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29727 books about History and 2027
29727 books about History
2027 start with A start with A
2027 start with A start with A
The Art of Transition
Latin American Culture and Neoliberal Crisis
Francine Masiello
Duke University Press, 2001
The Art of Transition addresses the problems defined by writers and artists during the postdictatorship years in Argentina and Chile, years in which both countries aggressively adopted neoliberal market-driven economies. Delving into the conflicting efforts of intellectuals to name and speak to what is real, Francine Masiello interprets the culture of this period as an art of transition, referring to both the political transition to democracy and the formal strategies of wrestling with this change that are found in the aesthetic realm.
Masiello views representation as both a political and artistic device, concerned with the tensions between truth and lies, experience and language, and intellectuals and the marginal subjects they study and claim to defend. These often contentious negotiations, she argues, are most provocatively displayed through the spectacle of difference, which constantly crosses the literary stage, the market, and the North/South divide. While forcefully defending the ability of literature and art to advance ethical positions and to foster a critical view of neoliberalism, Masiello especially shows how issues of gender and sexuality function as integrating threads throughout this cultural project. Through discussions of visual art as well as literary work by prominent novelists and poets, Masiello sketches a broad landscape of vivid intellectual debate in the Southern Cone of Latin America.
The Art of Transition will interest Latin Americanists,literary and political theorists, art critics and historians, and those involved with the study of postmodernism and globalization.
Masiello views representation as both a political and artistic device, concerned with the tensions between truth and lies, experience and language, and intellectuals and the marginal subjects they study and claim to defend. These often contentious negotiations, she argues, are most provocatively displayed through the spectacle of difference, which constantly crosses the literary stage, the market, and the North/South divide. While forcefully defending the ability of literature and art to advance ethical positions and to foster a critical view of neoliberalism, Masiello especially shows how issues of gender and sexuality function as integrating threads throughout this cultural project. Through discussions of visual art as well as literary work by prominent novelists and poets, Masiello sketches a broad landscape of vivid intellectual debate in the Southern Cone of Latin America.
The Art of Transition will interest Latin Americanists,literary and political theorists, art critics and historians, and those involved with the study of postmodernism and globalization.
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The Art of Vision
Ekphrasis in Medieval Literature and Culture
Andrew James Johnston, Margitta Rouse, and Ethan Knapp
The Ohio State University Press, 2015
One of the most common ways of setting the arts in parallel, at least from the literary side, is through the popular rhetorical device of ekphrasis. The original meaning of this term is simply an extended and detailed, lively description, but it has been used most commonly in reference to painting or sculpture. In this lively collection of essays, Andrew James Johnston, Ethan Knapp, and Margitta Rouse offer a major contribution to the study of text–image relationships in medieval Europe. Resisting any rigid definition of ekphrasis, The Art of Vision is committed to reclaiming medieval ekphrasis, which has not only been criticized for its supposed aesthetic narcissism but has also frequently been depicted as belonging to an epoch when the distinctions between word and image were far less rigidly drawn. Examples studied range from the eleventh through the seventeenth centuries and include texts written in Medieval Latin, Medieval French, Middle English, Middle Scots, Middle High German, and Early Modern English.
The essays in this volume highlight precisely the entanglements that ekphrasis suggests and/or rejects: not merely of word and image, but also of sign and thing, stasis and mobility, medieval and (early) modern, absence and presence, the rhetorical and the visual, thinking and feeling, knowledge and desire, and many more. The Art of Vision furthers our understanding of the complexities of medieval ekphrasis while also complicating later understandings of this device. As such, it offers a more diverse account of medieval ekphrasis than previous studies of medieval text–image relationships, which have normally focused on a single country, language, or even manuscript.
The essays in this volume highlight precisely the entanglements that ekphrasis suggests and/or rejects: not merely of word and image, but also of sign and thing, stasis and mobility, medieval and (early) modern, absence and presence, the rhetorical and the visual, thinking and feeling, knowledge and desire, and many more. The Art of Vision furthers our understanding of the complexities of medieval ekphrasis while also complicating later understandings of this device. As such, it offers a more diverse account of medieval ekphrasis than previous studies of medieval text–image relationships, which have normally focused on a single country, language, or even manuscript.
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The Art of Visual Exegesis
Rhetoric, Texts, Images
Vernon K. Robbins
SBL Press, 2017
A critical study for those interested in the intersection of art and biblical interpretation
With a special focus on biblical texts and images, this book nurtures new developments in biblical studies and art history during the last two or three decades. Analysis and interpretation of specific works of art introduce guidelines for students and teachers who are interested in the relation of verbal presentation to visual production. The essays provide models for research in the humanities that move beyond traditional disciplinary boundaries erected in previous centuries. In particular, the volume merges recent developments in rhetorical interpretation and cognitive studies with art historical visual exegesis. Readers will master the tools necessary for integrating multiple approaches both to biblical and artistic interpretation.
Features
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Art of War
Niccolò Machiavelli
University of Chicago Press, 2003
Niccolò Machiavelli's Art of War is one of the world's great classics of military and political theory. Praised by the finest military minds in history and said to have influenced no lesser lights than Frederick the Great and Napoleon, the Art of War is essential reading for anyone who wants to understand the history and theory of war in the West—and for readers of The Prince and Discourse on Livy who seek to explore more fully the connection between war and politics in Machiavelli's thought.
Machiavelli scholar Christopher Lynch offers a sensitive and entirely new translation of the Art of War, faithful to the original but rendered in modern, idiomatic English. Lynch's fluid translation helps readers appreciate anew Machiavelli's brilliant treatments of the relationships between war and politics, civilians and the military, and technology and tactics. Clearly laying out the fundamentals of military organization and strategy, Machiavelli marshals a veritable armory of precepts, prescriptions, and examples about such topics as how to motivate your soldiers and demoralize the enemy's, avoid ambushes, and gain the tactical and strategic advantage in countless circumstances.
To help readers better appreciate the Art of War, Lynch provides an insightful introduction that covers its historical and political context, sources, influence, and contemporary relevance. He also includes a substantial interpretive essay discussing the military, political, and philosophical aspects of the work, as well as maps, an index of names, and a glossary.
Machiavelli scholar Christopher Lynch offers a sensitive and entirely new translation of the Art of War, faithful to the original but rendered in modern, idiomatic English. Lynch's fluid translation helps readers appreciate anew Machiavelli's brilliant treatments of the relationships between war and politics, civilians and the military, and technology and tactics. Clearly laying out the fundamentals of military organization and strategy, Machiavelli marshals a veritable armory of precepts, prescriptions, and examples about such topics as how to motivate your soldiers and demoralize the enemy's, avoid ambushes, and gain the tactical and strategic advantage in countless circumstances.
To help readers better appreciate the Art of War, Lynch provides an insightful introduction that covers its historical and political context, sources, influence, and contemporary relevance. He also includes a substantial interpretive essay discussing the military, political, and philosophical aspects of the work, as well as maps, an index of names, and a glossary.
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The Art of War in Western World
Archer Jones
University of Illinois Press, 1987
The magnum opus of one of America's most respected military historians, The Art of War in the Western World has earned its place as the standard work on how the three major operational components of war--tactics, logistics, and strategy--have evolved and changed over time. This monumental work encompasses 2,500 years of military history, from infantry combat in ancient Greece through the dissolution of the Roman Empire to the Thirty Years' War and from the Napoleonic campaigns through World War II, which Jones sees as the culmination of modern warfare, to the Israeli-Egyptian War of 1973.
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Art on the Edge
Creators and Situations
Harold Rosenberg
University of Chicago Press, 1983
"As a stylist, in his descriptions of art and movements and books, Rosenberg has no equal. . . . One is grateful for [this] essay collection. To my mind, his piece on art criticism and the distinction between it and art history is alone worth the price of the book."—Corinne Robins, New York Times Book Review
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Art, Politics, and Development
Philipp H Lepenies
Temple University Press, 2013
In his groundbreaking study, Art, Politics and Development, Philipp Lepenies contributes to the ongoing controversy about why the track record of development aid is so dismal. He asserts that development aid policies are grounded in a specific way of literally looking at the world. This “worldview” is the result of a mental conditioning that began with the invention of linear perspective in Renaissance art. It not only triggered the emergence of modern science and brought forth our Western notion of progress, but ultimately, development as well.
Art, Politics, and Development examines this process by pulling from a range of disciplines, including art history, philosophy, literature, and social science. Lepenies not only explains the shortcomings of modern aid in a novel fashion, he also proposes how aid could be done differently.
In the series Politics, History and Social Change, edited by John C. Torpey
In the series Politics, History and Social Change, edited by John C. Torpey
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Art, Space, Ecology
Two Views-Twenty Interviews
John K. Grande
Black Rose Books, 2018
In Art, Space, Ecology, internationally renowned curator and critic John K. Grande interviews twenty major contemporary artists whose works engage with the natural environment. Whether their medium is sculpture, nature interventions, performance, body art, or installation, these discussions, complemented by eighty stunning photographs, reveal the artists’ diverse backgrounds and methods, expressions and realizations.Ultimately, the natural world serves as a canvas to explore the intersections of art, space, and the environment, thereby raising questions about our relationship with landscape itself. The essence of the art form is a dynamic interactivity, and the dialogues between Grande and the artists mirror the encounter of object and environment, artist and audience, society and nature. This work is rounded out with an engaging introduction by writer and curator Edward Lucie-Smith, who sets the stage for some of the most insightful and compelling discussions on art to be found.
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Art Systems
Brazil and the 1970s
By Elena Shtromberg
University of Texas Press, 2016
From currency and maps to heavily censored newspapers and television programming, Art Systems explores visual forms of critique and subversion during the height of Brazilian dictatorship, drawing sometimes surprising connections between artistic production and broader processes of social exchange during a period of authoritarian modernization. Positioning the works beyond the prism of politics, Elena Shtromberg reveals subtle forms of subversion and critique that reinvented the artists’ political terrain.
Analyzing key examples from Cildo Meireles, Antonio Manuel, Artur Barrio, Anna Bella Geiger, Sonia Andrade, Geraldo Mello, and others, the book offers a new framework for theorizing artistic practice. By focusing on the core economic, media, technological, and geographic conditions that circumscribed artistic production during this pivotal era, Shtromberg excavates an array of art systems that played a role in the everyday lives of Brazilians. An examination of the specific historical details of the social systems that were integrated into artistic production, this unique study showcases works that were accessed by audiences far outside the confines of artistic institutions. Proliferating during one of Brazil’s most socially and politically fraught decades, the works—spanning cartography to video art—do not conform to an easily identifiable style, form, material use, or medium. As a result of this breadth, Art Systems gives voice to the multifaceted forces at play in a unique chapter of Latin American cultural history.
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Art, Theory, Revolution
The Turn to Generality in Contemporary Literature
Mitchum Huehls
The Ohio State University Press, 2022
Can form be political? Do specific aesthetic and literary forms necessarily point us toward a progressive or reactionary politics? Artists, authors, and critics like to imagine so, but what happens when they lose control of the politics of their forms? In Art, Theory, Revolution: The Turn to Generality in Contemporary Literature, Mitchum Huehls argues that art’s interest in revolution did not end with the twentieth century, as some critics would have it, but rather that the relationship between literary forms and politics has been severed, resulting in a twenty-first century investment in forms of generality such as genre, gesture, constructivism, and abstraction. Focusing on three particular domains (art, theory, and revolution) in which the relationship between form and politics has collapsed, Huehls shows how twenty-first-century US fiction writers such as Chris Kraus, Percival Everett, Jonathan Safran Foer, Rachel Kushner, Salvador Plascencia, and Sheila Heti are turning to forms of generality that lead us toward a more modest, ad hoc, context-dependent way to think about the politics of form. The result is the first major study of generality in literature.
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Art to Come
Histories of Contemporary Art
Terry Smith
Duke University Press, 2019
In Art to Come Terry Smith—who is widely recognized as one of the world's leading historians and theorists of contemporary art—traces the emergence of contemporary art and further develops his concept of contemporaneity. Smith shows that embracing contemporaneity as both a historical concept and a condition of the globalized world allows us to grasp how contemporary art exists in a fluid space of increasing interdependencies, multiple contemporaneous modernities, and persistent inequalities. Throughout these essays, Smith offers systematic proposals for writing contemporary art's histories while assessing how curators, critics, philosophers, artists, and art historians are currently doing so. Among other topics, Smith examines the intersection of architecture with other visual arts, Chinese art since the Cultural Revolution, how philosophers are theorizing concepts associated with the contemporary, Australian Indigenous art, and the current state of art history. Art to Come will be essential reading for artists, art students, curators, gallery workers, historians, critics, and theorists.
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Art, Trade, and Culture in the Islamic World and Beyond
From the Fatimids to the Mughals
Edited by Alison Ohta, Michael Rogers, and Rosalind Wade Haddon
Gingko Library, 2016
The essays in this book trace a rich continuum of artistic exchange that occurred between successive Islamic dynasties from the twelfth through nineteenth centuries—as well as the influence of Islamic art during that time on cultures as far away as China, Armenia, India, and Europe. Taking advantage of recent technologies that allow new ways of peering into the pasts of art objects, the authors break new ground in their exploration of the art and architecture of the Islamic world.
The essays range across a variety of topics. These include a look at tile production during the reign of the Qaytbay, the book bindings associated with Qansuh al-Ghuri, and the relationship between Mamluk metalwork and that found in Rasulid Yemen and Italy. Several essays examine inscriptions found on buildings of the Fatimid, Mamluk, and Ottoman periods, and others look at the debt of European lacquer works to Persian craftsmen, the Armenian patrons of eighteenth-century Chinese exports, and the influences of Islam on art and architecture found all across India. The result is a sweeping but deeply researched look at one of the richest networks of artistic traditions the world has ever known.
The essays range across a variety of topics. These include a look at tile production during the reign of the Qaytbay, the book bindings associated with Qansuh al-Ghuri, and the relationship between Mamluk metalwork and that found in Rasulid Yemen and Italy. Several essays examine inscriptions found on buildings of the Fatimid, Mamluk, and Ottoman periods, and others look at the debt of European lacquer works to Persian craftsmen, the Armenian patrons of eighteenth-century Chinese exports, and the influences of Islam on art and architecture found all across India. The result is a sweeping but deeply researched look at one of the richest networks of artistic traditions the world has ever known.
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Art Without Borders
A Philosophical Exploration of Art and Humanity
Ben-Ami Scharfstein
University of Chicago Press, 2009
People all over the world make art and take pleasure in it, and they have done so for millennia. But acknowledging that art is a universal part of human experience leads us to some big questions: Why does it exist? Why do we enjoy it? And how do the world’s different art traditions relate to art and to each other?
Art Without Borders is an extraordinary exploration of those questions, a profound and personal meditation on the human hunger for art and a dazzling synthesis of the whole range of inquiry into its significance. Esteemed thinker Ben-Ami Scharfstein’s encyclopedic erudition is here brought to bear on the full breadth of the world of art. He draws on neuroscience and psychology to understand the way we both perceive and conceive of art, including its resistance to verbal exposition. Through examples of work by Indian, Chinese, European, African, and Australianartists, Art Without Borders probes the distinction between accepting a tradition and defying it through innovation, which leads to a consideration of the notion of artistic genius. Continuing in this comparative vein, Scharfstein examines the mutual influence of European and non-European artists. Then, through a comprehensive evaluation of the world’s major art cultures, he shows how all of these individual traditions are gradually, but haltingly, conjoining into a single current of universal art. Finally, he concludes by looking at the ways empathy and intuition can allow members of one culture to appreciate the art of another.
Lucid, learned, and incomparably rich in thought and detail, Art Without Borders is a monumental accomplishment, on par with the artistic achievements Scharfstein writes about so lovingly in its pages.
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Art without Boundaries
The World of Modern Dance
Jack Anderson
University of Iowa Press, 1999
Out of his long history as dance critic for the New York Times, Jack Anderson gives us this important, comprehensive history of one of the liveliest and most unpredictable of the arts. Treating modern dance as a self-renewing art, Anderson follows its changes over the decades and discusses the visionary choreographers who have devised new modes of movement.
