BiblioVault - Books about Feminist criticism

Abandoned Women and Poetic Tradition
Lawrence Lipking
University of Chicago Press, 1988
Library of Congress PN1103.L56 1988 | Dewey Decimal 809.19352042

At the heart of poetic tradition is a figure of abandonment, a woman forsaken and out of control. She appears in writings ancient and modern, in the East and the West, in high art and popular culture produced by women and by men. What accounts for her perennial fascination? What is her function—in poems and for writers? Lawrence Lipking suggests many possibilities. In this figure he finds a partial record of women's experience, an instrument for the expression of religious love and yearning, a voice for psychological fears, and, finally, a model for the poet. Abandoned women inspire new ways of reading poems and poetic tradition.

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Ancient Sisterhood: The Lost Traditions of Hagar and Sarah
Savina J. Teubal
Ohio University Press, 1997
Library of Congress BS580.H24T48 1997 | Dewey Decimal 222.11092

In this fascinating piece of scholarly detective work, biblical scholar Savina J. Teubal peels away millenia of patriarchal distortion to reveal the lost tradition of biblical matriarchs. In Ancient Sisterhood: The Lost Traditions of Hagar and Sarah (originally published as Hagar the Egyptian), she shows that Hagar, the mother of Ishmael, was actually lady-in-waiting to the priestess Sarah and participated in an ancient Near Eastern custom of surrogate motherhood.

Ancient Sisterhood cites evidence that Hebrew women actually enjoyed the privileges and sanctity of their own religious practices. These practices, however, were gradually eroded and usurped by the establishment of patriarchal monarchies that were based on militaristic conquest and power. Teubal examines the figures of Hagar and Sarah from a feminist perspective that combines thorough scholarship with an informed and detailed understanding of the cultural and religious influences from which the mysterious biblical figure of Hagar emerged. She looks at Hagar’s important role in the genesis of Hebrew culture, her role as mother of the Islamic nations, and her power as a matriarch as opposed to her apparent status as a concubine.

Teubal posits two distinct sources for the Hagar episodes: Hagar as companion to Sarah and an unknown woman whom she refers to as the desert matriarch. She explores whether Hagar was a slave to Abraham or Sarah, the differences between Hagar and the desert matriarch, and the obscurantism of these important elements in biblical texts. Teubal sheds considerable light on two central figures of these world religions and “the disassociation of woman from her own female religious experience.”

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Anne Frank and Etty Hillesum: Inscribing Spirituality and Sexuality
de Costa, Denise
Rutgers University Press, 1998
Library of Congress DS135.N6F732613 1998 | Dewey Decimal 940.5318092

Studies of Nazi persecution and destruction of Jews have to date largely been based on the accounts of men. And yet gender difference in Western society is so profound that women and men seem to have divergent experiences, speak different languages, and see and hear in dissimilar ways. Denise de Costa's book explores the significance of sex and gender differences in the construction of history and society-specifically, the Nazi genocide of Jews in World War II-by focusing on the writing of two Jewish women, Anne Frank and Etty Hillesum.

De Costa argues that although both of these writers have received much attention, little has been done to understand how the significant difference occasioned by both gender and Jewishness helps to define cultural or personal identity in relation to the Holocaust. De Costa uses a variety of psychoanalytic and feminist theories to approach the writing of Frank and Hillesum. Critiquing as well as employing the concepts of Julia Kristeva, Hélène Cixous, Luce Irigaray, and Simone de Beauvoir among others, she presents a detailed and rich discussion of each writer.

De Costa approaches Anne Frank largely from a psychoanalytical perspective that emphasizes the function of writing itself in the development of self-identity. For Etty Hillesum, she is more concerned with how writing establishes a philosophy, and a faith, that can entertain and is indeed based in doubleness and paradox. Her assessment of these two writers makes a significant contribution to our understanding of the Holocaust as a cultural and historical phenomenon, of the role of writing in the production and expression of gendered identity, and of the complex relation between women, writing, and culture.

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Applications Of Feminist Legal Theory
edited by D. Kelly Weisberg
Temple University Press, 1996
Library of Congress K349.A67 1996 | Dewey Decimal 340.082

This book, the second of two volumes, examines the pressing issues that affect women—pornography, prostitution, battery, rape, pay equity, sexual harassment, motherhood, abortion, adoption, new reproductive technologies—and considers them through the lens of feminist legal theory. It features more than sixty articles by well-known legal scholars and feminists. The contributions are arranged thematically and include an introduction and comprehensive literature review by the editor. Applications of Feminist Legal Theory to Women's Lives will be a valuable text for students, a resource for scholars and policy makers, and a useful introduction for general readers.

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Bitter Milk: Women and Teaching
Madeleine R. Grumet
University of Massachusetts Press, 1988
Library of Congress LB2837.G78 1988 | Dewey Decimal 371.100880410973

The text is arranged in a pattern that mirrors Grumet's argument that women who teach make this passage between the so-called public and private worlds daily and that is also what we teach children to do. The chapters go back and forth between the experience of domesticity and the experience of teaching, between being with one's own children and being with the children of others, between being the child of one's own mother and the teacher of another mother's child, between feeling and form, family and colleagues.

The first and last chapters address the familial relations that fall under the category of reproduction, a frame designed to emphasize the relations of reproduction and their importance to educational theory. The chapters closest to this margin are those that address women's work in schools, and the juxtaposition is chosen to accentuate the dialectical relation of our public and private meanings. The middle chapters are the ones most directly concerned with curriculum, that provisional ground that Grumet is naming as our mediating space, the place where we can heal. The fundamental argument of this text is that knowledge evolves in human relationships.

