BiblioVault - Books about Diaries

I Acted from Principle: The Civil War Diary of Dr. William M. McPheeters, Confederate Surgeon in the Trans-Mississippi
Cynthia DeHaven Pitcock
University of Arkansas Press, 2000
Library of Congress E625.M35 2002 | Dewey Decimal 973.775092

At the start of the Civil War, Dr. William McPheeters was a distinguished physician in St. Louis, conducting unprecedented public-health research, forging new medical standards, and organizing the state's first professional associations. But Missouri was a volatile border state. Under martial law, Union authorities kept close watch on known Confederate sympathizers. McPheeters was followed, arrested, threatened, and finally, in 1862, given an ultimatum: sign an oath of allegiance to the Union or go to federal prison. McPheeters "acted from principle" instead, fleeing by night to Confederate territory. He served as a surgeon under Gen. Sterling Price and his Missouri forces west of the Mississippi River, treating soldiers' diseases, malnutrition, and terrible battle wounds. From almost the moment of his departure, the doctor kept a diary. It was a pocket-size notebook which he made by folding sheets of pale blue writing paper in half and in which he wrote in miniature with his steel pen. It is the first known daily account by a Confederate medical officer in the Trans-Mississippi Department. It also tells his wife's story, which included harassment by Federal military officials, imprisonment in St. Louis, and banishment from Missouri with the couple's two small children. The journal appears here in its complete and original form, exactly as the doctor first wrote it, with the addition of the editors' full annotation and vivid introductions to each section.

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I Have No Regrets: Diaries, 1955-1963
Brigitte Reimann
Seagull Books, 2019
Library of Congress PT2678.E34Z46 2019

Frank and refreshing, Brigitte Reimann’s collected diaries provide a candid account of life in socialist Germany.

With an upbeat tempo and amusing tone, I Have No Regrets contains detailed accounts of the author’s love affairs, daily life, writing, and reflections. Like the heroines in her stories, Reimann was impetuous and outspoken, addressing issues and sensibilities otherwise repressed in the era of the German Democratic Republic. She followed the state’s call for artists to leave their ivory towers and engage with the people, moving to the new town of Hoyerswerda to work part-time at a nearby industrial plant and run writing classes for the workers. Her diaries and letters provide a fascinating parallel to her fictional writing. By turns shocking, passionate, unflinching, and bitter—but above all life-affirming—they offer an unparalleled insight into what life was like during the first decades of the GDR.

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If I Get Out Alive: The World War II Letters and Diaries of William H McDougall Jr
Gary Topping
University of Utah Press, 2007
Library of Congress D805.J3M324 2007 | Dewey Decimal 940.53175981092

In 1939, William H. McDougall was a newspaperman from Salt Lake City who quit his job and went to work for the Japan Times, an English-language newspaper in Tokyo, and later for the United Press, for which he covered the Japanese occupation of Shanghai and the fall of the Dutch East Indies (Indonesia). When the ship on which he had escaped from Java was sunk, he reached the island of Sumatra, where he was captured and imprisoned by the Japanese until 1945.

McDougall’s letters to his family offer a rare and detailed look at daily life in Tokyo and in Japanese-occupied Shanghai during the months leading up to the Pearl Harbor attack. After his imprisonment in Sumatra, he began keeping a daily journal of his experiences as a POW. Published here for the first time are the journals he retrieved at the end of World War II.

Written by an articulate and perceptive professional reporter, McDougall's letters and diaries offer an intimate, personal narrative of conditions in wartime East Asia.

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In the Beginning Was the Ghetto: Notebooks from Lodz
Oskar Rosenfeld
Northwestern University Press, 2002
Library of Congress DS135.P63R67813 2002 | Dewey Decimal 940.5318094384

From February 1942 to July 1944, Oskar Rosenfeld served in the statistics department of the Lodz ghetto. A playwright and journalist, he kept his own notes on life and conditions in the ghetto for a fictionalized account he hoped to write one day. Though Rosenfeld eventually perished at Auschwitz, In the Beginning Was the Ghetto projects his voice at last to the wider world.

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In the Company of Generals: The World War I Diary of Pierpont L. Stackpole
Edited & Intro by Robert H. Ferrell
University of Missouri Press, 2009
Library of Congress E745.L54S73 2009 | Dewey Decimal 940.436

Pierpont Stackpole was a Boston lawyer who in January 1918 became aide to Lieutenant General Hunter Liggett, soon to be commander of the first American corps in France. Stackpole’s diary, published here for the first time, is a major eyewitness account of the American Expeditionary Forces’ experience on the Western Front, offering an insider’s view into the workings of Liggett’s commands, his day-to-day business, and how he orchestrated his commands in trying and confusing situations.

