In the eighteenth and nineteenth centuries, Western scientific interest in China focused primarily on natural history. Prominent scholars in Europe as well as Westerners in China, including missionaries, merchants, consular officers, and visiting plant hunters, eagerly investigated the flora and fauna of China. Yet despite the importance and extent of this scientific activity, it has been entirely neglected by historians of science.

This book is the first comprehensive study on this topic. In a series of vivid chapters, Fa-ti Fan examines the research of British naturalists in China in relation to the history of natural history, of empire, and of Sino-Western relations. The author gives a panoramic view of how the British naturalists and the Chinese explored, studied, and represented China's natural world in the social and cultural environment of Qing China.

Using the example of British naturalists in China, the author argues for reinterpreting the history of natural history, by including neglected historical actors, intellectual traditions, and cultural practices. His approach moves beyond viewing the history of science and empire within European history and considers the exchange of ideas, aesthetic tastes, material culture, and plants and animals in local and global contexts. This compelling book provides an innovative framework for understanding the formation of scientific practice and knowledge in cultural encounters.

This new scholarly study examines the history of the relations between the British and Japanese monarchies over the past 150 years. Complemented by a significant plate section which includes a number of rarely seen images, as well as a chronology of royal/imperial visits and extensive bibliography, British Royal and Japanese Imperial Relations, 1868-2018, will become a benchmark reference on the subject. The volume is divided into three sections. Part I, by Peter Kornicki, examines the ‘royals and imperials’ history during the Meiji era; Part II, by Antony Best, examines the first half of the twentieth century; Part III, by Sir Hugh Cortazzi, focuses on the post-war history up to the present day. Published in association with the Japan Society, its appearance marks the abdication of Emperor Akihito and the enthronement of Crown Prince Naruhito in May 2019. It is also a memorial volume to the late Sir Hugh Cortazzi who died in August 2018, shortly after completing his own contribution to the volume.

In her investigation of the social history of the common British soldier in the era of the American Revolution, Sylvia Frey has extensively surveyed recruiting records, contemporary training manuals, statutes, and memoirs in an attempt to provide insight into the soldier's "life and mind." In the process she has discovered more about the common soldier than anyone thought possible: his social origins and occupational background, his size, age, and general physical condition, his personal economics and daily existence. Her findings dispel the traditional assumption that the army was made up largely of criminals and social misfits.

Special attention is given to soldiering as an occupation. Focusing on two of the major campaigns of the war—the Northern Campaign which culminated at Saratoga and the Southern Campaign which ended at Yorktown—Frey describes the human face of war, with particular emphasis on the physical and psychic strains of campaigning in the eighteenth century.

Perhaps the most important part of the work is the analysis of the moral and material factors which induced men to accept the high risks of soldiering. Frey rejects the traditional assumption that soldiers were motivated to fight exclusively by fear and force and argues instead that the primary motivation to battle was generated by regimental esprit, which in the eighteenth century substituted for patriotism. After analyzing the sources of esprit, she concludes that it was the sustaining force for morale in a long and discouraging war.

This book is a contribution to our understanding of the eighteenth century and should appeal not only to military historians but also to social and economic historians and to those interested in the history of medicine.

On 2 November 1936 the world's first high definition television station was inaugurated at Alexandra Palace. Two competing companies, Marconi-EMI Television Company Ltd and Baird Television Ltd, provided studio and transmitting equipment for the new service which operated, on an alternate basis, with the systems of the two companies. After a trial period the 405-line system of the Marconi-EMI company was adopted and the last transmission by the 240-line system of Baird Television Ltd was sent out on 30 January 1937.

During the 1980s war in El Salvador, Radio Venceremos was the main news outlet for the Frente Farabundo Martí para la Liberación Nacional (FMLN), the guerrilla organization that challenged the government. The broadcast provided a vital link between combatants in the mountains and the outside world, as well as an alternative to mainstream media reporting. In this first-person account, "Santiago," the legend behind Radio Venceremos, tells the story of the early years of that conflict, a rebellion of poor peasants against the Salvadoran government and its benefactor, the United States.

Originally published as La Terquedad del Izote, this memoir also addresses the broader story of a nationwide rebellion and its international context, particularly the intensifying Cold War and heavy U.S. involvement in it under President Reagan. By the war's end in 1992, more than 75,000 were dead and 350,000 wounded—in a country the size of Massachusetts. Although outnumbered and outfinanced, the rebels fought the Salvadoran Army to a draw and brought enough bargaining power to the negotiating table to achieve some of their key objectives, including democratic reforms and an overhaul of the security forces.