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Body Drift: Butler, Hayles, Haraway
Arthur Kroker
University of Minnesota Press, 2012
Library of Congress B105.B64K76 2012 | Dewey Decimal 128.6

As exemplary representatives of a form of critical feminism, the writings of Judith Butler, Katherine Hayles, and Donna Haraway offer entry into the great crises of contemporary society, politics, and culture. Butler leads readers to rethink the boundaries of the human in a time of perpetual war. Hayles turns herself into a “writing machine” in order to find a dwelling place for the digital humanities within the austere landscape of the culture of the code. Haraway is the one contemporary thinker to have begun the necessary ethical project of creating a new language of potential reconciliation among previously warring species.

According to Arthur Kroker, the postmodernism of Judith Butler, the posthumanism of Katherine Hayles, and the companionism of Donna Haraway are possible pathways to the posthuman future that is captured by the specter of body drift. Body drift refers to the fact that individuals no longer inhabit a body, in any meaningful sense of the term, but rather occupy a multiplicity of bodies: gendered, sexualized, laboring, disciplined, imagined, and technologically augmented.

Body drift is constituted by the blast of information culture envisioned by artists, communicated by social networking, and signified by its signs. It is lived daily by remixing, resplicing, and redesigning the codes: codes of gender, sexuality, class, ideology, and identity. The writings of Butler, Hayles, and Haraway, Kroker reveals, provide the critical vocabulary and political context for understanding the deep complexities of body drift and challenging the current emphasis on the material body.

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Bringing Down the Temple House: Engendering Tractate Yoma
Marjorie Lehman
Brandeis University Press, 2022
Library of Congress BM506.Y83L45 2022 | Dewey Decimal 296.1252

A feminist project that privileges the Babylonian Talmudic tractate as culturally significant.

While the use of feminist analysis as a methodological lens is not new to the study of Talmudic literature or to the study of individual tractates, this book demonstrates that such an intervention with the Babylonian Talmud reveals new perspectives on the rabbis’ relationship with the temple and its priesthood. More specifically, through the relationships most commonly associated with home, such as those of husband-wife, father-son, mother-son, and brother-brother, the rabbis destabilize the temple bayit (or temple house). Moving beyond the view that the temple was replaced by the rabbinic home, and that rabbinic rites reappropriate temple practices, a feminist approach highlights the inextricable link between kinship, gender, and the body, calling attention to the ways the rabbis deconstruct the priesthood so as to reconstruct themselves.

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Cemetery of the Murdered Daughters: Feminism, History, and Ingeborg Bachmann
Sara Lennox
University of Massachusetts Press, 2006
Library of Congress PT2603.A147Z7655 2006 | Dewey Decimal 838.91409

Although Austrian writer Ingeborg Bachmann (1926–1973) is widely regarded as one of the most important twentieth-century authors writing in German, her novels and stories have sometimes been viewed narrowly as portraits of women as victims. In this innovative study, Sara Lennox provides a much broader perspective on Bachmann's work, at the same time undertaking an experiment in feminist methodology.Lennox examines Bachmann's poetry and prose in historical context, arguing that the varied feminist interpretations of her writings are the result of shifts in theoretical emphases over a period of more than three decades. Lennox then places her own essays on Bachmann in similar perspective, showing how each piece reflects the historical moment in which it was written. Making use of recent interdisciplinary approaches—Foucauldian theories of sexuality, post-colonial theory, materialist feminism—she explores the extent to which each of her earlier readings was shaped by the methods employed, the questions asked, and the political issues that seemed most germane at the time. Out of this analysis comes a new understanding of the significance of Bachmann's work and new insight into the theory and practice of feminist criticism.

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Crip Genealogies
Mel Y. Chen, Alison Kafer, Eunjung Kim, and Julie A. Minich, editors
Duke University Press, 2023
Library of Congress HV1568.2.C75 2023

The contributors to Crip Genealogies reorient the field of disability studies by centering the work of transnational feminism, queer of color critique, and trans scholarship and activism. They challenge the white, Western, and Northern rights-based genealogy of disability studies, showing how a single coherent narrative of the field is a mode of exclusion that relies on logics of whiteness and imperialism. The contributors examine how disability justice activists work in concert with other social justice projects, explore crip environments, create alternate disciplinary genealogies, and reject notions of the model minority. Throughout, they demonstrate how the mandate for a single genealogy of the discipline whitewashes disability and continues forms of violence. By cripping disability studies, the contributors allow for divergent histories, the coexistence of anti-ableist and antiracist theorizing, and a radically just and capacious understanding of disability.

Contributors. Suzanne Bost, Mel Y. Chen, Sony Coráñez Bolton, Natalia Duong, Lezlie Frye, Magda García, Alison Kafer, Eunjung Kim, Yoo-suk Kim, Kateřina Kolářová, James Kyung-Jin Lee, Stacey Park Milbern, Julie Avril Minich, Tari Young-Jung Na, Therí A. Pickens, Leah Lakshmi Piepzna-Samarasinha, Jasbir K. Puar, Sami Schalk, Faith Njahîra Wangarî

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A Critique of Postcolonial Reason: Toward a History of the Vanishing Present
Gayatri Chakravorty Spivak
Harvard University Press, 1999
Library of Congress JV51.S58 1999 | Dewey Decimal 325.3

Are the “culture wars” over? When did they begin? What is their relationship to gender struggle and the dynamics of class? In her first full treatment of postcolonial studies, a field that she helped define, Gayatri Chakravorty Spivak, one of the world’s foremost literary theorists, poses these questions from within the postcolonial enclave.

