BiblioVault - Books about Dionysus (Greek deity)

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5 books about Dionysus (Greek deity)

	Bacchae. Iphigenia at Aulis. Rhesus Euripides Harvard University Press, 2002 Library of Congress PA3975.A2 2002c \| Dewey Decimal 882.01 One of antiquity's greatest poets, Euripides has been prized in every age for the pathos, terror, and intellectual probing of his dramatic creations. This volume completes the new six-volume Loeb Classical Library edition of his plays. In Bacchae, a masterpiece of tragic drama, Euripides tells the story of king Pentheus's resistance to the worship of Dionysus and his horrific punishment. Iphigenia at Aulis recounts the sacrifice of Agamemnon's daughter to Artemis, the price exacted by the goddess for favorable sailing winds. Rhesus (probably not by Euripides) dramatizes a pivotal incident in the Trojan War. David Kovacs presents a faithful and skillfully worded translation of the three plays, facing a freshly edited Greek text. Expand Description
	Crossings: Nietzsche and the Space of Tragedy John Sallis University of Chicago Press, 1991 Library of Congress B3313.G43S24 1991 \| Dewey Decimal 193 Boldly contesting recent scholarship, Sallis argues that The Birth of Tragedy is a rethinking of art at the limit of metaphysics. His close reading focuses on the complexity of the Apollinian/Dionysian dyad and on the crossing of these basic art impulses in tragedy. "Sallis effectively calls into question some commonly accepted and simplistic ideas about Nietzsche's early thinking and its debt to Schopenhauer, and proposes alternatives that are worth considering."—Richard Schacht, Times Literary Supplement Expand Description
	Dionysus in Literature: Essays on Literary Madness Edited by Branimir M. Rieger University of Wisconsin Press, 1994 Library of Congress PN56.M45D56 1994 \| Dewey Decimal 809.93353 In this anthology, outstanding authorities present their assessments of literary madness in a variety of topics and approaches. The entire collection of essays presents intriguing aspects of the Dionysian element in literature. Expand Description
	Paradise Earned: The Bacchic-Orphic Gold Lamellae of Crete Yannis Tzifopoulos Harvard University Press, 2010 Library of Congress CN420.T95 2010 \| Dewey Decimal 938 This is a study of the twelve small gold lamellae from Crete that were tokens for entrance into a golden afterlife: the deceased who were buried or cremated with them believed that they had 'earned Paradise.' The lamellae are placed within the context of a small corpus of similar texts, and published with extensive commentary on their topography, lettering and engraving, dialect and orthography, meter, chronology, and usage. The texts reveal a hieros logos whose poetics and rituals are not much different from Homeric rhapsodizing and prophetic discourses. Cretan contexts, both literary and archaeological, are also brought to bear on these incised objects and on the burial custom involved. Finally, this work adduces parallels to the texts on the lamellae from the Byzantine period and modern Greece to illuminate the everlasting and persistent human quest for 'earning Paradise.' Expand Description
	Ritual and Performativity: The Chorus in Old Comedy Anton Bierl Harvard University Press, 2009 Library of Congress PA3166.B5413 2009 \| Dewey Decimal 882.010917 In this groundbreaking study, Anton Bierl uses recent approaches in literary and cultural studies to investigate the chorus of Old Comedy. After an extensive theoretical introduction that also serves as a general introduction to the dramatic chorus from the comic vantage point, a close reading of Aristophanes' Thesmophoriazusae shows that ritual is indeed present in both the micro- and macrostructure of Attic comedy, not as a fossilized remnant of the origins of the genre but as part of a still existing performative choral culture. The chorus members do play a role within the dramatic plot, but they simultaneously refer to their own performance in the here and now and to their function as participants in a ritual. Bierl's investigation also includes an unparalleled treatment of the phallic songs preserved by Semos. Expand Description

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5 books about Dionysus (Greek deity)

Bacchae. Iphigenia at Aulis. Rhesus

Harvard University Press, 2002

One of antiquity's greatest poets, Euripides has been prized in every age for the pathos, terror, and intellectual probing of his dramatic creations. This volume completes the new six-volume Loeb Classical Library edition of his plays.

In Bacchae, a masterpiece of tragic drama, Euripides tells the story of king Pentheus's resistance to the worship of Dionysus and his horrific punishment. Iphigenia at Aulis recounts the sacrifice of Agamemnon's daughter to Artemis, the price exacted by the goddess for favorable sailing winds. Rhesus (probably not by Euripides) dramatizes a pivotal incident in the Trojan War. David Kovacs presents a faithful and skillfully worded translation of the three plays, facing a freshly edited Greek text.

Nietzsche and the Space of Tragedy

University of Chicago Press, 1991

Boldly contesting recent scholarship, Sallis argues that
The Birth of Tragedy is a rethinking of art at the
limit of metaphysics. His close reading focuses on the
complexity of the Apollinian/Dionysian dyad and on the
crossing of these basic art impulses in tragedy.

"Sallis effectively calls into question some commonly
accepted and simplistic ideas about Nietzsche's early
thinking and its debt to Schopenhauer, and proposes
alternatives that are worth considering."—Richard
Schacht, Times Literary Supplement

Dionysus in Literature

Essays on Literary Madness

Edited by Branimir M. Rieger

University of Wisconsin Press, 1994

In this anthology, outstanding authorities present their assessments of literary madness in a variety of topics and approaches. The entire collection of essays presents intriguing aspects of the Dionysian element in literature.

Paradise Earned

The Bacchic-Orphic Gold Lamellae of Crete

Yannis Tzifopoulos

Harvard University Press, 2010

This is a study of the twelve small gold lamellae from Crete that were tokens for entrance into a golden afterlife: the deceased who were buried or cremated with them believed that they had 'earned Paradise.' The lamellae are placed within the context of a small corpus of similar texts, and published with extensive commentary on their topography, lettering and engraving, dialect and orthography, meter, chronology, and usage. The texts reveal a hieros logos whose poetics and rituals are not much different from Homeric rhapsodizing and prophetic discourses. Cretan contexts, both literary and archaeological, are also brought to bear on these incised objects and on the burial custom involved. Finally, this work adduces parallels to the texts on the lamellae from the Byzantine period and modern Greece to illuminate the everlasting and persistent human quest for 'earning Paradise.'

Ritual and Performativity

The Chorus in Old Comedy

Harvard University Press, 2009

In this groundbreaking study, Anton Bierl uses recent approaches in literary and cultural studies to investigate the chorus of Old Comedy. After an extensive theoretical introduction that also serves as a general introduction to the dramatic chorus from the comic vantage point, a close reading of Aristophanes' Thesmophoriazusae shows that ritual is indeed present in both the micro- and macrostructure of Attic comedy, not as a fossilized remnant of the origins of the genre but as part of a still existing performative choral culture. The chorus members do play a role within the dramatic plot, but they simultaneously refer to their own performance in the here and now and to their function as participants in a ritual. Bierl's investigation also includes an unparalleled treatment of the phallic songs preserved by Semos.