Broadcasting the Civil War in El Salvador is a riveting account from the rebels' point of view that lends immediacy to the Salvadoran conflict. It should appeal to all who are interested in historic memory and human rights, U.S. policy toward Central America, and the role the media can play in wartime.

The midlife crisis has become a cliché in modern society. Since the mid-twentieth century, the term has been used to explain infidelity in middle-aged men, disillusionment with personal achievements, the pain and sadness associated with separation and divorce, and the fear of approaching death. This book provides a meticulously researched account of the social and cultural conditions in which middle-aged men and women began to reevaluate their hopes and dreams, reassess their relationships, and seek new forms of identity and fresh pathways to self-satisfaction. Drawing on a rich seam of literary, medical, media, and cinematic sources, as well as personal accounts, Broken Dreams explores how the crises of middle-aged men and women were shaped by increased life expectancy, changing family structures, shifting patterns of work, and the rise of individualism.

Between 1876 and 1945, thousands of Japanese civilians—merchants, traders, prostitutes, journalists, teachers, and adventurers—left their homeland for a new life on the Korean peninsula. Although most migrants were guided primarily by personal profit and only secondarily by national interest, their mundane lives and the state’s ambitions were inextricably entwined in the rise of imperial Japan. Despite having formed one of the largest colonial communities in the twentieth century, these settlers and their empire-building activities have all but vanished from the public memory of Japan’s presence in Korea.

Drawing on previously unused materials in multi-language archives, Jun Uchida looks behind the official organs of state and military control to focus on the obscured history of these settlers, especially the first generation of “pioneers” between the 1910s and 1930s who actively mediated the colonial management of Korea as its grassroots movers and shakers. By uncovering the downplayed but dynamic role played by settler leaders who operated among multiple parties—between the settler community and the Government-General, between Japanese colonizer and Korean colonized, between colony and metropole—this study examines how these “brokers of empire” advanced their commercial and political interests while contributing to the expansionist project of imperial Japan.

Life at Brook Farm resembled an Arcadian adventure, in which the days began with the choir singing Mozart and Haydn and ended with drama and dancing. But how accurate is this image? In the first comprehensive examination of the famous utopian community in West Roxbury, Massachusetts, Sterling Delano reveals a surprisingly grim side to paradise as the Brook Farmers faced relentless financial pressures, a declining faith in their leaders, and smoldering class antagonisms.

Delano weaves through this remarkable story the voices of the Brook Farmers themselves, including their founder, George Ripley. Ripley founded Brook Farm in 1841 as an agrarian and pastoral society that would "insure a more natural union between intellectual and manual labor," yet he was surprisingly unprepared to lead it. Three years after its founding, Brook Farm was transformed into an industrial Phalanx. Longtime members departed, and key supporters withdrew. A smallpox scare, a financial lawsuit filed by Nathaniel Hawthorne, and a devastating fire all contributed to the community's ultimate demise. Despite its failure, however, the Brook Farmers recalled only its positive aspects, including the opportunities there for women and its progressive educational program.

In his wonderfully evocative account, Delano gives us a more complete picture than ever before of Brook Farm, and vividly chronicles the spirit of the Transcendental age.

Reviews of this book:
Brook Farm is one of America's most famous utopian experiments. Located on a 200-acre dairy farm in Roxbury, Massachusetts, it was founded in 1841, a time of social ferment for women's rights, abolition, and worker's rights...Days of laboring in the fields began with classical music and ended with dramatic plays. Supporters included Nathanial Hawthorne, Ralph Waldo Emerson, and Margaret Fuller. Despite enthusiasm for the project, it failed after six years, primarily due to financial stress...Drawing on correspondence, documents, journals, and newspaper accounts, Delano also highlights the personal and class tensions that doomed the experiment. This is a compelling look at the history of progressive social movements in America and the failure of one of the best-known experiments.
--Vanessa Bush, Booklist

In his copiously researched, briskly narrated chronicle of Brook Farm's life and times, Sterling Delano capably recaptures the exuberant mood of possibility surrounding the utopian community's founding and brief but celebrated career.
--Chris Lehmann, Washington Post

