument that American CEOs, seemingly more powerful today than ever, have abrogated the key leadership role they once played in addressing national challenges, with grave consequences for American society.

Following World War II, American business leaders observed an ethic of civic responsibility and enlightened self-interest. Steering a course of moderation and pragmatism, they accepted the legitimacy of organized labor and federal regulation of the economy and offered support, sometimes actively, as Congress passed legislation to build the interstate highway system, reduce discrimination in hiring, and provide a safety net for the elderly and needy. In the 1970s, however, faced with inflation, foreign competition, and growing public criticism, corporate leaders became increasingly confrontational with labor and government. As they succeeded in taming their opponents, business leaders paradoxically undermined their ability to act collectively. The acquisition wave of the 1980s created further pressures to focus on shareholder value and short-term gain rather than long-term problems facing their country.

Today’s corporate elite is a fragmented, ineffectual group that is unwilling to tackle the big issues, despite unprecedented wealth and political clout. Mizruchi’s sobering assessment of the dissolution of America’s business class helps explain the polarization and gridlock that stifle U.S. politics.

[more]

Fragile but Resilient?
Turkish Electoral Dynamics, 2002-2015
Ali Çarkoglu and Ersin Kalaycioglu
University of Michigan Press, 2021

Ersin Kalaycıoğlu and Ali Çarkoğlu, who conducted surveys comparable to the American National Election Survey for the 2002 and 2015 national elections in Turkey, chart the dynamics that brought the pro-Islamist conservative Justice and Development Party (Adalet ve Kalkınma Partisi-AKP) to power in 2002, and that continue to influence electoral politics. The authors trace the uneven course of democratization in Turkey, as revealed through elections, since the first competitive, multi-party elections in 1950. Since the market liberalization reforms of 1980, Turkey has been rapidly evolving from a closed, agricultural, comparatively underdeveloped polity into an open and industrial state primarily integrated with the global economy. Kalaycıoğlu and Çarkoğlu analyze different dimensions of five elections surveys in 2002-2015 period to show how the consequent socio-economic changes and traditional socio-cultural divisions have affected elections, political parties, and individual voters. The authors conclude that the historical-cultural divide between rural, peripheral, conservative groups and more urban, centrist, and modernized groups not only persists but shapes elections more than ever. This book not only provides an original comprehensive and critical evaluation of the Turkish electoral and party politics, it also offers a case study of voting behavior in a state undergoing both democratization and market liberalization in a rapidly changing and volatile international environment.

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Fragile Dreams
Tales of Liberalism and Power in Central Europe
John A. Gould
University of Michigan Press, 2021
A highly readable account of Central Europe’s experience after communism
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Fragile Lives
Violence, Power, and Solidarity in Eighteenth-Century Paris
Arlette Farge
Harvard University Press, 1993

The rich and complex texture of working-class neighborhoods in eighteenth-century Paris comes vibrantly alive in this collage of the experiences of ordinary people—men and women, rich and poor, masters and servants, neighbors and colleagues. Exploring three arenas of conflict and solidarity—the home, the workplace, and the street—Arlette Farge offers the reader an intimate social history, bringing long-dead citizens and vanished social groups back to life with sensitivity and perception.

Fragile Lives reconstructs the rhythms of this population's daily existence, the way they met, formed relationships and broke them off, conducted their affairs in the community, and raised their young. Farge follows them into the factory and describes the ways they organized to improve their working conditions, and how they were controlled by the authorities. She shows how these Parisians behaved in the context of collective events, from festive street spectacles to repressive displays of power by the police. As the author examines interwoven lives as revealed in judicial records, we come to know and understand the criminals and the underworld of the time; the situation of women as lovers, wives, or prostitutes; anxieties about food and drink, and the rules of conduct in a “fragile” society. Elegantly written and skillfully translated, Fragile Lives is a book for the curious general reader and for those interested in social and cultural history.

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The Fragile We
Ethical Implications Of Heidegger's "Being and Time"
Lawrence Vogel
Northwestern University Press, 1994
Critics have charged that Heidegger's account of authenticity is morally nihilistic, that his fundamental ontology is either egocentric or chauvinistic; and many see Heidegger's turn to Nazism in 1933 as following logically from an indifference, and even hostility, to "otherness" in the premises of his early philosophy.

In The Fragile "We": Ethical Implications of Heidegger's "Being and Time," Lawrence Vogel presents three interpretations of authentic existence—the existentialist, the historicist, and the cosmopolitan—each of which is a plausible version of the personal ideal depicted in Being and Time. He then draws parallels between these interpretations and three moments in the contemporary liberal-communitarian debate over the relationship of the "I" and the "We." His book contributes both to a diagnosis of what there is about Being and Time that invites moral nihilism and to a sense of how fundamental ontology might be recast so that "the other" is accorded an appropriate place in an account of human existence.
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Fragmented Memories
Struggling to be Tai-Ahom in India
Yasmin Saikia
Duke University Press, 2004
Fragmented Memories is a beautifully rendered exploration of how, during the 1990s, socially and economically marginalized people in the northeastern Indian state of Assam sought to produce a past on which to base a distinctive contemporary identity recognized within late-twentieth-century India. Yasmin Saikia describes how groups of Assamese identified themselves as Tai-Ahom—a people with a glorious past stretching back to the invasion of what is now Assam by Ahom warriors in the thirteenth century. In her account of the 1990s Tai-Ahom identity movement, Saikia considers the problem of competing identities in India, the significance of place and culture, and the outcome of the memory-building project of the Tai-Ahom.

Assamese herself, Saikia lived in several different Tai-Ahom villages between 1994 and 1996. She spoke with political activists, intellectuals, militant leaders, shamans, and students and observed and participated in Tai-Ahom religious, social, and political events. She read Tai-Ahom sacred texts and did archival research—looking at colonial documents and government reports—in Calcutta, New Delhi, and London. In Fragmented Memories, Saikia reveals the different narratives relating to the Tai-Ahom as told by the postcolonial Indian government, British colonists, and various texts reaching back to the thirteenth century. She shows how Tai-Ahom identity is practiced in Assam and also in Thailand. Revealing how the “dead” history of Tai-Ahom has been transformed into living memory to demand rights of citizenship, Fragmented Memories is a landmark history told from the periphery of the Indian nation.

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Fragments and Assemblages
Forming Compilations of Medieval London
Arthur Bahr
University of Chicago Press, 2013
In Fragments and Assemblages, Arthur Bahr expands the ways in which we interpret medieval manuscripts, examining the formal characteristics of both physical manuscripts and literary works. Specifically, Bahr argues that manuscript compilations from fourteenth-century London reward interpretation as both assemblages and fragments: as meaningfully constructed objects whose forms and textual contents shed light on the city’s literary, social, and political cultures, but also as artifacts whose physical fragmentation invites forms of literary criticism that were unintended by their medieval makers. Such compilations are not simply repositories of data to be used for the reconstruction of the distant past; their physical forms reward literary and aesthetic analysis in their own right. The compilations analyzed reflect the full vibrancy of fourteenth-century London’s literary cultures: the multilingual codices of Edwardian civil servant Andrew Horn and Ricardian poet John Gower, the famous Auchinleck manuscript of texts in Middle English, and Chaucer’s Canterbury Tales. By reading these compilations as both formal shapes and historical occurrences, Bahr uncovers neglected literary histories specific to the time and place of their production. The book offers a less empiricist way of interpreting the relationship between textual and physical form that will be of interest to a wide range of literary critics and manuscript scholars.
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Fragments for a History of a Vanishing Humanism
Myra Seaman and Eileen A. Joy
The Ohio State University Press, 2016
Fragments for a History of a Vanishing Humanism brings together scholars working in prehistoric, classical, medieval, and early modern studies who are developing, from longer and slower historical perspectives, critical post/humanisms that explore: 1) the significance (historical, sociocultural, psychic, etc.) of human expression and affectivity; 2) the impact of technology and new sciences on what it means to be a human self; 3) the importance of art and literature in defining and enacting human selves; 4) the importance of history in defining the human; 5) the artistic plasticity of the human; 6) the question of a human collectivity—what is the value, and peril, of “being human” or “being post/human” together?; and finally, 7) the constructive, and destructive, relations (aesthetic, historical, and philosophical) of the human to the nonhuman.
 
This volume, edited by Myra Seaman and Eileen A. Joy, insists on the always provisional and contingent formations of the human, and of various humanisms, over time, while also aiming to demonstrate the different ways these formations emerge (and also disappear) in different times and places, from the most ancient past to the most contemporary present. The essays are offered as “fragments” because the authors do not believe there can ever be a “total history” of either the human or the post/human as they play themselves out in differing historical contexts. At the same time, the volume as a whole argues that defining what “the human” (or “post/human”) is has always been an ongoing, never finished cultural project.
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Fragments of a Golden Age
The Politics of Culture in Mexico Since 1940
Gilbert M. Joseph, Anne Rubenstein, and Eric Zolov, eds.
Duke University Press, 2001
During the twentieth century the Mexican government invested in the creation and promotion of a national culture more aggressively than any other state in the western hemisphere. Fragments of a Golden Age provides a comprehensive cultural history of the vibrant Mexico that emerged after 1940. Agreeing that the politics of culture and its production, dissemination, and reception constitute one of the keys to understanding this period of Mexican history, the volume’s contributors—historians, popular writers, anthropologists, artists, and cultural critics—weigh in on a wealth of topics from music, tourism, television, and sports to theatre, unions, art, and magazines.
Each essay in its own way addresses the fragmentation of a cultural consensus that prevailed during the “golden age” of post–revolutionary prosperity, a time when the state was still successfully bolstering its power with narratives of modernization and shared community. Combining detailed case studies—both urban and rural—with larger discussions of political, economic, and cultural phenomena, the contributors take on such topics as the golden age of Mexican cinema, the death of Pedro Infante as a political spectacle, the 1951 “caravan of hunger,” professional wrestling, rock music, and soap operas.
Fragments of a Golden Age will fill a particular gap for students of modern Mexico, Latin American studies, cultural studies, political economy, and twentieth century history, as well as to others concerned with rethinking the cultural dimensions of nationalism, imperialism, and modernization.