“We cannot merely continue to act out the part of Caliban,” Spivak writes; and her book is an attempt to understand and describe a more responsible role for the postcolonial critic. A Critique of Postcolonial Reason tracks the figure of the “native informant” through various cultural practices—philosophy, history, literature—to suggest that it emerges as the metropolitan hybrid. The book addresses feminists, philosophers, critics, and interventionist intellectuals, as they unite and divide. It ranges from Kant’s analytic of the sublime to child labor in Bangladesh. Throughout, the notion of a Third World interloper as the pure victim of a colonialist oppressor emerges as sharply suspect: the mud we sling at certain seemingly overbearing ancestors such as Marx and Kant may be the very ground we stand on.

A major critical work, Spivak’s book redefines and repositions the postcolonial critic, leading her through transnational cultural studies into considerations of globality.

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Dirshuni: Contemporary Women’s Midrash
Edited by Tamar Biala
Brandeis University Press, 2022
Library of Congress BM514.D5613 2022 | Dewey Decimal 296.14

A unique compilation of contemporary women’s midrashim.

Dirshuni: Contemporary Women’s Midrash, is the first-ever English edition of a historic collection of midrashim composed by Israeli women, which has been long-anticipated by multiple American audiences, including synagogues, rabbinical seminaries, adult learning programs, Jewish educators, and scholars of gender and religion. Using the classical forms developed by the ancient rabbis, the contributors express their religious and moral thought and experience through innovative interpretations of scripture. The women writers, from all denominations and beyond, of all political stripes and ethnic backgrounds, contribute their Torah to fill the missing half of the sacred Jewish bookshelf. This book reflects dramatic changes in the agency of women in the world of religious writings. The volume features a comprehensive introduction to Midrash for the uninitiated reader by the distinguished scholar Tamar Kadari and extensive annotation and commentary by Tamar Biala.

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Early Jewish Writings
Eileen Schuller
SBL Press, 2017
Library of Congress BS521.4.E27 2017 | Dewey Decimal 296.1082

New from the Bible and Women Series

This collection of essays deals with aspects of women and gender relations in early Judaism (during the Persian, Greek, and Roman empires). Some essays focus on specific writings: the Greek (Septuagint) version of Esther, Judith, Joseph and Aseneth, and the Letter of Jeremiah. Others explore how certain biblical texts are reinterpreted: Eve in the Life of Adam and Eve, the mixing of the sons of God with the daughters of men from Genesis 6:1–4, the Egyptian princess at the birth of Moses, and how Josephus retells biblical stories. The third group of essays explore specific social contexts: Philo's views of women in the Roman empire, the Sectarian Dead Sea Scrolls, and women philosophers of the Therapeutae in Egyptian Alexandria.

Features

An International team of contributors from Europe and North America
A breadth of materials covered, including many lesser-known early Jewish writings
Focus is on a gendered perspective and gender specific questions

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The Early Middle Ages
Franca Ela Consolino
SBL Press, 2020
Library of Congress BS521.4.E275 2019 | Dewey Decimal 220.0820902

Examine the creative, profound dialogue between medieval women and biblical traditions

The latest volume in the Bible and Women series examines the relationship between women and the Bible’s reception during the early Middle Ages (500–1100 CE) in both the Greek East and the Latin West. Essays focus on interactions between women and the Bible through biblical precepts on women and for women, biblical women as the subjects of action or objects of discussion, and writings by women that refer to the Bible as a moral authority. The women discussed in the volume range from the well-known—including the nuns Kassia in Byzantium and Hrosvita in the West; the aristocrat Dhuoda, author of a moral guide for her son; Gisela, the sister of Charlemagne and abbess of Chelles; and her niece Rotrude—to those who remain anonymous. Contributions also explore how the Old and New Testaments exercised influence on emerging Islam.

Features:

Analysis of images of the Virgin Mary as a means of tracing the spread of her cult and feast days from East to West
Exploration of the significance of classical culture for medieval women who composed poems for a Christian audience
Evaluation of art as a means of establishing devotional relationships not necessarily mediated by the voices of preachers or the reading of texts

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Faith and Feminism in Nineteenth-Century Religious Communities
Michaela Sohn-Kronthaler
SBL Press, 2019
Library of Congress BV639.W7 | Dewey Decimal 274.081082

Explore a diversity of feminist readings of the Bible

This latest volume in the Bible and Women series is concerned with documenting, through word and image, both well-known and largely unknown women and their relationship to the Bible from the period of the late eighteenth century up to the beginning of the twentieth century. The essays in this collection illustrate the broad range of treatment of the Holy Scripture. Paul Chilcote, Marion Ann Taylor, Christiana de Groot, Elizabeth M. Davis, and Pamela S. Nadell offer perspectives on the Anglo-American sphere during this period. Marina Cacchi, Adriano Valerio, Inmaculada Blasco Herranz, and Alexei Klutschewski and Eva Maria Synek illuminate the areas of southern and eastern Europe. Angela Berlis, Ruth Albrecht, Doris Brodbeck, Ute Gause, and Michaela Sohn-Kronthaler examine women from the German-speaking world and their texts. Bernhard Schneider, Magda Motté, Katharina Büttner-Kirschner, and Elfriede Wiltschnigg treat the subject area of religious literature and art.