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Artaud and His Doubles
Kimberly Jannarone
University of Michigan Press, 2010
Artaud and His Doubles is a radical re-thinking of one of the most influential theater figures of the twentieth century. Placing Artaud's writing within the specific context of European political, theatrical, and intellectual history, the book reveals Artaud's affinities with a disturbing array of anti-intellectual and reactionary writers and artists whose ranks swelled catastrophically between the wars in Western Europe.
Kimberly Jannarone shows that Artaud's work reveals two sets of doubles: one, a body of peculiarly persistent received interpretations from the American experimental theater and French post-structuralist readings of the 1960s; and, two, a darker set of doubles---those of Artaud's contemporaries who, in the tumultuous, alienated, and pessimistic atmosphere enveloping much of Europe after World War I, denounced the degradation of civilization, yearned for cosmic purification, and called for an ecstatic loss of the self. Artaud and His Doubles will generate provocative new discussions about Artaud and fundamentally challenge the way we look at his work and ideas.
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Arte Programmata
Freedom, Control, and the Computer in 1960s Italy
Lindsay Caplan
University of Minnesota Press, 2022
Tracing the evolution of the Italian avant-garde’s pioneering experiments with art and technology and their subversion of freedom and control
In postwar Italy, a group of visionary artists used emergent computer technologies as both tools of artistic production and a means to reconceptualize the dynamic interrelation between individual freedom and collectivity. Working contrary to assumptions that the rigid, structural nature of programming limits subjectivity, this book traces the multifaceted practices of these groundbreaking artists and their conviction that technology could provide the conditions for a liberated social life.
Situating their developments within the context of the Cold War and the ensuing crisis among the Italian left, Arte Programmata describes how Italy’s distinctive political climate fueled the group’s engagement with computers, cybernetics, and information theory. Creating a broad range of immersive environments, kinetic sculptures, domestic home goods, and other multimedia art and design works, artists such as Bruno Munari, Enzo Mari, and others looked to the conceptual frameworks provided by this new technology to envision a way out of the ideological impasses of the age.
Showcasing the ingenuity of Italy’s earliest computer-based art, this study highlights its distinguishing characteristics while also exploring concurrent developments across the globe. Centered on the relationships between art, technology, and politics, Arte Programmata considers an important antecedent to the digital age.
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The Artemisia Files
Artemisia Gentileschi for Feminists and Other Thinking People
Edited by Mieke Bal
University of Chicago Press, 2005
One of the first female artists to achieve recognition in her own time, Artemisia Gentileschi (1593-1653) became instantly popular in the 1970s when feminist art historians "discovered" her and argued vehemently for a place for her in the canon of Italian baroque painters. Featured alongside her father, Orazio Gentileschi, in a recent exhibition at the Metropolitan Museum of Art, Artemisia has continued to stir interest though her position in the canon remains precarious, in part because her sensationalized life history has overshadowed her art.
In The Artemisia Files, Mieke Bal and her coauthors look squarely at this early icon of feminist art history and the question of her status as an artist. Considering the events that shaped her life and reputation—her relationship to her father and her role as the victim in a highly publicized rape case during which she was tortured into giving evidence—the authors make the case that Artemisia's importance is due to more than her role as a poster child in the feminist attack on traditional art history; here, Artemisia emerges more fully as a highly original artist whose work is greater than the sum of the events that have traditionally defined her.
The fresh, engaging discourse in The Artemisia Files will help to both renew the reputation of this artist on the merit of her work and establish her rightful place in the history of art.
In The Artemisia Files, Mieke Bal and her coauthors look squarely at this early icon of feminist art history and the question of her status as an artist. Considering the events that shaped her life and reputation—her relationship to her father and her role as the victim in a highly publicized rape case during which she was tortured into giving evidence—the authors make the case that Artemisia's importance is due to more than her role as a poster child in the feminist attack on traditional art history; here, Artemisia emerges more fully as a highly original artist whose work is greater than the sum of the events that have traditionally defined her.
The fresh, engaging discourse in The Artemisia Files will help to both renew the reputation of this artist on the merit of her work and establish her rightful place in the history of art.
“Over the last generation Artemisia has been transformed from a talented curiosity . . . into a standard bearer of early feminist consciousness. This book offers a fascinating glimpse into the critical frame of mind underlying this transformation.”—Keith Christiansen, Jayne Wrightsman Curator of Italian Painting, The MetropolitanMuseum of Art
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Artemisia Gentileschi and Feminism in Early Modern Europe
Mary D. Garrard
Reaktion Books, 2020
Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women’s problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars.
This book breaks new ground by placing Gentileschi in the context of women’s political history. Mary D. Garrard, noted Gentileschi scholar, shows that the artist most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art.
This book breaks new ground by placing Gentileschi in the context of women’s political history. Mary D. Garrard, noted Gentileschi scholar, shows that the artist most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art.
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Arthropod Brains
Evolution, Functional Elegance, and Historical Significance
Nicholas James Strausfeld
Harvard University Press, 2012
In The Descent of Man, Charles Darwin proposed that an ant's brain, no larger than a pin's head, must be sophisticated to accomplish all that it does. Yet today many people still find it surprising that insects and other arthropods show behaviors that are much more complex than innate reflexes. They are products of versatile brains which, in a sense, think.
Fascinating in their own right, arthropods provide fundamental insights into how brains process and organize sensory information to produce learning, strategizing, cooperation, and sociality. Nicholas Strausfeld elucidates the evolution of this knowledge, beginning with nineteenth-century debates about how similar arthropod brains were to vertebrate brains. This exchange, he shows, had a profound and far-reaching impact on attitudes toward evolution and animal origins. Many renowned scientists, including Sigmund Freud, cut their professional teeth studying arthropod nervous systems. The greatest neuroanatomist of them all, Santiago Ramón y Cajal-founder of the neuron doctrine-was awed by similarities between insect and mammalian brains.
Writing in a style that will appeal to a broad readership, Strausfeld weaves anatomical observations with evidence from molecular biology, neuroethology, cladistics, and the fossil record to explore the neurobiology of the largest phylum on earth-and one that is crucial to the well-being of our planet. Highly informative and richly illustrated, Arthropod Brains offers an original synthesis drawing on many fields, and a comprehensive reference that will serve biologists for years to come.
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Arthur Dove
Always Connect
Rachael Z. DeLue
University of Chicago Press, 2016
Arthur Dove, often credited as America’s first abstract painter, created dynamic and evocative images inspired by his surroundings, from the farmland of upstate New York to the North Shore of Long Island. But his interests were not limited to nature. Challenging earlier accounts that view him as simply a landscape painter, Arthur Dove: Always Connect reveals for the first time the artist’s intense engagement with language, the nature of social interaction, and scientific and technological advances.
Rachael Z. DeLue rejects the traditional assumption that Dove can only be understood in terms of his nature paintings and association with photographer and gallerist Alfred Stieglitz and his circle. Instead, she uncovers deep and complex connections between Dove’s work and his world, including avant-garde literature, popular music, meteorology, mathematics, aviation, and World War II. Arthur Dove also offers the first sustained account of Dove’s Dadaesque multimedia projects and the first explorations of his animal imagery and the role of humor in his art. Beautifully illustrated with works from all periods of Dove’s career, this book presents a new vision of one of America’s most innovative and captivating artists—and reimagines how the story of modern art in the United States might be told.
Rachael Z. DeLue rejects the traditional assumption that Dove can only be understood in terms of his nature paintings and association with photographer and gallerist Alfred Stieglitz and his circle. Instead, she uncovers deep and complex connections between Dove’s work and his world, including avant-garde literature, popular music, meteorology, mathematics, aviation, and World War II. Arthur Dove also offers the first sustained account of Dove’s Dadaesque multimedia projects and the first explorations of his animal imagery and the role of humor in his art. Beautifully illustrated with works from all periods of Dove’s career, this book presents a new vision of one of America’s most innovative and captivating artists—and reimagines how the story of modern art in the United States might be told.
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Arthur M. Schlesinger, Jr., and the Ideological History of American Liberalism
Stephen P. Depoe
University of Alabama Press, 1994
The author of this book examines the origin, elements, and evolving significance of the “tides” in his discourse of Arthur M. Schlesinger, Jr.
Arthur M. Schlesinger, Jr., is a historian and political advocate whose ideas and activities have significantly influenced the shape and direction of American liberalism during the past fifty years. A central feature of Schlesinger’s ideological perspective is his belief that American history has been marked by alternating periods of conservative and liberal dominance, which he has termed the “tides of national politics.” Throughout his career, Schlesinger has used the “tides of national politics” to defend the legitimacy and superiority of active liberal government and leadership.
The author of this book examines the origin, elements, and evolving significance of the “tides” in his discourse of Arthur M. Schlesinger, Jr. The study investigates how the “tides” concept has functioned in both Schlesinger’s historical scholarship and his partisan political discourse. Depoe also explores the ways in which the “tides” concept has shaped and channeled Schlesinger’s political thought over time, leading him toward certain definitions of situations and away from others.
Finally, Depoe offers Schlesinger’s life and work as a case study of the highs and lows of postwar American liberalism. By tracing Schlesinger’s responses to Eisenhower-era conservatism, Kennedy’s New Frontier, and the problems of Vietnam and violence during the 1960s, and the gradual delegitimation of liberalism from the 1970s to the present, this book offers a road map that can guide the reader toward a better understanding of the past, present, and future of liberalism in America.
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Arthur Miller's America
Theater and Culture in a Time of Change
Enoch Brater, Editor
University of Michigan Press, 2005
Perspectives on America's greatest living playwright that explore his longstanding commitment to forging a uniquely American theater
Arthur Miller's America collects new writing by leading international critics and scholars that considers the dramatic world of icon, activist, and playwright Arthur Miller's theater as it reflects the changing moral equations of his time. Written on the occasion of Miller's 85th year, the original essays and interviews in Arthur Miller's America treat the breadth of Miller's work, including his early political writings for the campus newspaper at the University of Michigan, his famous work with John Huston, Clark Gable and Marilyn Monroe on The Misfits, and his signature plays like Death of a Salesman and All My Sons.
Arthur Miller's America collects new writing by leading international critics and scholars that considers the dramatic world of icon, activist, and playwright Arthur Miller's theater as it reflects the changing moral equations of his time. Written on the occasion of Miller's 85th year, the original essays and interviews in Arthur Miller's America treat the breadth of Miller's work, including his early political writings for the campus newspaper at the University of Michigan, his famous work with John Huston, Clark Gable and Marilyn Monroe on The Misfits, and his signature plays like Death of a Salesman and All My Sons.
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Arthur Morgan
A Progressive Vision for American Reform
Aaron D. Purcell
University of Tennessee Press, 2014
On May 19, 1933, President Franklin D. Roosevelt announced the appointment of Arthur Morgan (1878–1975), a water-control engineer and college president from Ohio, as the chairman of the newly created Tennessee Valley Authority (TVA). With the eyes of the nation focused on the reform and recovery promised by the New Deal, Morgan remained in the national spotlight for much of the 1930s, as his visionary plans for the TVA drew both support and criticism. In this thoughtful biography, Aaron D. Purcell re-assesses Morgan’s long life and career and provides the first detailed account of his post-TVA activities and fascination with utopian writer Edward Bellamy. As Purcell demonstrates, Morgan embraced an alternative type of Progressive Era reform throughout his life which was rooted in nineteenth-century socialism, an overlooked, but important, strain in American political thought.
Purcell pinpoints Morgan’s reading of Edward Bellamy’s Looking Backward while a teenager as a watershed moment in the development of his vision for building modern American society. He recounts Morgan’s early successes as an engineer, budding Progressive leader, and educational reformer; his presidency of Antioch College; and his revolutionary but contentious tenure at the TVA. After his dismissal from the TVA, Morgan wrote extensively, eventually publishing over a dozen books, including a biography of Edward Bellamy, and countless articles. He also raised money to support an experimental community in Kerala, India, sharing Mahatma Gandhi’s belief in small, self-sustaining communities cooperatively supported by persons of strong moral character. At the same time, however, Morgan retained many of his late-nineteenth century beliefs, including eugenics, as part of his societal vision. His authoritarian administrative style and moral rigidity limited his ability to attract large numbers to his community-based vision.
As Purcell demonstrates, Morgan remained an active reformer well into the second half of the twentieth century, carrying forward a vision for American reform decades after his Progressive Era contemporaries had faded into obscurity. By presenting Morgan’s life and career within the context of the larger social and cultural events of his day, this revealing biographical study offers new insight into the achievements and motivations of an important but historically neglected American reformer.
Purcell pinpoints Morgan’s reading of Edward Bellamy’s Looking Backward while a teenager as a watershed moment in the development of his vision for building modern American society. He recounts Morgan’s early successes as an engineer, budding Progressive leader, and educational reformer; his presidency of Antioch College; and his revolutionary but contentious tenure at the TVA. After his dismissal from the TVA, Morgan wrote extensively, eventually publishing over a dozen books, including a biography of Edward Bellamy, and countless articles. He also raised money to support an experimental community in Kerala, India, sharing Mahatma Gandhi’s belief in small, self-sustaining communities cooperatively supported by persons of strong moral character. At the same time, however, Morgan retained many of his late-nineteenth century beliefs, including eugenics, as part of his societal vision. His authoritarian administrative style and moral rigidity limited his ability to attract large numbers to his community-based vision.
As Purcell demonstrates, Morgan remained an active reformer well into the second half of the twentieth century, carrying forward a vision for American reform decades after his Progressive Era contemporaries had faded into obscurity. By presenting Morgan’s life and career within the context of the larger social and cultural events of his day, this revealing biographical study offers new insight into the achievements and motivations of an important but historically neglected American reformer.
[more]
Arthur Vandenberg
The Man in the Middle of the American Century
Hendrik Meijer
University of Chicago Press, 2017
The idea that a Senator—Republican or Democrat—would put the greater good of the country ahead of party seems nearly impossible to imagine in our current climate of gridlock and divisiveness. But this hasn’t always been the case. Arthur H. Vandenberg (1884–1951), Republican from Grand Rapids, Michigan, was the model of a consensus builder, and the coalitions he spearheaded continue to form the foundation of American foreign and domestic policy today. Edward R. Murrow called him “the central pivot of the entire era,” yet, despite his significance, Vandenberg has never received the full public attention he is due—until now. With this authoritative biography, Hendrik Meijer reveals how Vandenberg built and nurtured the bipartisan consensus that created the American Century.
Originally the editor and publisher of the Grand Rapids Herald, Vandenberg was appointed and later elected to the Senate in 1928, where he became an outspoken opponent of the New Deal and a leader among the isolationists who resisted FDR’s efforts to aid European allies at the onset of World War II. But Vandenberg soon recognized the need for unity at the dawn of a new world order; and as a Republican leader, he worked closely with Democratic administrations to build the strong bipartisan consensus that established the Marshall Plan, the United Nations, and NATO. Vandenberg, as Meijer reveals, was instrumental in organizing Congressional support for these monumental twentieth-century foreign policy decisions.
Vandenberg’s life and career offer powerful lessons for today, and Meijer has given us a story that suggests an antidote to our current democratic challenges. After reading this poignant biography, many will ask: Where is the Vandenberg of today?
Originally the editor and publisher of the Grand Rapids Herald, Vandenberg was appointed and later elected to the Senate in 1928, where he became an outspoken opponent of the New Deal and a leader among the isolationists who resisted FDR’s efforts to aid European allies at the onset of World War II. But Vandenberg soon recognized the need for unity at the dawn of a new world order; and as a Republican leader, he worked closely with Democratic administrations to build the strong bipartisan consensus that established the Marshall Plan, the United Nations, and NATO. Vandenberg, as Meijer reveals, was instrumental in organizing Congressional support for these monumental twentieth-century foreign policy decisions.
Vandenberg’s life and career offer powerful lessons for today, and Meijer has given us a story that suggests an antidote to our current democratic challenges. After reading this poignant biography, many will ask: Where is the Vandenberg of today?
