Throughout his life, James Boswell struggled to fashion a clear account of himself, but try as he might, he could not reconcile the truths of his era with those of his religious upbringing. Boswell’s Enlightenment examines the conflicting credos of reason and faith, progress and tradition that pulled Boswell, like so many eighteenth-century Europeans, in opposing directions. In the end, the life of the man best known for writing Samuel Johnson’s biography was something of a patchwork affair. As Johnson himself understood: “That creature was its own tormentor, and I believe its name was BOSWELL.”

Few periods in Boswell’s life better crystallize this internal turmoil than 1763–1765, the years of his Grand Tour and the focus of Robert Zaretsky’s thrilling intellectual adventure. From the moment Boswell sailed for Holland from the port of Harwich, leaving behind on the beach his newly made friend Dr. Johnson, to his return to Dover from Calais a year and a half later, the young Scot was intent on not just touring historic and religious sites but also canvassing the views of the greatest thinkers of the age. In his relentless quizzing of Voltaire and Rousseau, Hume and Johnson, Paoli and Wilkes on topics concerning faith, the soul, and death, he was not merely a celebrity-seeker but—for want of a better term—a truth-seeker. Zaretsky reveals a life more complex and compelling than suggested by the label “Johnson’s biographer,” and one that 250 years later registers our own variations of mind.

This book brings together an international body of scholars working on eighteenth-century botany within the context of imperial expansion. The eighteenth century saw widespread exploration, a tremendous increase in the traffic in botanical specimens, taxonomic breakthroughs, and horticultural experimentation. The contributors to this volume compare the impact of new developments and discoveries across several regions, broadening the geographical scope of their inquiries to encompass imperial powers that did not have overseas colonial possessions—such as the Russian, Ottoman, and Qing empires and the Tokugawa shogunate—as well as politically borderline regions such as South Africa, Yemen, and New Zealand.

The essays in this volume examine the botanical ambitions of eighteenth-century empires; the figure of the botanical explorer; the links between imperial ambition and the impulse to survey, map, and collect botanical specimens in “new” territories; and the relationships among botanical knowledge, self-representation, and material culture.

On October 27, 2018, three congregations were holding their morning Shabbat services at the Tree of Life Synagogue in Pittsburgh’s Squirrel Hill neighborhood when a lone gunman entered the building and opened fire. He killed eleven people and injured six more in the deadliest anti-Semitic attack in American history. The story made international headlines for weeks following the shooting, but Pittsburgh and the local Jewish community could not simply move on when the news cycle did.

The essays in this anthology, written by local journalists, academics, spiritual leaders, and other community members, reveal a city’s attempts to come to terms with an unfathomable horror. Here, members from each of the three impacted congregations are able to reflect on their experiences in a raw, profound way. Local journalists who covered the story as it unfolded explore the personal and public aspects of reporting the news. Activists consider their work at a calm distance from the chaotic intensity of their daily efforts. Academics mesh their professional expertise with their personal experiences of this shattering event in their hometown. A local rabbi shares his process for crafting messages of comfort even as he attempts to reckon with his own feelings.

Bringing these local voices together into a chorus raises them over the din of international chroniclers who offer important contributions but cannot feel the intensity of this tragedy in the same way as Pittsburghers. The essays in this anthology tell a collective story of city shaken to its very core, but determined that love will ultimately win.

A portion of the proceeds from the sale of this book will go to Jewish Family and Community Service of Pittsburgh (https://www.jfcspgh.org/), which serves individuals and families of all faiths throughout the Greater Pittsburgh community.

Winner of the Stone Book Award, Museum of African American History
Winner of the Joan Kelly Memorial Prize
Winner of the Littleton-Griswold Prize
Winner of the Mary Nickliss Prize
Winner of the Willie Lee Rose Prize

Americans have long viewed marriage between a white man and a white woman as a sacred union. But marriages between African Americans have seldom been treated with the same reverence. This discriminatory legacy traces back to centuries of slavery, when the overwhelming majority of black married couples were bound in servitude as well as wedlock, but it does not end there. Bound in Wedlock is the first comprehensive history of African American marriage in the nineteenth century. Drawing from plantation records, legal documents, and personal family papers, it reveals the many creative ways enslaved couples found to upend white Christian ideas of marriage.