Features

Insight into how women participated in academic exegesis and applied biblical figures as models for structuring their own lives
Exploration of genres used by women, including letters, diaries, autobiographical records, stories, novels, songs, poems, and specialized exegetical treatises and commentaries on individual books of the Bible
Detailed analyses of women’s interpretations ranging from those that sought to confirm traditions to those that challenged them

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Feminism Beyond Modernism
Elizabeth Flynn
Southern Illinois University Press, 2002
Library of Congress HQ1190.F593 2002 | Dewey Decimal 305.42

Misunderstanding and denigration of postmodern feminism are widespread. Elizabeth Flynn’s Feminism Beyond Modernism comes to its defense in a cogent and astute manner by first distinguishing between postmodern and antimodern feminisms and then reclaiming postmodern feminism by reconfiguring its relationship to modernism.

Too often postmodern feminism is unfairly identified as opposed to modernism and associated with subjectivism and relativism. Flynnaddresses these problems by provisionally defining postmodern feminism as problematizing and critiquing modernism without directly opposing it. Flynn also suggests that feminist traditions that reject modernism, such as radical and cultural feminisms, are antimodern rather than postmodern.

In this interdisciplinary study, Flynn defines feminist traditions broadly, situating her discussions within the contexts of literary studies and rhetoric and composition while simultaneously exploring the troubled relationship between these fields. Departing from accepted definitions of modernism, Flynn distinguishes between aesthetic modernism and Enlightenment modernism and uses the work of John Locke, Sigmund Freud, Charlotte Perkins Gilman, Michel Foucault, Donna Haraway, and others as benchmarks for historical placement. In addition, rereadings of works by Virginia Woolf, Adrienne Rich, Alice Walker, Louise Rosenblatt, and others demonstrate the complex ways in which they respond to modernist pressures and tendencies. From this context, Flynn’s Feminism Beyond Modernism reconfigures feminist traditions by defining postmodern feminism as a critique of modernism rather than as an antimodern opponent.

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Feminist Biblical Studies in the Twentieth Century: Scholarship and Movement
Elisabeth Schüssler Fiorenza
SBL Press, 2014
Library of Congress BS521.4.F445 2014 | Dewey Decimal 220.6082

Chart the development of feminist approaches and theories of interpretation during the period when women first joined the ranks of biblical scholars

This collection of essays on feminist biblical studies in the twentieth century seeks to explore four areas of inquiry demanding further investigation. In the first section, articles chart the beginnings and developments of feminist biblical studies as a conversation among feminists around the world. The second section introduces, reviews, and discusses the hermeneutic religious spaces created by feminist biblical studies. The third segment discusses academic methods of reading and interpretation that dismantle androcentric language and kyriarchal authority. The fourth section returns to the first with work that transgresses academic boundaries in order to exemplify the transforming, inspiring, and institutionalizing feminist work that has been and is being done to change religious mindsets of domination and to enable wo/men to engage in critical readings of the Bible.

Features:

Essays examine the rupture or break in the malestream reception history of the Bible
Exploration of the term feminism in different social-cultural and theoretical-religious locations
Authors from around the world present research and future directions for research challenging the next generation of feminist interpreters

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The Feminist Spectator as Critic
Jill Dolan
University of Michigan Press, 2012
Library of Congress PN2270.F45D64 2012 | Dewey Decimal 792.015082

The Feminist Spectator as Critic broke new ground as one of the pioneering books on feminist spectatorship, encouraging resistant readings to generate feminist meanings in performance. Approaching live spectatorship through a range of interdisciplinary methods, the book has been foundational in theater studies, performance studies, and gender/sexuality/women's studies. This updated and enlarged second edition celebrates the book's twenty-fifth anniversary with a substantial new introduction and up-to-the-moment bibliography, detailing the progress to date in gender equity in theater and the arts, and suggesting how far we have yet to go.

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Feminist Theories for Dramatic Criticism
Gayle Austin
University of Michigan Press, 1990
Library of Congress PN1633.F45A9 1990 | Dewey Decimal 801.952082

Feminist Theories for Dramatic Criticism provides a number of useful approaches for analyzing works for the stage from a feminist perspective. Each chapter outlines key feminist theories in a specific field, covering literary criticisms, anthropology, psychology, and film, and then applies these theories in a detailed criticism of one or two plays. Plays by Eugene O'Neill, Arthur Miller, Lillian Hellman, Jane Bowles, Sam Shepard, and Alice Childress—all produced after World War II—are reexamined through the lenses of feminist theorist Judith Fetterley, Gayle Rubin, Nancy Chodorow, and Laura Mulvey, each a key figure in her respective field.

The introduction provides a framework for the discussion of feminist dramatic criticism by presenting the multiple political perspectives within feminism. The contributions of black and lesbian feminists to the question of theory are explored, as are the evolutionary stages of feminist criticism as they have been occurring in other fields. Theater has been slower than most fields to move through these stages, and its trajectory thus far is briefly traced. For the sake of clarity, each of the central chapters treats theories from a particular discipline, but the conclusion reminds us that in practice the theories are most often combined.

The book will appeal to theater scholars and practitioners interested in finding their way into feminist theory for the first time, or in expanding their knowledge of its insights for use in teaching, research, and production. Those in women's studies and other fields will find it shows ways to include plays among the texts they analyze.

