When upstate New Yorker Mary Sojourner reluctantly agreed to visit the Grand Canyon of Arizona, she little suspected that she was about to lose her heart to the beauty of the Southwest, or that she would shortly find a passion for the land, and a cause in protecting it. She has since gained notoriety as an environmental writer and as a grass-roots activist protesting the heedless development of the Southwest's increasingly precious and embattled open spaces. The essays collected here reflect Sojourner's journey from greenhorn to old-timer, from tourist to committed defender of the land and the human communities that share it. She writes of exploring the deserts, forests, mountains, and river rapids of the Southwest, and of her love for this austere and ravishing landscape; of family, friends, and lovers; of the ways that development is destroying the Southwest's fragile beauty; and of the greed and spiritual emptiness that motivate much of this development. There is humor here, and adventure, and the intensity of a writer who confronts the world around her with bold candor and a lover's tender gaze.
A novel following a decorated African American general as he reflects on his life after a near-fatal heart attack.
In But by the Grace of God, Hope Lynne Price-Lindsay tells the story of decorated African American four-star general Frederick (Fred) Anderson. When Fred suffers a near-fatal heart attack on the golf course and is rushed to Walter Reed Hospital, he is fortunate to land in the hands of his old college roommate and Kappa Alpha Psi fraternity brother Nathanial Wilkes, chief of cardiology. To ensure his old friend receives optimal care, Nathanial personally oversees Fred’s recovery and appoints his gifted young protégé, cardiology resident Christian Moore, to check in on Fred daily when making his rounds. Christian notices the absence of visitors, and what begins as a series of cordial bedside check-ins soon blossoms into a friendship that ultimately goes far beyond what Fred ever imagined. Numerous coincidences and the eerie resemblance between Fred and Christian force Fred to dive deep into his complicated past to exhume a dark secret that his ambition forced him to bury decades ago. Now alone and near death, mourning his past and the family he let slip through his fingers, Fred sees Christian as his last opportunity for redemption.
In this book, Hope Lynne Price-Lindsay takes readers on an extraordinary journey of intricate twists and turns: the curse of assimilation, secrets, lies, and betrayals that ultimately lead to a desperate last cry for redemption.
A work that at once celebrates and extends the formidable contributions of the late Edmund Perry to the study of religions, this comprehensive collection brings together three generations of distinguished scholars to consider the history, theory, and applications of the comparative method in religious study. Both the title and the content of this volume reflect Perry's conviction that the comparative religionist is morally bound to contribute to a comity of religions-the voluntary and courteous recognition of the dignity and truth present in all religions. Following the general framework advocated by Perry for this pursuit, the volume reveals the strengths of such a framework-and of Perry's lifelong interest in theory and method--for religious understanding,
The essays in the first section—"Theory and Method in the History and Study of Religion"—clarify the role of scientific, phenomenological, and comparative approaches within the history of the study of religion; collectively, they represent a multifaceted statement about recurring and subtle problems in the field. In the second section—"Theories and Methods in Application"—the authors move from overarching theoretical concerns to the application of these methods in specific religious traditions, Western and Eastern. The third section demonstrates the effectiveness of these theories and methods as guidelines for promoting global inter-religious comity.
More than a fitting tribute to a revered and highly influential scholar, this book gives even those who knew nothing of Perry and his work much to learn from and ponder about the study of religion.
Between the years AD 519 and 523, Fulgentius engaged in correspondence with a group of Latin-speaking monks from Scythia, and that correspondence is translated into English--almost all of it for the first time--in this volume.
How the Cold War era changed the trajectory of women's gymnastics
Electrifying athletes like Olga Korbut and Nadia Comăneci helped make women’s artistic gymnastics one of the most popular events in the Olympic Games. But the transition of gymnastics from a women’s sport to a girl’s sport in the 1970s also laid the foundation for a system of emotional, physical, and sexual abuse of gymnasts around the world. Georgia Cervin offers a unique history of women's gymnastics, examining how the high-stakes diplomatic rivalry of the Cold War created a breeding ground for exploitation. Yet, a surprising spirit of international collaboration arose to decide the social values and image of femininity demonstrated by the sport. Cervin also charts the changes in style, equipment, training, and participants that transformed the sport, as explosive athleticism replaced balletic grace and gymnastics dominance shifted from East to West.