[more]
The Articles of Confederation
An Interpretation of the Social-Constitutional History of the American Revolution, 1774-1781
Merrill Jensen
University of Wisconsin Press, 1959
"Here is a book which deals with clashes between economic and political factors in the American Revolution as realistically as if its author were dealing with a presidential election."—Social Studies
"An admirable analysis. It presents, in succinct form, the results of a generation of study of this chapter of our history and summarizes fairly the conclusions of that study."—Henry Steele Commager, New York Times Book Review
"An admirable analysis. It presents, in succinct form, the results of a generation of study of this chapter of our history and summarizes fairly the conclusions of that study."—Henry Steele Commager, New York Times Book Review
[more]
Articulated Ladies
Gender and the Male Community in Early Chinese Texts
Paul Rouzer
Harvard University Press, 2001
This volume analyzes the representation of gender and desire in elite, male-authored literary texts in China dating from roughly 200 B.C. until 1000 A.D. Above all, it discusses the intimate relationship between the representation of gender and the political and social self-representations of elite men and shows where gender and social hierarchies cross paths. Rouzer argues that when male authors articulated themselves as women, the resulting articulation was inevitably influenced by this act of identification. Articulated women are always located within a non-existent liminal space between ostensible object and ostensible subject, a focus of textual desire both through possession and through identification. Nor, in male-authored texts, is this articulation ever fully resolved--the potential of multiple interpretations is continually present.
[more]
Articulating Citizenship
Civic Education and Student Politics in Southeastern China, 1912–1940
Robert Culp
Harvard University Press, 2007
At the genesis of the Republic of China in 1912, many political leaders, educators, and social reformers argued that republican education should transform China's people into dynamic modern citizens--social and political agents whose public actions would rescue the national community. Over subsequent decades, however, they came to argue fiercely over the contents of citizenship and how it should be taught. Moreover, many of their carefully crafted policies and programs came to be transformed by textbook authors, teachers, administrators, and students. Furthermore, the idea of citizenship, once introduced, raised many troubling questions. Who belonged to the national community in China, and how was the nation constituted? What were the best modes of political action? How should modern people take responsibility for "public matters"? What morality was proper for the modern public?
This book reconstructs civic education and citizenship training in secondary schools in the lower Yangzi region during the Republican era. It also analyzes how students used the tools of civic education introduced in their schools to make themselves into young citizens and explores the complex social and political effects of educated youths' civic action.
[more]
Articulating the Sinosphere
Sino-Japanese Relations in Space and Time
Joshua A. Fogel
Harvard University Press, 2009
Joshua Fogel offers an incisive historical look at Sino-Japanese relations from three different perspectives. Using first a wide lens, he suggests a new way to capture the relationship between China and Japan by characterizing the nature of their contact. From the first century CE, the primary reasons for contact moved from political and ceremonial to cultural, and on to commercial ties. This period ends at the dawn of the modern age, when contacts involved treaties, consulates, and international law.
Switching to a microhistorical view, Fogel examines several important behind-the-scenes players in the launching of the countries’ modern diplomatic relations. He focuses on the voyage of the Senzaimaru from Nagasaki to Shanghai in 1862—the first official meeting of Chinese and Japanese in the modern era—and the Dutchman who played an important intermediary role. Finally, he examines the first expatriate Japanese community in the modern era, in Shanghai from the 1860s to the mid-1890s, when the first Sino-Japanese War erupted.
Introducing the concept of “Sinosphere” to capture the nature of Sino-foreign relations both spatially and temporally, Fogel presents an original and thought-provoking study on the long, complex relationship between China and Japan.
[more]
Artifact and Artifice
Classical Archaeology and the Ancient Historian
Jonathan M. Hall
University of Chicago Press, 2013
Is it possible to trace the footprints of the historical Sokrates in Athens? Was there really an individual named Romulus, and if so, when did he found Rome? Is the tomb beneath the high altar of St. Peter’s Basilica home to the apostle Peter? To answer these questions, we need both dirt and words—that is, archaeology and history. Bringing the two fields into conversation, Artifact and Artifice offers an exciting excursion into the relationship between ancient history and archaeology and reveals the possibilities and limitations of using archaeological evidence in writing about the past.
Jonathan M. Hall employs a series of well-known cases to investigate how historians may ignore or minimize material evidence that contributes to our knowledge of antiquity unless it correlates with information gleaned from texts. Dismantling the myth that archaeological evidence cannot impart information on its own, he illuminates the methodological and political principles at stake in using such evidence and describes how the disciplines of history and classical archaeology may be enlisted to work together. He also provides a brief sketch of how the discipline of classical archaeology evolved and considers its present and future role in historical approaches to antiquity. Written in clear prose and packed with maps, photos, and drawings, Artifact and Artifice will be an essential book for undergraduates in the humanities.
[more]
Artifacts from the Cenote of Sacrifice, Chichen Itza, Yucatan
Textiles, Basketry, Stone, Bone, Shell, Ceramics, Wood, Copal, Rubber, other Organic Materials, and Mammalian Remains
Clemency Chase Coggins
Harvard University Press, 1992
In this abundantly illustrated third and final volume on the artifacts found by Edward H. Thompson in the Well of Sacrifice, specialists analyze the great variety of objects and debate whether they represent evidence of dateable prehistorical ritual. The collection includes the rare remains of hundreds of textiles, wooden objects, and copal incense offerings that were preserved in the waters of this limestone sinkhole, as well as the lithics, ceramics, and bone and shell artifacts commonly found in Maya burials and caches, and about 250 mammalian remains. These objects are remarkable for having been cut, torn, broken, and burned before they were thrown into the green waters of the sacred well at Chichen Itza.
[more]
Artifactual
Forensic and Documentary Knowing
Elizabeth Anne Davis
Duke University Press, 2023
In Artifactual, Elizabeth Anne Davis explores how Cypriot researchers, scientists, activists, and artists process and reckon with civil and state violence that led to the enduring division of the island, using forensic and documentary materials to retell and recontextualize conflicts between and within the Greek-Cypriot and Turkish-Cypriot communities. Davis follows forensic archaeologists and anthropologists who attempt to locate, identify, and return to relatives the remains of Cypriots killed in those conflicts. She turns to filmmakers who use archival photographs and footage to come to terms with political violence and its legacies. In both forensic science and documentary filmmaking, the dynamics of secrecy and revelation shape how material remains such as bones and archival images are given meaning. Throughout, Davis demonstrates how Cypriots navigate the tension between an ethics of knowledge, which valorizes truth as a prerequisite for recovery and reconciliation, and the politics of knowledge, which renders evidence as irremediably partial and perpetually falsifiable.
[more]
Artifice and Illusion
The Art and Writing of Samuel van Hoogstraten
Celeste Brusati
University of Chicago Press, 1995
Samuel van Hoogstraten is familiar to scholars of Dutch art as a talented pupil and early critic of Rembrandt, and as the author of a major Dutch painting treatise. In this book, Celeste Brusati looks at the art, writing, and career of this multi-faceted artist.
Analyzing van Hoogstraten's painting treatise, illusionistic pictures, ingenious perspective boxes, and witty trompe-l'oeil images, Brusati reveals the crucial role these endeavors played in the forging of van Hoogstraten's professional and social identity. Brusati looks at the historical circumstances of van Hoogstraten's career, which he fashioned from a convergence of Dutch cultural practices, family genealogy, and his considerable entrepreneurial acumen. She shows how Van Hoogstraten exploited the court patronage system to secure the worth of his work in the newer market culture of the Dutch Republic.
Brusati explores Van Hoogstraten's use of illusionistic artifice in his art and writing to shed new light on the much-disputed nature of Dutch "realism", and she discusses how a notion of "experimental artistry", which linked representational craft to the production of knowledge, informed Van Hoogstraten's many projects and framed the terms within which he and his colleagues understood artistic achievement during this period.
Analyzing van Hoogstraten's painting treatise, illusionistic pictures, ingenious perspective boxes, and witty trompe-l'oeil images, Brusati reveals the crucial role these endeavors played in the forging of van Hoogstraten's professional and social identity. Brusati looks at the historical circumstances of van Hoogstraten's career, which he fashioned from a convergence of Dutch cultural practices, family genealogy, and his considerable entrepreneurial acumen. She shows how Van Hoogstraten exploited the court patronage system to secure the worth of his work in the newer market culture of the Dutch Republic.
Brusati explores Van Hoogstraten's use of illusionistic artifice in his art and writing to shed new light on the much-disputed nature of Dutch "realism", and she discusses how a notion of "experimental artistry", which linked representational craft to the production of knowledge, informed Van Hoogstraten's many projects and framed the terms within which he and his colleagues understood artistic achievement during this period.
[more]
Artificial Darkness
An Obscure History of Modern Art and Media
Noam M. Elcott
University of Chicago Press, 2016
Darkness has a history and a uniquely modern form. Distinct from night, shadows, and artificial light, “artificial darkness” has been overlooked—until now. In fact, controlled darkness was essential to the rise of photography and cinema, science and spectacle, and a century of advanced art and film. Artificial Darkness is the first book to historicize and theorize this phenomenon and map its applications across a range of media and art forms.
In exploring how artificial darkness shaped modern art, film, and media, Noam M. Elcott addresses seminal and obscure works alongside their sites of production—such as photography darkrooms, film studios, and laboratories—and their sites of reception, including theaters, cinemas, and exhibitions. He argues that artists, scientists, and entertainers like Étienne-Jules Marey, Richard Wagner, Georges Méliès, and Oskar Schlemmer revolutionized not only images but also everything surrounding them: the screen, the darkness, and the experience of bodies and space. At the heart of the book is “the black screen,” a technology of darkness that spawned today’s blue and green screens and has undergirded numerous advanced art and film practices to this day.
Turning familiar art and film narratives on their heads, Artificial Darkness is a revolutionary treatment of an elusive, yet fundamental, aspect of art and media history.
In exploring how artificial darkness shaped modern art, film, and media, Noam M. Elcott addresses seminal and obscure works alongside their sites of production—such as photography darkrooms, film studios, and laboratories—and their sites of reception, including theaters, cinemas, and exhibitions. He argues that artists, scientists, and entertainers like Étienne-Jules Marey, Richard Wagner, Georges Méliès, and Oskar Schlemmer revolutionized not only images but also everything surrounding them: the screen, the darkness, and the experience of bodies and space. At the heart of the book is “the black screen,” a technology of darkness that spawned today’s blue and green screens and has undergirded numerous advanced art and film practices to this day.
Turning familiar art and film narratives on their heads, Artificial Darkness is a revolutionary treatment of an elusive, yet fundamental, aspect of art and media history.
[more]
The Artificial Ear
Cochlear Implants and the Culture of Deafness
Blume, Stuart
Rutgers University Press, 2009
When it was first developed, the cochlear implant was hailed as a "miracle cure" for deafness. That relatively few deaf adults seemed to want it was puzzling. The technology was then modified for use with deaf children, 90 percent of whom have hearing parents. Then, controversy struck as the Deaf community overwhelmingly protested the use of the device and procedure. For them, the cochlear implant was not viewed in the context of medical progress and advances in the physiology of hearing, but instead represented the historic oppression of deaf people and of sign languages.
Part ethnography and part historical study, The Artificial Ear is based on interviews with researchers who were pivotal in the early development and implementation of the new technology. Through an analysis of the scientific and clinical literature, Stuart Blume reconstructs the history of artificial hearing from its conceptual origins in the 1930s, to the first attempt at cochlear implantation in Paris in the 1950s, and to the widespread clinical application of the "bionic ear" since the 1980s.
[more]
Artificial Respiration
Ricardo Piglia
Duke University Press, 1994
Acclaimed as one of the most important Latin American novels in recent decades, Artificial Respiration is a stunning introduction for English readers to the fiction of Ricardo Piglia. Published in Argentina in 1981, it was written at a time when thousands of Argentine citizens "disappeared" during the government’s attempt to create an authoritarian state. In part a reflection on one of the most repressive and tragic times in Argentine history, this is one of those rare works of fiction in which multiple philosophical, political, and narrative dimensions are all powerfully and equally matched.
As a prize winning detective novel, Artificial Respiration reaches through many levels of mystery to explore the forces that have been at play in Argentina throughout its violent history. The narrator, a writer named Renzi, begins to look for an uncle who has vanished, a man he knows only through a web of contradictory family stories and an exchange of letters. Through these letters he learns about his uncle’s research into the life of Enrique Ossario, secretary to the 19th-century Argentine dictator Rosas and spy for the dictator’s enemy. As Renzi’s search leads further into his uncle’s work and to conversations with his literary and chess-playing friends, the reader is led by Piglia to consider the nature of Argentine identity, its literature and history, and its relation, for example, to Europe, exile, and democracy. Finally, and made most vividly appreciable by the retelling of a story in which Kafka meets Hitler, it is the encounter between literature and history that is explored.
As a prize winning detective novel, Artificial Respiration reaches through many levels of mystery to explore the forces that have been at play in Argentina throughout its violent history. The narrator, a writer named Renzi, begins to look for an uncle who has vanished, a man he knows only through a web of contradictory family stories and an exchange of letters. Through these letters he learns about his uncle’s research into the life of Enrique Ossario, secretary to the 19th-century Argentine dictator Rosas and spy for the dictator’s enemy. As Renzi’s search leads further into his uncle’s work and to conversations with his literary and chess-playing friends, the reader is led by Piglia to consider the nature of Argentine identity, its literature and history, and its relation, for example, to Europe, exile, and democracy. Finally, and made most vividly appreciable by the retelling of a story in which Kafka meets Hitler, it is the encounter between literature and history that is explored.
[more]
Artificial Southerner
Equivocations and Love Songs
Philip Martin
University of Arkansas Press, 2001
The Artificial Southerner tracks the manifestations and ramifications of "Southern identity"—the relationship among a self-conscious, invented regionalism, the real distinctiveness of Southern culture, and the influence of the South in America. In these essays columnist Philip Martin explores the region and those who have both fled and embraced it. He offers lyric portraits of Southerners real, imagined, and absentee: musicians (James Brown, the Rolling Stones, Johnny Cash), writers (Richard Ford, Eudora Welty), politicians (Bill Clinton, Jimmy Carter). He also considers such topics as the architecture of E. Fay Jones, the biracial nature of country music, and the idea of "white trash." "Every American has a South within," he says, "a conquered territory, an old wound . . . a scar." His work meditates on the rock and roll, the literature, the life, and the love which proceed from that inner, self-created South.
[more]
The Artillery Service in the War of the Rebellion, 1861–65
John C. Tidball
Westholme Publishing, 2011
A Rediscovered History That Will Become Essential Reading for Civil War Studies
The Artillery Service in the War of the Rebellion, 1861–65, is a comprehensive overview and analysis of the U.S. Army’s field artillery service in the Civil War’s principal battles, written by John C. Tidball, a distinguished artilleryman of the era. The overview, which appeared in the Journal of the Military Service Institution from 1891 to 1893, and nearly impossible to find today, examines the Army of the Potomac, including the battles of Fair Oaks, Gaines’s Mill, Mechanicsville, Malvern Hill, Antietam, Fredericksburg, Chancellorsville, and Gettysburg; the Army of the Tennessee, including the battles of Stones River and Chickamauga, and the Army of the Ohio’s battle of Shiloh. Tidball, a decorated Civil War veteran and superintendent of artillery instruction for the army, expertly presents the war through an artilleryman’s eyes in explaining the organization, equipping, and manning of the artillery service. His analysis highlights how the improper use of artillery, tying batteries down to relatively small infantry commands that diluted their firepower, seriously undermined the army’s effectiveness until reforms produced independent artillery commands that could properly mass artillery fire in battle.
The Artillery Service in the War of the Rebellion, edited by historian Lawrence M. Kaplan and presented here in one volume for the first time, includes additional material from an unpublished paper Tidball wrote in 1905 which contains further insights into the artillery service, as well as a general overview of the Petersburg campaign. A major new discovery in Civil War scholarship, The Artillery Service in the War of the Rebellion contains essential information that will change earlier historical interpretations of key battles and will be essential reading for all those interested in the war or contemplating writing about it.
[more]
Artisan/Practitioners and the Rise of the New Sciences, 1400-1600
Pamela O. Long
Oregon State University Press, 2011
Artisans into Workers
LABOR IN NINETEENTH-CENTURY AMERICA
Bruce Laurie
University of Illinois Press, 1989
In the only modern study synthesizing nineteenth-century American labor
history, Bruce Laurie examines the character of working-class factionalism, plebian expectations of government, and relations between the organized few and the unorganized many. Laurie also examines the republican tradition and the movements that drew on it, from the General Trades Unions in the age of Jackson to the Knights of Labor later in the century.
history, Bruce Laurie examines the character of working-class factionalism, plebian expectations of government, and relations between the organized few and the unorganized many. Laurie also examines the republican tradition and the movements that drew on it, from the General Trades Unions in the age of Jackson to the Knights of Labor later in the century.