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Feminist Theory and the Study of Folklore
Edited by Susan Tower Hollis, Linda Pershing, and M. Jane Young
University of Illinois Press, 1994
Library of Congress GR470.F48 1993 | Dewey Decimal 398.042082

Taking a performance-centered perspective on folklore, contributors to this volume challenge patriarchal assumptions of the past and rethink old topics from a feminist perspective while opening new areas of research. In eighteen chapters the book covers girls' games, political cartoons, quilting, Pentecostal preachers, daily housework, Egyptian goddesses, tall tales, and birth. This hallmark collection of feminist folklore will be a valuable resource for scholars and other interested readers.

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Fields of Play: Constructing an Academic Life
Richardson, Laurel
Rutgers University Press, 1997
Library of Congress HM73.R53 1997 | Dewey Decimal 808.066301

Winner of the Norman Denzin Award for her work from the National Communications Association

How do the specific circumstances in which we write affect what we write? How does what we write affect who we become? How can we maintain professsional and personal integrity in today's university? In a series of traditional and experimental writings, a culmination of ten years of works-in-progress, Laurel Richardson records an intellectual journey, displacing boundaries and creating new ways of reading and writing. Applying the sociological imagination to the writing process, she connects her life to her work.

Deeply engaging, movingly written with grace, elegance, and clarity, the book stimulates readers to situate their own writing in personal, social, and political contexts.

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The Gender of Modernity
Rita Felski
Harvard University Press, 1995
Library of Congress HQ1190.F417 1995 | Dewey Decimal 305.4201

In an innovative and invigorating exploration of the complex relations between women and the modern, Rita Felski challenges conventional male-centered theories of modernity. She also calls into question those feminist perspectives that have either demonized the modern as inherently patriarchal, or else assumed a simple opposition between men’s and women’s experiences of the modern world.

Combining cultural history with cultural theory, and focusing on the fin de siècle, Felski examines the gendered meanings of such notions as nostalgia, consumption, feminine writing, the popular sublime, evolution, revolution, and perversion. Her approach is comparative and interdisciplinary, covering a wide variety of texts from the English, French, and German traditions: sociological theory, realist and naturalist novels, decadent literature, political essays and speeches, sexological discourse, and sentimental popular fiction. Male and female writers from Simmel, Zola, Sacher-Masoch, and Rachilde to Marie Corelli, Wilde, and Olive Schreiner come under Felski’s scrutiny as she exposes the varied and often contradictory connections between femininity and modernity.

Seen through the lens of Felski’s discerning eye, the last fin de siècle provides illuminating parallels with our own. And Felski’s keen analysis of the matrix of modernism offers needed insight into the sense of cultural crisis brought on by postmodernism.

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Gender On Ice: American Ideologies of Polar Expeditions
Lisa Bloom
University of Minnesota Press, 1993
Library of Congress G620.B54 1993 | Dewey Decimal 910.91632

Goddesses and Monsters: Women, Myth, Power, and Popular Culture
Jane Caputi
University of Wisconsin Press, 2004
Library of Congress HQ1190.C368 2004 | Dewey Decimal 306

The essays in Goddesses and Monsters recognize popular culture as a primary repository of ancient mythic energies, images, narratives, personalities, icons, and archetypes. Together, they take on the patriarchal myth, where serial killers are heroes, where goddesses—in the form of great white sharks, femmes fatales, and aliens—are ritually slaughtered, and where pornography is the core story underlying militarism, environmental devastation, and racism. They also point to an alternative imagination of female power that still can be found behind the cult devotion given to Princess Diana and animating all the goddesses disguised as popular monsters, queen bitches, mammies, vamps, cyborgs, and sex bombs.

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Gospels: Narrative and History
Mercedes Navarro Puerto
SBL Press, 2015
Library of Congress BS2555.52.G675 2015 | Dewey Decimal 226.06082

An international collection of ecumenical, gender-sensitive interpretations

In this volume of the Bible and Women Series, contributors examine how biblical studies intersects with feminist interpretive methods with regard to the Gospels. Authors examine the lives of women in Roman Palestine, named and unnamed women in the Gospels, and the role of gender in the reception of the Hebrew scriptures in the New Testament.

Features:

Essays by scholars from scholars from around the world
An introduction and twenty essays focused on women and gender relations
Coverage of power relations and ideologies within the texts and in current interpretations

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Haunting Violations: Feminist Criticism and the Crisis of the "Real"
Edited by Wendy S. Hesford and Wendy Kozol
University of Illinois Press, 2001
Library of Congress HQ1190.H39 2001 | Dewey Decimal 305.4201

Feminist critics place a premium on the "real" stories told by the victimized and the oppressed. Haunting Violations offers a corrective to such uncritical acceptance of the "real" in confessional, testimonial, and ethnographic narratives. Through close readings of a wide variety of texts, contributors argue that depictions of the "real" are inherently performative, crafted within the limits and in the interests of specific personal, political, or social projects.
Haunting Violations explores the inseparability of discourse and politics in quasi-autobiographical works such as I, Rigoberta Menchú and When Heaven and Earth Changed Places. Contributors consider how the Sri Lankan Mother's Front movement exploits the sanctity of the maternal and how multiple political purposes on both sides bleed through government "documentary" photographs of Japanese-American concentration camp internees. This volume also investigates how South Asian feminists use the authority of their personal experience to critique the film Mississippi Masala and how realist narratives, such as Janet Campbell Hale's autobiographical Bloodlines, Margie Strosser's documentary film Rape Stories, and Shekur Kapur's film Bandit Queen, reexamine how assumptions about power and trauma are embedded in the promise of the real.