Sweeping and revelatory, Degrees of Difficulty tells a story of international friction, unexpected cooperation, and the legacy of abuse and betrayal created by the win-at-all-cost attitudes of the Cold War.
In any age, humans wrestle with apparently inexorable forces. Today, we face the threat of global terrorism. In the aftermath of September 11, few could miss sensing that a great evil was at work in the world. In Flannery O’Connor’s time, the threats came from different sources—World War II, the Cold War, and the Korean conflict—but they were just as real. She, too, lived though a “time of terror.” The first major critical volume on Flannery O’Connor’s work in more than a decade, Flannery O’Connor in the Age of Terrorism explores issues of violence, evil, and terror—themes that were never far from O’Connor’s reach and that seem particularly relevant to our present-day setting.
The fifteen essays collected here offer a wide range of perspectives that explore our changing views of violence in a post-9/11 world and inform our understanding of a writer whose fiction abounds in violence. Written by both established and emerging scholars, the pieces that editors Avis Hewitt and Robert Donahoo have selected offer a compelling and varied picture of this iconic author and her work. Included are comparisons of O’Connor to 1950s writers of noir literature and to the contemporary American novelist Cormac McCarthy; cultural studies that draw on horror comics of the Cold War and on Fordism and the American mythos of the automobile; and pieces that shed new light on O’Connor’s complex religious sensibility and its role in her work.
While continuing to speak fresh truths about her own time, O’Connor’s fiction also resonates deeply with the postmodern sensibilities of audiences increasingly distant from her era—readers absorbed in their own terrors and sense of looming, ineffable threats. This provocative new collection presents O’Connor’s work as a touchstone for understanding where our culture has been and where we are now. With its diverse approaches, Flannery O’Connor in the Age of Terrorism will prove useful not only to scholars and students of literature but to anyone interested in history, popular culture, theology, and reflective writing.
The Pitt-Rivers Omnibus brings together the definitive essays and lectures of the influential social anthropologist Julian A. Pitt-Rivers, a corpus of work that has, until now, remained scattered, untranslated, and unedited. Illuminating the themes and topics that he engaged throughout his life—including hospitality, grace, the symbolic economy of reciprocity, kinship, the paradoxes of friendship, ritual logics, the anthropology of dress, and more—this omnibus brings his reflections to new life.
Holding Pitt-Rivers’s diversity of subjects and ethnographic foci in the same gaze, this book reveals a theoretical unity that ran through his work and highlights his iconic wit and brilliance. Striking at the heart of anthropological theory, the pieces here explore the relationship between the mental and the material, between what is thought and what is done. Classic, definitive, and yet still extraordinarily relevant for contemporary anthropology, Pitt-Rivers’s lifetime contribution will provide a new generation of anthropologists with an invaluable resource for reflection on both ethnographic and theoretical issues.
During the 1800s, dance and etiquette manuals provided ordinary men and women with the keys to becoming gentlemen and ladies--and thus advancing in society. Why dance? To the insecure and status-oriented upper middle class, the ballroom embodied the perfect setting in which to demonstrate one's fitness for membership in genteel society.
From the Ballroom to Hell collects over 100 little-known excerpts from dance, etiquette, beauty, and fashion manuals from the nineteenth century. Included are instructions for performing various dances, as well as musical scores, costume patterns, and the proper way to hold one's posture, fork, gloves, and fan. While of particular interest to dancers, dance historians, and choreographers, anyone fascinated by the ways and mores of the period will find From the Ballroom to Hell an endearing and informative glimpse of America's past.
John Hodgen University of Pittsburgh Press, 2006 Library of Congress PS3558.O3426G73 2006 | Dewey Decimal 811.54
Winner of the 2005 Donald Hall Prize in Poetry.
Grace is John Hodgen’s third book of poetry. He is a poet of extreme contrasts, offering us the dregs of despair, yet instantly recalling hope in the beauty of nature or in a moment in time when all is right, when we realize grace. In “For the Leapers” the narrator relates, “We will fall past the angels, / we will fall from such height, / our tears will lift up from our eyes. / We will fall straight through hell. / And then we will rise.” Hodgen’s poems roam through history, religion, man-made disasters, baseball, pop culture, and Wal-Marts, on paths that come full circle with remarkable completeness, maturity, and dexterity.