Brook Farm removes the mist and moonshine that hitherto has obscured America's most famous utopian experiment. This engaging history restores the full texture of this fascinating incarnation of American idealism.
--Philip F. Gura, William S. Newman Distinguished Professor of American Literature and Culture, University of North Carolina

There is a clear need for a study of Brook Farm that offers a humanistic perspective on the utopian experiment. This book fills that gap. In this comprehensive history, Sterling Delano sheds fascinating light on the values and attitudes of leading Transcendentalists.
--Steven Mintz, co-editor of The Boisterous Sea of Liberty

Transcendentalism is one of the most famous movements in American history, but astonishingly there has never been a modern history of one of its most significant chapters, the commune at Brook Farm. At long last, Sterling Delano has filled that gap very ably indeed.
--Lawrence Buell, author of Literary Transcendentalism and Emerson

Going beyond the usual sunny pictures of Brook Farm, Delano tells the full story of what Nathaniel Hawthorne termed 'the inner truth and spirit of the whole affair.' This is the book on Brook Farm, essential reading for anyone interested in utopian studies and the Transcendentalists.
--Joel Myerson, Carolina Distinguished Professor of American Literature, Emeritus, University of South Carolina, and editor of Transcendentalism: A Reader and The Later Lectures of Ralph Waldo Emerson

Brooke at the Bar is a candid, lively, and sometimes humorous autobiography by Brooke Wunnicke, the first woman to be a trial and appellate attorney in Wyoming and who went on to become a legal legend in Colorado. In conversational writing, Brooke provides insights from a lawyer, mentor, and educator. She advocates that, while not perfect, the United States has the world’s best legal system and that all citizens need to understand and protect their rights, freedoms, and responsibilities.
 
Brooke shares vignettes of her early life—California in the Great Depression, college at Stanford, law school in Colorado during World War II, and the 1946 opening of her Cheyenne law office, a precedent for women in law. She vividly describes memorable and amusing experiences with clients, witnesses, lawyers, juries, and judges and explains some significant cases. She recounts important and dynamic events from her twelve years as Denver’s chief appellate deputy district attorney, an era during which she was an inestimable mentor to many young lawyers who became prominent in the private and public sectors.
 
Brooke passionately believed “the law has been and will continue to be civilization’s hope.” In her book’s final part, she demystifies many legal terms and procedures and describes the parts of a civil jury trial—including information for jurors and witnesses—and provides an enthusiastic and clear refresher on the US Constitution and Bill of Rights.
 
Brooke at the Bar is a unique and historically important contribution that will be of interest to general readers, scholars, and students interested in US law, political science, government, women’s history, twentieth-century western history, civil rights, and legal communities, including those in Wyoming and Colorado, where Brooke was “at the Bar.”
 

From the time the first tracks were laid in the early nineteenth century, the railroad has occupied a crucial place in America's historical imagination. Now, for the first time, Eric Arnesen gives us an untold piece of that vital American institution—the story of African Americans on the railroad.

African Americans have been a part of the railroad from its inception, but today they are largely remembered as Pullman porters and track layers. The real history is far richer, a tale of endless struggle, perseverance, and partial victory. In a sweeping narrative, Arnesen re-creates the heroic efforts by black locomotive firemen, brakemen, porters, dining car waiters, and redcaps to fight a pervasive system of racism and job discrimination fostered by their employers, white co-workers, and the unions that legally represented them even while barring them from membership.

Decades before the rise of the modern civil rights movement in the mid-1950s, black railroaders forged their own brand of civil rights activism, organizing their own associations, challenging white trade unions, and pursuing legal redress through state and federal courts. In recapturing black railroaders' voices, aspirations, and challenges, Arnesen helps to recast the history of black protest and American labor in the twentieth century.

Oliver Goldsmith arrived in England in 1756 a penniless Irishman. He toiled for years in the anonymity of Grub Street—already a synonym for impoverished hack writers—before he became one of literary London’s most celebrated authors. Norma Clarke tells the extraordinary story of this destitute scribbler turned gentleman of letters as it unfolds in the early days of commercial publishing, when writers’ livelihoods came to depend on the reading public, not aristocratic patrons. Clarke examines a network of writers radiating outward from Goldsmith: the famous and celebrated authors of Dr. Johnson’s “Club” and those far less fortunate “brothers of the quill” trapped in Grub Street.