“A remarkable book… Hunter has harvested stories of human resilience from the cruelest of soils… An impeccably crafted testament to the African-Americans whose ingenuity, steadfast love and hard-nosed determination protected black family life under the most trying of circumstances.”
—Wall Street Journal

“In this brilliantly researched book, Hunter examines the experiences of slave marriages as well as the marriages of free blacks.”
—Vibe

“A groundbreaking history… Illuminates the complex and flexible character of black intimacy and kinship and the precariousness of marriage in the context of racial and economic inequality. It is a brilliant book.”
—Saidiya Hartman, author of Lose Your Mother

It is commonly believed that international law originated in relations among European states that respected one another as free and equal. In fact, as Jennifer Pitts shows, international law was forged at least as much through Europeans’ domineering relations with non-European states and empires, leaving a legacy still visible in the unequal structures of today’s international order.

Pitts focuses on the eighteenth and nineteenth centuries, the great age of imperial expansion, as European intellectuals and administrators worked to establish and justify laws to govern emerging relationships with non-Europeans. Relying on military and commercial dominance, European powers dictated their own terms on the basis of their own norms and interests. Despite claims that the law of nations was a universal system rooted in the values of equality and reciprocity, the laws that came to govern the world were parochial and deeply entangled in imperialism. Legal authorities, including Emer de Vattel, John Westlake, and Henry Wheaton, were key figures in these developments. But ordinary diplomats, colonial administrators, and journalists played their part too, as did some of the greatest political thinkers of the time, among them Montesquieu and John Stuart Mill.

Against this growing consensus, however, dissident voices as prominent as Edmund Burke insisted that European states had extensive legal obligations abroad that ought not to be ignored. These critics, Pitts shows, provide valuable resources for scrutiny of the political, economic, and legal inequalities that continue to afflict global affairs.

"Before we parted, the General told me he should never see me more; for he was going with a handful of men to conquer whole nations; and to do this they must cut their way through unknown woods. He produced a map of the country, saying at the same time, ‘Dear Pop, we are sent like sacrifices to the altar.’”—George Anne Bellamy on General Edward Braddock’s departure

In January 1755, Major General Edward Braddock was sent by Great Britain on a mission to drive France once and for all from the New World. Accompanied by the largest armed expeditionary force ever sent to North America, Braddock’s primary target was the Forks of the Ohio, where he planned to seize Fort Duquesne (at present-day Pittsburgh, Pennsylvania), and then march north into Canada. After landing in Alexandria, Virginia, and organizing his troops and supply chain, Braddock and his expedition began its nearly 250-mile trek, heroically cutting through uncharted wilderness, fording rivers, and scaling the Appalachian mountains, all while hauling baggage and heavy artillery. Braddock was joined on this epic mission by a young Virginia colonel, George Washington, and others who would later play major roles in the American Revolution, including Horatio Gates, Thomas Gage, and Charles Lee; among those driving the expedition’s wagons were Daniel Boone and Daniel Morgan. Having withstood the harsh frontier and finally marching upon Fort Duquesne on a hot July morning, Braddock’s exhausted column was ambushed by a combined French and Indian force. Over two-thirds of Braddock’s British and colonial troops were killed or wounded, including Braddock himself, struck by a bullet in the chest while attempting to rally his disoriented troops. George Washington miraculously escaped harm despite four bullet holes through his clothing. With this battle, North America became the greatest stake in the global war between France and Great Britain.

In Braddock’s March: How the Man Sent to Seize a Continent Changed American History, Thomas E. Crocker tells the riveting story of one of the most important events in colonial America. Not only did Braddock’s expedition have a profound impact on American political and military developments, this fateful march laid the foundation for the “National Pike,” the major road for westward expansion, launched the career of George Washington, and sowed the seeds of dissent between  England and its colonies that would ultimately lead to the American Revolution.

Tracking the movement of finance capital toward far-flung investment frontiers, Noam Maggor reconceives the emergence of modern capitalism in the United States. Brahmin Capitalism reveals the decisive role of established wealth in the transformation of the American economy in the decades after the Civil War, leading the way to the nationally integrated corporate capitalism of the twentieth century.

Maggor’s provocative history of the Gilded Age explores how the moneyed elite in Boston—the quintessential East Coast establishment—leveraged their wealth to forge transcontinental networks of commodities, labor, and transportation. With the decline of cotton-based textile manufacturing in New England and the abolition of slavery, these gentleman bankers traveled far and wide in search of new business opportunities and found them in the mines, railroads, and industries of the Great West. Their investments spawned new political and social conflict, in both the urbanizing East and the expanding West. In contests that had lasting implications for wealth, government, and inequality, financial power collided with more democratic visions of economic progress.

Rather than being driven inexorably by technologies like the railroad and telegraph, the new capitalist geography was a grand and highly contentious undertaking, Maggor shows, one that proved pivotal for the rise of the United States as the world’s leading industrial nation.