[more]
Artisans, Objects and Everyday Life in Renaissance Italy
The Material Culture of the Middling Class
Paula Hohti Erichsen
Amsterdam University Press, 2020
Did ordinary Italians have a ‘Renaissance’? This book presents the first in-depth exploration of how artisans and small local traders experienced the material and cultural Renaissance. Drawing on a rich blend of sixteenthcentury visual and archival evidence, it examines how individuals and families at artisanal levels (such as shoemakers, barbers, bakers and innkeepers) lived and worked, managed their household economies and consumption, socialised in their homes, and engaged with the arts and the markets for luxury goods. It demonstrates that although the economic and social status of local craftsmen and traders was relatively low, their material possessions show how these men and women who rarely make it into the history books were fully engaged with contemporary culture, cultural customs and the urban way of life.
[more]
Artist as Author
Action and Intent in Late-Modernist American Painting
Christa Noel Robbins
University of Chicago Press, 2021
With Artist as Author, Christa Noel Robbins provides the first extended study of authorship in mid-20th century abstract painting in the US. Taking a close look at this influential period of art history, Robbins describes how artists and critics used the medium of painting to advance their own claims about the role that they believed authorship should play in dictating the value, significance, and social impact of the art object. Robbins tracks the subject across two definitive periods: the “New York School” as it was consolidated in the 1950s and “Post Painterly Abstraction” in the 1960s. Through many deep dives into key artist archives, Robbins brings to the page the minds and voices of painters Arshile Gorky, Jack Tworkov, Helen Frankenthaler, Kenneth Noland, Sam Gilliam, and Agnes Martin along with those of critics such as Harold Rosenberg and Rosalind Krauss. While these are all important characters in the polemical histories of American modernism, this is the first time they are placed together in a single study and treated with equal measure, as peers participating in the shared late modernist moment.
[more]
The Artist in American Society
The Formative Years
Neil Harris
University of Chicago Press, 1982
What was the place of the artist in a new society? How would he thrive where monarchy, aristocracy, and an established church—those traditional patrons of painting, sculpture, and architecture—were repudiated so vigorously? Neil Harris examines the relationships between American cultural values and American society during the formative years of American art and explores how conceptions of the artist's social role changed during those years.
[more]
The Artistic Censoring of Sexuality
Fantasy and Judgment in the Twentieth Century Novel
Susan Mooney
The Ohio State University Press, 2008
Through the twentieth century, from colonial Ireland to the United States, and from Franco's Spain to late Soviet Russia, to include sexuality in a novel signaled social progressiveness and artistic innovation, but also transgression. Certain novelists—such as James Joyce, Vladimir Nabokov, Luis Martín-Santos, and Viktor Erofeev—radicalized the content of the novel by incorporating sexual thoughts, situations, and fantasies and thus portraying repressed areas of social, cultural, political, and mental life.
In The Artistic Censoring of Sexuality: Fantasy and Judgment in the Twentieth-Century Novel, Susan Mooney extensively examines four modernist and postmodernist novels that prompted in their day harsh external censorship because of their sexual content—Ulysses, Lolita, Time of Silence, and Russian Beauty. She shows how motifs of censorship, with all its restrictions, pressures, rules, judgments, and forms of negation, became artistically embedded in the novels' plots, characters, settings, tropes, and themes. These novels contest censorship's status quo and critically explore its processes and power. This study reveals the impact of censorship on literary creation, particularly in relation to the twentieth century's growing interest in sexuality and its discourses.
[more]
Artistic Liberties
American Literary Realism and Graphic Illustration, 1880-1905
Adam Sonstegard
University of Alabama Press, 2013
A landmark study of the illustrations that originally accompanied now-classic works of American literary realism
Though today we commonly read major works of nineteenth-century American literature in unillustrated paperbacks or anthologies, many of them first appeared as magazine serials, accompanied by ample illustrations that sometimes made their way into the serials’ first printings as books. The graphic artists creating these illustrations often visually addressed questions that the authors had left for the reader to interpret, such as the complexions of racially ambiguous characters in Uncle Tom’s Cabin. The artists created illustrations that depicted what outsiders saw in Huck and Jim in Adventures of Huckleberry Finn, rather than what Huck and Jim learned to see in one another. These artists even worked against the texts on occasion—for instance, when the illustrators reinforced the same racial stereotypes that writers such as Paul Laurence Dunbar had intended to subvert in their works.
Authors of American realism commonly submitted their writing to editors who allowed them little control over the aesthetic appearance of their work. In his groundbreaking Artistic Liberties, Adam Sonstegard studies the illustrations from these works in detail and finds that the editors employed illustrators who were often unfamiliar with the authors’ intentions and who themselves selected the literary material they wished to illustrate, thereby taking artistic liberties through the tableaux they created.
Sonstegard examines the key role that the appointed artists played in visually shaping narratives—among them Mark Twain’s Pudd’nhead Wilson, Stephen Crane’s The Monster, and Edith Wharton’s The House of Mirth—as audiences tended to accept their illustrations as guidelines for understanding the texts. In viewing these works as originally published, received, and interpreted, Sonstegard offers a deeper knowledge not only of the works, but also of the realities surrounding publication during this formative period in American literature.
Though today we commonly read major works of nineteenth-century American literature in unillustrated paperbacks or anthologies, many of them first appeared as magazine serials, accompanied by ample illustrations that sometimes made their way into the serials’ first printings as books. The graphic artists creating these illustrations often visually addressed questions that the authors had left for the reader to interpret, such as the complexions of racially ambiguous characters in Uncle Tom’s Cabin. The artists created illustrations that depicted what outsiders saw in Huck and Jim in Adventures of Huckleberry Finn, rather than what Huck and Jim learned to see in one another. These artists even worked against the texts on occasion—for instance, when the illustrators reinforced the same racial stereotypes that writers such as Paul Laurence Dunbar had intended to subvert in their works.
Authors of American realism commonly submitted their writing to editors who allowed them little control over the aesthetic appearance of their work. In his groundbreaking Artistic Liberties, Adam Sonstegard studies the illustrations from these works in detail and finds that the editors employed illustrators who were often unfamiliar with the authors’ intentions and who themselves selected the literary material they wished to illustrate, thereby taking artistic liberties through the tableaux they created.
Sonstegard examines the key role that the appointed artists played in visually shaping narratives—among them Mark Twain’s Pudd’nhead Wilson, Stephen Crane’s The Monster, and Edith Wharton’s The House of Mirth—as audiences tended to accept their illustrations as guidelines for understanding the texts. In viewing these works as originally published, received, and interpreted, Sonstegard offers a deeper knowledge not only of the works, but also of the realities surrounding publication during this formative period in American literature.
[more]
Artistry in Bronze
The Greeks and Their Legacy XIXth International Congress on Ancient Bronzes
Jens M Daehner
J. Paul Getty Trust, The, 2017
The papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World. The study of large-scale ancient bronzes has long focused on aspects of technology and production. Analytical work of materials, processes, and techniques has significantly enriched our understanding of the medium. Most recently, the restoration history of bronzes has established itself as a distinct area of investigation. How does this scholarship bear on the understanding of bronzes within the wider history of ancient art? How do these technical data relate to our ideas of styles and development? How has the material itself affected ancient and modern perceptions of form, value, and status of works of art?
The free online edition of this open-access book is available at www.getty.edu/publications/artistryinbronze/ and includes zoomable figures and tables. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
The free online edition of this open-access book is available at www.getty.edu/publications/artistryinbronze/ and includes zoomable figures and tables. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
[more]
Artistry of the Everyday
Beauty and Craftsmanship in Berber Art
Lisa Bernasek
Harvard University Press, 2008
Imazighen! Beauty and Artisanship in Berber Life presents the Peabody Museum's collection of arts from the Berber-speaking regions of North Africa. The book gives an overview of Berber history and culture, focusing on the rich aesthetic traditions of Amazigh (Berber) craftsmen and women. From ancient times to the present day, working with limited materials but an extensive vocabulary of symbols and motifs, Imazighen (Berbers) across North Africa have created objects that are both beautiful and practical. Intricately woven textiles, incised metal locks and keys, painted pottery and richly embroidered leather bags are just a few examples of objects from the Peabody Museum's collections that are highlighted in the color plates. The book also tells the stories of the collectors--both world-traveling Bostonians and Harvard-trained anthropologists--who brought these objects from Morocco or Algeria to their present home in Cambridge in the early twentieth century. The generosity of these donors has resulted in a collection of Berber arts, especially from the Tuareg regions of southern Algeria, that rivals that of major European and North African museums.
[more]
Artists, Advertising, and the Borders of Art
Michele H. Bogart
University of Chicago Press, 1995
Norman Rockwell and Andy Warhol, J. C. Leyendecker and Georgia O'Keeffe, the Metropolitan Museum of Art and Pepsi-Cola, the avant garde and the Famous Artists Schools, Inc.: these are some of the unexpected pairings encountered in Artists, Advertising, and the Borders of Art. In the first interdisciplinary study of the imagery and practices of commercial artists, Michele H. Bogart explores, in unprecedented detail, the world of commercial art—its illustrators, publishers, art directors, photographers, and painters. She maps out the long, permeable border between art and commerce and expands our picture of artistic culture in the twentieth century.
From the turn of the century through the 1950s, the explosive growth of popular magazines and national advertising offered artists new sources of income and new opportunities for reaching huge audiences. Bogart shows how, at the same time, this change in the marketplace also forced a rethinking of the purpose of the artistic enterprise itself. She examines how illustrators such as Howard Pyle, Charles Dana Gibson, and Norman Rockwell claimed their identities as artists within a market-oriented framework. She looks at billboard production and the growing schism between "art" posters and billboard advertisements; at the new roles of the art director; at the emergence of photography as the dominant advertising medium; and at the success of painters in producing "fine art" for advertising during the 1930s and 1940s.
From the turn of the century through the 1950s, the explosive growth of popular magazines and national advertising offered artists new sources of income and new opportunities for reaching huge audiences. Bogart shows how, at the same time, this change in the marketplace also forced a rethinking of the purpose of the artistic enterprise itself. She examines how illustrators such as Howard Pyle, Charles Dana Gibson, and Norman Rockwell claimed their identities as artists within a market-oriented framework. She looks at billboard production and the growing schism between "art" posters and billboard advertisements; at the new roles of the art director; at the emergence of photography as the dominant advertising medium; and at the success of painters in producing "fine art" for advertising during the 1930s and 1940s.
[more]
Artists, Intellectuals, and World War II
The Pontigny Encounters at Mount Holyoke College, 1942-1944
Christopher E. G. Benfey
University of Massachusetts Press, 2006
Sixty years ago, at the height of World War II, an extraordinary series of gatherings took place at Mount Holyoke College in western Massachusetts. During the summers of 1942–1944, leading Europeanï¬gures in the arts and sciences met at the college with their American counterparts for urgent conversations about the future of human civilization in a precarious world.
Two Sorbonne professors, the distinguished medievalist Gustave Cohen and the existentialist philosopher Jean Wahl, organized these "Pontigny" sessions, named after an abbey in Burgundy where similar symposia had been held in the decades before the war. Among the participants—many of whom were Jewish or had Jewish backgrounds—were the philosophers Hannah Arendt and Rachel Bespaloff, the poets Marianne Moore and Wallace Stevens, the anthropologist Claude Lévi-Strauss and the linguist Roman Jakobson, and the painters Marc Chagall and Robert Motherwell.
In this collection of original essays, Stanley Cavell and Jacques Derrida lead an international group of scholars—including Jed Perl, Mary Ann Caws, Jeffrey Mehlman, and Elisabeth Young-Bruehl—in assessing the lasting impact and contemporary signiï¬cance of Pontigny-en- Amérique. Rachel Bespaloff, a tragicï¬gure who wrote a major work on the Iliad, is restored to her rightful place beside Arendt and Simone Weil. Anyone interested in the "intellectual resistance" of Francophone intellectuals and artists, and the inspiring support from such Americanï¬gures as Stevens and Moore, will want to read this pioneering work of scholarship and historical re-creation.
Two Sorbonne professors, the distinguished medievalist Gustave Cohen and the existentialist philosopher Jean Wahl, organized these "Pontigny" sessions, named after an abbey in Burgundy where similar symposia had been held in the decades before the war. Among the participants—many of whom were Jewish or had Jewish backgrounds—were the philosophers Hannah Arendt and Rachel Bespaloff, the poets Marianne Moore and Wallace Stevens, the anthropologist Claude Lévi-Strauss and the linguist Roman Jakobson, and the painters Marc Chagall and Robert Motherwell.
In this collection of original essays, Stanley Cavell and Jacques Derrida lead an international group of scholars—including Jed Perl, Mary Ann Caws, Jeffrey Mehlman, and Elisabeth Young-Bruehl—in assessing the lasting impact and contemporary signiï¬cance of Pontigny-en- Amérique. Rachel Bespaloff, a tragicï¬gure who wrote a major work on the Iliad, is restored to her rightful place beside Arendt and Simone Weil. Anyone interested in the "intellectual resistance" of Francophone intellectuals and artists, and the inspiring support from such Americanï¬gures as Stevens and Moore, will want to read this pioneering work of scholarship and historical re-creation.
[more]
Arts And American Home
1890-1930
Jessica H. Foy
University of Tennessee Press, 1995
Between 1890 and 1930, the domestic arts, as well as the daily life of the American family, began to reflect rapid advances in technology, aesthetics, and attitudes about American culture. Pictorial, literary, musical, and decorative arts from this era all reveal a shift from clutter to clarity and from profusion to restraint as modern conveniences, ranging from pre-stamped needlework patterns to central heat, were introduced into the domestic environment. However, the household arts were also affected by an enduring strain of conservatism reflected in the popularity of historically inspired furnishing styles.
In this collection of essays, ten experts in turn-of-the-century popular and material culture examine how the struggle between modernity and tradition was reflected in various facets of the household aesthetic. Their findings touch on sub-themes of gender, generation, and class to provide a fascinating commentary on what middle-class Americans were prepared to discard in the name of modernity and what they stubbornly retained for the sake of ideology. Through an examination of material culture and prescriptive literature from this period, the essayists also demonstrate how changes in artistic expression affected the psychological, social, and cultural lives of everyday Americans.
This book joins a growing list of titles dedicated to analyzing and interpreting the cultural dimensions of past domestic life. Its essays shed new light on house history by tracking the transformation of a significant element of home life - its expressions of art.
In this collection of essays, ten experts in turn-of-the-century popular and material culture examine how the struggle between modernity and tradition was reflected in various facets of the household aesthetic. Their findings touch on sub-themes of gender, generation, and class to provide a fascinating commentary on what middle-class Americans were prepared to discard in the name of modernity and what they stubbornly retained for the sake of ideology. Through an examination of material culture and prescriptive literature from this period, the essayists also demonstrate how changes in artistic expression affected the psychological, social, and cultural lives of everyday Americans.
This book joins a growing list of titles dedicated to analyzing and interpreting the cultural dimensions of past domestic life. Its essays shed new light on house history by tracking the transformation of a significant element of home life - its expressions of art.
[more]
Arts and Crafts Architecture
History and Heritage in New England
Maureen Meister
University Press of New England, 2014
This book offers the first full-scale examination of the architecture associated with the Arts and Crafts movement that spread throughout New England at the turn of the twentieth century. Although interest in the Arts and Crafts movement has grown since the 1970s, the literature on New England has focused on craft production. Meister traces the history of the movement from its origins in mid-nineteenth-century England to its arrival in the United States and describes how Boston architects including H. H. Richardson embraced its tenets in the 1870s and 1880s. She then turns to the next generation of designers, examining buildings by twelve of the region’s most prominent architects, eleven men and a woman, who assumed leadership roles in the Society of Arts and Crafts, founded in Boston in 1897. Among them are Ralph Adams Cram, Lois Lilley Howe, Charles Maginnis, and H. Langford Warren. They promoted designs based on historical precedent and the region’s heritage while encouraging well-executed ornament. Meister also discusses revered cultural personalities who influenced the architects, notably Ralph Waldo Emerson and art historian Charles Eliot Norton, as well as contemporaries who shared their concerns, such as Louis Brandeis. Conservative though the architects were in the styles they favored, they also were forward-looking, blending Arts and Crafts values with Progressive Era idealism. Open to new materials and building types, they made lasting contributions, with many of their designs now landmarks honored in cities and towns across New England.