Clarke emphasizes Goldsmith’s sense of himself as an Irishman, showing that many of his early literary acquaintances were Irish émigrés: Samuel Derrick, John Pilkington, Paul Hiffernan, and Edward Purdon. These writers tutored Goldsmith in the ways of Grub Street, and their influence on his development has not previously been explored. Also Irish was the patron he acquired after 1764, Robert Nugent, Lord Clare. Clarke places Goldsmith in the tradition of Anglo-Irish satirists beginning with Jonathan Swift. He transmuted troubling truths about the British Empire into forms of fable and nostalgia whose undertow of Irish indignation remains perceptible, if just barely, beneath an equanimous English surface.

To read Brothers of the Quill is to be taken by the hand into the darker corners of eighteenth-century Grub Street, and to laugh and cry at the absurdities of the writing life.

A unique narrative structure brings the history of race science in mid-twentieth-century India to vivid life.

There has been a recent explosion in studies of race science in the twentieth and twenty-first centuries, but most have focused either on Europe or on North America and Australia. In this stirring history, Projit Bihari Mukharji illustrates how India appropriated and repurposed race science to its own ends and argues that these appropriations need to be understood within the national and regional contexts of postcolonial nation-making—not merely as footnotes to a Western history of “normal science.”
 
The book comprises seven factual chapters operating at distinct levels—conceptual, practical, and cosmological—and eight fictive interchapters, a series of epistolary exchanges between the Bengali author Hemendrakumar Ray (1888–1963) and the protagonist of his dystopian science fiction novel about race, race science, racial improvement, and dehumanization. In this way, Mukharji fills out the historical moment in which the factual narrative unfolded, vividly revealing its moral, affective, political, and intellectual fissures.

Over the course of his career, Bruce B. Lawrence has explored the central elements of Islamicate civilization and Muslim networks. This reader assembles more than two dozen of Lawrence's key writings, among them analyses of premodern and modern Islamic discourses, practices, and institutions and methodological reflections on the contextual study of religion. Six methodologies serve as the organizing rubric: theorizing Islam, revaluing Muslim comparativists, translating Sufism, deconstructing religious modernity, networking Muslims, and reflecting on the Divine. Throughout, Lawrence attributes the resilience of Islam to its cosmopolitan character and Muslims' engagement in cross-cultural dialogue. Several essays also address the central role of institutional Sufism in various phases and domains of Islamic history. The volume concludes with Lawrence's reflections on Islam's spiritual and aesthetic resources in the context of global comity. Modeling what it means to study Islam beyond political and disciplinary borders as well as a commitment to linking empathetic imagination with critical reflection, this reader presents the broad arc of Lawrence's prescient contributions to the study of Islam.

Brutus gives an account of the Roman tradition of public and law-court speeches from its beginning to what Cicero described as the polished and entertaining speeches of his own day. Along the way Cicero has interesting things to say about the influence of the speaker’s audience on his style and technique. Also notable here is an autobiographical sketch.

Cicero’s own very wide practical experience informs Orator, which depicts the ideal speaker. Here he details the principles of eloquent oratory and quotes instructive examples. Both works date from 46 BCE and are dedicated to the author’s promising young friend, Brutus, later famous in the conspiracy against Caesar.

During the seventeenth century, sea raiders known as buccaneers controlled the Caribbean. Buccaneers were not pirates but privateers, licensed to attack the Spanish by the governments of England, France, and Holland. Jon Latimer charts the exploits of these men who followed few rules as they forged new empires.

Lacking effective naval power, the English, French, and Dutch developed privateering as the means of protecting their young New World colonies. They developed a form of semi-legal private warfare, often carried out regardless of political developments on the other side of the Atlantic, but usually with tacit approval from London, Paris, and Amsterdam. Drawing on letters, diaries, and memoirs of such figures as William Dampier, Sieur Raveneau de Lussan, Alexander Oliver Exquemelin, and Basil Ringrose, Jon Latimer portrays a world of madcap adventurers, daredevil seafarers, and dangerous rogues.

Piet Hein of the Dutch West India Company captured, off the coast of Cuba, the Spanish treasure fleet, laden with American silver, and funded the Dutch for eight months in their fight against Spain. The switch from tobacco to sugar transformed the Caribbean, and everyone scrambled for a quick profit in the slave trade. Oliver Cromwell’s ludicrous Western Design—a grand scheme to conquer Central America—fizzled spectacularly, while the surprising prosperity of Jamaica set England solidly on the road to empire. The infamous Henry Morgan conducted a dramatic raid through the tropical jungle of Panama that ended in the burning of Panama City.