Grace: A Novel
Jane Roberts Wood University of North Texas Press, 2001
Grace: A Play
Craig Wright Northwestern University Press, 2012 Library of Congress PS3573.R5322G73 2012 | Dewey Decimal 812.54
The difference between belief and knowledge and the consequences of mistaking one for the other are at the heart of Craig Wright’s play Grace. An evangelical Christian couple, Sara and Steve, leave a dreary life in Minnesota for sunny Florida and the hope of fast money from turning abandoned hotels into a chain of gospel-themed inns. Their new neighbor, Sam, is struggling to emerge from the trauma of a car accident that killed his fiancée and left him badly maimed. And the building’s pest exterminator, Karl, is still tormented by a dark childhood episode. As their stories converge, Wright’s characters find themselves face-to-face with the most eternally vexing questions—the nature of faith, the meaning of suffering, and the possibility of redemption. Acidly funny and relentlessly searching, Grace is a trenchant work from an immensely gifted playwright.
In the course of a long and distinguished academic and civic career, the Canadian philosopher Charles Taylor has been, for articulate atheists and learned believers alike, an incisive, insightful, gracious, and challenging conversation partner on issues that arise at the intersection and interaction of religion, society, and culture.
Grace and Freedom in a Secular Age offers a concise exposition of key ideas – contingency, otherness, freedom, vulnerability and mutuality – that inform his probing analyses of the dynamics of religious belief and religious denial in the pervasive contemporary culture he calls a “a secular age,” within which religious belief and practice have, for many, become just an option. Those ideas provide the basis from which Rossi argues that, despite a clear-eyed recognition of the deep fractures of meaning and the pervasive fragmentation of once stable societal connections that a secular age has brought in its wake, Taylor also sees and affirms strong grounds for hope in a healing of our broken and fractured world and for the possibilities—and the importance of—active human participation in that healing. Taylor points to signs indicative of potent re-compositions and renewals taking place in religious belief and practice from its interaction with the dynamics of secular culture, particularly ones that make possible radical enactments of deeper human solidarity and mutuality, of which the one most often potent is the reconciliation of enemies. In pointing out these signs, Taylor suggests a richly expansive reading of the Christian doctrine of Creation, as it marks the radical contingency of all that is upon a freely bestowed divine self-giving: Creation is the ongoing enactment of the divine hospitality of the Triune God.
In this highly original book, Victor Kestenbaum calls into question the oft-repeated assumption that John Dewey's pragmatism has no place for the transcendent. Kestenbaum demonstrates that, far from ignoring the transcendent ideal, Dewey's works—on education, ethics, art, and religion—are in fact shaped by the tension between the natural and the transcendent.
Kestenbaum argues that to Dewey, the pragmatic struggle for ideal meaning occurs at the frontier of the visible and the invisible, the tangible and the intangible. Penetrating analyses of Dewey's early and later writings, as well as comparisons with the works of Hans-Georg Gadamer, Michael Oakeshott, and Wallace Stevens, shed new light on why Dewey regarded the human being's relationship to the ideal as "the most far-reaching question" of philosophy. For Dewey, the pragmatic struggle for the good life required a willingness "to surrender the actual experienced good for a possible ideal good." Dewey's pragmatism helps us to understand the place of the transcendent ideal in a world of action and practice.
Grace, Predestination, and the Permission of Sin seeks to analyze a revisionist movement within Thomism in the 20th century over and against the traditional or classical Thomistic commentatorial treatment of physical premotion, grace, and the permission of sin, especially as these relate to the mysteries of predestination and reprobation. The over-arching critique leveled by the revisionists against the classic treatment is that Bañezian scholasticism had disregarded the dissymmetry between the line of good (God's causation of salutary acts) and the line of evil (God's permission of defect and sin). The teaching of St. Thomas is explored via intimate consideration of his texts. The thought of St. Thomas is then compared with the work of Domingo Bañez and the foremost 'Bañezian' of the 20th century, Reginald Garrigou-Lagrange. The work then shifts to a consideration of the major players of the revisionist treatment, including Francisco Marín-Sola, Jacques Maritain, and Bernard Lonergan. Jean-Herve Nicolas is also taken up as one who had held both accounts during his lifetime. The work analyzes and critiques the revisionist theories according to the fundamental tenets of the classical account. Upon final analysis, it seeks to show that the classical account sufficiently distances God's causal role in regard to free salutary acts and His non-causal role in regard to free sinful acts. Moreover, the revisionist account presents significant metaphysical problems and challenges major tenets of classical theism, such as the divine omnipotence, simplicity, and the exhaustive nature of divine providence. Finally, the implications of the traditional view are considered in light of the spiritual life. It is argued that the classical account is the only one which provides an adequate theological foundation for the Church's robust mystical and spiritual tradition, and in particular, the abandonment to divine providence.