[more]
The Arts of Deception
Playing with Fraud in the Age of Barnum
James W. Cook
Harvard University Press, 2001
Ingenious automatons which appeared to think on their own. Dubious mermaids and wild men who resisted classification. Elegant sleight-of-hand artists who routinely exposed the secrets of their trade. These were some of the playful forms of fraud which astonished, titillated, and even outraged nineteenth-century America's new middle class, producing some of the most remarkable urban spectacles of the century.
In The Arts of Deception, James W. Cook explores this distinctly modern mode of trickery designed to puzzle the eye and challenge the brain. Championed by the "Prince of Humbug," P. T. Barnum, these cultural puzzles confused the line between reality and illusion. Upsetting the normally strict boundaries of value, race, class, and truth, the spectacles offer a revealing look at the tastes, concerns, and prejudices of America's very first mass audiences. We are brought into the exhibition halls, theaters, galleries, and museums where imposture flourished, and into the minds of the curiosity-seekers who eagerly debated the wonders before their eyes. Cook creates an original portrait of a culture in which ambiguous objects, images, and acts on display helped define a new value system for the expanding middle class, as it confronted a complex and confusing world.
[more]
The Arts of Democratization
Styling Political Sensibilities in Postwar West Germany
Jennifer M. Kapczynski and Caroline A. Kita, Editors
University of Michigan Press, 2022
Scholars of democracy long looked to the Federal Republic of Germany as a notable “success story,” a model for how to transition from a violent, authoritarian regime to a peaceable nation of rights. Although this account has been contested since its inception, the narrative has proved resilient—and it is no surprise that the current moment of crisis that Western democracies are experiencing has provoked new interest in how democracies come to be. The Arts of Democratization: Styling Political Sensibilities in Postwar West Germany casts a fresh look at the early years of this fledgling democracy and draws attention to the broad range of ways democracy and the democratic subject were conceived and rendered at this time.
These essays highlight the contradictory and competing impulses that ran through the project to democratize postwar society and cast a critical eye toward the internal biases that shaped the model of Western democracy. In so doing, the contributions probe critical questions that we continue to grapple with today. How did postwar thinkers understand what it meant to be democratic? Did they conceive of democratic subjectivity in terms of acts of participation, a set of beliefs or principles, or perhaps in terms of particular feelings or emotions? How did the work to define democracy and its subjects deploy notions of nation, race, and gender or sexuality? As this book demonstrates, the case of West Germany offers compelling ways to think more broadly about the emergence of democracy. The Arts of Democratization offers lessons that resonate with the current moment as we consider what interventions may be necessary to resuscitate democracy today.
These essays highlight the contradictory and competing impulses that ran through the project to democratize postwar society and cast a critical eye toward the internal biases that shaped the model of Western democracy. In so doing, the contributions probe critical questions that we continue to grapple with today. How did postwar thinkers understand what it meant to be democratic? Did they conceive of democratic subjectivity in terms of acts of participation, a set of beliefs or principles, or perhaps in terms of particular feelings or emotions? How did the work to define democracy and its subjects deploy notions of nation, race, and gender or sexuality? As this book demonstrates, the case of West Germany offers compelling ways to think more broadly about the emergence of democracy. The Arts of Democratization offers lessons that resonate with the current moment as we consider what interventions may be necessary to resuscitate democracy today.
[more]
Arts of Dying
Literature and Finitude in Medieval England
D. Vance Smith
University of Chicago Press, 2020
People in the Middle Ages had chantry chapels, mortuary rolls, the daily observance of the Office of the Dead, and even purgatory—but they were still unable to talk about death. Their inability wasn’t due to religion, but philosophy: saying someone is dead is nonsense, as the person no longer is. The one thing that can talk about something that is not, as D. Vance Smith shows in this innovative, provocative book, is literature.
Covering the emergence of English literature from the Old English to the late medieval periods, Arts of Dying argues that the problem of how to designate death produced a long tradition of literature about dying, which continues in the work of Heidegger, Blanchot, and Gillian Rose. Philosophy’s attempt to designate death’s impossibility is part of a literature that imagines a relationship with death, a literature that intensively and self-reflexively supposes that its very terms might solve the problem of the termination of life. A lyrical and elegiac exploration that combines medieval work on the philosophy of language with contemporary theorizing on death and dying, Arts of Dying is an important contribution to medieval studies, literary criticism, phenomenology, and continental philosophy.
Covering the emergence of English literature from the Old English to the late medieval periods, Arts of Dying argues that the problem of how to designate death produced a long tradition of literature about dying, which continues in the work of Heidegger, Blanchot, and Gillian Rose. Philosophy’s attempt to designate death’s impossibility is part of a literature that imagines a relationship with death, a literature that intensively and self-reflexively supposes that its very terms might solve the problem of the termination of life. A lyrical and elegiac exploration that combines medieval work on the philosophy of language with contemporary theorizing on death and dying, Arts of Dying is an important contribution to medieval studies, literary criticism, phenomenology, and continental philosophy.
[more]
The Arts of Iran in Istanbul and Anatolia
Seven Essays
Olga M. Davidson
Harvard University Press
Many spectacular examples of Persianate art survive to the present day, safeguarded in Istanbul and beyond—celebrating the glory of the Persian Empire (and, later, the Ottoman Empire). These include illustrated books, featuring exquisitely painted miniatures artfully embedded in the texts of literary masterpieces, as well as tile decorations in medieval Anatolian architecture.
Because of their beauty, many Persianate books were deliberately disassembled, their illustrations re-used in newer books or possessed as isolated art objects. As fragments found their way to collections around the world, the essential integration of text and image in the original books was lost. Six art historians and a literary historian—instrumental in reconstruction efforts—trace the long journey from the destructive dispersal of fragments to the joys of restoration.
[more]
The Arts of the Microbial World
Fermentation Science in Twentieth-Century Japan
Victoria Lee
University of Chicago Press, 2021
The first in-depth study of Japanese fermentation science in the twentieth century.
The Arts of the Microbial World explores the significance of fermentation phenomena, both as life processes and as technologies, in Japanese scientific culture. Victoria Lee’s careful study documents how Japanese scientists and skilled workers sought to use the microbe’s natural processes to create new products, from soy-sauce mold starters to MSG, vitamins to statins. In traditional brewing houses as well as in the food, fine chemical, and pharmaceutical industries across Japan, they showcased their ability to deal with the enormous sensitivity and variety of the microbial world.
Charting developments in fermentation science from the turn of the twentieth century, when Japan was an industrializing country on the periphery of the world economy, to 1980 when it had emerged as a global technological and economic power, Lee highlights the role of indigenous techniques in modern science as it took shape in Japan. In doing so, she reveals how knowledge of microbes lay at the heart of some of Japan’s most prominent technological breakthroughs in the global economy.
At a moment when twenty-first-century developments in the fields of antibiotic resistance, the microbiome, and green chemistry suggest that the traditional eradication-based approach to the microbial world is unsustainable, twentieth-century Japanese microbiology provides a new, broader vantage for understanding and managing microbial interactions with society.
The Arts of the Microbial World explores the significance of fermentation phenomena, both as life processes and as technologies, in Japanese scientific culture. Victoria Lee’s careful study documents how Japanese scientists and skilled workers sought to use the microbe’s natural processes to create new products, from soy-sauce mold starters to MSG, vitamins to statins. In traditional brewing houses as well as in the food, fine chemical, and pharmaceutical industries across Japan, they showcased their ability to deal with the enormous sensitivity and variety of the microbial world.
Charting developments in fermentation science from the turn of the twentieth century, when Japan was an industrializing country on the periphery of the world economy, to 1980 when it had emerged as a global technological and economic power, Lee highlights the role of indigenous techniques in modern science as it took shape in Japan. In doing so, she reveals how knowledge of microbes lay at the heart of some of Japan’s most prominent technological breakthroughs in the global economy.
At a moment when twenty-first-century developments in the fields of antibiotic resistance, the microbiome, and green chemistry suggest that the traditional eradication-based approach to the microbial world is unsustainable, twentieth-century Japanese microbiology provides a new, broader vantage for understanding and managing microbial interactions with society.
[more]
Arts of Wonder
Enchanting Secularity - Walter De Maria, Diller + Scofidio, James Turrell, Andy Goldsworthy
Jeffrey L. Kosky
University of Chicago Press, 2012
“The fate of our times is characterized by rationalization and intellectualization and, above all, by ‘the disenchantment of the world.’” Max Weber’s statement remains a dominant interpretation of the modern condition: the increasing capabilities of knowledge and science have banished mysteries, leaving a world that can be mastered technically and intellectually. And though this idea seems empowering, many people have become disenchanted with modern disenchantment. Using intimate encounters with works of art to explore disenchantment and the possibilities of re-enchantment, Arts of Wonder addresses questions about the nature of humanity, the world, and God in the wake of Weber’s diagnosis of modernity.
Jeffrey L. Kosky focuses on a handful of artists—Walter De Maria, Diller + Scofidio, James Turrell, and Andy Goldsworthy—to show how they introduce spaces hospitable to mystery and wonder, redemption and revelation, and transcendence and creation. What might be thought of as religious longings, he argues, are crucial aspects of enchanting secularity when developed through encounters with these works of art. Developing a model of religion that might be significant to secular culture, Kosky shows how this model can be employed to deepen interpretation of the art we usually view as representing secular modernity. A thoughtful dialogue between philosophy and art, Arts of Wonder will catch the eye of readers of art and religion, philosophy of religion, and art criticism.
[more]
Aryan and Non-Aryan in India
Madhav M. Deshpande and Peter E. Hook, Editors
University of Michigan Press, 1979
The history and mechanisms of the convergence of ancient Aryan and non-Aryan cultures has been a subject of continuing fascination in many fields of Indology. The contributions to Aryan and Non-Aryan in India are the fruit of a conference on that topic held in December 1976 at the University of Michigan, Ann Arbor, under the auspices of the Center for South and Southeast Asian Studies. The express object of the conference was to examine the latest findings from a variety of disciplines as they relate to the formation and integration of a unified Indian culture from many disparate cultural and ethnic elements.
[more]
Aryan Cowboys
White Supremacists and the Search for a New Frontier, 1970–2000
By Evelyn A. Schlatter
University of Texas Press, 2006
During the last third of the twentieth century, white supremacists moved, both literally and in the collective imagination, from midnight rides through Mississippi to broadband-wired cabins in Montana. But while rural Montana may be on the geographical fringe of the country, white supremacist groups were not pushed there, and they are far from “fringe elements” of society, as many Americans would like to believe. Evelyn Schlatter’s startling analysis describes how many of the new white supremacist groups in the West have co-opted the region’s mythology and environment based on longstanding beliefs about American character and Manifest Destiny to shape an organic, home-grown movement. Dissatisfied with the urbanized, culturally progressive coasts, disenfranchised by affirmative action and immigration, white supremacists have found new hope in the old ideal of the West as a land of opportunity waiting to be settled by self-reliant traditional families. Some even envision the region as a potential white homeland. Groups such as Aryan Nations, The Order, and Posse Comitatus use controversial issues such as affirmative action, anti-Semitism, immigration, and religion to create sympathy for their extremist views among mainstream whites—while offering a “solution” in the popular conception of the West as a place of freedom, opportunity, and escape from modern society. Aryan Cowboys exposes the exclusionist message of this “American” ideal, while documenting its dangerous appeal.
[more]
Aryan Idols
Indo-European Mythology as Ideology and Science
Stefan Arvidsson
University of Chicago Press, 2006
Critically examining the discourse of Indo-European scholarship over the past two hundred years, Aryan Idols demonstrates how the interconnected concepts of “Indo-European” and “Aryan” as ethnic categories have been shaped by, and used for, various ideologies.
Stefan Arvidsson traces the evolution of the Aryan idea through the nineteenth century—from its roots in Bible-based classifications and William Jones’s discovery of commonalities among Sanskrit, Latin, and Greek to its use by scholars in fields such as archaeology, anthropology, folklore, comparative religion, and history. Along the way, Arvidsson maps out the changing ways in which Aryans were imagined and relates such shifts to social, historical, and political processes. Considering the developments of the twentieth century, Arvidsson focuses on the adoption of Indo-European scholarship (or pseudoscholarship) by the Nazis and by Fascist Catholics.
A wide-ranging discussion of the intellectual history of the past two centuries, Aryan Idols links the pervasive idea of the Indo-European people to major scientific, philosophical, and political developments of the times, while raising important questions about the nature of scholarship as well.
Stefan Arvidsson traces the evolution of the Aryan idea through the nineteenth century—from its roots in Bible-based classifications and William Jones’s discovery of commonalities among Sanskrit, Latin, and Greek to its use by scholars in fields such as archaeology, anthropology, folklore, comparative religion, and history. Along the way, Arvidsson maps out the changing ways in which Aryans were imagined and relates such shifts to social, historical, and political processes. Considering the developments of the twentieth century, Arvidsson focuses on the adoption of Indo-European scholarship (or pseudoscholarship) by the Nazis and by Fascist Catholics.
A wide-ranging discussion of the intellectual history of the past two centuries, Aryan Idols links the pervasive idea of the Indo-European people to major scientific, philosophical, and political developments of the times, while raising important questions about the nature of scholarship as well.
[more]
The Arzberger Site
Hughes County, South Dakota
Albert C. Spaulding
University of Michigan Press, 1956
In this report, Albert C. Spaulding describes the 1939 archaeological excavations at the Arzberger site, in Hughes County, South Dakota, near the Missouri River. Spaulding and his team found the remains of more than forty houses, of which they excavated four. They also found a ditch and stockade; human burials; and artifacts, including pottery, shell, bone, and stone tools.
[more]
As Ding Saw Herbert Hoover
Jay N. Darling
University of Iowa Press, 1996
Ding Darling was a Pulitzer Prize-winning editorial cartoonist whose work appeared daily on the front page of the Des Moines Register between 1906 and 1949 and also was syndicated in 135 newspapers across the country. A brief encounter with Herbert Hoover during World War I was the beginning of a friendship that lasted until Ding’s death in 1962. After Hoover’s election as president, Ding’s relationship changed somewhat from one of strictly a friend to one of an unofficial advisor. On at least three occasions, the Darlings were overnight guests at the White House. Although their friendship deepened after the years of the presidency, Ding did not agree with Hoover on everything. In As “Ding” Saw Herbert Hoover, Ding interprets the career of Hoover as food administrator, cabinet member, candidate, and president in 57 cartoons, personal recollections, and a running commentary of the times as told in the day-by-day headlines.
[more]
As Good As It Gets
What School Reform Brought to Austin
Larry Cuban
Harvard University Press, 2010
Take an economically and racially diverse urban school district emerging from a long history of segregation. Add an energetic, capable, bridge-building superintendent with ambitious district-wide goals to improve graduation rates, school attendance, and academic performance. Consider that he was well funded and strongly supported by city leaders, teachers, and parents, and ask how much changed in a decade of his tenure—and what remained unchanged?
Larry Cuban takes this richly detailed history of the Austin, Texas, school district, under Superintendent Pat Forgione, to ask the question that few politicians and school reformers want to touch. Given effective use of widely welcomed reforms, can school policies and practices put all children at the same academic level? Are class and ethnic differences in academic performance within the power of schools to change?
Cuban argues that the overall district has shown much improvement—better test scores, more high school graduates, and more qualified teachers. But the improvements are unevenly distributed. The elementary schools improved, as did the high schools located in affluent, well-educated, largely white neighborhoods. But the least improvement came where it was needed most: the predominantly poor, black, and Latino high schools. Before Forgione arrived, over 10 percent of district schools were failing, and after he left office, roughly the same percentage continued to fail. Austin’s signal successes amid failure hold answers to tough questions facing urban district leaders across the nation.