From the crash of gunfire to the billowing sail on the horizon, Latimer brilliantly evokes the dramatic age of the buccaneers.

Mária Mádi (1898–1970) was a Roman Catholic Hungarian physician living in Budapest during World War II. Stuck in the city, she vowed to become a witness to events as they unfolded and began keeping a diary to chronicle her everyday life, as well as the lives of her Jewish neighbors, during what would be the darkest periods of the Holocaust. From the time Hungary declared war on the United States in December 1941 until she secured an immigrant’s visa to the US in late 1946, she wrote nearly daily in English, offering current-day readers one of the most complete pictures of ordinary life during the Holocaust in Hungary. In the form of letters to her American relatives, Mádi addressed a wide range of subjects, from the fate of small countries like Hungary caught between the major powers of Germany and the Soviet Union, to the Nazi pogrom against Budapest’s Jews, to family news and the price of food.

Mádi’s family donated the entire collection of her diaries to the US Holocaust Memorial Museum. This edition transcribes a selection of Mádi’s writings focusing on the period of March 1944 to November 1945, from the Nazi invasion and occupation of Hungary, through the Battle of Budapest, to the ensuing Soviet occupation. While bearing witness to the catastrophe in Hungary, Mádi hid a Jewish family in her small flat from October 1944 to February 1945. She received a posthumous Righteous among Nations Medal from Yad Vashem, the World Holocaust Remembrance Center.

Editorial commentary by James W. Oberly situates Mádi’s observations, and a critical introduction by the Holocaust scholar András Lénárt outlines the wider sociopolitical context in which her diaries gain meaning.

For 1,400 years, two colossal figures of the Buddha overlooked the fertile Bamiyan Valley on the Silk Road in Afghanistan. Witness to a melting pot of passing monks, merchants, and armies, the Buddhas embodied the intersection of East and West, and their destruction by the Taliban in 2001 provoked international outrage. Llewelyn Morgan excavates the layers of meaning these vanished wonders hold for a fractured Afghanistan.

Carved in the sixth and seventh centuries, the Buddhas represented a confluence of religious and artistic traditions from India, China, Central Asia, and Iran, and even an echo of Greek influence brought by Alexander the Great’s armies. By the time Genghis Khan destroyed the town of Bamiyan six centuries later, Islam had replaced Buddhism as the local religion, and the Buddhas were celebrated as wonders of the Islamic world. Not until the nineteenth century did these figures come to the attention of Westerners. That is also the historical moment when the ground was laid for many of Afghanistan’s current problems, including the rise of the Taliban and the oppression of the Hazara people of Bamiyan. In a strange twist, the Hazaras—descendants of the conquering Mongol hordes who stormed Bamiyan in the thirteenth century—had come to venerate the Buddhas that once dominated their valley as symbols of their very different religious identity.

Incorporating the voices of the holy men, adventurers, and hostages throughout history who set eyes on the Bamiyan Buddhas, Morgan tells the history of this region of paradox and heartache.

John S. Strong unravels the storm of influences shaping the received narratives of two iconic sacred objects.

Bodily relics such as hairs, teeth, fingernails, pieces of bone—supposedly from the Buddha himself—have long served as objects of veneration for many Buddhists. Unsurprisingly, when Western colonial powers subjugated populations in South Asia, they used, manipulated, redefined, and even destroyed these objects to exert control.

In The Buddha’s Tooth, John S. Strong examines Western stories, from the sixteenth to the twentieth century, surrounding two significant Sri Lankan sacred objects to illuminate and concretize colonial attitudes toward Asian religions. First, he analyzes a tale about the Portuguese capture and public destruction, in the mid-sixteenth century, of a tooth later identified as a relic of the Buddha. Second, he switches gears to look at the nineteenth-century saga of British dealings with another tooth relic of the Buddha—the famous Daḷadā enshrined in a temple in Kandy—from 1815, when it was taken over by English forces, to 1954, when it was visited by Queen Elizabeth II. As Strong reveals, the stories of both the Portuguese tooth and the Kandyan tooth reflect nascent and developing Western understandings of Buddhism, realizations of the cosmopolitan nature of the tooth, and tensions between secular and religious interests.

