BiblioVault - Books about Gogol

Results by Title

6 books about Gogol

	Dostoevsky and Romantic Realism: A Study of Dostoevsky in Relation to Balzac, Dickens, and Gogol Donald Fanger Northwestern University Press, 1998 Library of Congress PG3328.Z6F25 1998 \| Dewey Decimal 891.733 Dostoevsky and Romantic Realism is Donald Fanger's groundbreaking study of the art of Dostoevsky and the literary and historical context in which it was created. Through detailed analyses of the work of Balzac, Dickens, and Gogol, Fanger identifies romantic realism, the transformative fusion of two generic categories, as a powerful imaginary response to the great modern city. This fusion reaches its aesthetic and metaphysical climax in Dostoevsky, whose vision culminating in Crime and Punishment is seen by Fanger as the final synthesis of romantic realism. Expand Description
	Essays on Gogol: Logos and the Russian Word Susanne Fusso and Priscilla Meyer Northwestern University Press, 1994 Library of Congress PG3335.Z8E84 1992 \| Dewey Decimal 891.78309 These fourteen essays reflect the increasingly interdisciplinary character of Russian literature research in general and of the study of Gogol in particular, focusing on specific works, Gogol's own character, and the various approaches to aesthetic, religious, and philosophical issues raised by his writing. Expand Description
	Gogol V. V. Gippius Duke University Press, 1989 Library of Congress PG3335.G4913 1989 \| Dewey Decimal 891.78309
	Gogol: Plays and Selected Writings Nikolai Gogol Northwestern University Press, 1994 Library of Congress PG3333.A6 1994a \| Dewey Decimal 891.723 The theatrical genius of Gogol has gone largely unappreciated by English-speaking audiences because literal translations have left his plays virtually impossible to perform. These fresh translations restore the vitality of Gogol's language and humor, allowing his dramatic art to speak to readers, directors, actors, and theater-goers. Expand Description
	The Sexual Labyrinth of Nikolai Gogol Simon Karlinsky University of Chicago Press, 1992 Library of Congress PG3335.K34 1992 \| Dewey Decimal 891.78309 Through careful textual readings of Gogol's most famous works, Karlinsky argues that Gogol's homosexual orientation—which Gogol himself could not accept or forgive in himself—may provide the missing key to the riddle of Gogol's personality. "A brilliant new biography that will long be prized for its illuminating psychological insights into Gogol's actions, its informative readings of his fiction and drama, and its own stylistic grace and vivacity."—Edmund White, Washington Post Book World Expand Description
	Writing as Exorcism: The Personal Codes of Pushkin, Lermontov, and Gogol Ilya Kutik Northwestern University Press, 2005 Library of Congress PG3015.5.A8K88 2005 \| Dewey Decimal 891.709003 "Sometimes it takes a poet to read a poet. In this inspired, idiosyncratic study, Ilya Kutik offers exemplary interpretations of three Russian writers, of the lessons of fatalism, and of the complexities of reading." —from the Introduction A remarkable literary performance in its own right, this interpretive essay brings a highly original poetic sensibility to bear on the lives and works of three major Russian writers. It is Ilya Kutik's contention that many writers are tormented by secret fears and desires that only writing—in particular, the use of certain words and images—can exorcise. Making this biographical approach peculiarly his own—and susceptible to the nuances of comedy, tragedy, and critical equanimity—Kutik reads works of Alexander Pushkin, Mikhail Lermontov, and Nikolai Gogol, three Russian writers who were demonstrably subject to the whims, superstitions, and talismans that Kutik identifies. Exposing the conjunction of literary effort and private act in writings such as "The Queen of Spades," Dead Souls, and A Hero of Our Time, Kutik's work gives us a new way of understanding these masterpieces of Russian literature and their authors, and a new way of reading the mysteries of life and literature as mutually enriching. Expand Description

READERS
Browse our collection.

PUBLISHERS
See BiblioVault's publisher services.

STUDENT SERVICES
Files for college accessibility offices.

More to explore...
Recently published by academic presses

6 books about Gogol

Dostoevsky and Romantic Realism

A Study of Dostoevsky in Relation to Balzac, Dickens, and Gogol

Northwestern University Press, 1998

Dostoevsky and Romantic Realism is Donald Fanger's groundbreaking study of the art of Dostoevsky and the literary and historical context in which it was created. Through detailed analyses of the work of Balzac, Dickens, and Gogol, Fanger identifies romantic realism, the transformative fusion of two generic categories, as a powerful imaginary response to the great modern city. This fusion reaches its aesthetic and metaphysical climax in Dostoevsky, whose vision culminating in Crime and Punishment is seen by Fanger as the final synthesis of romantic realism.

Essays on Gogol

Logos and the Russian Word

Susanne Fusso and Priscilla Meyer

Northwestern University Press, 1994

These fourteen essays reflect the increasingly interdisciplinary character of Russian literature research in general and of the study of Gogol in particular, focusing on specific works, Gogol's own character, and the various approaches to aesthetic, religious, and philosophical issues raised by his writing.

Duke University Press, 1989

Plays and Selected Writings

Northwestern University Press, 1994

The theatrical genius of Gogol has gone largely unappreciated by English-speaking audiences because literal translations have left his plays virtually impossible to perform. These fresh translations restore the vitality of Gogol's language and humor, allowing his dramatic art to speak to readers, directors, actors, and theater-goers.

The Sexual Labyrinth of Nikolai Gogol

Simon Karlinsky

University of Chicago Press, 1992

Through careful textual readings of Gogol's most famous works, Karlinsky argues that Gogol's homosexual orientation—which Gogol himself could not accept or forgive in himself—may provide the missing key to the riddle of Gogol's personality.

"A brilliant new biography that will long be prized for its illuminating psychological insights into Gogol's actions, its informative readings of his fiction and drama, and its own stylistic grace and vivacity."—Edmund White, Washington Post Book World

Writing as Exorcism

The Personal Codes of Pushkin, Lermontov, and Gogol

Northwestern University Press, 2005

"Sometimes it takes a poet to read a poet. In this inspired, idiosyncratic study, Ilya Kutik offers exemplary interpretations of three Russian writers, of the lessons of fatalism, and of the complexities of reading." —from the Introduction

A remarkable literary performance in its own right, this interpretive essay brings a highly original poetic sensibility to bear on the lives and works of three major Russian writers. It is Ilya Kutik's contention that many writers are tormented by secret fears and desires that only writing—in particular, the use of certain words and images—can exorcise. Making this biographical approach peculiarly his own—and susceptible to the nuances of comedy, tragedy, and critical equanimity—Kutik reads works of Alexander Pushkin, Mikhail Lermontov, and Nikolai Gogol, three Russian writers who were demonstrably subject to the whims, superstitions, and talismans that Kutik identifies. Exposing the conjunction of literary effort and private act in writings such as "The Queen of Spades," Dead Souls, and A Hero of Our Time, Kutik's work gives us a new way of understanding these masterpieces of Russian literature and their authors, and a new way of reading the mysteries of life and literature as mutually enriching.