Contributors. Steven J. Bachelor, Quetzil E. Castañeda, Seth Fein, Alison Greene, Omar Hernández, Jis & Trino, Gilbert M. Joseph, Heather Levi, Rubén Martínez, Emile McAnany, John Mraz, Jeffrey M. Pilcher, Elena Poniatowska, Anne Rubenstein, Alex Saragoza, Arthur Schmidt, Mary Kay Vaughan, Eric Zolov

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Fragments of a World
William of Auvergne and His Medieval Life
Lesley Smith
University of Chicago Press, 2023
The first modern biography of medieval French scholar and bishop William of Auvergne.
 
Today, William of Auvergne (1180?–1249) is remembered for his scholarship about the afterlife as well as the so-called Trial of the Talmud. But the medieval bishop of Paris also left behind nearly 600 sermons delivered to all manner of people—from the royal court to the poorest in his care. In Fragments of a World, Lesley Smith uses these sermons to paint a vivid picture of this extraordinary cleric, his parishioners, and their bustling world. The first modern biography of the influential teacher, bishop, and theologian, Fragments of a World casts a new image of William of Auvergne for our times—deeply attuned to both the spiritual and material needs of an ever-changing populace in the medieval city.
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Fragments of Lives
Chronicles of the Gulag
Jacques Rossi
Karolinum Press, 2018
In Fragments of Lives, Gulag survivor Jacques Rossi opens a window onto everyday life inside the notorious Soviet prison camp through a series of portraits of inmates and camp personnel across all walks of life—from workers to peasants, soldiers, civil servants, and party apparatchiks. Featuring Rossi’s original illustrations and written in a tone as sharp and dry as that of Russian writer Varlam Shalamov, Rossi’s vignettes are also filled with surprising humor. A former agent in the Spanish Civil War and a lifelong Communist, Rossi never considered himself a victim. Instead, in the manner of Primo Levi, Solzhenitsyn, and Margaret Buber-Neumann, he sought to share and transmute his experience within the living hell of the Gulag. In so doing, he gives voice to the inmates whose lives were shattered by one of the most corrupt and repressive regimes of the twentieth century.

An impassioned reminder to always question one’s beliefs, to have the courage to give up one’s illusions at the risk of one’s life, Fragments of Lives lays bare, with acute observations and biting wit, the falsity of the Soviet utopia that transformed Rossi’s home into a “huge Potemkin village, a farcical sham dissimulating oceans of mud and blood.”
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Fragments of the Histories. Letters to Caesar
Sallust
Harvard University Press, 2015

Sallust, Gaius Sallustius Crispus (86–35 BCE), a Sabine from Amiternum, acted as tribune against Cicero and Milo in 52, joined Caesar after being expelled from the Senate in 50, was restored to the Senate by Caesar and took part in his African campaign as praetor in 46, and was then appointed governor of New Africa (Numidia). Upon his return to Rome he narrowly escaped conviction for malfeasance in office, retired from public life, and took up historiography. Sallust’s last work, the annalistic Histories in five books, is much more expansive than his monographs on Catiline and Jugurtha (LCL 116), treating the whole of Roman history at home and abroad in the post-Sullan age. Although fragmentary, it provides invaluable information and insight about a crucial period of history spanning the period from 78 to around 67 BCE.

Although Sallust is decidedly unsubtle and partisan in analyzing people and events, his works are important and significantly influenced later historians, notably Tacitus. Taking Thucydides as his model but building on Roman stylistic and rhetorical traditions, Sallust achieved a distinctive style, concentrated and arresting; lively characterizations, especially in the speeches; and skill at using particular episodes to illustrate large general themes.

For this volume, which completes the Loeb Classical Library edition of Sallust’s works, John T. Ramsey has freshly edited the Histories and the two pseudo-Sallustian Letters to Caesar, supplying ample annotation.

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Fragments of the Holocaust
The Amsterdam Hollandsche Schouwburg as a Site of Memory
David Duindam
Amsterdam University Press, 2018
Why do we attach so much value to sites of Holocaust memory, if all we ever encounter are fragments of a past that can never be fully comprehended? David Duindam examines how the Hollandsche Schouwburg, a former theater in Amsterdam used for the registration and deportation of nearly 50,000 Jews, fell into disrepair after World War II before it became the first Holocaust memorial museum of the Netherlands. Fragments of the Holocaust: The Amsterdam Hollandsche Schouwburg as a Site of Memory combines a detailed historical study of the postwar period of this site with a critical analysis of its contemporary presentation by placing it within international debates concerning memory, emotionally fraught heritage and museum studies. A case is made for the continued importance of theHollandsche Schouwburg and other comparable sites, arguing that these will remain important in the future as indexical fragments where new generations can engage with the memory of the Holocaust on a personal and affective level.
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Fragments of Truth
Residential Schools and the Challenge of Reconciliation in Canada
Naomi Angel. Edited by Dylan Robinson and Jamie Berthe.
Duke University Press, 2022
In 2008, the Canadian government established a Truth and Reconciliation Commission (TRC) to review the history of the residential school system, a brutal colonial project that killed and injured many Indigenous children and left a legacy of trauma and pain. In Fragments of Truth Naomi Angel analyzes the visual culture of reconciliation and memory in relation to this complex and painful history. In her analyses of archival photographs from the residential school system, representations of the schools in popular media and literature, and testimonies from TRC proceedings, Angel traces how the TRC served as a mechanism through which memory, trauma, and visuality became apparent. She shows how many Indigenous communities were able to use the TRC process as a way to claim agency over their memories of the schools. Bringing to light the ongoing costs of transforming settler states into modern nations, Angel demonstrates how the TRC offers a unique optic through which to survey the long history of colonial oppression of Canada’s Indigenous populations.
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Fragonard
Art and Eroticism
Mary D. Sheriff
University of Chicago Press, 1990
In the aftermath of the French Revolution, Jean Honoré Fragonard, perhaps the most significant French painter of the eighteenth century, was condemned first as a purveyor of luxury items and later as an artist who abandoned noble subjects for the erotic genre. In this revisionist, art-historical study, Mary D. Sheriff challenges such pejorative views of Fragonard by arguing that he is better understood as an artist whose unsurpassed technical skill and witty manipulation of academic standards established a dynamic relation with the audience his art both courted and created.

Sheriff begins her inquiry with an appraisal of Fragonard criticism, followed by an extensive and thoroughly original reading of selected works by Fragonard and of the eroticism encoded in them. Art and eroticism converge in a discussion of execution, in which Sheriff explores the changing conception of execution and elucidates its complex rhetorical and cultural underpinnings. Drawing on analytic methods from contemporary critical theory and an understanding of each work's cultural milieu, Sheriff pays particular attention throughout to the relation between beholder and work of art, which she views as manifest in the artist's preoccupation with the play between the real and the fictive. Scholars and students of art history, eighteenth-century culture and history, critical theory, literary criticism, and all those drawn to the work of this great French painter will find this work essential reading.
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The Framed Houses of Massachusetts Bay, 1625–1725
Abbott Lowell Cummings
Harvard University Press, 1979

A nation's buildings are a record of the character and aspirations of its people. In a rich blend of social and architectural history, Abbott Lowell Cummings reconstructs, through text and pictures, the framed houses of Massachusetts Bay that reflect the straightforward honesty of our earliest northern settlers and their profound love of craftsmanship.

A substantial number of the nation's seventeenth-century houses have been preserved in Massachusetts, and Cummings provides illustrations for a majority of them. He describes the dwellings in detail, and includes architectural drawings that were especially commissioned for this book. He demonstrates that the builders were far more sophisticated than previously imagined and that, while maintaining their English timber-building traditions, they were astonishingly adaptable to their new environment.

Beyond the houses themselves, Cummings discusses evolutions in pioneer life. The most simple kinds of changes in architecture, Cummings shows, indicated singular changes in family living. Such additions as kitchens and parlors, or the moving of the master bedroom to a second floor, suggest shifts in the private and social lives of families.

The Framed Houses of Massachusetts Bay is a splendid story of innovations— of restless, migratory people and their architectural and social responses to the heavily forested New World. It is the first chapter in the long saga of America's preoccupation with technology as it affected the early American home.