[more]
As Long As The River Shall Run
An Ethnohistory Of Pyramid Lake Indian Reservation
Martha C. Knack
University of Nevada Press, 1999
The history of the Northern Paiutes of Pyramid Lake in northwestern Nevada is one fraught with the conflicts and tensions of the modern West—relentless encroachment by non-Indians into Indian lands; disputes over scarce water; endangerment of a rare and valuable species of fish—all played out on a stage that stretches from the centers of national politics in Washington, DC, to a remote desert reservation where an ancient people struggles to preserve the traditional center of its spiritual and economic life. Martha Knack’s and Omer Stewart’s brilliant interdisciplinary study of the Pyramid Lake Reservation, first published in 1984, is considered a major landmark in American Indian history—a lucid and insightful examination of the Paiutes, their reservation, and the ongoing controversy over control of their land and the life-giving Truckee River waters that feed Pyramid Lake. The complex interethnic relations described in this book offer readers a case study of the dominant issues in Indian affairs and the themes of the legislation and court decisions that shape the fates of native peoples.
[more]
As Long as the Rivers Run
Hydroelectric Development and Native Communities
James B. Waldram
University of Manitoba Press, 1993
In past treaties, the Aboriginal people of Canada surrendered title to their lands in return for guarantees that their traditional ways of life would be protected. Since the 1950s, governments have reneged on these commitments in order to acquire more land and water for hydroelectric development. James B. Waldram examines this controversial topic through an analysis of the politics of hydroelectric dam construction in the Canadian Northwest, focusing on three Aboriginal communities in Manitoba and Saskatchewan. He argues that little has changed in our treatment of Aboriginal people in the past hundred years, when their resources are still appropriated by the government “for the common good.” Using archival materials, personal interviews and largely inaccessible documents and letters, Waldram highlights the clear parallel between the treatment of Aboriginal people in the negotiations and agreements that accompany hydro development with the treaty and scrip processes of the past century.
[more]
As Others See Chicago
Impressions of Visitors, 1673-1933
Bessie Louise Pierce
University of Chicago Press, 2004
Sometimes it takes an outsider to capture the essence of an individual place. The impressions of travelers in particular have a special allure—unanticipated and serendipitous, their views get to the heart of a particular region because nothing to them is routine or expected.
First published in 1933 by the University of Chicago Press to mark the occasion of the Century of Progress Exhibition, As Others See Chicago consists of writings culled from over a thousand men and women who visited the city and commented on the best and worst it had to offer, from the skyscrapers to the stockyards. Originally compiled by Bessie Louise Pierce, the first major historian of Chicago, and featuring her own incisive commentary, the volume brings together the impressions of visitors to Chicago over two and a half centuries, from the early years of Westward Expansion to the height of the Great Depression. In addition to writings from better known personalities such as Rudyard Kipling and Waldo Frank, the book collects the opinions of missionaries, aristocrats, journalists, and politicians—observers who were perfectly placed to comment on the development of the city, its inhabitants, and well known events that would one day define Chicago history, such as the Great Fire of 1871 and the 1893 World's Fair.
Taking us back to a time when Chicago was "more astonishing than the wildest visions of the most vagrant imaginations," As Others See Chicago offers an enthralling portrait of an enduring American metropolis.
First published in 1933 by the University of Chicago Press to mark the occasion of the Century of Progress Exhibition, As Others See Chicago consists of writings culled from over a thousand men and women who visited the city and commented on the best and worst it had to offer, from the skyscrapers to the stockyards. Originally compiled by Bessie Louise Pierce, the first major historian of Chicago, and featuring her own incisive commentary, the volume brings together the impressions of visitors to Chicago over two and a half centuries, from the early years of Westward Expansion to the height of the Great Depression. In addition to writings from better known personalities such as Rudyard Kipling and Waldo Frank, the book collects the opinions of missionaries, aristocrats, journalists, and politicians—observers who were perfectly placed to comment on the development of the city, its inhabitants, and well known events that would one day define Chicago history, such as the Great Fire of 1871 and the 1893 World's Fair.
Taking us back to a time when Chicago was "more astonishing than the wildest visions of the most vagrant imaginations," As Others See Chicago offers an enthralling portrait of an enduring American metropolis.
[more]
As Precious as Blood
The Western Slope in Colorado's Water Wars, 1900-1970
Steven C. Schulte
University Press of Colorado, 2016
The diversion of water from Colorado’s Western Slope to meet the needs of the rest of the state has been a contentious issue throughout Colorado’s history. The source of Colorado’s water is in the snow that accumulates west of the Continental Divide, but the ever-growing population on the Front Range continues to require more municipal water. In As Precious as Blood, Steven C. Schulte examines the water wars between these two regions and how the western part of the state fits into Colorado’s overall water story, expanding the account of water politics he began in Wayne Aspinall and the Shaping of the American West.
Slow to build its necessary water infrastructure and suffering from a small population, little political power, and distance from sources of capital, the Western Slope of Colorado has struggled to maintain its water supply in the face of challenges from the Eastern Slope as well as from surrounding states. Schulte explains in detail the reasons, rationalizations, and resources involved in the multimillion-dollar dams and reclamation projects that divert much-needed water to the Front Range and elsewhere. He draws from archives, newspapers, and oral histories to show the interrelationships among twentieth-century Colorado water law, legislators from across the state, and powerful members of congress from the Western Slope, who have influenced water policy throughout the American West.
As Precious as Blood provides context for one of the most contentious legal, political, and economic periods in the state’s history. Schulte puts a human face on Colorado’s water wars by exploring their social and political dimensions alongside the technical and scientific perspectives.
[more]
As Seen on TV
The Visual Culture of Everyday Life in the 1950s
Karal Ann Marling
Harvard University Press, 1994
America in the 1950s: the world was not so much a stage as a setpiece for TV, the new national phenomenon. It was a time when how things looked--and how we looked--mattered, a decade of design that comes to vibrant life in As Seen on TV. From the painting-by-numbers fad to the public fascination with the First Lady's apparel to the television sensation of Elvis Presley to the sculptural refinement of the automobile, Marling explores what Americans saw and what they looked for with a gaze newly trained by TV. A study in style, in material culture, in art history at eye level, this book shows us as never before those artful everyday objects that stood for American life in the 1950s, as seen on TV.
[more]
As the Condor Soars
Conserving and Restoring Oregon's Birds
Susan M. Haig
Oregon State University Press, 2022
In the early part of this century, few dared imagine that Oregon would ever welcome back the majestic California Condor. Nobody would have predicted record numbers of Snowy Plovers on the coast. Oregon’s raptors and fish-eating birds were almost decimated. Yet, thanks to the heroic efforts of Oregon’s ornithologists, the birds are returning. As the Condor Soars presents a series of engaging essays about the efforts these scientists have made, and continue to make, to reduce the decline of Oregon’s bird species and restore their habitats.
The essays collected in As the Condor Soars focus on the role that ornithologists have played in research, management, and conservation debates across the state over the past century. Contributors to this volume discuss new developments in the study of birds, from sophisticated tracking devices to the evolving connections between ornithologists and artists. Readers also learn about the important role of citizen scientists in saving our treasured birds. These essays provide hope for species recovery, despite environmental threats, when scientists and the public work together. They also offer to other regions examples of adaptive management learned through these efforts.
This full-color book is beautifully illustrated by noted Oregon Coast artist Ram Papish and includes over eighty stunning photographs donated by some of the state’s finest nature photographers. Fifty capsule biographies of noted Oregon avian scientists round out the inspirational stories about the monumental efforts that have taken shape in recent decades. Accessibly written for scientists and laypeople alike, As the Condor Soars is a gift to everyone who cares about the conservation and restoration of Oregon’s birds.
The essays collected in As the Condor Soars focus on the role that ornithologists have played in research, management, and conservation debates across the state over the past century. Contributors to this volume discuss new developments in the study of birds, from sophisticated tracking devices to the evolving connections between ornithologists and artists. Readers also learn about the important role of citizen scientists in saving our treasured birds. These essays provide hope for species recovery, despite environmental threats, when scientists and the public work together. They also offer to other regions examples of adaptive management learned through these efforts.
This full-color book is beautifully illustrated by noted Oregon Coast artist Ram Papish and includes over eighty stunning photographs donated by some of the state’s finest nature photographers. Fifty capsule biographies of noted Oregon avian scientists round out the inspirational stories about the monumental efforts that have taken shape in recent decades. Accessibly written for scientists and laypeople alike, As the Condor Soars is a gift to everyone who cares about the conservation and restoration of Oregon’s birds.
[more]
As the Twig Is Bent
A Memoir
Wallace Byron Grange, Edited by Joseph L. Breitenstein and Richard P. Thiel
University of Wisconsin Press, 2020
Wallace Byron Grange (1905–87) was an influential conservationist who worked alongside Aldo Leopold. Grange’s story vividly describes his mostly idyllic childhood watching bird life in the once grand prairies just west of Chicago. He documents his family’s journey and pioneering struggle to operate a farm on the logged cutover country in northern Wisconsin, a land that provided him with abundant opportunities to study the lives of wild creatures he loved most.
Written when Grange was in his sixties, As the Twig Is Bent conveys how a leading conservationist was formed through his early relationship to nature. In beautifully composed vignettes, he details encounters both profound and minute, from the white-footed mice attracted by cookie crumbs in his boyhood clubhouse to the sounds of great horned owls echoing through the wintry woods. As he develops his own understanding of the natural world, he comes to an awareness of the dramatic and devastating role of humankind on ecosystems. Grange’s poignant observations still resonate today amid global conversations about the fate of our natural resources and climate change.
Written when Grange was in his sixties, As the Twig Is Bent conveys how a leading conservationist was formed through his early relationship to nature. In beautifully composed vignettes, he details encounters both profound and minute, from the white-footed mice attracted by cookie crumbs in his boyhood clubhouse to the sounds of great horned owls echoing through the wintry woods. As he develops his own understanding of the natural world, he comes to an awareness of the dramatic and devastating role of humankind on ecosystems. Grange’s poignant observations still resonate today amid global conversations about the fate of our natural resources and climate change.
[more]
As the World Ages
Rethinking a Demographic Crisis
Kavita Sivaramakrishnan
Harvard University Press, 2018
People are living longer, creating an unexpected boom in the elderly population. Longevity is increasing not only in wealthy countries but in developing nations as well. In response, many policy makers and scholars are preparing for a global crisis of aging. But for too long, Western experts have conceived of aging as a universal predicament—one that supposedly provokes the same welfare concerns in every context. In the twenty-first century, Kavita Sivaramakrishnan writes, we must embrace a new approach to the problem, one that prioritizes local agendas and values.
As the World Ages is a history of how gerontologists, doctors, social scientists, and activists came to define the issue of global aging. Sivaramakrishnan shows that transnational organizations like the United Nations, private NGOs, and philanthropic foundations embraced programs that reflected prevailing Western ideas about development and modernization. The dominant paradigm often assumed that, because large-scale growth of an aging population happened first in the West, developing societies will experience the issues of aging in the same ways and on the same terms as their Western counterparts. But regional experts are beginning to question this one-size-fits-all model and have chosen instead to recast Western expertise in response to provincial conditions. Focusing on South Asia and Africa, Sivaramakrishnan shows how regional voices have argued for an approach that responds to local needs and concerns. The research presented in As the World Ages will help scholars, policy makers, and advocates appreciate the challenges of this recent shift in global demographics and find solutions sensitive to real life in diverse communities.
[more]
As Told By Herself
Women’s Childhood Autobiography, 1845-1969
Lorna Martens
University of Wisconsin Press, 2022
As Told by Herself offers the first systematic study of women's autobiographical writing about childhood. More than 175 works—primarily from English-speaking countries and France, as well as other European countries—are presented here in historical sequence, allowing Lorna Martens to discern and reveal patterns as they emerge and change over time. What do the authors divulge, conceal, and emphasize? How do they understand the experience of growing up as girls? How do they understand themselves as parts of family or social groups, and what role do other individuals play in their recollections? To what extent do they concern themselves with issues of memory, truth, and fictionalization?
Stopping just before second-wave feminism brought an explosion in women's childhood autobiographical writing, As Told by Herself explores the genre's roots and development from the mid-nineteenth century, and recovers many works that have been neglected or forgotten. The result illustrates how previous generations of women—in a variety of places and circumstances—understood themselves and their upbringing, and how they thought to present themselves to contemporary and future readers.
Stopping just before second-wave feminism brought an explosion in women's childhood autobiographical writing, As Told by Herself explores the genre's roots and development from the mid-nineteenth century, and recovers many works that have been neglected or forgotten. The result illustrates how previous generations of women—in a variety of places and circumstances—understood themselves and their upbringing, and how they thought to present themselves to contemporary and future readers.
[more]
As Various as Their Land
The Everyday Lives of Eighteenth-Century Americans
Stephanie Grauman Wolf
University of Arkansas Press, 2000
In 1700, ten sparsely settled colonies clung precariously to the Atlantic coast of the vast American continent, each far more firmly attached to the Old World by ties of politics, economy, and culture than they were to each other. By 1800, sixteen states, united by a common government, were poised exploit the seemingly endless resources of a new and independent nation. Throughout this century of enormous changes and challenges, one factor had remained constant: no single description captured the majority of the new country's inhabitants; no one lifestyle was embraced by a "typical American." Rich or poor, urban or rural, male or female, young or old, native-born or immigrant, northerner or southerner, slave or free, white or of color—the mixture of these characteristics and a host of others within each individual determined the shape and opportunities of everyday life. Americans of the eighteenth century were in the end, as they had been in the beginning, as "various as their land."
[more]
Asbestos and Fire
Technological Tradeoffs and the Body at Risk
Maines, Rachel
Rutgers University Press, 2013
For much of the industrial era, asbestos was a widely acclaimed benchmark material. During its heyday, it was manufactured into nearly three thousand different products, most of which protected life and property from heat, flame, and electricity. It was used in virtually every industry from hotel keeping to military technology to chemical manufacturing, and was integral to building construction from shacks to skyscrapers in every community across the United States. Beginning in the mid-1960s, however, this once popular mineral began a rapid fall from grace as growing attention to the serious health risks associated with it began to overshadow the protections and benefits it provided.
In this thought-provoking and controversial book, Rachel Maines challenges the recent vilification of asbestos by providing a historical perspective on Americans’ changing perceptions about risk. She suggests that the very success of asbestos and other fire-prevention technologies in containing deadly blazes has led to a sort of historical amnesia about the very risks they were supposed to reduce.
Asbestos and Fire is not only the most thoroughly researched and balanced look at the history of asbestos, it is also an important contribution to a larger debate that considers how the risks of technological solutions should be evaluated. As technology offers us ever-increasing opportunities to protect and prevent, Maines urges that learning to accept and effectively address the unintended consequences of technological innovations is a growing part of our collective responsibility.
[more]
Asbestos and Fire
Technological Tradeoffs and the Body at Risk
Maines, Rachel
Rutgers University Press, 2005
For much of the industrial era, asbestos was a widely acclaimed benchmark material. During its heyday, it was manufactured into nearly three thousand different products, most of which protected life and property from heat, flame, and electricity. It was used in virtually every industry from hotel keeping to military technology to chemical manufacturing, and was integral to building construction from shacks to skyscrapers in every community across the United States. Beginning in the mid-1960s, however, this once popular mineral began a rapid fall from grace as growing attention to the serious health risks associated with it began to overshadow the protections and benefits it provided.
In this thought-provoking and controversial book, Rachel Maines challenges the recent vilification of asbestos by providing a historical perspective on Americans’ changing perceptions about risk. She suggests that the very success of asbestos and other fire-prevention technologies in containing deadly blazes has led to a sort of historical amnesia about the very risks they were supposed to reduce.
Asbestos and Fire is not only the most thoroughly researched and balanced look at the history of asbestos, it is also an important contribution to a larger debate that considers how the risks of technological solutions should be evaluated. As technology offers us ever-increasing opportunities to protect and prevent, Maines urges that learning to accept and effectively address the unintended consequences of technological innovations is a growing part of our collective responsibility.