Buddhism under Mao shows what kind of a problem Buddhism presented to the Chinese Communists and how they solved it. Relying largely on materials from the Mainland press, Holmes Welch has made what is probably the most detailed study so far available of the fate of a world religion in a Communist country. He describes how Buddhist institutions were controlled, protected, utilized, and suppressed; and explains why the larger needs of foreign and domestic policy dictated the Communists’ approach to the institutions. Over eighty photographs illustrate the activities of monks, laymen, and foreign visitors.

Welch worked for over a decade on the trilogy here completed. The preceding volumes, The Practice of Chinese Buddhism, 1900–1950 and The Buddhist Revival in China, dealt with Buddhism in the years before the Communist victory. Buddhism under Mao ends with a discussion of the possibility of the survival of certain elements of Buddhism in new forms.

In the late 1800s, as Japanese leaders mulled over the usefulness of religion in modernizing their country, they chose to invite Unitarian missionaries to Japan. This book spotlights one facet of debates sparked by the subsequent encounter between Unitarianism and Buddhism—an intersection that has been largely neglected in the scholarly literature. Focusing on the cascade of events triggered by the missionary presence of the American Unitarian Association on Japanese soil between 1887 and 1922, Michel Mohr’s study sheds new light on this formative time in Japanese religious and intellectual history.

Drawing on the wealth of information contained in correspondence sent and received by Unitarian missionaries in Japan, as well as periodicals, archival materials, and Japanese sources, Mohr shows how this missionary presence elicited unprecedented debates on “universality” and how the ambiguous idea of “universal truth” was utilized by missionaries to promote their own cultural and ethnocentric agendas. At the turn of the twentieth century this notion was appropriated and reformulated by Japanese intellectuals and religious leaders, often to suit new political and nationalistic ambitions.

After the Communist victory in China’s civil war, Taiwan“then governed by the KMT (or Nationalist Party)“became a focal point for both Buddhist and Christian activity in the Chinese world. Focusing on some of the most influential monastics of the time, this study considers Buddhist responses to Christianity during its subsequent period of growth on the island. Drawing on Buddhist and Christian publications, it shows that interfaith competition, and political context, are important in shaping religious identity and driving the religious engagement with modernity. Buddhist Responses to Christianity in Postwar Taiwan: Awakening the World will be of interest to historians of Buddhism, Chinese religion and Taiwanese society, and to those with an interest in interfaith dialogue more generally.

Of all the world's major religions, Chinese Buddhism has probably experienced the most traumatic modernization. The establishment of a communist state quickly emerged from the self-contained Manchu Empire. The consequences are described in this book. Holmes Welch offers the first detailed account of the careers of recent Buddhist leaders and of the diverse organization they started. Eighteen Chinese Buddhist associations are identified as the author traces the struggle for national leadership. The role of T'ai-hsü, the leader best known to Western readers but not, it is shown, among Buddhists, is given a controversial reassessment.

After examining the main features of the revival, Welch puts them into a larger political framework. In the process, he offers copious evidence that our picture of Chinese Buddhism has been distorted. What has been termed a "revival" was actually a secular reorientation. The author's conclusion is that this secularization, vigorous as it was, in reality foreshadowed the decline of Chinese Buddhism as a living religion.

By 1920 Buenos Aires was the largest and most cosmopolitan city of Latin America due to mass immigration from Europe in the previous decades. Unbridled urban expansion had drastic effects on the social and cultural topography of the Argentine capital, raising ideological and aesthetic issues that shaped the modernist landscape of the country. Artists across disciplines responded to these changes with conflicting depictions of urban space. Centering these conflicts as a cognitive map of modernity’s new realities in the city, Buenos Aires across the Arts looks at the interaction between modernity and modernism in literature, photography, film, and painting during the interwar period. This was a time of profound change and heightened cultural activity in Argentina. Eleni Kefala analyzes works by Jorge Luis Borges, Oliverio Girondo, José Ferreyra, Xul Solar, Roberto Arlt, and Horacio Coppola, with a focus on the city of Buenos Aires as a playground of modernity.

Building a Nation at War argues that the Chinese Nationalist government’s retreat inland during the Sino-Japanese War (1937–1945), its consequent need for inland resources, and its participation in new scientific and technical relationships with the United States led to fundamental changes in how the Nationalists engaged with science and technology as tools to promote development.