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Framed Narratives
Diderot’s Genealogy of the Beholder
Jay CaplanAfterword by Jochen Schulte-Sasse
University of Minnesota Press, 1985

Framed Narratives was first published in 1985. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The work of French philosophe Denis Diderot (1713-1784) has inspired conflicting reactions in those who encounter him. Diderot has been admired and despised; he has moved his readers and irritated them - often at the same time. His work continually shifts between mutually exclusive positions - neither of which provides an entirely satisfactory answer to the question at hand, yet neither of which can be disregarded. The nature of these paradoxes has been the fundamental problem in Diderot, a problem that his interpreters have approached by imagining synthetic perspectives or frames within which the paradoxes could be resolved.

In Framed Narratives, Jay Caplan focuses on the problem of framing in and of Diderot. He proposes an interpretive model that draws upon the notion of dialogue developed by Mikhail Bakhtin. For Bakhtin, no utterance can be reduced to a univocal meaning; one's discourse is always marked by other voices. In Diderot, Caplan shows, the narrative device of the tableau engages the reader (or beholder) in a dialogic relationship with the author and the characters. Diderot defines the players of those roles as members of a family, one of whom is always missing, and that sacrificial relationship becomes an integral part of the text. Caplan then uses the concept of the tableau to interpret the rhetoric of gender, genre, and pathos in Diderot's works for and about the theater, his novel The Nun, the philosophical dialogue D'Alembert's Dream,and his correspondence.

What emerges from these readings is not only an interpretation of certain texts, but a description of Diderot's—and, by implication, early bourgeois—poetics. Framed Narratives is, in addition, one of the first attempts to rely upon Bakhtin's concepts in the interpretation of specific texts, in this case the work of an essentially dialogic writer. A socio-historical supplement to Framed Narratives is provided in Jochen Schulte-Sasse's afterword.

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Framed Spaces
Photography and Memory in Contemporary Installation Art
Monica E. McTighe
Dartmouth College Press, 2012
While earlier theorists held up “experience” as the defining character of installation art, few people have had the opportunity to walk through celebrated installation pieces from the past. Instead, installation art of the past is known through archival photographs that limit, define, and frame the experience of the viewer. Monica E. McTighe argues that the rise of photographic–based theories of perception and experience, coupled with the inherent closeness of installation art to the field of photography, had a profound impact on the very nature of installation art, leading to a flood of photography– and film–based installations. With its close readings of specific works, Framed Spaces will appeal to art historians and theorists across a broad spectrum of the visual arts.
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Framed
The New Woman Criminal in British Culture at the Fin de Siecle
Elizabeth Carolyn Miller
University of Michigan Press, 2008

Framed uses fin de siècle British crime narrative to pose a highly interesting question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque?

In this elegantly argued study, Elizabeth Carolyn Miller addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres.

"This is a truly extraordinary argument, one that will forever alter our view of turn-of-the-century literary culture, and Miller has demonstrated it with an enrapturing series of readings of fictional and filmic criminal figures. In the process, she has filled a gap between feminist studies of the New Woman of the 1890s and more gender-neutral studies of early twentieth-century literary and social change. Her book offers an extraordinarily important new way to think about the changing shape of political culture at the turn of the century."
---John Kucich, Professor of English, Rutgers University

"Given the intellectual adventurousness of these chapters, the rich material that the author has brought to bear, and its combination of archival depth and disciplinary range, any reader of this remarkable book will be amply rewarded."
---Jonathan Freedman, Professor of English and American Culture, University of Michigan

Elizabeth Carolyn Miller is Assistant Professor of English at the University of California, Davis.

digitalculturebooks is an imprint of the University of Michigan and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.

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Frames of Evil
The Holocaust as Horror in American Film
Caroline J. S. Picart, and David A. Frank. Foreword by Dominick LaCapra. Introduction by Edward J. Ingebretsen
Southern Illinois University Press, 2006

Challenging the classic horror frame in American film

American filmmakers appropriate the “look” of horror in Holocaust films and often use Nazis and Holocaust imagery to explain evil in the world, say authors Caroline Joan (Kay) S. Picart and David A. Frank. In Frames of Evil: The Holocaust as Horror in American Film, Picart and Frank challenge this classic horror frame—the narrative and visual borders used to demarcate monsters and the monstrous. After examining the way in which directors and producers of the most influential American Holocaust movies default to this Gothic frame, they propose that multiple frames are needed to account for evil and genocide.

Using Schindler’s List, The Silence of the Lambs, and Apt Pupil as case studies, the authors provide substantive and critical analyses of these films that transcend the classic horror interpretation. For example, Schindler’s List, say Picart and Frank, has the appearance of a historical docudrama but actually employs the visual rhetoric and narrative devices of the Hollywood horror film. The authors argue that evil has a face: Nazism, which is configured as quintessentially innate, and supernaturally crafty.

Frames of Evil, which is augmented by thirty-six film and publicity stills, also explores the commercial exploitation of suffering in film and offers constructive ways of critically evaluating this exploitation. The authors suggest that audiences will recognize their participation in much larger narrative formulas that place a premium on monstrosity and elide the role of modernity in depriving millions of their lives and dignity, often framing the suffering of others in a manner that allows for merely “documentary” enjoyment.

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Framing a Lost City
Science, Photography, and the Making of Machu Picchu
By Amy Cox Hall
University of Texas Press, 2017
<p>When Hiram Bingham, a historian from Yale University, first saw Machu Picchu in 1911, it was a ruin obscured by overgrowth whose terraces were farmed a by few families. A century later, Machu Picchu is a UNESCO world heritage site visited by more than a million tourists annually. This remarkable transformation began with the photographs that accompanied Bingham&rsquo;s article published in <i>National Geographic</i> magazine, which depicted Machu Picchu as a lost city discovered. Focusing on the practices, technologies, and materializations of Bingham&rsquo;s three expeditions to Peru (1911, 1912, 1914&ndash;1915), this book makes a convincing case that visualization, particularly through the camera, played a decisive role in positioning Machu Picchu as both a scientific discovery and a Peruvian heritage site.</p><p>Amy Cox Hall argues that while Bingham&rsquo;s expeditions relied on the labor, knowledge, and support of Peruvian elites, intellectuals, and peasants, the practice of scientific witnessing, and photography specifically, converted Machu Picchu into a cultural artifact fashioned from a distinct way of seeing. Drawing on science and technology studies, she situates letter writing, artifact collecting, and photography as important expeditionary practices that helped shape the way we understand Machu Picchu today. Cox Hall also demonstrates that the photographic evidence was unstable, and, as images circulated worldwide, the &ldquo;lost city&rdquo; took on different meanings, especially in Peru, which came to view the site as one of national patrimony in need of protection from expeditions such as Bingham&rsquo;s.</p>
[more]

Framing Disease
Studies in Cultural History
Rosenberg, Charles E
Rutgers University Press, 1992

"In some ways disease does not exist until we have agreed that it does, by perceiving, naming, and responding to it, " writes Charles E. Rosenberg in his introduction to this stimulating set of essays. Disease is both a biological event and a social phenomenon. Patient, doctor, family, and social institutions—including employers, government, and insurance companies—all find ways to frame the biological event in terms that make sense to them and serve their own ends.

Many diseases discussed here—endstage renal disease, rheumatic fever, parasitic infectious diseases, coronary thrombosis—came to be defined, redefined, and renamed over the course of several centuries. As these essays show, the concept of disease has also been used to frame culturally resonant behaviors: suicide, homosexuality, anorexia nervosa, chronic fatigue syndrome. Disease is also framed by public policy, as the cases of industrial disability and of forensic psychiatry demonstrate. Medical institutions, as managers of people with disease, come to have vested interests in diagnoses, as the histories of facilities to treat tuberculosis or epilepsy reveal. Ultimately, the existence and conquest of disease serves to frame a society's sense of its own "healthiness" and to give direction to social reforms.   

The contributors include Steven J. Peitzman, Peter C. English, John Farley, Christopher Lawrence, Michael MacDonald, Bert Hansen, Joan Jacobs Brumberg, Robert A. Aronowitz, Gerald Markowitz, David Rosner, Janet A. Tighe, Barbara Bates, Ellen Dwyer, John M. Eyler, and Elizabeth Fee. For any student of disease and society, this book is essential, compelling reading.

[more]

Framing Fat
Competing Constructions in Contemporary Culture
Kwan, Samantha
Rutgers University Press, 2013
According to public health officials, obesity poses significant health risks and has become a modern-day epidemic. A closer look at this so-called epidemic, however, suggests that there are multiple perspectives on the fat body, not all of which view obesity as a health hazard.

Alongside public health officials at the Centers for Disease Control and Prevention are advertisers of the fashion-beauty complex, food industry advocates at the Center for Consumer Freedom, and activists at the National Association to Advance Fat Acceptance.