The music of Johannes Brahms is deeply colored, Daniel Beller-McKenna shows, by nineteenth-century German nationalism and by Lutheran religion. Focusing on the composer's choral works, the author offers new insight on the cultural grounding for Brahms's music.

Music historians have been reluctant to address Brahms's Germanness, wary perhaps of fascist implications. Beller-McKenna counters this tendency; by giving an account of the intertwining of nationalism, politics, and religion that underlies major works, he restores Brahms to his place in nineteenth-century German culture. The author explores Brahms's interest in the folk element in old church music; the intense national pride expressed in works such as the Triumphlied; the ways Luther's Bible and Lutheranism are reflected in Brahms's music; and the composer's ideas about nation building. The final chapter looks at Brahms's nationalistic image as employed by the National Socialists, 1933-1945, and as witnessed earlier in the century (including the complication of rumors that Brahms was Jewish).

In comparison to the overtly nationalist element in Wagner's music, the German elements in Brahms's style have been easy to overlook. This nuanced study uncovers those nationalistic elements, enriching our understanding both of Brahms's art and of German culture.

Ask anyone to name an archetypal Texan, and you're likely to get a larger-than-life character from film or television (say John Wayne's Davy Crockett or J. R. Ewing of TV's Dallas) or a politician with that certain swagger (think LBJ or George W. Bush). That all of these figures are white and male and bursting with self-confidence is no accident, asserts Leigh Clemons. In this thoughtful study of what makes a "Texan," she reveals how Texan identity grew out of the history—and, even more, the myth—of the heroic deeds performed by Anglo men during the Texas Revolution and the years of the Republic and how this identity is constructed and maintained by theatre and other representational practices.

Clemons looks at a wide range of venues in which "Texanness" is performed, including historic sites such as the Alamo, the battlefield at Goliad, and the San Jacinto Monument; museums such as the Bob Bullock Texas State History Museum; seasonal outdoor dramas such as Texas! at Palo Duro Canyon; films such as John Wayne's The Alamo and the IMAX's Alamo: The Price of Freedom; plays and TV shows such as the Tuna trilogy, Dallas, and King of the Hill; and the Cavalcade of Texas performance at the 1936 Texas Centennial. She persuasively demonstrates that these performances have created a Texan identity that has become a brand, a commodity that can be sold to the public and even manipulated for political purposes.

Brave black women have played important roles in American history. Before the Emancipation Proclamation in 1863, black women bore the bonds of slavery with courage and strength. Since Emancipation, black women have supported schools, churches, and civic organizations, entered many professions, and helped to build strong communities. This book dramatizes their impressive story and celebrates their achievements.

Writing especially for students in grades four through eight, Ruthe Winegarten and Sharon Kahn trace the history of black women from slavery until today. Their story includes many heroines, from Emily Morgan, "the Yellow Rose of Texas," to pioneer aviator Bessie Coleman, astronaut Mae Jemison, opera singer Barbara Conrad, actresses Phylicia Rashad and Debbie Allen, and Congresswoman Barbara Jordan, whose life story forms the final chapter.

In addition to these famous black women, the book also profiles teachers, businesswomen, civil rights leaders, community activists, doctors, nurses, athletes, musicians, artists, and political leaders. Adapted from the award-winning Black Texas Women: 150 Years of Trial and Triumph, it will be fascinating reading for children and their parents and grandparents, teachers, and librarians.

Portugal extracted wealth from its Brazilian colony. Slaves--first indigenous peoples, later Africans--mined its ore and cut its sugarcane. From the customs of the colonists and the aspirations of the enslaved rose Brazil. Bosi scrutinizes signal points in the creation of Brazilian culture--the plays and poetry, the sermons of missionaries and Jesuit priests, the Indian novels of José de Alencar and the Voices of Africa of poet Castro Alves. His portrait of the country's response to the pressures of colonial conformity offers a groundbreaking appraisal of Brazilian culture as it emerged from the tensions between imposed colonial control and the African and Amerindian cults--including the Catholic-influenced ones--that resisted it.

Has the world economy shaped and defined Brazil’s economic and political history and, if so, to what extent? Is Brazil’s past to be explained principally by its insertion in a single world capitalist system? The authors of the three essays in this volume reflect critically on these questions along with the following: Should the determining factors be understood as sociological-cultural (as in a heritage of patrimonial rule) or were they based on material reality? What was the connection between the presence of slavery in the Americas and the emergence of capitalism in Europe? What accounts for Brazil’s centuries-long reliance on exports and the slow development of its industry?