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The High Middle Ages
Kari Elisabeth Børresen
SBL Press, 2015
Library of Congress BS521.4.H54 2015 | Dewey Decimal 220.0820902

An international collection of ecumenical, gender-sensitive interpretations

The latest volume in the Bible and Women series examines the relationship between women and the Bible's reception in the centuries of the High and Late Middle Ages in Europe. Contributors bring a variety of new insights to questions of how women of the Bible were treated in literary, mystical, and doctrinal texts as well as in art and music. Though the Bible was used to legitimize the subordination of women to men and to exclude them from power, during this period women produced works of theology and biblical interpretation. Contributors include Gemma Avenoza, Marina Benedetti, Dinora Corsi, Maria Laura Giordano, Elisabeth Gössmann, Maria Leticia Sánchez Hernández, Hildegund Keul, Linda Maria Koldau, Martina Kreidler-Kos, Rita Librandi, Gary Macy, Constant J. Mews, Magda Motté, Rosa María Parrinello, María Isabel Toro Pascua, Claudia Poggi, Carmel Posa, Marina Santini, Valeria Ferrari Schiefer, Andrea Taschl-Erber, Adriana Valerio, and Paola Vitolo.

Features

Essays on the treatment of women in commentaries and didactic moral literature written by men
Close study of women as scholars and interpreters of the Bible from the twelfth through the fifteen centuries
Twenty-one essays from twenty-three scholars from around the world

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The Intercourse of Knowledge:On Gendering Desire and 'Sexuality' in the Hebrew Bible
Athalya Brenner
SBL Press, 2016
Library of Congress BS1199.S45B74 2016 | Dewey Decimal 221.83067

Now in paperback!

This groundbreaking book, which builds on the author's earlier work in On Gendering Texts, studies how, by what means, and to what extent human love, desire and sex, and possibly even "sexuality"; are gendered in the Hebrew Bible. The investigation looks into the construction of male and female bodies in language and ideologies; the praxis and ideology of sex, procreation, and contraception; deviation from socio-sexual boundaries (e.g. incest, rape, adultery, homosexuality, prostitution); eroticism and "pornoprophetics."

Features:

Paperback format of an essential Brill monograph
A classification and gendering of the linguistic and semantic data
Discussion of wider sociological and theological implications

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Jesus among Her Children: Q, Eschatology, and the Construction of Christian Origins
Melanie Johnson-DeBaufre
Harvard University Press, 2005
Library of Congress BS2555.52.J64 2005 | Dewey Decimal 226.06

Was Jesus a wisdom sage or an apocalyptic prophet? Did later followers view him as the Danielic "Son of Man" or did he use this expression for himself? These are familiar questions among historical Jesus scholars, and there has been much debate over Jesus' eschatological outlook since the controversial work of the Jesus Seminar. This book asks what is at stake in these debates and explores how scholarly constructions of Christian origins participate in contemporary efforts to confirm or challenge particular understandings of the essence of Christianity. Proposing that a Jesus-centered perspective has overly shaped our interpretation of the sayings source Q, Johnson-DeBaufre offers alternative readings to key Q texts, readings that place an interest in the community that shaped Jesus at the center of inquiry.

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Literature after Feminism
Rita Felski
University of Chicago Press, 2003
Library of Congress PN98.W64F353 2003 | Dewey Decimal 801.95082

Recent commentators have portrayed feminist critics as grim-faced ideologues who are destroying the study of literature. Feminists, they claim, reduce art to politics and are hostile to any form of aesthetic pleasure. Literature after Feminism is the first work to comprehensively rebut such caricatures, while also offering a clear-eyed assessment of the relative merits of various feminist approaches to literature.

Spelling out her main arguments clearly and succinctly, Rita Felski explains how feminism has changed the ways people read and think about literature. She organizes her book around four key questions: Do women and men read differently? How have feminist critics imagined the female author? What does plot have to do with gender? And what do feminists have to say about the relationship between literary and political value? Interweaving incisive commentary with literary examples, Felski advocates a double critical vision that can do justice to the social and political meanings of literature without dismissing or scanting the aesthetic.

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Magical Habits
Monica Huerta
Duke University Press, 2021
Library of Congress TX715.2.S69H84 2021

In Magical Habits Monica Huerta draws on her experiences growing up in her family's Mexican restaurants and her life as a scholar of literature and culture to meditate on how relationships among self, place, race, and storytelling contend with both the afterlives of history and racial capitalism. Whether dwelling on mundane aspects of everyday life, such as the smell of old kitchen grease, or grappling with the thorny, unsatisfying question of authenticity, Huerta stages a dynamic conversation among genres, voices, and archives: personal and critical essays exist alongside a fairy tale; photographs and restaurant menus complement fictional monologues based on her family's history. Developing a new mode of criticism through storytelling, Huerta takes readers through Cook County courtrooms, the Cristero Rebellion (in which her great-grandfather was martyred by the Mexican government), Japanese baths in San Francisco—and a little bit about Chaucer too. Ultimately, Huerta sketches out habits of living while thinking that allow us to consider what it means to live with and try to peer beyond history even as we are caught up in the middle of it.