Framing Fat
takes a bird’s-eye view of how these multiple actors construct the fat body by identifying the messages these groups put forth, particularly where issues of beauty, health, choice and responsibility, and social justice are concerned. Samantha Kwan and Jennifer Graves examine how laypersons respond to these conflicting messages and illustrate the gendered, raced, and classed implications within them. In doing so, they shed light on how dominant ideas about body fat have led to the moral indictment of body nonconformists, essentially “framing” them for their fat bodies.
[more]

Framing History
The Rosenberg Story and the Cold War
Virginia Carmichael
University of Minnesota Press, 1993

Framing Power in Visigothic Society
Discourses, Devices, and Artifacts
Eleonora Dell' Elicine
Amsterdam University Press, 2020
This volume examines how power was framed in Visigothic society and how a diverse population with a complex and often conflicting cultural inheritance was thereby held together as a single kingdom. Indeed, through this dynamic process a new, early medieval society emerged. Understanding this transformation is no simple matter, as it involved the deployment of an array of political and cultural resources: the production of knowledge, the appropriation of Patristic literature, controlling and administering rural populations, reconceptualizing the sacred, capital punishment and exile, controlling the manufacture of currency, and defining Visigothic society in relation to other polities such as the neighbouring Byzantine state. In order to achieve an analysis of these different phenomena, this volume brings together researchers from a variety of disciplines. This interdisciplinary approach therefore expands the available sources and reformulates topics of traditional scholarship in order to engage with a renewal of Visigothic Studies and reformulate the paradigm of study itself. As a result, this volume rethinks frameworks of power in the Peninsula along not only historical and archaeological but also anthropological terms, presenting the reader with a new understanding of Iberian society as a whole.
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Framing Premodern Desires
Sexual Ideas, Attitudes, and Practices in Europe
Edited by Satu Lidman, Tom Linkinen, and Marjo Kaartinen
Amsterdam University Press, 2017
The way that we have perceived, described, and understood sexual desire has changed dramatically over time and across cultures. This collection brings together a group of experts from a variety of disciplines to explore the history of sexual desires and the transformation of sexual ideas, attitudes, and practices in premodern Europe. Among the topics considered are the visibility of sexual offenses and the construction of passions; the geographical range extends to Great Britain, with extended attention also to France as well as Northern and Eastern Europe. The result is a groundbreaking volume that adds significantly to our understanding of premodern European history, history of sexualities, gender studies, religious history, and many other fields.
[more]

Framing Public Memory
Edited by Kendall R. Phillips
University of Alabama Press, 2007

A collection of essays by prominent scholars from many disciplines on the construction of public memories

The study of public memory has grown rapidly across numerous disciplines in recent years, among them American studies, history, philosophy, sociology, architecture, and communications. As scholars probe acts of collective remembrance, they have shed light on the cultural processes of memory. Essays contained in this volume address issues such as the scope of public memory, the ways we forget, the relationship between politics and memory, and the material practices of memory.

Stephen Browne’s contribution studies the alternative to memory erasure, silence, and forgetting as posited by Hannah Arendt in her classic Eichmann in Jerusalem. Rosa Eberly writes about the Texas tower shootings of 1966, memories of which have been minimized by local officials. Charles Morris examines public reactions to Larry Kramer’s declaration that Abraham Lincoln was homosexual, horrifying the guardians of Lincoln’s public memory. And Barbie Zelizer considers the impact on public memory of visual images, specifically still photographs of individuals about to perish (e.g., people falling from the World Trade Center) and the sense of communal loss they manifest.

Whether addressing the transitory and mutable nature of collective memories over time or the ways various groups maintain, engender, or resist those memories, this work constitutes a major contribution to our understanding of how public memory has been and might continue to be framed.
 
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Framing the Audience
Art and the Politics of Culture in the United States, 1929-1945
Isadora Helfgott
Temple University Press, 2015

Framing the Audience explores the cultural politics of the Great Depression and World War II through the prism of art appreciation. Isadora Helfgott interrogates the ideological and political motivations for breaking down barriers between fine art and popular culture. She charts the impact that changes in art appreciation had on the broader political, social, cultural, and artistic landscape.

Framing the Audience argues that efforts to expand the social basis of art became intertwined with—and helped shape—broader debates about national identity and the future of American political economy. Helfgott chronicles artists’ efforts toinfluence the conditions of artistic production and display. She highlights the influence of the Federal Art Project, the impact of the Museum of Modern Art as an institutional home for modernism in America and as an organizer of traveling exhibitions, and the efforts by LIFE and Fortune magazines to integrate art education into their visual record of modern life. In doing so, Helfgott makes critical observations about the changing relationship between art and the American public.

[more]

Framing the Black Panthers
The Spectacular Rise of a Black Power Icon
Jane Rhodes
University of Illinois Press, 2017
A potent symbol of black power and radical inspiration, the Black Panthers still evoke strong emotions. This edition of Jane Rhodes's acclaimed study examines the extraordinary staying power of the Black Panthers in the American imagination. Probing the group's longtime relationship to the media, Rhodes traces how the Panthers articulated their message through symbols and tactics the mass media could not resist. By exploiting press coverage through everything from posters to public appearances to photo ops, the Panthers created a linguistic and symbolic universe as salient today as during the group's heyday. They also pioneered a sophisticated version of mass media activism that powers contemporary African American protest. Featuring a timely new preface by the author, Framing the Black Panthers is a breakthrough reconsideration of a fascinating phenomenon.
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Framing the Holocaust
Edited by Valerie Hébert
University of Wisconsin Press, 2023
In December 1941, German police and their local collaborators murdered 2,749 Jews at the beach in Šķēde, near Liepāja, Latvia. Twelve photographs were taken at the scene. These now-infamous images show people in extreme distress, sometimes without clothing. Some capture the very moments when women and children confronted their imminent deaths, while others show their dead bodies. They are nearly unbearable to look at—so why should we? Framing the Holocaust offers a multidimensional response to this question.

While photographs are central to our memory of modern historical events, they often inhabit an ambivalent intellectual space. What separates the sincere desire to understand from voyeuristic curiosity? Comprehending these images requires the viewer to place oneself in the very positions of the perpetrator who took the images. When we engage with atrocity photographs, do we risk replicating the original violence? In this tightly organized book, scholars from Holocaust studies, modern European history, Jewish studies, visual studies, and the history of photography examine the images of the Liepāja atrocity, giving historical, contextual, political, and moral depth to the act of looking and interpreting.

With a foreword by Edward Anders, who narrowly escaped the December shooting, Framing the Holocaust represents an original approach to an iconic series of Holocaust photographs. This book will contribute to powerful debates in the emerging field of visual history, including the challenges and responsibilities of teaching about atrocity. 
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Framing the Past
The Historiograpy of German Cinema and Television
Edited by Bruce A. Murray and Christopher J. Wickham
Southern Illinois University Press, 1992

This collection of essays was selected from those presented in October 1988 at a conference sponsored by the National Endowment for the Humanities, "Concepts of History in German Cinema." The contributors include notable historians, film scholars, and German studies specialists who explore the complex network of social, political, and religious institutions that have influenced the historiography of German cinema and television.

Before the turn of the century, Germans began to employ the medium of film to represent the past when they attempted to document their Prussian heritage. Since then, German cinema and television have promoted history as a component of personal, cultural, and national identity by consistently providing prominent treatment of historical subjects.

Although it is relatively easy to document changes in the selection and handling of these subjects, it is more difficult to determine precisely which factors have motivated those changes.

In attempting to define these factors, the link between German cinema, television, and history has developed around three interrelated issues: (1) the reception of Weimar cinema, which for most film scholars continues to be mediated to one extent or another by Siegfried Kracauer’s work; (2) the inscribing of fascism in cinema and television; and (3) the nature of, and potential for, alternatives to mainstream cinema and television.

[more]

Framing the Sixties
The Use and Abuse of a Decade from Ronald Reagan to George W. Bush
Bernard von Bothmer
University of Massachusetts Press, 2009
Over the past quarter century, American liberals and conservatives alike have invoked memories of the 1960s to define their respective ideological positions and to influence voters. Liberals recall the positive associations of what might be called the "good Sixties"—the "Camelot" years of JFK, the early civil rights movement, and the dreams of the Great Society—while conservatives conjure images of the "bad Sixties"—a time of urban riots, antiwar protests, and countercultural revolt.

In Framing the Sixties, Bernard von Bothmer examines this battle over the collective memory of the decade primarily through the lens of presidential politics. He shows how four presidents—Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush—each sought to advance his political agenda by consciously shaping public understanding of the meaning of "the Sixties." He compares not only the way that each depicted the decade as a whole, but also their commentary on a set of specific topics: the presidency of John F. Kennedy, Lyndon Johnson's "Great Society" initiatives, the civil rights movement, and the Vietnam War.

In addition to analyzing the pronouncements of the presidents themselves, von Bothmer draws on interviews he conducted with more than one hundred and twenty cabinet members, speechwriters, advisers, strategists, historians, journalists, and activists from across the political spectrum—from Julian Bond, Daniel Ellsberg, Todd Gitlin, and Arthur Schlesinger to James Baker, Robert Bork, Phyllis Schlafly, and Paul Weyrich.

It is no secret that the upheavals of the 1960s opened fissures within American society that have continued to affect the nation's politics and to intensify its so-called culture wars. What this book documents is the extent to which political leaders, left and right, consciously exploited those divisions by "framing" the memory of that turbulent decade to serve their own partisan interests.
[more]

Fran and Frederick Hamerstrom
Wildlife Conservation Pioneers
Susan Tupper
Wisconsin Historical Society Press, 2016

Learn how Fran and Frederick Hamerstrom worked to save the greater prairie chicken from extinction in the Wisconsin Historical Society Press’s new book for young readers, "Fran and Frederick Hamerstrom: Wildlife Conservation Pioneers." Fran and Frederick grew up in New England, and married in 1935. They both loved nature and wanted to dedicate their lives to understanding and preserving wildlife. As students of the famous naturalist, Aldo Leopold, they learned about new ways for humans to think about saving land for animals. Fran was a brave, outgoing woman who cared more about interacting with animals than wearing pretty dresses. Frederick was a calm, thoughtful man who loved to study and conduct research. Together, they spent over thirty years mentoring many future scientists, and working to save the greater prairie chicken, and other animals, from extinction. "Fran and Frederick Hamerstrom: Wildlife Conservation Pioneers" is the newest addition to the Society Press’s Badger Biographies Series.