The war catalyzed an emphasis on applied sciences, comprehensive economic planning, and development of scientific and technical human resources—all of which served the Nationalists’ immediate and long-term goals. It created an opportunity for the Nationalists to extend control over inland China and over education and industry. It also provided opportunities for China to mobilize transnational networks of Chinese-Americans, Chinese in America, and the American government and businesses. These groups provided technical advice, ran training programs, and helped the Nationalists acquire manufactured goods and tools. J. Megan Greene shows how the Nationalists worked these programs to their advantage, even in situations where their American counterparts clearly had the upper hand. Finally, this book shows how, although American advisers and diplomats criticized China for harboring resources rather than putting them into winning the war against Japan, US industrial consultants were also strongly motivated by postwar goals.

Nineteenth-century Europe saw an unprecedented rise in the number of synagogues. Building a Public Judaism considers what their architecture and the circumstances surrounding their construction reveal about the social progress of modern European Jews. Looking at synagogues in four important centers of Jewish life—London, Amsterdam, Paris, and Berlin—Saskia Coenen Snyder argues that the process of claiming a Jewish space in European cities was a marker of acculturation but not of full acceptance. Whether modest or spectacular, these new edifices most often revealed the limits of European Jewish integration.

Debates over building initiatives provide Coenen Snyder with a vehicle for gauging how Jews approached questions of self-representation in predominantly Christian societies and how public manifestations of their identity were received. Synagogues fused the fundamentals of religion with the prevailing cultural codes in particular locales and served as aesthetic barometers for European Jewry’s degree of modernization. Coenen Snyder finds that the dialogues surrounding synagogue construction varied significantly according to city. While the larger story is one of increasing self-agency in the public life of European Jews, it also highlights this agency’s limitations, precisely in those places where Jews were thought to be most acculturated, namely in France and Germany.

Building a Public Judaism grants the peculiarities of place greater authority than they have been given in shaping the European Jewish experience. At the same time, its place-specific description of tensions over religious tolerance continues to echo in debates about the public presence of religious minorities in contemporary Europe.

2022 PROSE Award in Architecture and Urban Planning
2022 Summerlee Book Prize in Nonfiction, Center for History and Culture of Southeast Texas and the Upper Gulf Coast
2022 Best Book Prize, Southeast Chapter of the Society of Architectural Historians
2022 On the Brinck Book Award, University of New Mexico School of Architecture + Planning

A significant and deeply researched examination of the free nineteenth-century Black developers who transformed the cultural and architectural legacy of New Orleans.

The Creole architecture of New Orleans is one of the city’s most-recognized features, but studies of it largely have focused on architectural typology. In Building Antebellum New Orleans, Tara A. Dudley examines the architectural activities and influence of gens de couleur libres—free people of color—in a city where the mixed-race descendants of whites and other free Blacks could own property.

Between 1820 and 1850 New Orleans became an urban metropolis and industrialized shipping center with a growing population. Amidst dramatic economic and cultural change in the mid-antebellum period, the gens de couleur libres thrived as property owners, developers, building artisans, and patrons. Dudley writes an intimate microhistory of two prominent families of Black developers, the Dollioles and Souliés, to explore how gens de couleur libres used ownership, engagement, and entrepreneurship to construct individual and group identity and stability. With deep archival research, Dudley re-creates in fine detail the material culture, business and social history, and politics of the built environment for free people of color and adds new, revelatory information to the canon on New Orleans architecture.

The Building as Screen: A History, Theory, and Practice of Massive Media describes, historicizes, theorizes, and creatively deploys massive media -- a set of techno-social assemblages and practices that include large outdoor projections, programmable architectural façades, and urban screens -- in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreal’s Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image.

Among established American institutions, few have been more successful or paradoxical than the Boy Scouts of America. David Macleod traces the social history of America in this scholarly account of the origins of the Boy Scouts and other character-building agencies, through which adults tried to restructure middle-class boyhood.

Back in print; First paperback edition.

Building for Oil is a historical account of the development of the oil town of Daqing in northeastern China during the formative years of the People’s Republic, describing Daqing’s rise and fall as a national model city. Daqing oil field was the most profitable state-owned enterprise and the single largest source of state revenue for almost three decades, from the 1950s through the early 1980s. The book traces the roots and maturation of the Chinese socialist state and its early industrialization and modernization policies during a time of unprecedented economic growth.