The chapters in this book draw contrasting judgments on virtually every major issue in Brazilian history because they begin from divergent premises. In arguing their cause, noted scholars John R. Hall, Fernando A. Novais, and Luís Carlos Soares provide a formidable intellectual point and counterpoint whose theoretical assumptions bear heavily on all social scientists engaged in exploring colonialism, imperialism, capitalism, dependency, and relative international poverty.

Brazil and the World System provides provocative insights not only about Brazil but also about the nature of colonialism in general and its relationship to the rise of capitalism in Europe. It should appeal to Latin Americanists of all disciplinary persuasions as well as to general readers curious about great patterns of change in history. Stuart Schwartz, director of the Center for Early Modern History at the University of Minnesota, says, “ . . . an excellent collection . . . North American scholarship will find these essays an eye-opener.

The first comprehensive cultural history of Brazil to be written in English, Brazil Imagined: 1500 to the Present captures the role of the artistic imaginary in shaping Brazil's national identity. Analyzing representations of Brazil throughout the world, this ambitious survey demonstrates the ways in which life in one of the world's largest nations has been conceived and revised in visual arts, literature, film, and a variety of other media.

Beginning with the first explorations of Brazil by the Portuguese, Darlene J. Sadlier incorporates extensive source material, including paintings, historiographies, letters, poetry, novels, architecture, and mass media to trace the nation's shifting sense of its own history. Topics include the oscillating themes of Edenic and cannibal encounters, Dutch representations of Brazil, regal constructs, the literary imaginary, Modernist utopias, "good neighbor" protocols, and filmmakers' revolutionary and dystopian images of Brazil. A magnificent panoramic study of race, imperialism, natural resources, and other themes in the Brazilian experience, this landmark work is a boon to the field.

The Brazilian Communist Party was one of the largest Communist parties in Latin America until its split and dissolution in the 1990s. Although not granted legal status as a political party of Brazil until 1985, the Partido Comunista Brasileiro (PCB) has been tolerated by that country's regime.

Such governmental tolerance of the PCB was not always the case. In the past, the regime of Getúlio Vargas practiced savage forms of repression against Brazilian leftists, whose "Red extremism" was cited by both government leaders and the press as sufficient cause for Vargas' adoption of the most extreme measures.

Brazilian Communism, 1935–1945 is an objective and remarkably comprehensive account of the Brazilian Communist Party's struggle to survive those days of repression.

From his prison cell, PCB leader Luís Carlos Prestes guided the Party's quarreling factions. All who were associated with the Left shared a common enemy: the police, who used the most brutal forms of torture to extract information about leftist activities. Young Elza Fernandes, companion of the PCB's secretary general, was one whom the police interrogated. Suspecting that she had betrayed them, the Party itself arranged her murder.

Dulles' vivid account of this violent chapter in Latin American history is based on exclusive interviews with leading activists of the period and exhaustive research in the archives of both the PCB and the Brazilian police. The results make fascinating reading for Latin Americanists, historians of World War II, and students of international Communism alike.

At most recent count, there are no fewer than forty-five women in Brazil directing or codirecting feature-length fiction or documentary films. In the early 1990s, women filmmakers in Brazil were credited for being at the forefront of the rebirth of filmmaking, or retomada, after the abolition of the state film agency and subsequent standstill of film production. Despite their numbers and success, films by Brazilian women directors are generally absent from discussions of Latin American film and published scholarly works.

Analyzing disjunctions between middle-class and working-class women's ideas of independence, Vapnek highlights the agendas for change advanced by leaders such as Jennie Collins, Leonora O'Reilly, and Helen Campbell and organizations such as the National Consumers' League, the Women's Educational and Industrial Union, and the Women's Trade Union League. Locating households as important sites of class conflict, Breadwinners recovers the class and gender politics behind the marginalization of domestic workers from labor reform while documenting the ways in which working-class women raised their voices on their own behalf.

Travel in Tokugawa Japan was officially controlled by bakufu and domainal authorities via an elaborate system of barriers, or sekisho, and travel permits; commoners, however, found ways to circumvent these barriers, frequently ignoring the laws designed to control their mobility. In this study, Constantine Vaporis challenges the notion that this system of travel regulations prevented widespread travel, maintaining instead that a “culture of movement” in Japan developed in the Tokugawa era.

Using a combination of governmental documentation and travel literature, diaries, and wood-block prints, Vaporis examines the development of travel as recreation; he discusses the impact of pilgrimage and the institutionalization of alms-giving on the freedom of movement commoners enjoyed. By the end of the Tokugawa era, the popular nature of travel and a sophisticated system of roads were well established. Vaporis explores the reluctance of the bakufu to enforce its travel laws, and in doing so, beautifully evokes the character of the journey through Tokugawa Japan.