[more]

France after Revolution
Urban Life, Gender, and the New Social Order
Denise Z. Davidson
Harvard University Press, 2007

The decades following the French Revolution saw unprecedented political and social experimentation. As the Napoleonic and Restoration regimes attempted to build a stable order, ordinary city dwellers began to create their own sense of how society operated through everyday activities. Interactions between men and women--in theaters, cafes, and other public settings--helped to fashion new social norms.

In this extensively researched work, Denise Z. Davidson offers a powerful reevaluation of the effects of the French Revolution, especially on women. Arguing against the view that the Revolution forced women from the public realm of informed political discussion, Davidson demonstrates that women remained highly visible in urban public life. Women of all classes moved out of the domestic sphere to participate in the spectacle of city life, inviting frequent commentary on their behavior. This began to change only in the 1820s, when economic and social developments intensified class distinctions and made the bourgeoisie fear the "dangerous classes."

This book provides an important corrective to prevailing views on the ramifications of the French Revolution, while shedding light on how ordinary people understood, shaped, and contested the social transformations taking place around them.

[more]

France and her Eastern Allies, 1919-1925
French-Czechoslovak-Polish Relations from the Paris Peace Conference in Locarno
Piotr S. Wandycz
University of Minnesota Press, 1962

France and her Eastern Allies, 1919–1925 was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Relations between France, Czechoslovakia, and Poland occupied an important position in European diplomacy in the years between World War I and World War II. Beginning with the breakdown of the old political, social, and economic order on the Continent during the first World War, these relations went through many changes. This book deals with the crucial period from the Paris Peace Conference of 1919 to the signing of the Locarno Pact in 1925. During this time France attempted to establish an eastern barrier of buffer states with Poland and Czechoslovakia at the core, with the aim of keeping Germany and Bolshevik Russia apart. This, France hoped, would guarantee European peace and security. Although an effective eastern barrier was never realized, the attempt to create one was a worthy and important undertaking.

Professor Wandycz considers in detail the various aspects of the complex relationship between France and the two western Slav states — geographic, economic, social, and political. In addition, he provides a clear and interesting picture of some of the personalities involved. Through the use of hitherto unpublished source material, he throws new light on many events of general European diplomatic history as well as on Polish, French, and Czechoslovak foreign policy in particular.

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France, Fin de Siècle
Eugen Weber
Harvard University Press, 1986

The end of the nineteenth century in France was marked by political scandals, social unrest, dissension, and “decadence.” Yet the fin de siècle was also an era of great social and scientific progress, a time when advantages previously reserved for the privileged began to be shared by the many. Public transportation, electrical illumination, standard time, and an improved water supply radically altered the life of the modest folk, who found time for travel and leisure activities—including sports such as cycling. Change became the nature of things, and people believed that further improvement was not only possible but inevitable.

In this thoroughly engaging history, Eugen Weber describes ways of life, not as recorded by general history, but as contemporaries experienced them. He writes about political atmosphere and public prejudices rather than standard political history. Water and washing, bicycles and public transportation engage him more than great scientific discoveries. He discusses academic painting and poster art, the popular stage and music halls, at greater length than avant-garde and classic theater or opera. In this book the importance of telephones, plumbing, and central heating outranks such traditional subjects as international developments, the rise of organized labor, and the spread of socialism.

Weber does not neglect the darker side of the fin de siècle. The discrepancy between material advance and spiritual dejection, characteristic of our own times, interests him as much as the idea of progress, and he reminds us that for most people the period was far from elegant. In the lurid context of military defeat, political instability, public scandal, and clamorous social criticism, one had also to contend with civic dirt, unsanitary food, mob violence, and the seeds of modern-day scourges: pollution, drugs, sensationalism, debased art, the erosion of moral character. Yet millions of fin de siècle French lived as only thousands had lived fifty years before; while their advance was slow, their right to improvement was conceded.

[more]

France in the Enlightenment
Daniel Roche
Harvard University Press

A panorama of a whole civilization, a world on the verge of cataclysm, unfolds in this magisterial work by the foremost historian of eighteenth-century France. Since Tocqueville's account of the Old Regime, historians have struggled to understand the social, cultural, and political intricacies of this efflorescence of French society before the Revolution. France in the Enlightenment is a brilliant addition to this historical interest.

France in the Enlightenment brings the Old Regime to life by showing how its institutions operated and how they were understood by the people who worked within them. Daniel Roche begins with a map of space and time, depicting France as a mosaic of overlapping geographical units, with people and goods traversing it to the rhythms of everyday life. He fills this frame with the patterns of rural life, urban culture, and government institutions. Here as never before we see the eighteenth-century French "culture of appearances": the organization of social life, the diffusion of ideas, the accoutrements of ordinary people in the folkways of ordinary living--their food and clothing, living quarters, reading material. Roche shows us the eighteenth-century France of the peasant, the merchant, the noble, the King, from Paris to the provinces, from the public space to the private home.

By placing politics and material culture at the heart of historical change, Roche captures the complexity and depth of the Enlightenment. From the finest detail to the widest view, from the isolated event to the sweeping trend, his masterly book offers an unparalleled picture of a society in motion, flush with the transformation that will be its own demise.

[more]

France
Modern Architectures in History
Jean-Louis Cohen
Reaktion Books, 2015
Everyone knows Notre Dame, the Eiffel Tower, and the chateaux of the Loire Valley, but French architects have also produced some of the most iconic buildings of the twentieth century, playing a central role in the emergence and development of modernism. In France, Jean-Louis Cohen presents a complete narrative of the unfolding architectural modernity in the country, grappling not only with the buildings but also with the political and critical context surrounding them.
           
Cohen examines the developments in urban design and architecture within France, depicting the continuities and breaks in French architecture since 1900 against a broader international background. Describing the systems of architectural exchange with other countries—including Italy, Germany, Russia, and the United States—he offers a new view on the ideas, projects, and buildings otherwise so often considered only from narrow nationalistic perspectives. Cohen also maps the problematic search for a national identity against the background of European rivalries and France’s colonial past. Drawing on a wealth of recent research, this authoritatively written book will challenge the way design professionals and historians view modern French architecture. 
[more]

Frances Burney
Doody, Margaret A
Rutgers University Press, 1988
Treating Frances Burney (1752-1840) with the seriousness usually reserved for later novelists of the nineteenth and twentieth centuries, Margaret Anne Doody combines biographical narrative with informed literary criticism as she analyzes not only Burney's published novels, but her plays, fragments of novels, poems, and other works never published. Doody also draws upon a mine of letters and diaries for detailed and sometimes surprising biographical information. Burney's feelings and emotions forcefully emerge in her sophisticated and complex late novels, Camilla and The Wanderer. Her novels all relate to personal experience; as an artist she is attracted to the violent, the grotesque, and the macabre. She is a powerful comic writer, but her comedy is far from reflecting a shallow cheerfulness. Bringing a novelist's perspective to her material, in this 1989 book Doody shows an appreciation of the many dimensions of a predecessor's writings and she tells her story with force and conviction.
[more]

Frances Burney
Doody, Margaret A
Rutgers University Press, 1988
Treating Frances Burney (1752-1840) with the seriousness usually reserved for later novelists of the nineteenth and twentieth centuries, Margaret Anne Doody combines biographical narrative with informed literary criticism as she analyzes not only Burney's published novels, but her plays, fragments of novels, poems, and other works never published. Doody also draws upon a mine of letters and diaries for detailed and sometimes surprising biographical information. Burney's feelings and emotions forcefully emerge in her sophisticated and complex late novels, Camilla and The Wanderer. Her novels all relate to personal experience; as an artist she is attracted to the violent, the grotesque, and the macabre. She is a powerful comic writer, but her comedy is far from reflecting a shallow cheerfulness. Bringing a novelist's perspective to her material, in this 1989 book Doody shows an appreciation of the many dimensions of a predecessor's writings and she tells her story with force and conviction.
[more]

Frances Hodgson Burnett
The Unexpected Life of the Author of the Secret Garden
Gerzina, Gretchen H
Rutgers University Press, 2006

Hugely successful in her own time for adult novels and plays, Frances Hodgson Burnett (1849-1924) would be astounded to find out she is remembered for a handful of books for children, but most of all for the enormously popular Secret Garden. This fascinating biography-the first to have the full cooperation of Burnett's descendants and relatives-examines her life with lively intelligence, sensitivity, and fascinating new, never-before-published material.

Burnett's life was full of those reversals of fortune that mark her work. Following modest beginnings in mid-Victorian Manchester, she arrived in post-Civil War Tennessee at the age of fifteen with her widowed mother and two sisters. Burnett was the breadwinner of the family from the age of seventeen, eventually publishing a total of fifty-two books and writing and producing thirteen plays. She made and spent a fortune in her lifetime, was generous and profligate, yet anxious about money and obsessively hardworking.