In Granite andGrace Michael Cohen reflects on a lifetime of climbing, walking, and pondering the granite in Yosemite National Park at Tuolumne Meadows. This high-country region of Yosemite is dominated by a young, beautifully glaciated geological formation known as the Tuolumne Intrusive Suite. It does not include familiar Yosemite icons like Half Dome, yet geologists describe this granitic realm at over 8,000 feet as “an iconic American landscape.”
Drawing together the humanistic and scientific significance of the wild landscapes he traverses, Michael uncovers relationships between people and places and meaning and substance, rendering this text part memoir—but also considerably more. On-the-rock encounters by hand and foot open up a dialogue between the heart of a philosopher and the mind of a geologist. Michael adds a literary softness to this hard landscape, blending excursions with exposition and literature with science. It is through his graceful representations that the geological becomes metaphorical, while the science turns mythological.
This high country, where in 1889 John Muir and Robert Underwood Johnson planned what would become Yosemite National Park, is significant for cultural as well as natural reasons. Discoursing on everything from Camus’s “Myths of Sisyphus” to the poems of Gary Snyder, Michael adds depth to an already splendorous landscape. Premier early geologists, such as François Matthes, shaped the language of Yosemite’s landscape. Even though Yosemite has changed over half a century, the rock has not. As Michael explores the beauty and grace of his familiar towering vistas, he demonstrates why, of the many aspects of the world to which one might get attached, the most secure is granite.
Research tells us that when most people suffer from a mental health crisis, the first person they turn to for help is not a physician, a psychiatrist, or a social worker, but a pastor, a priest, or a minister. In other words, a leader in their church. Unfortunately, many church leaders are not trained to recognize mental illness and don’t know when to refer someone to a mental health professional. The consequence—unintended yet tragic—is continued and unnecessary suffering.
Madness and Grace is a comprehensive guide for church ministry to alleviate this situation. Written by Dr. Matthew Stanford, the book is carefully constructed to help build competency in detecting a wide spectrum of mental disorders, such as knowing when a person is contemplating suicide based on telltale patterns of speech. It also explodes common discriminatory myths that stigmatize people with mental illness, such as the myth that they are more prone to violence than others.
Dr. Stanford has treated clients throughout his career who were afflicted with all manner of mental disorders. In Madness and Grace, he takes the full extent of his experience and makes it accessible and actionable for the lay reader. He begins by explaining what constitutes a mental illness and how these disorders are classified according to science. He next teaches how to notice the presence of a mental illness by listening carefully to phraseology, observing behavior, and asking discerning questions. He goes on to discuss methods of treatment, common religious concerns about mental health, and ways church communities can support people on the road to recovery.
As a Christian, Dr. Stanford wants his fellow believers to know that acknowledging and seeking help for a mental illness is not a sign of weak faith. That’s why, in addition to sharing his medical expertise with church leaders, he commends pertinent biblical passages that underscore God’s concern for our mental wellbeing. These passages provide strength and comfort as complements to clinically-derived treatment and are essential to Dr. Stanford’s approach. “When working with those in severe psychological distress,” he writes, “compassion and grace are always the first line of pastoral care.”
Sometime around 1500 AD, an African farmer planted a maize seed imported from the New World. That act set in motion the remarkable saga of one of the world’s most influential crops—one that would transform the future of Africa and of the Atlantic world. Africa’s experience with maize is distinctive but also instructive from a global perspective: experts predict that by 2020 maize will become the world’s most cultivated crop.
James C. McCann moves easily from the village level to the continental scale, from the medieval to the modern, as he explains the science of maize production and explores how the crop has imprinted itself on Africa’s agrarian and urban landscapes. Today, maize accounts for more than half the calories people consume in many African countries. During the twentieth century, a tidal wave of maize engulfed the continent, and supplanted Africa’s own historical grain crops—sorghum, millet, and rice. In the metamorphosis of maize from an exotic visitor into a quintessentially African crop, in its transformation from vegetable to grain, and from curiosity to staple, lies a revealing story of cultural adaptation. As it unfolds, we see how this sixteenth-century stranger has become indispensable to Africa’s fields, storehouses, and diets, and has embedded itself in Africa’s political, economic, and social relations.