[more]
Asbury Park's Glory Days
The Story of an American Resort
Pike, Helen-Chantal
Rutgers University Press, 2007
Winner of the 2005 New Jersey Author Award for Scholarly Non-Fiction from the New Jersey Studies Academic Alliance
Long before Bruce Springsteen picked up a guitar; before Danny DeVito drove a taxi; before Jack Nicholson flew over the cuckoo's nest, Asbury Park was a seashore Shangri-La filled with shimmering odes to civic greatness, world-renowned baby parades, temples of retail, and atmospheric movie palaces. It was a magnet for tourists, a summer vacation mecca-to some degree New Jersey's own Coney Island.
In Asbury Park's Glory Days, award-winning author Helen-Chantal Pike chronicles the city's heyday-the ninety-year period between 1890 and 1980. Pike illuminates the historical conditions contributing to the town's cycle of booms and recessions. She investigates the factors that influenced these peaks, such as location, lodging, dining, nightlife, merchandising, and immigration, and how and why millions of people spent their leisure time within this one-square-mile boundary on the northern coast of the state. Pike also includes an epilogue describing recent attempts to resurrect this once-vibrant city.
Long before Bruce Springsteen picked up a guitar; before Danny DeVito drove a taxi; before Jack Nicholson flew over the cuckoo's nest, Asbury Park was a seashore Shangri-La filled with shimmering odes to civic greatness, world-renowned baby parades, temples of retail, and atmospheric movie palaces. It was a magnet for tourists, a summer vacation mecca-to some degree New Jersey's own Coney Island.
In Asbury Park's Glory Days, award-winning author Helen-Chantal Pike chronicles the city's heyday-the ninety-year period between 1890 and 1980. Pike illuminates the historical conditions contributing to the town's cycle of booms and recessions. She investigates the factors that influenced these peaks, such as location, lodging, dining, nightlife, merchandising, and immigration, and how and why millions of people spent their leisure time within this one-square-mile boundary on the northern coast of the state. Pike also includes an epilogue describing recent attempts to resurrect this once-vibrant city.
[more]
The Ascension of Authorship
Attribution and Canon Formation in Jewish, Hellenistic, and Christian Traditions
Jed Wyrick
Harvard University Press, 2004
The Ascension of Authorship traces the history of the idea of the author in the ancient world, beginning with the attribution practices of Second Temple and Rabbinic Judaism. Jed Wyrick explores the testimony of Josephus on the succession of prophetic scribes and their superiority to Greek historiographers, and interprets the formation of the biblical canon in this light. The Ascension of Authorship also examines the Greek scholarly methodology that questioned traditional connections between names and texts, a methodology perfected by Hellenistic grammarians and inherited by early Christian scholars. Wyrick argues that the fusion of Jewish and Hellenistic approaches toward attribution helped lead to St. Augustine's reinvention of the writer of scripture as an author whose texts were governed by both divine will and human intent.
[more]
The Ascent of Affect
Genealogy and Critique
Ruth Leys
University of Chicago Press, 2017
In recent years, emotions have become a major, vibrant topic of research not merely in the biological and psychological sciences but throughout a wide swath of the humanities and social sciences as well. Yet, surprisingly, there is still no consensus on their basic nature or workings.
Ruth Leys’s brilliant, much anticipated history, therefore, is a story of controversy and disagreement. The Ascent of Affect focuses on the post–World War II period, when interest in emotions as an object of study began to revive. Leys analyzes the ongoing debate over how to understand emotions, paying particular attention to the continual conflict between camps that argue for the intentionality or meaning of emotions but have trouble explaining their presence in non-human animals and those that argue for the universality of emotions but struggle when the question turns to meaning. Addressing the work of key figures from across the spectrum, considering the potentially misleading appeal of neuroscience for those working in the humanities, and bringing her story fully up to date by taking in the latest debates, Leys presents here the most thorough analysis available of how we have tried to think about how we feel.
Ruth Leys’s brilliant, much anticipated history, therefore, is a story of controversy and disagreement. The Ascent of Affect focuses on the post–World War II period, when interest in emotions as an object of study began to revive. Leys analyzes the ongoing debate over how to understand emotions, paying particular attention to the continual conflict between camps that argue for the intentionality or meaning of emotions but have trouble explaining their presence in non-human animals and those that argue for the universality of emotions but struggle when the question turns to meaning. Addressing the work of key figures from across the spectrum, considering the potentially misleading appeal of neuroscience for those working in the humanities, and bringing her story fully up to date by taking in the latest debates, Leys presents here the most thorough analysis available of how we have tried to think about how we feel.
[more]
The Ascent of Chiefs
Cahokia and Mississippian Politics in Native North America
Timothy R. Pauketat
University of Alabama Press, 1994
Provides a theoretical explanation of how prehistoric Cahokia became a stratified society
Considering Cahokia in terms of class struggle, Pauketat claims that the political consolidation in this region of the Mississippi Valley happened quite suddenly, around A.D. 1000, after which the lords of Cahokia innovated strategies to preserve their power and ultimately emerged as divine chiefs. The new ideas and new data in this volume will invigorate the debate surrounding one of the most important developments in North American prehistory.
Considering Cahokia in terms of class struggle, Pauketat claims that the political consolidation in this region of the Mississippi Valley happened quite suddenly, around A.D. 1000, after which the lords of Cahokia innovated strategies to preserve their power and ultimately emerged as divine chiefs. The new ideas and new data in this volume will invigorate the debate surrounding one of the most important developments in North American prehistory.
[more]
Ascent to Bankruptcy
Financing Social Security in Latin America
Carmelo Mesa-Lago
University of Pittsburgh Press, 1989
In 1990, Carmelo Mesa-Lago, the foremost authority on social security in Latin America, concluded that all of the region's programs were imperiled, especially those in the most advanced nations. His study of twenty countries, originally sponsored by the United Nations Economic Commission for Latin America, critically reviews major financial problems, low and uneven population coverage, erosion in benefits, increasing costs, and the impact of social security on development.
In words that eerily echo current U.S. debates, Mesa-Lago analyzes virtually all social insurance programs: old age, disability and survivors' pensions; health care; occupational hazards; family allowances; and unemployment. For social security specialists, this impressive study will serve as a comprehensive regional handbook on the legal, administrative, and financial features of Latin America's programs. Students of comparative policy and applied economics will find Mesa-Lago's methodology, analytical framework, and policy recommendations invaluable.
In words that eerily echo current U.S. debates, Mesa-Lago analyzes virtually all social insurance programs: old age, disability and survivors' pensions; health care; occupational hazards; family allowances; and unemployment. For social security specialists, this impressive study will serve as a comprehensive regional handbook on the legal, administrative, and financial features of Latin America's programs. Students of comparative policy and applied economics will find Mesa-Lago's methodology, analytical framework, and policy recommendations invaluable.
[more]
Ascetical Works
Saint Gregory of Nyssa
Catholic University of America Press, 1967
No description available
[more]
The ASEAN Miracle
A Catalyst for Peace
Kishore Mahbubani and Jeffery Sng
National University of Singapore Press, 2017
The Association of Southeast Asian Nations (ASEAN) is a miracle. In an era of growing cultural pessimism, there is a pervasive belief that different civilizations cannot function together. Yet the ten countries of ASEAN are a thriving counter-example of coexistence. Here, more than 625 million people live together in peace.
In 1967, leaders from Indonesia, Malaysia, the Philippines, Singapore, and Thailand struck a landmark agreement, forming ASEAN. They had realized that political and economic cooperation would bring greater stability and prosperity to the region. Fifty years and five additional countries later, the alliance has remained one of the world’s most successful collaborations. Kishore Mahbubani and Jeffery Sng explain how this partnership has benefited the ten member countries and why it should serve as a model for other regions of the world, challenging our assumptions about international cooperation. As the world turns to Asia and the United States and China jostle for dominance, the ASEAN region will have an undeniably powerful role in shaping our global systems. Mahbubani and Sng offer an important primer for understanding this immensely successful—and woefully underappreciated—regional organization.
In 1967, leaders from Indonesia, Malaysia, the Philippines, Singapore, and Thailand struck a landmark agreement, forming ASEAN. They had realized that political and economic cooperation would bring greater stability and prosperity to the region. Fifty years and five additional countries later, the alliance has remained one of the world’s most successful collaborations. Kishore Mahbubani and Jeffery Sng explain how this partnership has benefited the ten member countries and why it should serve as a model for other regions of the world, challenging our assumptions about international cooperation. As the world turns to Asia and the United States and China jostle for dominance, the ASEAN region will have an undeniably powerful role in shaping our global systems. Mahbubani and Sng offer an important primer for understanding this immensely successful—and woefully underappreciated—regional organization.
[more]
Ashes of Immortality
Widow-Burning in India
Catherine Weinberger-Thomas
University of Chicago Press, 1999
"At last, she arrives at the fatal end of the plank . . . and, with her hands crossed over her chest, falls straight downward, suspended for a moment in the air before being devoured by the burning pit that awaits her. . . ." This grisly 1829 account by Pierre Dubois demonstrates the usual European response to the Hindu custom of satis sacrificing themselves on the funeral pyres of their husbands—horror and revulsion. Yet to those of the Hindu faith, not least the satis themselves, this act signals the sati's sacredness and spiritual power.
Ashes of Immortality attempts to see the satis through Hindu eyes, providing an extensive experiential and psychoanalytic account of ritual self-sacrifice and self-mutilation in South Asia. Based on fifteen years of fieldwork in northern India, where the state-banned practice of sati reemerged in the 1970s, as well as extensive textual analysis, Weinberger-Thomas constructs a radically new interpretation of satis. She shows that their self-immolation transcends gender, caste and class, region and history, representing for the Hindus a path to immortality.
Ashes of Immortality attempts to see the satis through Hindu eyes, providing an extensive experiential and psychoanalytic account of ritual self-sacrifice and self-mutilation in South Asia. Based on fifteen years of fieldwork in northern India, where the state-banned practice of sati reemerged in the 1970s, as well as extensive textual analysis, Weinberger-Thomas constructs a radically new interpretation of satis. She shows that their self-immolation transcends gender, caste and class, region and history, representing for the Hindus a path to immortality.
[more]
Ashes of the Mind
War and Memory in Northern Literature, 1865-1900
Martin Griffin
University of Massachusetts Press, 2009
The memory of the American Civil War took many forms over the decades after the conflict ended: personal, social, religious, and political. It was also remembered and commemorated by poets and fiction writers who understood that the war had bequeathed both historical and symbolic meanings to American culture. Although the defeated Confederacy became best known for producing a literature of nostalgia and an ideological defensiveness intended to protect the South's own version of history, authors loyal to the Union also confronted the question of what the memory of the war signified, and how to shape the literary response to that individual and collective experience.
In Ashes of the Mind, Martin Griffin examines the work of five Northerners—three poets and two fiction writers—who over a period of four decades tried to understand and articulate the landscape of memory in postwar America, and in particular in that part of the nation that could, with most justification, claim the victory of its beliefs and values. The book begins with an examination of the rhetorical grandeur of James Russell Lowell's Harvard Commemoration Ode, ranges across Herman Melville's ironic war poetry, Henry James's novel of North-South reconciliation, The Bostonians, and Ambrose Bierce's short stories, and ends with the bitter meditation on race and nation presented by Paul Laurence Dunbar's elegy "Robert Gould Shaw." Together these texts reveal how a group of representative Northern writers were haunted in different ways by the memory of the
conflict and its fraught legacy.
Griffin traces a concern with individual and community loss, ambivalence toward victory, and a changing politics of commemoration in the writings of Lowell, Melville, James, Bierce, and Dunbar. What links these very different authors is a Northern memory of the war that became more complex and more compromised as the century went on, often replacing a sense of justification and achievement with a perception of irony and failed promise.
In Ashes of the Mind, Martin Griffin examines the work of five Northerners—three poets and two fiction writers—who over a period of four decades tried to understand and articulate the landscape of memory in postwar America, and in particular in that part of the nation that could, with most justification, claim the victory of its beliefs and values. The book begins with an examination of the rhetorical grandeur of James Russell Lowell's Harvard Commemoration Ode, ranges across Herman Melville's ironic war poetry, Henry James's novel of North-South reconciliation, The Bostonians, and Ambrose Bierce's short stories, and ends with the bitter meditation on race and nation presented by Paul Laurence Dunbar's elegy "Robert Gould Shaw." Together these texts reveal how a group of representative Northern writers were haunted in different ways by the memory of the
conflict and its fraught legacy.
Griffin traces a concern with individual and community loss, ambivalence toward victory, and a changing politics of commemoration in the writings of Lowell, Melville, James, Bierce, and Dunbar. What links these very different authors is a Northern memory of the war that became more complex and more compromised as the century went on, often replacing a sense of justification and achievement with a perception of irony and failed promise.
[more]
The Ashio Riot of 1907
A Social History of Mining in Japan
Kazuo Nimura, ed.
Duke University Press, 1997
In The Ashio Riot of 1907, Nimura Kazuo explains why the workers at the Ashio copper mine—Japan’s largest mining concern and one of the largest such operations in the world—joined together for three days of rioting against the Furukawa Company in February 1907. Exploring an event in labor history unprecedented in the Japan of that time, Nimura uses this riot as a launching point to analyze the social, economic, and political structure of early industrial Japan. As such, The Ashio Riot of 1907 functions as a powerful critique of Japanese scholarly approaches to labor economics and social history.
Arguing against the spontaneous resistance theory that has long dominated Japanese social history accounts, Nimura traces the laborers’ unrest prior to the riots as well as the development of the event itself. Drawing from such varied sources as governmental records, media reports, and secret legal documents relating to the riot, Nimura discusses the active role of the metal mining workers’ trade organization and the stance taken by mine labor bosses. He examines how technological development transformed labor-management relations and details the common characteristics of the laborers who were involved in the riot movement. In the course of this historical analysis, Nimura takes on some of the most influential critical perspectives on Japanese social and labor history. This translation of Nimura’s prize-winning study—originally published in Japan—contains a preface by Andrew Gordon and an introduction and prologue written especially for this edition.
Arguing against the spontaneous resistance theory that has long dominated Japanese social history accounts, Nimura traces the laborers’ unrest prior to the riots as well as the development of the event itself. Drawing from such varied sources as governmental records, media reports, and secret legal documents relating to the riot, Nimura discusses the active role of the metal mining workers’ trade organization and the stance taken by mine labor bosses. He examines how technological development transformed labor-management relations and details the common characteristics of the laborers who were involved in the riot movement. In the course of this historical analysis, Nimura takes on some of the most influential critical perspectives on Japanese social and labor history. This translation of Nimura’s prize-winning study—originally published in Japan—contains a preface by Andrew Gordon and an introduction and prologue written especially for this edition.
[more]
Ashoka and the Maurya Dynasty
The History and Legacy of Ancient India’s Greatest Empire
Colleen Taylor Sen
Reaktion Books, 2022
An illuminating history of the ancient Maurya Empire and its great leader Ashoka, offering insight into the lasting political and cultural legacies of both.
At its peak in 250 BCE, the Maurya Empire was the wealthiest and largest empire in the world, extending across much of modern India, Pakistan, and Afghanistan. In this book, Colleen Taylor Sen explores the life, achievements, and legacy of the Maurya emperor Ashoka, one of the greatest leaders in Indian history. Sen relates how, after a bloody war in 261 BCE, Ashoka renounced violence and spent the rest of his life promoting religious tolerance, animal rights, environmental protection, peace, and multiculturalism—a policy he called Dhamma. This well-illustrated book explores the legacy and influence of the Mauryas in politics throughout Southeast Asia, China, and India, as well as contemporary popular culture.
At its peak in 250 BCE, the Maurya Empire was the wealthiest and largest empire in the world, extending across much of modern India, Pakistan, and Afghanistan. In this book, Colleen Taylor Sen explores the life, achievements, and legacy of the Maurya emperor Ashoka, one of the greatest leaders in Indian history. Sen relates how, after a bloody war in 261 BCE, Ashoka renounced violence and spent the rest of his life promoting religious tolerance, animal rights, environmental protection, peace, and multiculturalism—a policy he called Dhamma. This well-illustrated book explores the legacy and influence of the Mauryas in politics throughout Southeast Asia, China, and India, as well as contemporary popular culture.