Constantly restless and inventive, Burnett's personal life was as complex as her professional one. Her first marriage to a southern doctor disintegrated as a result of her notorious flirtations and a scandalous affair, and her subsequent marriage to an English doctor turned actor suffered a similar fate. She understood the intensity and loneliness of the thoughtful child, but was herself a largely absent mother of two sons-overwhelmed by guilt when tragedy struck one of them; the other one never got over being the model for Little Lord Fauntleroy.

A woman of contrasts and paradoxes, this quintessentially British writer was equally at home in the United States, which honored her with a memorial in Central Park. Frances Hodgson Burnett reinvented for herself and for generations to come in both countries the magic and the mystery of the childhood she never had.

[more]

France’s Long Reconstruction
In Search of the Modern Republic
Herrick Chapman
Harvard University Press, 2018

At the end of World War II, France’s greatest challenge was to repair a civil society torn asunder by Nazi occupation and total war. Recovery required the nation’s complete economic and social transformation. But just what form this “new France” should take remained the burning question at the heart of French political combat until the Algerian War ended, over a decade later. Herrick Chapman charts the course of France’s long reconstruction from 1944 to 1962, offering fresh insights into the ways the expansion of state power, intended to spearhead recovery, produced fierce controversies at home and unintended consequences abroad in France’s crumbling empire.

Abetted after Liberation by a new elite of technocratic experts, the burgeoning French state infiltrated areas of economic and social life traditionally free from government intervention. Politicians and intellectuals wrestled with how to reconcile state-directed modernization with the need to renew democratic participation and bolster civil society after years spent under the Nazi and Vichy yokes. But rather than resolving the tension, the conflict between top-down technocrats and grassroots democrats became institutionalized as a way of framing the problems facing Charles de Gaulle’s Fifth Republic.

Uniquely among European countries, France pursued domestic recovery while simultaneously fighting full-scale colonial wars. France’s Long Reconstruction shows how the Algerian War led to the further consolidation of state authority and cemented repressive immigration policies that now appear shortsighted and counterproductive.

[more]

Frances Newman
Southern Satirist and Literary Rebel
Barbara Ann Wade
University of Alabama Press, 1998

This first biographical and literary assessment of Frances Newman highlights one of the most experimental writers of the Southern Renaissance
 

Novelist, translator, critic, and acerbic book reviewer Frances Newman (1883–1928) was praised by Virginia novelist James Branch Cabell and critic H. L. Mencken. Her experimental novels The Hard-Boiled Virgin (1926) and Dead Lovers Are Faithful Lovers (1928), have recently begun to receive serious critical attention, but this is the first book-length study to focus both on Newman’s life and on her fiction.
 
Frances Newman was born into a prominent Atlanta family and was educated at private schools in the South and the Northeast. Her first novel, The Hard-Boiled Virgin, was hailed by James Branch Cabell as “the most brilliant, the most candid, the most civilized, and the most profound yet written by any American woman.” Cabell and H. L. Mencken became Newman’s literary mentors and loyally supported her satire of southern culture, which revealed the racism, class prejudice, and religious intolerance that reinforced the idealized image of the white southern lady. Writing within a nearly forgotten feminist tradition of southern women’s fiction, Newman portrayed the widely acclaimed social change in the early part of the century in the South as superficial rather than substantial, with its continued restrictive roles for women in courtship and marriage and limited educational and career opportunities.
 
Barbara Wade explores Newman’s place in the feminist literary tradition by comparing her novels with those of her contemporaries Ellen Glasgow, Mary Johnston, and Isa Glenn. Wade draws from Newman’s personal correspondence and newspaper articles to reveal a vibrant, independent woman who simultaneously defied and was influenced by the traditional southern society she satirized in her writing.


 
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Francesca Caccini at the Medici Court
Music and the Circulation of Power
Suzanne G. Cusick
University of Chicago Press, 2009
A contemporary of Shakespeare and Monteverdi, and a colleague of Galileo and Artemisia Gentileschi at the Medici court, Francesca Caccini was a dominant musical figure there for thirty years. Dazzling listeners with the transformative power of her performances and the sparkling wit of the music she composed for more than a dozen court theatricals, Caccini is best remembered today as the first woman to have composed opera. Francesca Caccini at the Medici Court reveals for the first time how this multitalented composer established a fully professional musical career at a time when virtually no other women were able to achieve comparable success.

Suzanne G. Cusick argues that Caccini’s career depended on the usefulness of her talents to the political agenda of Grand Duchess Christine de Lorraine, Tuscany’s de facto regent from 1606 to 1636. Drawing on Classical and feminist theory, Cusick shows how the music Caccini made for the Medici court sustained the culture that enabled Christine’s power, thereby also supporting the sexual and political aims of its women.

In bringing Caccini’s surprising story so vividly to life, Cusick ultimately illuminates how music making functioned in early modern Italy as a significant medium for the circulation of power.
 

[more]

Francesco Ignazio Lazzari’s Discrizione della villa pliniana
Visions of Antiquity in the Landscape of Umbria
Anatole Tchikine
Harvard University Press

A cultivated patrician, a prolific playwright, and a passionate student of local antiquity, Francesco Ignazio Lazzari (1634–1717) was a mainstay of the artistic and intellectual life of Città di Castello, an Umbrian city that maintained a remarkable degree of cultural autonomy during the early modern period. He was also the first author to identify the correct location of the lost villa “in Tuscis” owned by the Roman writer and statesman Pliny the Younger and known through his celebrated description. Lazzari’s reconstruction of this ancient estate, in the form of a large-scale drawing and a textual commentary, adds a unique document to the history of Italian gardens while offering a fascinating perspective on the role of landscape in shaping his native region’s identity.

Published with an English translation for the first time since its creation, this manuscript is framed by the scholarly contributions of Anatole Tchikine and Pierre de la Ruffinière du Prey. At the core of their discussion is the interplay of two distinct ideas of antiquity—one embedded in the regional landscape and garden culture of Umbria and the other conveyed by the international tradition of Plinian architectural reconstructions—that provide the essential context for understanding Lazzari’s work.

[more]

Francis Bacon
The Logic of Sensation
Gilles Deleuze
University of Minnesota Press, 2005
Translated and with an Introduction by Daniel W. Smith
 Afterword by Tom Conley 

Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter’s method and style as well as his motifs of seriality, difference, and repetition influenced Deleuze’s work. This first English translation shows us one of the most original and important French philosophers of the twentieth century in intimate confrontation with one of that century’s most original and important painters. 

In considering Bacon, Deleuze offers implicit and explicit insights into the origins and development of his own philosophical and aesthetic ideas, ideas that represent a turning point in his intellectual trajectory. First published in French in 1981, Francis Bacon has come to be recognized as one of Deleuze’s most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon’s paintings but also as a crucial text within Deleuze’s broader philosophy of art. 

In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon’s paintings but at the same time finds a place in the “general logic of sensation.” Illuminating Bacon’s paintings, the nonrational logic of sensation, and the act of painting itself, this work—presented in lucid and nuanced translation—also points beyond painting toward connections with other arts such as music, cinema, and literature. Francis Bacon is an indispensable entry point into the conceptual proliferation of Deleuze’s philosophy as a whole. 

Gilles Deleuze (1925–1995) was professor of philosophy at the University of Paris, Vincennes–St. Denis. He coauthored Anti-Oedipus and A Thousand Plateaus with Félix Guattari. These works, as well as Cinema 1, Cinema 2, The Fold, Proust and Signs, and others, are published in English by Minnesota. 

Daniel W. Smith teaches in the Department of Philosophy at Purdue University.
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Franciscan Books and their Readers
Friars and Manuscripts in Late Medieval Italy
René Hernández
Amsterdam University Press, 2022
The book explores the manuscripts written, read, and studied by Franciscan friars from the thirteenth to the fifteenth centuries in Northern Italy, and specifically Padua, assessing four key aspects: ideal, space, form and readership. The ideal is studied through the regulations that determined what manuscripts should aim for. Space refers to the development and role of Franciscan libraries. The form is revealed by the assessment of the physical configuration of a set of representative manuscripts read, written, and manufactured by the friars. Finally, the study of the readership shows how Franciscans were skilled readers who employed certain forms of the manuscript as a portable, personal library, and as a tool for learning and pastoral care. By comparing the book collections of Padua’s reformed and unreformed medieval Franciscan libraries for the first time, this study reveals new features of the ground-breaking cultural agency of medieval friars.
[more]

The Franciscan Order in the Medieval English Province and Beyond
Edited by Michael Robson and Patrick Zutshi
Amsterdam University Press, 2018
Commemorating John Moorman's immense contribution to Franciscan history across five decades, the essays in this collection reflect upon Moorman's diverse writings on biography, hagiography, history, art, and prosopography. Contributors draw upon Moorman's diaries and his materials for a biographical register of the Franciscans in medieval England. The volume is in tune with recent developments in Franciscan history in general, with a special interest in the English province. This is exemplified by studies on Franciscan iconography; the English province's impact of the wider order; the scholastic enterprise; prosopography; economy; sermons; the application of Canon Law to the debates at the papal court; and the evolution of John Moorman's studies on St Francis and his followers.
[more]

Francisco de los Cobos
Secretary of the Emperor Charles V
Hayward Keniston
University of Pittsburgh Press, 1960

A comprehensive biography of the Seceretary of State and Comendador for the kingdom of Castile under Emperor Charles I of Spain.