The recent spread of maize has been alarmingly fast, with implications largely overlooked by the media and policymakers. McCann’s compelling history offers insight into the profound influence of a single crop on African culture, health, technological innovation, and the future of the world’s food supply.
In his best-selling book Against Happiness: In Praise of Melancholy, Eric G. Wilson challenged our culture’s blindly insistent pursuit of happiness at all costs. In his harrowing yet ultimately hopeful memoir, The Mercy of Eternity, the author turns an unsparing eye on his own continuing struggle with bipolar depression and finds, within the very illness that causes so much suffering, the resources for hope, forgiveness, and love.As a bright student-athlete on his way to West Point, Eric Wilson seemed to be well on the way to a fulfilling life. Yet he was haunted by overwhelming feelings of his deep insignificance. As he grew older, the traditional means of fulfillment—marriage and professional success—did nothing to assuage the descents into darkness and destructive behavior.Therapy and medication have offered some relief, but the birth of his daughter ultimately forces his hand. In some ways, the answer has been in front of him the whole time, for English professor Wilson finds in the literature of Coleridge, Blake, and others the lessons that depression might teach. When he comes upon “negative theology”—the school of thought that finds God in the “dark night of the soul”—Wilson discovers the framework for a radical call to forgive depression.
Only by forgiving this capricious, impersonal force is Wilson able to find the grace to move beyond the cycles of destructive self-absorption.Wilson admits that he continues to struggle, but in facing his depression instead of trying to escape it, he finds wisdom and grace.Beautifully and accessibly written, The Mercy of Eternity is a brief yet profound meditation on the largest question of life.
A new edition of a classic work of American history that eloquently examines the rise of antimodernism at the turn of the twentieth century.
First published in 1981, T. J. Jackson Lears’s No Place of Grace is a landmark book in American studies and American history, acclaimed for both its rigorous research and the deft fluidity of its prose. A study of responses to the emergent culture of corporate capitalism at the turn of the twentieth century, No Place of Grace charts the development of contemporary consumer society through the embrace of antimodernism—the effort among middle- and upper-class Americans to recapture feelings of authentic experience. Rather than offer true resistance to the increasingly corporatized bureaucracy of the time, however, antimodernism helped accommodate Americans to the new order—it was therapeutic rather than oppositional, a striking forerunner to today’s self-help culture. And yet antimodernism contributed a new dynamic as well, “an eloquent edge of protest,” as Lears puts it, which is evident even today in anticonsumerism, sustainable living, and other practices. This new edition, with a lively and discerning foreword by Jennifer Ratner-Rosenhagen, celebrates the fortieth anniversary of this singular work of history.
T. J. Jackson Lears draws on a wealth of primary sources — sermons, diaries, letters — as well as novels, poems, and essays to explore the origins of turn-of-the-century American antimodernism. He examines the retreat to the exotic, the pursuit of intense physical or spiritual experiences, and the search for cultural self-sufficiency through the Arts and Crafts movement. Lears argues that their antimodern impulse, more pervasive than historians have supposed, was not "simple escapism," but reveals some enduring and recurring tensions in American culture.
"It's an understatement to call No Place of Grace a brilliant book. . . . It's the first clear sign I've seen that my generation, after marching through the '60s and jogging through the '70s might be pausing to examine what we've learned, and to teach it."—Walter Kendrick, Village Voice
"One can justly make the claim that No Place of Grace restores and reinterprets a crucial part of American history. Lears's method is impeccable."—Ann Douglas, The Nation
“It’s almost like ballet. Preflight. Starting. Warm-up. The voices from the control tower—the instructions. Taxiing. The rush down the runway. Airborne. There are names for every move. The run-up. Position and hold. Every move needs to be learned, practiced, made so familiar you feel the patterns in every other thing you do. It’s technical, yes. But there is a grace to getting metal and bone into the sky.”
Prairie Sky is a celebration of curiosity and a book for explorers. In this collection of contemplative essays, Scott Olsen invites readers to view the world from a pilot’s seat, demonstrating how, with just a little bit of altitude, the world changes, new relationships become visible, and new questions seem to rise up from the ground.
Whether searching for the still-evident shores of ancient lakes, the dustbowl-era shelterbelt supposed to run the length of the country, or the even more elusive understandings of physics and theology, Olsen shares the unique perspective and insight allowed to pilots.