Duke University Press Scholars of Color First Book Award recipient

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Medieval Masculinities: Regarding Men in the Middle Ages
Clare A. Lees
University of Minnesota Press, 1994
Library of Congress HQ1088.M45 1994 | Dewey Decimal 305.3

The Politics of Women's Biology
Hubbard, Ruth
Rutgers University Press, 1990
Library of Congress QP81.5.H83 1990 | Dewey Decimal 305.42

For a range of historical and contemporary issues in eugenics, human evolution, and procreative technology, Ruth Hubbard explains why scientific descriptions and choices should not generalize human, or female, attributes without acknowledging the realities of people's lives. Sophisticated in its analysis, yet not at all technical in its exposition, this book will find a wide readership among feminists, the general public, and the scientific community.

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Presence and Desire: Essays on Gender, Sexuality, Performance
Jill Dolan
University of Michigan Press, 1994
Library of Congress PN2270.F45D65 1993 | Dewey Decimal 792.082

Explores current controversies and significant concerns in feminist theater and performance

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Reading The Social Body
Catherine B. Burroughs
University of Iowa Press, 1993
Library of Congress GT495.R43 1993 | Dewey Decimal 391.6

The overarching argument of Reading the Social Body is that the body is cultural rather than “natural.” Some of the essays treat the social construction of bodies that have actually existed in human history; others discuss the representation of bodies in artistic contexts; all recognize that everything visible to the human body—from posture and costume to the width of an eyebrow or a smile—is determined by and shaped in response to a particular culture.

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Recovering Nineteenth-Century Women Interpreters of the Bible
Christiana de Groot
SBL Press, 2007
Library of Congress BS511.3.R44 2007 | Dewey Decimal 220.6082

Women have been thoughtful readers and interpreters of scripture throughout the ages, yet the usual history of biblical interpretation includes few women’s voices. To introduce readers to this untapped source for the history of biblical interpretation, this volume presents forgotten works from the nineteenth century written by women—including Grace Aguilar, Florence Nightingale, and Harriet Beecher Stowe, among others—from various faith backgrounds, countries, and social classes engaging contemporary biblical scholarship. Due to their exclusion from the academy, women’s interpretive writings addressed primarily a nonscholarly audience and were written in a variety of genres: novels and poetry, catechisms, manuals for Bible study, and commentaries on the books of the Bible. To recover these nineteenth-century women interpreters of the Bible, each essay in this volume locates a female author in her historical, ecclesiastical, and interpretive context, focusing on particular biblical passages to clarify an author’s contributions as well as to explore how her reading of the text was shaped by her experience as a woman.

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Secret Treachery Of Words: Feminism And Modernism In America
Elizabeth Francis
University of Minnesota Press, 2002
Library of Congress HQ1426.F797 2002 | Dewey Decimal 305.420973

Untangles the intertwined relationship between feminism and modernism through a look at four major figures of the era. In the early decades of the twentieth century, women's pursuit of freedom and independence earned both the adulation and the scorn of American modernists. Elizabeth Francis traces this unexpected, complex strain in cultural history through the stories of four legendary American figures--Isadora Duncan, Margaret Anderson, Floyd Dell, and Josephine Herbst. The Secret Treachery of Words begins in the early 1910s, when feminism was an essential part of "the shock of the new" that modernist art and thought introduced to American culture. Francis follows an arc of treacherous repression into the 1920s and 1930s, as feminists broke out of the mold of Victorian culture only to find themselves bound by the historical representation so central to modernism. Francis's four portraits vividly reveal the dynamic tensions in feminist modernism: in Duncan's performances of the female body, Anderson's manifestos of self-expression and cultural outlawry, Dell's advocacy of the revolutionary potential of sex, and Herbst's insights into cultural and political marginality. Part of a new appreciation of the diversity of American modernism, The Secret Treachery of Words discloses both the centrality and the critical impasses of feminist and modernist engagements with modern culture. Elizabeth Francis teaches American history at the University of Rhode Island.

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Sexting Panic: Rethinking Criminalization, Privacy, and Consent
Amy Adele Hasinoff
University of Illinois Press, 2015
Library of Congress HQ27.H367 2015 | Dewey Decimal 306.70835

Sexting Panic illustrates how anxieties about technology and teen girls' sexuality distract from critical questions about how to adapt norms of privacy and consent for new media. Though mobile phones can be used to cause harm, Amy Adele Hasinoff notes that criminalization and abstinence policies meant to curb sexting often fail to account for the distinction between consensual sharing and the malicious distribution of a private image. Hasinoff challenges the idea that sexting inevitably victimizes young women. Instead, she encourages us to recognize young people's capacity for choice and recommends responses to sexting that are realistic and nuanced rather than based on misplaced fears about deviance, sexuality, and digital media.

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Taboo Memories, Diasporic Voices
Ella Shohat
Duke University Press, 2006
Library of Congress HQ1190.S3498 2006 | Dewey Decimal 305.4201

Taboo Memories, Diasporic Voices brings together for the first time a selection of trailblazing essays by Ella Shohat, an internationally renowned theorist of postcolonial and cultural studies of Iraqi-Jewish background. Written over the past two decades, these twelve essays—some classic, some less known, some new—trace a powerful intellectual trajectory as Shohat rigorously teases out the consequences of a deep critique of Eurocentric epistemology, whether to rethink feminism through race, nationalism through ethnicity, or colonialism through sexuality.

Shohat’s critical method boldly transcends disciplinary and geographical boundaries. She explores such issues as the relations between ethnic studies and area studies, the paradoxical repercussions for audio-visual media of the “graven images” taboo, the allegorization of race through the refiguring of Cleopatra, the allure of imperial popular culture, and the gender politics of medical technologies. She also examines the resistant poetics of exile and displacement; the staging of historical memory through the commemorations of the two 1492s, the anomalies of the “national” in Zionist discourse, the implications of the hyphen in the concept “Arab-Jew,” and the translation of the debates on orientalism and postcolonialism across geographies. Taboo Memories, Diasporic Voices not only illuminates many of the concerns that have animated the study of cultural politics over the past two decades; it also points toward new scholarly possibilities.