[more]

Francisco de Osuna’s "Norte de los estados" in Modernized Spanish
A Practical Guide to Conjugal Life in Sixteenth-Century Europe
Dana Bultman
Arc Humanities Press, 2019
Best known for his works on the mystical practice of meditative recollection, Franciscan friar Francisco de Osuna published his candid manual for lay life, Norte de los estados (North Star) in 1531 before leaving Spain to reside in Antwerp. True to its title, the book was intended as a North Star that would dependably guide readers through the stages of youth, marriage, and widowhood. Although the historical literature on these themes is dominated by the works of his humanist contemporaries, Erasmus of Rotterdam and Juan Luis Vives, Osuna’s close attention to women’s experiences and his critical awareness of social class are distinctive. This first modern edition in Spanish restores Osuna’s reformist voice and expansive vision to the animated conversations on marriage and family in which he engaged. His detailed attention to practical questions and his intense spiritualization of spousal love make it an invaluable resource for understanding conjugal relationships in the popular imagination of the early modern world.
[more]

The Francklyn Land & Cattle Company
A Panhandle Enterprise, 1882-1957
By Lester Fields Sheffy
University of Texas Press, 1963
An intensive study of a large Texas ranch, particularly of its business and financial aspects, in which the author has utilized many company records and firsthand accounts by the men who were engaged in the difficult task of establishing and maintaining a major cattle and land operation in wild, relatively isolated, semidesert country.
[more]

Franco
A Personal and Political Biography
Stanley G. Payne and Jesús Palacios
University of Wisconsin Press, 2018
General Francisco Franco (1892–1975), ruler of Spain for nearly forty years, was one of the most powerful and controversial leaders in that nation's long history. This deeply researched biography treats the three major aspects of his life—personal, military, and political. It depicts his early life, explains his career and rise to prominence as an army officer who became Europe's youngest interwar brigadier general in 1926, and then discusses his role in the affairs of the troubled Second Spanish Republic.

Stanley G. Payne and Jesús Palacios examine in detail how Franco became dictator and how his leadership led to victory in the Spanish Civil War that consolidated his regime. They also explore Franco's role in the great repression that accompanied the Civil War—resulting in tens of thousands of executions—and examine at length his controversial role in World War II. This masterful biography highlights Franco's metamorphoses and adaptations to retain power as politics, culture, and economics shifted in the four decades of his dictatorship.



[more]

The Franco Regime, 1936–1975
Stanley G. Payne
University of Wisconsin Press, 2011

The history of modern Spain is dominated by the figure of Francisco Franco, who presided over one of the longest authoritarian regimes of the twentieth century. Between 1936 and the end of the regime in 1975, Franco’s Spain passed through several distinct phases of political, institutional, and economic development, moving from the original semi-fascist regime of 1936–45 to become the Catholic corporatist “organic democracy” under the monarchy from 1945 to 1957. Distinguished historian Stanley G. Payne offers deep insight into the career of this complex and formidable figure and the enormous changes that shaped Spanish history during his regime.

[more]

Francois Mauriac on Race, War, Politics and Religion
Nathan Bracher
Catholic University of America Press, 2016
Nathan Bracher's François Mauriac on Race, War, Politics, and Religion: The Great War Through the 1960s consists of a selection of some ninety editorials penned by the Catholic novelist and intellectual François Mauriac, who received the Nobel Prize for literature and who was admitted to the Académie Française in 1933. As is often the case for prominent writers and intellectuals in France, Mauriac became active in political punditry early in his career, at the time of the First World War. Intensifying notably in the tumultuous years of the 1930s on, this activity continues to expand over the next five decades. After 1952, Mauriac's editorials came to represent the most important dimension of his intellectual activity. He was, to cite the prominent journalist and intellectual Jean Daniel of Le Nouvel Observateur, France’s most distinguished and formidable editorialist of the twentieth century.
[more]

Francois Vallé and His World
Upper Louisiana before Lewis and Clark
Carl J. Ekberg
University of Missouri Press, 2002

Winner of the Kemper & Leila Williams Prize in Louisiana History for excellence in historical scholarship for the year 2002, awarded by The Historic New Orleans Collection, The Louisiana Historical Association.

In François Vallé and His World, Carl Ekberg provides a fascinating biography of François Vallé (1716–1783), placing him within the context of his place and time. Vallé, who was born in Beauport, Canada, immigrated to Upper Louisiana (the Illinois Country) as a penniless common laborer sometime during the early 1740s. Engaged in agriculture, lead mining, and the Indian trade, he ultimately became the wealthiest and most powerful individual in Upper Louisiana, although he never learned to read or write.
 
Ekberg focuses on Upper Louisiana in colonial times, long before Lewis and Clark arrived in the Mississippi River valley and before American sovereignty had reached the eastern bank of the Mississippi. He vividly captures the ambience of life in the eighteenth-century frontier agricultural society that Vallé inhabited, shedding new light on the French and Spanish colonial regimes in Louisiana and on the Mississippi River frontier before the Americans arrived.
 
Based entirely on primary source documents—wills and testaments, parish registers of baptisms, marriages, and burials, and Spanish administrative correspondence—found in archives ranging from St. Louis and Ste. Genevieve to New Orleans and Seville, François Vallé and His World traces not only the life of François Vallé and the lives of his immediate family members, but also the lives of his slaves. In doing so, it provides a portrait of Missouri’s very first black families, something that has never before been attempted. Ekberg also analyzes how the illiterate Vallé became the richest person in all of Upper Louisiana, and how he rose in the sociopolitical hierarchy to become an important servant of the Spanish monarchy.
 
François Vallé and His World provides a useful corrective to the fallacious notion that Missouri’s history began with the arrival of Lewis and Clark at the turn of the nineteenth century. Anyone with an interest in colonial history or the history of the Mississippi River valley will find this book of great value.
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Francophonie and the Orient
French-Asian Transcultural Crossings (1840-1940)
Mathilde Kang
Amsterdam University Press, 2018
Based on transnational France-Asia approaches, this book studies Asian cultures once steeped in French civilisation but free of a colonial mode in order to highlight the transliterary examples of cultural transfer. This book is a pioneering study of the Francophone phenomenon within the context of cultures categorised as non-Francophone. Espousing a transcultural approach, Francophonie and the Orient examines the emergence of French heritage in the Far-East, the various forms of its manifestation, and the modes of its identification.Several thematic signposts guide the diverse pathways of the research. Firstly, the question is posed as to whether colonisation is the ultimate coat of arms for entry into Francophonie? Secondly, the book raises issues relative to Asian Francophone works: the emergence of literatures with French expression from Asian countries historically free of French domination. Finally, the study reconfigures the Asian Francophone heritage with new paradigms (transnational/global studies), which redefine the frontiers of Francophonie in Asia.
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The Franco-Texan Land Company
By Virginia H. Taylor
University of Texas Press, 1969
The Franco-Texan Land Company was formed, ostensibly, by the French bondholders of the Memphis, El Paso, and Pacific Railroad in an attempt to salvage their investments through sale of lands in the railroad's Texas land grant. Most of the land company's wealth, however, went into the pockets of unscrupulous local managers and directors, and another railroad eventually built a road across Texas along the Memphis, El Paso, and Pacific right of way. Despite their unsavory histories, the land company and its railroad parent played an important part in the development of Northwest Texas. Virginia Taylor's account of their activities furthers the study of the role of land companies in the settlement of the United States and adds interesting sidelights on one of the immigrant groups that left the imprint of Europe on frontier Texas.
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Frank Lloyd Wright
Robert McCarter
Reaktion Books, 2006
A cultural icon who defined the twentieth-century American landscape, Frank Lloyd Wright has been studied from what seems to be every possible angle. While many books focus on his works, torrid personal life, or both, few solely consider his professional persona, as a man enmeshed in a web of prominent public figures and political ideas. In this new biography, Robert McCarter distills Wright’s life and work into a concise account that explores the beliefs and relationships so powerfully reflected in his architectural works. 

McCarter examines here how Wright aspired to influence America’s evolving democratic society by the challenges his buildings posed to traditional views of private and public space. He investigates Wright’s relationships with key leaders of art, industry, and society, and how their views came to have concrete significance in Wright’s work and writings. Wright argued that architecture should be the “background or framework” for daily life, not the “object,” and McCarter dissects how and why he aspired to this and other ideals, such as his belief in the ethical duty of architects to improve society and culture. 

A penetrating study of the foremost pioneer in modern architecture, Frank Lloyd Wright offers a fascinating biographical chronicle that reveals the principles and relationships at the base of Wright’s production.
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The Frank Lloyd Wright Companion, Revised Edition
William Allin Storrer
University of Chicago Press, 2006
The comprehensive source for as-built plans of Wright's work
 
Published to critical acclaim more than a decade ago, The Frank Lloyd Wright Companion brought together in one volume all the essential descriptions, photographs, and plans of everything built by America's most famous architect. Now, for this handsomely produced revised edition, William Allin Storrer brings the history of every Wright structure up to the present.

Storrer treats the full range of Wright's architecture—from vacation cottages in Montana and Michigan, to such monuments of modernism as the Johnson Wax Building and the Guggenheim Museum, to buildings completed after Wright’s death in 1959. Since the first edition, some of Wright’s buildings have been relocated, some have been refurbished, and, sadly, some have even been destroyed by Hurricane Katrina. Storrer documents these changes and includes new information about the extent of Wright’s work on the buildings, the contributions of his associates, and the details of his business arrangements. Wright aficionados will be especially pleased to find comprehensive coverage of the newly discovered Mitchell residence in Racine, Wisconsin.