Prairie Sky explores the reality as well as the metaphor of flight: notions of ceaseless time and boundless space, personal interior and exterior vision, social history, meteorology, and geology. Olsen takes readers along as he chases a new way of looking at the physical world and wonders aloud about how the whole planet moves in interconnected ways not visible from the ground. While the northern prairie may call to mind images of golden harvests and summer twilight such images do not define the region. The land bears marks left by gut-shaking thunderstorms, hard-frozen rivers, sweeping floods, and hurricane-size storms. Olsen takes to the midwestern sky to confront the ordinary world and reveals the magic--the wondrous and unique sights visible from the pilot’s seat of a Cessna.
Like Antoine de Saint-Exupery’s classic work Wind, Sand and Stars, Olsen’s Prairie Sky reveals the heart of what it means to fly. In the grand romantic tradition of the travel essay, it opens the dramatic paradoxes of self and collective, linear and circular, the heart and the border.
The first book to include full texts and photographs from the Apostolic Penitentiary, A Sip from the "Well of Grace" is groundbreaking in its analysis of one of the most important papal offices of the Middle Ages.
Spiraling into God: Bonaventure on Grace, Hierarchy, and Holiness offers a systematic account of the Seraphic Doctor’s doctrine of grace across his speculative-academic, mystical, hagiographical, and pastoral texts. It does so by arguing that an account of this kind can only be provided by also attending to his theology of hierarchy, a methodology derived from Bonaventure’s claim in the Major Legend of St. Francis that Francis of Assisi was a “vir hierarchicus,” or hierarchical man. As the book explores in great depth, this appellation relies upon Bonaventure’s reading of a Victorine Dionysian interpreter by the name of Thomas Gallus, whose “angelic anthropology”—or notion of the hierarchical soul—becomes a crucial component within the Seraphic Doctor’s teaching on grace as he interprets the sanctity of St. Francis. Throughout the course of his career, Bonvaenture will define sanctifying grace as a created “inflowing” (influentia) that “hierarchizes” human beings by purifying, illuminating, and perfecting them from within, thus causing them to become a similitude of the Trinity. This book explains what this means and why it matters.
Most existing scholarship on this subject in Bonaventure’s thought interprets it as a subtopic with respect to other themes—for example, with respect to his Christology or his Trinitarian theology—rather than taking the time to understand his doctrine of grace in its own right. Alternatively, scholarly treatments of his doctrine of grace will treat it at length, but will only examine the topic as it appears in his more speculative-academic texts—most especially his Commentary on the Sentences or his famous Itinerarium Mentis in Deum—without bringing these into conversation with his pastoral works, sermon literature, or hagiographical texts. This book provides the first unified treatment of Bonaventure’s doctrine of grace across all these different genres of his known corpus, and in so doing, fills a massive lacuna in both Bonaventurean scholarship and in the field of medieval historical theology.
States of Grace was first published in 1997. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Leaving their depleted fields for better prospects, Senegalese immigrants have made their way to Italy in significant numbers. What this migration means, in the context of both the migratory traditions and conditions of Africa and the history and future of the European nation-state, is the subject of this timely and ambitious book.
Focusing on Turin, the northern Italian point of entry for so many Senegalese, States of Grace chronicles the arrival and formation of a transnational African Islamic community in a largely Catholic Western European country, one that did not have immigrant legislation until 1991. With no colonial relation to Italy, the Senegalese represent the vanguard of population movements expanding outside of the arch of former colonial powers.
Donald Martin Carter locates the Senegalese migration in the context of past African internal and international migration and of present crises in West African agriculture. He also shows how the Senegalese migration, constituting a "phenomenon" and catalyzing new immigration restrictions among European states, calls into question the European interstate system, the future of the nation-state, and the nature of its relationship with non-European states.
Throughout Europe, protectionist immigration policies are often crafted in chauvinist and racist tones in which "migrants" is a euphemism for blacks, Arabs, and Asians. States of Grace uses Senegalese migration to demonstrate that racial conceptions are crucial to understanding the classifications of non-national "outside" and internal "other." The book is a bracing encounter with the ever-increasing cultural and ethnic heterogeneity that is the new and pressing reality of European society.
Donald Martin Carter is visiting assistant professor of anthropology at Johns Hopkins University.