The metamorphosis of Daqing’s physical landscape in many ways exemplified the major challenges and changes taking place in Chinese state and society. Through detailed, often personal descriptions of the process of planning and building Daqing, the book illuminates the politics between party leaders and elite ministerial cadres and examines the diverse interests, conflicts, tensions, functions, and dysfunctions of state institutions and individuals. Building for Oil records the rise of the “Petroleum Group” in the central government while simultaneously revealing the everyday stories and struggles of the working men and women who inhabited China’s industrializing landscape—their beliefs, frustrations, and pursuit of a decent life.

Building for Oil is a historical account of the development of the oil town of Daqing in northeastern China during the formative years of the People’s Republic, describing Daqing’s rise and fall as a national model city. Daqing oil field was the most profitable state-owned enterprise and the single largest source of state revenue for almost three decades, from the 1950s through the early 1980s. The book traces the roots and maturation of the Chinese socialist state and its early industrialization and modernization policies during a time of unprecedented economic growth.

The metamorphosis of Daqing’s physical landscape in many ways exemplified the major challenges and changes taking place in Chinese state and society. Through detailed, often personal descriptions of the process of planning and building Daqing, the book illuminates the politics between party leaders and elite ministerial cadres and examines the diverse interests, conflicts, tensions, functions, and dysfunctions of state institutions and individuals. Building for Oil records the rise of the “Petroleum Group” in the central government while simultaneously revealing the everyday stories and struggles of the working men and women who inhabited China’s industrializing landscape—their beliefs, frustrations, and pursuit of a decent life.

From the years 2004 to 2008, Beijing and Shanghai witnessed the construction of an extraordinary number of new buildings, many of which were designed by architectural firms overseas. Combining ethnographic fieldwork, historical research, and network analysis, Building Globalization closely scrutinizes the growing phenomenon of transnational architecture and its profound effect on the development of urban space.

Roaming from construction sites in Shanghai to architects’ offices in Paris, Xuefei Ren interviews hundreds of architects, developers, politicians, residents, and activists to explore this issue. She finds that in the rapidly transforming cities of modern China, iconic designs from prestigious international architects help private developers to distinguish their projects, government officials to advance their careers, and the Chinese state to announce the arrival of modern China on the world stage. 

China leads the way in the globalization of architecture, a process whose ramifications can be felt from Beijing to Dubai to Basel. Connecting the dots between real estate speculation, megaproject construction, residential displacement, historical preservation, housing rights, and urban activism, Building Globalization reveals the contradictions and consequences of this new, global urban frontier.

This book examines two eras of Chinese history that have commonly been viewed as periods of state disintegration or retreat. And they were--at the central level. When re-examined at the local level, however, both are revealed as periods of state building. In both the Nanjing decade of Guomindang rule (1927-1937) and the early post-Mao reform era (1980-1992), both national and local factors shaped local state building and created variations in local state structures and practices. This book focuses on one key area of the state, taxation and public finance, to trace the processes of local state building in these two eras. Using the records of local tax and finance offices in the Tianjin area and in Guangdong province, the author maps the process by which these county-level offices grew.

This book highlights variation in local state structures and practices between localities and between the central and local governments. As the author shows, this variation is important because it results in regional differences in state-society relations and affects central state capacity in terms of the local state's ability to implement central state policies as well as its own.

When people attend classical music concerts today, they sit and listen in silence, offering no audible reactions to what they're hearing. We think of that as normal-but, as Darryl Cressman shows in this book, it's the product of a long history of interrelationships between music, social norms, and technology. Using the example of Amsterdam's Concertgebouw in the nineteenth century, Cressman shows how its design was in part intended to help discipline and educate concert audiences to listen attentively - and analysis of its creation and use offers rich insights into sound studies, media history, science and technology studies, classical music, and much more.

During Chile’s shift to neoliberalism, the dictatorship of Augusto Pinochet passed a swath of probusiness labor legislation. Subsequent labor reforms by democratically elected progressive administrations have sought to shift power back to workers, but this task has proven difficult. In Building Power to Shape Labor Policy, Pablo Pérez Ahumada explains why. Focusing on reforms to collective labor law, Pérez Ahumada argues that analyzing how both workers and employers mobilize power to influence government policies is crucial for understanding labor reform outcomes. He examines the relational character of power to explain how different types of power—structural, institutional, associational—interact with each other, and proposes a relational understanding of power and how it is balanced among competing social classes. While workers and employers both have a hand in shaping labor law, their influence is not equal. Analysis of recent events in Chile reveals how the balance of power and the lingering effects of neoliberalism manifest in labor reform.