[more]
Ashoka in Ancient India
Nayanjot Lahiri
Harvard University Press, 2015
In the third century BCE, Ashoka ruled an empire encompassing much of modern-day India, Pakistan, Afghanistan, and Bangladesh. During his reign, Buddhism proliferated across the South Asian subcontinent, and future generations of Asians came to see him as the ideal Buddhist king. Disentangling the threads of Ashoka’s life from the knot of legend that surrounds it, Nayanjot Lahiri presents a vivid biography of this extraordinary Indian emperor and deepens our understanding of a legacy that extends beyond the bounds of Ashoka’s lifetime and dominion.
At the center of Lahiri’s account is the complex personality of the Maurya dynasty’s third emperor—a strikingly contemplative monarch, at once ambitious and humane, who introduced a unique style of benevolent governance. Ashoka’s edicts, carved into rock faces and stone pillars, reveal an eloquent ruler who, unusually for the time, wished to communicate directly with his people. The voice he projected was personal, speaking candidly about the watershed events in his life and expressing his regrets as well as his wishes to his subjects.
Ashoka’s humanity is conveyed most powerfully in his tale of the Battle of Kalinga. Against all conventions of statecraft, he depicts his victory as a tragedy rather than a triumph—a shattering experience that led him to embrace the Buddha’s teachings. Ashoka in Ancient India breathes new life into a towering figure of the ancient world, one who, in the words of Jawaharlal Nehru, “was greater than any king or emperor.”
[more]
Asia after Europe
The Decline and Rise of a Continent, 1813–2013
Sugata Bose
Harvard University Press
Asia and Postwar Japan
Deimperialization, Civic Activism, and National Identity
Simon Avenell
Harvard University Press, 2022
War, defeat, and the collapse of empire in 1945 touched every aspect of postwar Japanese society, profoundly shaping how the Japanese would reconstruct national identity and reengage with the peoples of Asia. While “America” offered a vision of re-genesis after cataclysmic ruin, “Asia” exposed the traumata of perpetration and the torment of ethnic responsibility. Obscured in the shadows of a resurgent postwar Japan lurked a postimperial specter whose haunting presence both complicated and confounded the spiritual rehabilitation of the nation.
Asia and Postwar Japan examines Japanese deimperialization from 1945 until the early twenty-first century. It focuses on the thought and activism of progressive activists and intellectuals as they struggled to overcome rigid preconceptions about “Asia,” as they grappled with the implications of postimperial responsibility, and as they forged new regional solidarities and Asian imaginaries. Simon Avenell reveals the critical importance of Asia in postwar Japanese thought, activism, and politics—Asia as a symbolic geography, Asia as a space for grassroots engagement, and ultimately, Asia as an aporia of identity and the source of a new politics of hope.
[more]
Asia as Method
Toward Deimperialization
Kuan-Hsing Chen
Duke University Press, 2010
Centering his analysis in the dynamic forces of modern East Asian history, Kuan-Hsing Chen recasts cultural studies as a politically urgent global endeavor. He argues that the intellectual and subjective work of decolonization begun across East Asia after the Second World War was stalled by the cold war. At the same time, the work of deimperialization became impossible to imagine in imperial centers such as Japan and the United States. Chen contends that it is now necessary to resume those tasks, and that decolonization, deimperialization, and an intellectual undoing of the cold war must proceed simultaneously. Combining postcolonial studies, globalization studies, and the emerging field of “Asian studies in Asia,” he insists that those on both sides of the imperial divide must assess the conduct, motives, and consequences of imperial histories.
Chen is one of the most important intellectuals working in East Asia today; his writing has been influential in Taiwan, South Korea, Hong Kong, Japan, Singapore, and mainland China for the past fifteen years. As a founding member of the Inter-Asia Cultural Studies Society and its journal, he has helped to initiate change in the dynamics and intellectual orientation of the region, building a network that has facilitated inter-Asian connections. Asia as Method encapsulates Chen’s vision and activities within the increasingly “inter-referencing” East Asian intellectual community and charts necessary new directions for cultural studies.
[more]
Asia First
China and the Making of Modern American Conservatism
Joyce Mao
University of Chicago Press, 2015
After Japanese bombs hit Pearl Harbor, the American right stood at a crossroads. Generally isolationist, conservatives needed to forge their own foreign policy agenda if they wanted to remain politically viable. When Mao Zedong established the People’s Republic of China in 1949—with the Cold War just underway—they had a new object of foreign policy, and as Joyce Mao reveals in this fascinating new look at twentieth-century Pacific affairs, that change would provide vital ingredients for American conservatism as we know it today.
Mao explores the deep resonance American conservatives felt with the defeat of Chiang Kai-Shek and his exile to Taiwan, which they lamented as the loss of China to communism and the corrosion of traditional values. In response, they fomented aggressive anti-communist positions that urged greater action in the Pacific, a policy known as “Asia First.” While this policy would do nothing to oust the communists from China, it was powerfully effective at home. Asia First provided American conservatives a set of ideals—American sovereignty, selective military intervention, strident anti-communism, and the promotion of a technological defense state—that would bring them into the global era with the positions that are now their hallmark.
Mao explores the deep resonance American conservatives felt with the defeat of Chiang Kai-Shek and his exile to Taiwan, which they lamented as the loss of China to communism and the corrosion of traditional values. In response, they fomented aggressive anti-communist positions that urged greater action in the Pacific, a policy known as “Asia First.” While this policy would do nothing to oust the communists from China, it was powerfully effective at home. Asia First provided American conservatives a set of ideals—American sovereignty, selective military intervention, strident anti-communism, and the promotion of a technological defense state—that would bring them into the global era with the positions that are now their hallmark.
[more]
Asia in the Making of Europe, Volume I
The Century of Discovery. Book 1.
Donald F. Lach
University of Chicago Press, 1994
Praised for its scope and depth, Asia in the Making of Europe is the first comprehensive study of Asian influences on Western culture. For volumes I and II, the author has sifted through virtually every European reference to Asia published in the sixteenth-century; he surveys a vast array of writings describing Asian life and society, the images of Asia that emerge from those writings, and, in turn, the reflections of those images in European literature and art. This monumental achievement reveals profound and pervasive influences of Asian societies on developing Western culture; in doing so, it provides a perspective necessary for a balanced view of world history.
Volume I: The Century of Discovery brings together "everything that a European could know of India, Southeast Asia, China, and Japan, from printed books, missionary reports, traders' accounts and maps" (The New York Review of Books). Volume II: A Century of Wonder examines the influence of that vast new body of information about Asia on the arts, institutions, literatures, and ideas of sixteenth-century Europe.
Volume I: The Century of Discovery brings together "everything that a European could know of India, Southeast Asia, China, and Japan, from printed books, missionary reports, traders' accounts and maps" (The New York Review of Books). Volume II: A Century of Wonder examines the influence of that vast new body of information about Asia on the arts, institutions, literatures, and ideas of sixteenth-century Europe.
[more]
Asia in the Making of Europe, Volume I
The Century of Discovery. Book 2.
Donald F. Lach
University of Chicago Press, 1994
Praised for its scope and depth, Asia in the Making of Europe is the first comprehensive study of Asian influences on Western culture. For volumes I and II, the author has sifted through virtually every European reference to Asia published in the sixteenth-century; he surveys a vast array of writings describing Asian life and society, the images of Asia that emerge from those writings, and, in turn, the reflections of those images in European literature and art. This monumental achievement reveals profound and pervasive influences of Asian societies on developing Western culture; in doing so, it provides a perspective necessary for a balanced view of world history.
Volume I: The Century of Discovery brings together "everything that a European could know of India, Southeast Asia, China, and Japan, from printed books, missionary reports, traders' accounts and maps" (The New York Review of Books). Volume II: A Century of Wonder examines the influence of that vast new body of information about Asia on the arts, institutions, literatures, and ideas of sixteenth-century Europe.
Volume I: The Century of Discovery brings together "everything that a European could know of India, Southeast Asia, China, and Japan, from printed books, missionary reports, traders' accounts and maps" (The New York Review of Books). Volume II: A Century of Wonder examines the influence of that vast new body of information about Asia on the arts, institutions, literatures, and ideas of sixteenth-century Europe.
[more]
Asia in the Making of Europe, Volume II
A Century of Wonder. Book 1: The Visual Arts
Donald F. Lach
University of Chicago Press, 1970
This is the second volume in a series that traces, century by century, the role of Asia in the making of Europe.
The rise to world dominance of the Western nations in modern times and the rapid industrial growth of the West, which outpaced the East in technical and military achievements, have led to a historical eclipse of the ancient and brilliant cultures of Asia.
Historican Donald F. Lach, in his influential scholarly work, Asia in the Making of Europe, points out that an eclipse is never permanent, that this one was never total, and that there was a period in early modern times when Asia and Europe were close rivals in brilliance and mutual influence.
The rise to world dominance of the Western nations in modern times and the rapid industrial growth of the West, which outpaced the East in technical and military achievements, have led to a historical eclipse of the ancient and brilliant cultures of Asia.
Historican Donald F. Lach, in his influential scholarly work, Asia in the Making of Europe, points out that an eclipse is never permanent, that this one was never total, and that there was a period in early modern times when Asia and Europe were close rivals in brilliance and mutual influence.
[more]
Asia in the Making of Europe, Volume II
A Century of Wonder. Book 2: The Literary Arts
Donald F. Lach
University of Chicago Press, 1994
Praised for its scope and depth, Asia in the Making of Europe is the first comprehensive study of Asian influences on Western culture. For volumes I and II, the author has sifted through virtually every European reference to Asia published in the sixteenth-century; he surveys a vast array of writings describing Asian life and society, the images of Asia that emerge from those writings, and, in turn, the reflections of those images in European literature and art. This monumental achievement reveals profound and pervasive influences of Asian societies on developing Western culture; in doing so, it provides a perspective necessary for a balanced view of world history.
Volume I: The Century of Discovery brings together "everything that a European could know of India, Southeast Asia, China, and Japan, from printed books, missionary reports, traders' accounts and maps" (The New York Review of Books). Volume II: A Century of Wonder examines the influence of that vast new body of information about Asia on the arts, institutions, literatures, and ideas of sixteenth-century Europe.
Volume I: The Century of Discovery brings together "everything that a European could know of India, Southeast Asia, China, and Japan, from printed books, missionary reports, traders' accounts and maps" (The New York Review of Books). Volume II: A Century of Wonder examines the influence of that vast new body of information about Asia on the arts, institutions, literatures, and ideas of sixteenth-century Europe.
[more]
Asia in the Making of Europe, Volume II
A Century of Wonder. Book 3: The Scholarly Disciplines
Donald F. Lach
University of Chicago Press, 1994
Praised for its scope and depth, Asia in the Making of Europe is the first comprehensive study of Asian influences on Western culture. For volumes I and II, the author has sifted through virtually every European reference to Asia published in the sixteenth-century; he surveys a vast array of writings describing Asian life and society, the images of Asia that emerge from those writings, and, in turn, the reflections of those images in European literature and art. This monumental achievement reveals profound and pervasive influences of Asian societies on developing Western culture; in doing so, it provides a perspective necessary for a balanced view of world history.
Volume I: The Century of Discovery brings together "everything that a European could know of India, Southeast Asia, China, and Japan, from printed books, missionary reports, traders' accounts and maps" (The New York Review of Books). Volume II: A Century of Wonder examines the influence of that vast new body of information about Asia on the arts, institutions, literatures, and ideas of sixteenth-century Europe.
Volume I: The Century of Discovery brings together "everything that a European could know of India, Southeast Asia, China, and Japan, from printed books, missionary reports, traders' accounts and maps" (The New York Review of Books). Volume II: A Century of Wonder examines the influence of that vast new body of information about Asia on the arts, institutions, literatures, and ideas of sixteenth-century Europe.
[more]
Asia in the Making of Europe, Volume III
A Century of Advance. Book 2, South Asia
Donald F. Lach and Edwin J. Van Kley
University of Chicago Press, 1993
This monumental series, acclaimed as a "masterpiece of comprehensive scholarship" in the New York Times Book Review, reveals the impact of Asia's high civilizations on the development of modern Western society. The authors examine the ways in which European encounters with Asia have altered the development of Western society, art, literature, science, and religion since the Renaissance.
In Volume III: A Century of Advance, the authors have researched seventeenth-century European writings on Asia in an effort to understand how contemporaries saw Asian societies and peoples.
In Volume III: A Century of Advance, the authors have researched seventeenth-century European writings on Asia in an effort to understand how contemporaries saw Asian societies and peoples.
[more]
Asia in the Making of Europe, Volume III
A Century of Advance. Book 1: Trade, Missions, Literature
Donald F. Lach and Edwin J. Van Kley
University of Chicago Press, 1993
This monumental series, acclaimed as a "masterpiece of comprehensive scholarship" in the New York Times Book Review, reveals the impact of Asia's high civilizations on the development of modern Western society. The authors examine the ways in which European encounters with Asia have altered the development of Western society, art, literature, science, and religion since the Renaissance.
In Volume III: A Century of Advance, the authors have researched seventeenth-century European writings on Asia in an effort to understand how contemporaries saw Asian societies and peoples.
In Volume III: A Century of Advance, the authors have researched seventeenth-century European writings on Asia in an effort to understand how contemporaries saw Asian societies and peoples.
[more]
Asia in the Making of Europe, Volume III
A Century of Advance. Book 3: Southeast Asia
Donald F. Lach and Edwin J. Van Kley
University of Chicago Press, 1993
This monumental series, acclaimed as a "masterpiece of comprehensive scholarship" in the New York Times Book Review, reveals the impact of Asia's high civilizations on the development of modern Western society. The authors examine the ways in which European encounters with Asia have altered the development of Western society, art, literature, science, and religion since the Renaissance.
In Volume III: A Century of Advance, the authors have researched seventeenth-century European writings on Asia in an effort to understand how contemporaries saw Asian societies and peoples.
Book 3: Southeast Asia examines European images of the lands, societies, religions, and cultures of Southeast Asia. The continental nations of Siam, Vietnam, Malaya, Pegu, Arakan, Cambodia, and Laos are discussed, as are the islands of Java, Bali, Sumatra, Borneo, Amboina, the Moluccas, the Bandas, Celebes, the Lesser Sundas, New Guinea, Australia, New Zealand, the Philippines, Mindanao, Jolo, Guam, and the Marianas.
In Volume III: A Century of Advance, the authors have researched seventeenth-century European writings on Asia in an effort to understand how contemporaries saw Asian societies and peoples.
Book 3: Southeast Asia examines European images of the lands, societies, religions, and cultures of Southeast Asia. The continental nations of Siam, Vietnam, Malaya, Pegu, Arakan, Cambodia, and Laos are discussed, as are the islands of Java, Bali, Sumatra, Borneo, Amboina, the Moluccas, the Bandas, Celebes, the Lesser Sundas, New Guinea, Australia, New Zealand, the Philippines, Mindanao, Jolo, Guam, and the Marianas.
[more]
Asia in the Making of Europe, Volume III
A Century of Advance. Book 4: East Asia
Donald F. Lach and Edwin J. Van Kley
University of Chicago Press, 1993
This monumental series, acclaimed as a "masterpiece of comprehensive scholarship" in the New York Times Book Review, reveals the impact of Asia's high civilizations on the development of modern Western society. The authors examine the ways in which European encounters with Asia have altered the development of Western society, art, literature, science, and religion since the Renaissance.
In Volume III: A Century of Advance, the authors have researched seventeenth-century European writings on Asia in an effort to understand how contemporaries saw Asian societies and peoples.
In Volume III: A Century of Advance, the authors have researched seventeenth-century European writings on Asia in an effort to understand how contemporaries saw Asian societies and peoples.
[more]
Asia in the Making of Europe, Volume III
A Century of Advance. Books 1-4
Donald F. Lach and Edwin J. Van Kley
University of Chicago Press, 1993
This monumental series, acclaimed as a "masterpiece of comprehensive scholarship" in the New York Times Book Review, reveals the impact of Asia's high civilizations on the development of modern Western society. The authors examine the ways in which European encounters with Asia have altered the development of Western society, art, literature, science, and religion since the Renaissance.
In Volume III: A Century of Advance, the authors have researched seventeenth-century European writings on Asia in an effort to understand how contemporaries saw Asian societies and peoples.
In Volume III: A Century of Advance, the authors have researched seventeenth-century European writings on Asia in an effort to understand how contemporaries saw Asian societies and peoples.
[more]
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