Organized chronologically, The Frank Lloyd Wright Companion features a description of each building that details the history of its design, construction, and ownership. Floor plans allow readers intimate access to each of Wright’s built works. With nearly 1,000 photographs (many new to this edition), elevations, historical images, and floor plans that show changes in Wright’s preliminary plans, this reference is unmatched in its authority. The indispensable centerpiece of any Wright collection, the newly revised Companion is a must for any serious library of art and architecture.
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Frank Lloyd Wright's Forgotten House
How an Omission Transformed the Architect's Legacy
Nicholas D. Hayes
University of Wisconsin Press, 2021
While the grandiosity of Fallingwater and elegance of Taliesin are recognized universally, Frank Lloyd Wright’s first foray into affordable housing is frequently overlooked. Although Wright began work on his American System-Built Homes (ASBH, 1911–17) with great energy, the project fell apart following wartime shortages and disputes between the architect and his developer. While continuing to advocate for the design of affordable small homes, Wright never spoke publicly of ASBH. As a result, the heritage of many Wright-designed homes was forgotten.
 
When Nicholas and Angela Hayes became stewards of the unassuming Elizabeth Murphy House near Milwaukee, they began to unearth evidence that ultimately revealed a one-hundred-year-old fiasco fueled by competing ambitions and conflicting visions of America. The couple’s forensic pursuit of the truth untangled the ways Wright’s ASBH experiment led to the architect’s most productive, creative period. Frank Lloyd Wright’s Forgotten House includes a wealth of drawings and photographs, many of which have never been previously published. Historians, architecture buffs, and Wrightophiles alike will be fascinated by this untold history that fills a crucial gap in the architect’s oeuvre.
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Frank Lloyd Wright's Larkin Building
Myth and Fact
Jack Quinan
University of Chicago Press, 2006
Frank Lloyd Wright’s Larkin Building has become an icon of modern architecture. And the fact that it was demolished only forty-six years after its 1904 completion makes Jack Quinan’s study of the building—which housed a Buffalo, New York, soap company—all the more valuable. 

Quinan’s history draws on engineering documents, personal accounts of the building, and other papers he acquired from the family of Darwin D. Martin, a Larkin executive who proposed commissioning Wright to design the company’s offices. With access to these rare sources, Quinan reveals how a young Wright landed the commission and traces the evolution of his cutting-edge plans. Quinan then takes Wright studies to a new level, examining the Larkin Building as a structure at the center of economic and personal relationships. 

Illustrated with more than one hundred photographs, floor plans, maps, and diagrams, Frank Lloyd Wright’s Larkin Building provides a concise but complete record of how the building was conceived, built, evaluated, and finally demolished in what has been called a tragic loss for American architecture.
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Frank Lloyd Wright’s Penwern
A Summer Estate
Mark Hertzberg
Wisconsin Historical Society Press, 2019
Frank Lloyd Wright is best known for his urban and suburban houses. Lesser known are the more than 40 summer “cottages” he designed in Michigan, Wisconsin, and Ontario. Many of the early summer cottages have a rustic feel and are not as easily recognized as Wright’s prolific year-round domestic designs. Among them is a stunning estate on Delavan Lake in southern Wisconsin called Penwern. Commissioned by Chicago capitalist Fred B. Jones around 1900, Penwern has received both national and state recognition. The home’s current stewards have dedicated themselves to restoring the estate to Wright’s vision, ensuring its future. Featuring beautiful color photographs, plus vintage black and white pictures and original Wright drawings, this book transports readers back to the glory days of gracious living and entertaining on the lake.
 
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Frank Lloyd Wright’s Taliesin
Illustrated by Vintage Postcards
Randolph C. Henning
University of Wisconsin Press, 2011

The Wisconsin-born Frank Lloyd Wright (1867–1959) is recognized worldwide as an iconic architectural genius. In 1911 he designed Taliesin to use as his personal residence, architectural studio, and working farm. A century later Randolph C. Henning has assembled a splendid collection of rare vintage postcards, some never before published, that provides a revealing and visually unique journey through Wright’s work at Taliesin. Included are intimate images of Taliesin at various stages and views of the building just after the tragic 1914 fire. The postcards also depict nearby buildings designed by Wright, including the Romeo and Juliet windmill and two buildings for the Hillside Home School. Henning provides useful explanations that highlight relevant details and accompany each image. Frank Lloyd Wright’s Taliesin documents and celebrates Wright’s 100-year-old masterpiece.

Finalist, Midwest Book Awards for Cover Design and for Regional Interest Illustrated Book

Best Books for General Audiences, selected by the American Association of School Librarians

Best Books for General Audiences, selected by the Public Library Reviewers
 
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Frank Miller's Daredevil and the Ends of Heroism
Young, Paul
Rutgers University Press, 2016
2017 EISNER AWARD NOMINEE for Best Academic/Scholarly Work

In the late 1970s and early 1980s, writer-artist Frank Miller turned Daredevil from a tepid-selling comic into an industry-wide success story, doubling its sales within three years. Lawyer by day and costumed vigilante by night, the character of Daredevil was the perfect vehicle for the explorations of heroic ideals and violence that would come to define Miller’s work.   
 
Frank Miller’s Daredevil and the Ends of Heroism is both a rigorous study of Miller’s artistic influences and innovations and a reflection on how his visionary work on Daredevil impacted generations of comics publishers, creators, and fans. Paul Young explores the accomplishments of Miller the writer, who fused hardboiled crime stories with superhero comics, while reimagining Kingpin (a classic Spider-Man nemesis), recuperating the half-baked villain Bullseye, and inventing a completely new kind of Daredevil villain in Elektra. Yet, he also offers a vivid appreciation of the indelible panels drawn by Miller the artist, taking a fresh look at his distinctive page layouts and lines.  
 
A childhood fan of Miller’s Daredevil, Young takes readers on a personal journey as he seeks to reconcile his love for the comic with his distaste for the fascistic overtones of Miller’s controversial later work. What he finds will resonate not only with Daredevil fans, but with anyone who has contemplated what it means to be a hero in a heartless world.   
 
Other titles in the Comics Culture series include Twelve-Cent Archie, Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948, and Considering Watchmen: Poetics, Property, Politics.
 
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Frank Murphy
The Detroit Years
Sidney Fine
University of Michigan Press, 1975
Tells of Frank Murphy's early career as Recorder's Court judge and mayor of Depression-era Detroit
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Frank O'Hara
Poet Among Painters
Marjorie Perloff
University of Chicago Press, 1997
Drawing extensively upon the poet's unpublished manuscripts—poems, journals, essays, and letters—as well as all his published works, Marjorie Perloff presents Frank O'Hara as one of the central poets of the postwar period and an important critic of the visual arts. Perloff traces the poet's development through his early years at Harvard and his interest in French Dadaism and Surrealism to his later poems that fuse literary influence with elements from Abstract Expressionist painting, atonal music, and contemporary film. This edition contains a new Introduction addressing O'Hara's homosexuality, his attitudes toward racism, and changes in poetic climate cover the past few decades.

"A groundbreaking study. [This book] is a genuine work of criticism. . . . Through Marjorie Perloff's book we see an O'Hara perhaps only his closer associates saw before: a poet fully aware of the traditions and techniques of his craft who, in a life tragically foreshortened, produced an adventurous if somewhat erratic body of American verse."—David Lenson, Chronicle of Higher Education

"Perloff is a reliable, well-informed, discreet, sensitive . . . guide. . . . She is impressive in the way she deals with O'Hara's relationship to painters and paintings, and she does give first-rate readings of four major poems."—Jonathan Cott, New York Times Book Review
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Frank O'Hara
The Poetics of Coterie
Lytle Shaw
University of Iowa Press, 2006

In this stimulating and innovative synthesis of New York's artistic and literary worlds, Lytle Shaw uses the social and philosophical problems involved in “reading” a coterie to propose a new language for understanding the poet, art critic, and Museum of Modern Art curator Frank O'Hara (1926-1966).

O'Hara's poems are famously filled with proper names---from those of his immediate friends and colleagues in the New York writing and art worlds (John Ashbery, Kenneth Koch, Grace Hartigan, Willem de Kooning, and many musicians, dancers, and filmmakers) to a broad range of popular cultural and literary heroes (Apollinaire to Jackie O). But rather than understand O'Hara's most commonly referenced names as a fixed and insular audience, Shaw argues that he uses the ambiguities of reference associated with the names to invent a fluid and shifting kinship structure---one that opened up radical possibilities for a gay writer operating outside the structure of the family.

As Shaw demonstrates, this commitment to an experimental model of association also guides O'Hara's art writing. Like his poetry, O'Hara's art writing too has been condemned as insular, coterie writing. In fact, though, he was alone among 1950s critics in his willingness to consider abstract expressionism not only within the dominant languages of existentialism and formalism but also within the cold war political and popular cultural frameworks that anticipate many of the concerns of contemporary art historians. Situating O'Hara within a range of debates about art's possible relations to its audience, Shaw demonstrates that his interest in coterie is less a symptomatic offshoot of his biography than a radical literary and artistic invention.

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