This acclaimed book is a master teacher's tested program for turning clumsy prose into clear, powerful, and effective writing. A logical, expert, easy-to-use plan for achieving excellence in expression, Style offers neither simplistic rules nor endless lists of dos and don'ts. Rather, Joseph Williams explains how to be concise, how to be focused, how to be organized. Filled with realistic examples of good, bad, and better writing, and step-by-step strategies for crafting a sentence or organizing a paragraph, Style does much more than teach mechanics: it helps anyone who must write clearly and persuasively transform even the roughest of drafts into a polished work of clarity, coherence, impact, and personality.
"Buy Williams's book. And dig out from storage your dog-eared old copy of The Elements of Style. Set them side by side on your reference shelf."—Barbara Walraff, Atlantic
"Let newcoming writers discover this, and let their teachers and readers rejoice. It is a practical, disciplined text that is also a pleasure to read."—Christian Century
"An excellent book....It provides a sensible, well-balanced approach, featuring prescriptions that work."—Donald Karzenski, Journal of Business Communication
"Intensive fitness training for the expressive mind."—Booklist
(The college textbook version, Style: Ten Lessons in Clarity and Grace, 9th edition, is available from Longman. ISBN 9780321479358.)
“I hole up in my own cozy cubicle and write, considering ways to make the approaching Thanksgiving holiday not just another day in this place. In prison, hope faces east; time is measured in wake-ups.”
Time of Grace is a remarkable book, written with great eloquence by a former science teacher who was incarcerated for twelve years for his sexual liaison with a teenage student. Far more than a “prison memoir,” it is an intimate and revealing look at relationships—with fellow humans and with the surprising wildlife of the Sonoran Desert, both inside and beyond prison walls. Throughout, Ken Lamberton reflects on human relations as they mimic and defy those of the natural world, whose rhythms calibrate Lamberton’s days and years behind bars. He writes with candor about his life, while observing desert flora and fauna with the insight and enthusiasm of a professional naturalist.
While he studies a tarantula digging her way out of the packed earth and observes Mexican freetail bats sailing into the evening sky, Lamberton ruminates on his crime and on the wrenching effects it has had on his wife and three daughters. He writes of his connections with his fellow inmates—some of whom he teaches in prison classes—and with the guards who control them, sometimes with inexplicable cruelty. And he unflinchingly describes a prison system that has gone horribly wrong—a system entrapped in a self-created web of secrecy, fear, and lies.
This is the final book of Lamberton’s trilogy about the twelve years he spent in prison. Readers of his earlier books will savor this last volume. Those who are only now discovering Lamberton’s distinctive voice—part poet, part scientist, part teacher, and always deeply, achingly human—will feel as if they are making a new friend.
Gripping, sobering, and beautifully written, Lamberton’s memoir is an unforgettable exploration of crime, punishment, and the power of the human spirit.
In Violence and Grace, Nichole Miller establishes a conceptual link between early modern English drama and twentieth-century political theology, both of which emerge from the experience of political crisis. Miller’s analyses accordingly undertake to retrieve for political theology the relations between gender, sexuality, and the political aesthetics of violence on the early modern stage, addressing the plays of Marlowe, Middleton, and especially Shakespeare. In doing so, she expands our understanding of drama’s continuing theoretical impact.
Amid all the controversy, criticism, and celebration of Terrence Malick's award-winning film The Tree of Life, what do we really understand of it? The Way of Nature and the Way of Grace thoughtfully engages the philosophical riches of life, culture, time, and the sacred through Malick's film. This innovative collection traverses the relationships among ontological, moral, scientific, and spiritual perspectives on the world, demonstrating how phenomenological work can be done in and through the cinematic medium, and attempting to bridge the gap between narrow "theoretical" works on film and their broader cultural and philosophical significance. Exploring Malick's film as a philosophical engagement, this readable and insightful collection presents an excellent resource for film specialists, philosophers of film, and film lovers alike.
Organized as a companion volume to Karl Rahner's master work, Foundations of Christian Faith, this book, now again available, also provides the most useful introduction to his theology as a whole. Each chapter presents a broad commentary on the corresponding chapter of Foundations, beginning with Rahner's method and anthropology and concluding with his theology of the church and eschatology. It includes a separate chapter on Rahner's moral thought. Valuable for classroom or individual use, this volume provides questions for discussion, suggestions for further reading, and an extensive glossary of specialized terminology.