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The Tenets of Cognitive Existentialism
Dimitri Ginev
Ohio University Press, 2011
Library of Congress Q175.G5224 2011 | Dewey Decimal 507.2

In The Tenets of Cognitive Existentialism, Dimitri Ginev draws on developments in hermeneutic phenomenology and other programs in hermeneutic philosophy to inform an interpretative approach to scientific practices. At stake is the question of whether it is possible to integrate forms of reflection upon the ontological difference in the cognitive structure of scientific research. A positive answer would have implied a proof that (pace Heidegger) “science is able to think.” This book is an extended version of such a proof. Against those who claim that modern science is doomed to be exclusively committed to the nexus of objectivism and instrumental rationality, the interpretative theory of scientific practices reveals science’s potentiality of hermeneutic self-reflection. Scientific research that takes into consideration the ontological difference has resources to enter into a dialogue with Nature.

Ginev offers a critique of postmodern tendencies in the philosophy of science, and sets out arguments for a feminist hermeneutics of scientific research.

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Virtual Gender: Fantasies of Subjectivity and Embodiment
Mary Ann O'Farrell and Lynne Vallone, Editors
University of Michigan Press, 1999
Library of Congress HQ1075.V57 1999 | Dewey Decimal 305.3

This collection breaks new ground in the area of gender studies both because it creates a name for gender fantasy--virtual gender--that introduces a new understanding of the concept, and in expanding the idea of virtuality to include people and events in history. The essays in Virtual Gender help identify and name the persistent cultural desire for an imaginative space in which to "put on" alternative gender identities, while examining as well the equally persistent and consequent critique of that desire.
The sweep of the volume's coverage is impressive, ranging across historical periods and academic disciplines, as contributors consider the place of the body in gender fantasy and the consequences of gender fantasy for real people and real bodies. The essays investigate figures and topics including Amelia Earhart, soap-opera chat groups, Elizabeth I, mesmerism, lesbianism in the early modern period, cybergames, women in the federalist period, the transgendered body, and performance art. Also examined are the status of embodiment, the origins of gender, gender politics, the pains of subjectivity, the uses of utopian fantasy, technological advances and information technology, the experience of gendered communities, and the role of gender in global politics.
Contributors include Harriette Andreadis, Seyla Benhabib, Charlotte Canning, Bernice Hausman, Janel Mueller, Mary Ann O'Farrell, Kay Schaffer, Sidonie Smith, Carroll Smith-Rosenberg, Helen F. Thompson, Lynne Vallone, and Robyn Warhol. The book will appeal to an interdisciplinary audience of scholars, critics, and students with interests in gender, identity, and cyberculture.
Mary Ann O'Farrell is Associate Professor of English, Texas A & M University. Lynne Vallone is Associate Professor of English, Texas A & M University.

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Wendy Wasserstein
Jill Dolan
University of Michigan Press, 2017
Library of Congress PS3573.A798Z65 2017 | Dewey Decimal 812.54

Playwright Wendy Wasserstein (1950–2006), author of The Heidi Chronicles, wrote topical, humorous plays addressing relationships among women and their families, taking the temperature of social moments from the 1960s onward to debate women’s rightful place in their professional and personal lives. The playwright’s popular plays continue to be produced on Broadway and in regional theaters around the country and the world. Wasserstein’s emergence as a popular dramatist in the 1970s paralleled the emergence of the second-wave feminist movement in the United States, a cultural context reflected in the themes of her plays. Yet while some of her comedies and witty dramas were wildly successful, packing theaters and winning awards, feminists of the era often felt that the plays did not go far enough.

Wendy Wasserstein provides a critical introduction and a feminist reappraisal of the significant plays of one of the most famous contemporary American women playwrights. Following a biographical introduction, chapters address each of her important plays, situating Wasserstein’s work in the history of the US feminist movement and in a historical moment in which women artists continue to struggle for recognition.

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Womanist Interpretations of the Bible: Expanding the Discourse
Gay L. Byron
SBL Press, 2016
Library of Congress BS521.4.W66 2016 | Dewey Decimal 220.6082

Expand the discourse and open the spheres of engagement to include new voices of scholars and bold, innovative interpretive approaches

This edited volume brings together cross-generational and cross-cultural readings of the Bible and other sacred sources by including scholars from the Caribbean, India, and Africa who have not traditionally fit into the narrow U.S., African American paradigm for understanding womanist biblical interpretation. The volume engages the reader in a wide range of interdisciplinary methods and perspectives, such as gender and feminist criticism, social-scientific methods, post-colonial and psychoanalytical theory that emphasize the inherently intersectional dynamics of race, ethnicity, and class at work in womanist thought and analysis.

Features

Topics include the Black Lives Matter movement, domestic violence, and AIDS, while at the same time uncovering the roles of children, women, and other marginalized persons in biblical narratives
Coverage of Hebrew Bible and New Testament texts, as well as Ifa spiritual narratives, Hindu scripture, and Ethiopic texts
Responses from four respected womanist and feminist critics: Katherine Doob Sakenfeld, Emilie Townes, Layli (Phillips) Maparyan, and Sarojini Nadar

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