Hunter Liggett did not fit John J. Pershing’s concept of the trim and energetic officer, but Pershing entrusted to him a corps and then an army command. Liggett assumed leadership of the U.S. First Army in mid-October of 1918, and after reorganizing, reinforcing, and resting, the battle-weary troops broke through the German lines in a fourth attack at the Meuse-Argonne—accomplishing what Pershing had failed to do in three previous attempts. The victory paved the way to armistice on November 11.

Liggett has long been a shadowy figure in the development of the American high command. He was “Old Army,” a veteran of Indian wars who nevertheless kept abreast of changes in warfare and more than other American officers was ready for the novelties of 1914–1918. Because few of his papers have survived, the diary of his aide—who rode in the general’s staff car as Liggett unburdened himself about fellow generals and their sometimes abysmal tactical notions—provides especially valuable insights into command within the AEF.

Stackpole’s diary also sheds light on other figures of the war, presenting a different view of the controversial Major General Clarence Edwards than has recently been recorded and relating the general staff’s attitudes about the flamboyant aviation figure Billy Mitchell. General Liggett built the American army in France, and the best measure of his achievement is this diary of his aide. That record stands here as a fascinating and authentic look at the Great War.

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In the Open: Diary of a Homeless Alcoholic
Timothy E. Donohue
University of Chicago Press, 1996
Library of Congress HV5293.D65A3 1996 | Dewey Decimal 362.292092

Compelling, raw, and painfully self-aware, In the Open describes an existence most people can barely imagine. A first-hand account of one man's struggle with homelessness and alcoholism, this diary records a world full of physical degradation and despair that is not without unpredictable moments of striking beauty.

Donohue's experiences are brutal, but his perceptions are poetic. This account of an intelligent and sensitive man in the grip of alcoholism and homelessness challenges our perceptions of those on the margins of American contemporary life.

"Donohue recorded this often-moving account during a four-year period of homelessness caused by his alcoholism. . . . There are many brilliant observations here on a range of topics, including human nature, technology, and capitalism. . . . Donohue's life on the fringe also provides an inside look at the homeless system of overnight shelters, labor offices, and food stamp providers. But, somehow, in spite of all the negatives, a hopeful book emerges."—Booklist

"A startlingly original book. In this confessional age, Donohue's diary becomes a different sort of tell-all, a palimpsest that forces us to extract the author from his own writing. . . . Donohue comes to resemble Swift's Gulliver"—Nicholas Nesson, Boston Phoenix

"Donohue punctuates his account of 'domiciling within the black walls of a mosquito-infested night' with rambling metaphysical asides in the style of an eighteenth-century philosophe."—Molly McQuade, Lingua Franca

"Despite hunger, homelessness, dead-end jobs and abusive drinking, what is most striking about Donohue is his amazing optimism and endurance."—Patrick Markee, Nation

"Donohue is a gifted writer. . . . But what gives [his diary] the breath of life is that it is written by an artist."—Alec Wilkinson, Los Angeles Times Book Review

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IN THE PRESENCE OF AUDIENCE: THE SELF IN DIARIES AND FICTION
DEBORAH MARTINSON
The Ohio State University Press, 2003
Library of Congress PR908.M37 2003 | Dewey Decimal 828.9103099287

As a diary writer imagines shadow readers rifling diary pages, she tweaks images of the self, creating multiple readings of herself, fixed and unfixed. When the readers and potential readers are husbands and publishers, the writer maneuvers carefully in a world of men who are quick to judge and to take offense. She fills the pages with reflections, anecdotes, codes, stories, biographies, and fictions. The diary acts as a site for the writer’s tension, rebellion, and remaking of herself.

In this book Martinson examines the diaries of Virginia Woolf, Katherine Mansfield, Violet Hunt, and Doris Lessing’s fictional character Anna Wulf, and shows that these diaries (and others like them) are not entirely private writings as has been previously assumed. Rather, their authors wrote them knowing they would be read. In these four cases, the audience is the author’s male lover or husband, and Martinson reveals how knowledge of this audience affects the language and content in each diary. Ultimately, she argues, this audience enforces a certain “male censorship” which changes the shape of the revelations, the shape of the writer herself, making it impossible for the female author to be honest in writing about her true self.

Even sophisticated readers often assume that diaries are primarily private. This study interrogates the myth of authenticity and self-revelation in diaries written under the gaze of particular peekers.

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In the Shadow of the Enemy: The Civil War Journal of Ida Powell Dulaney
Mary L. Mackall
University of Tennessee Press, 2009
Library of Congress E605.D88 2009 | Dewey Decimal 973.782092

The mistress of a slave-holding estate, Ida Powell Dulany took over control of the extensive family lands once her husband left to fight for the Confederacy. She struggled to manage slaves, maintain contact with her neighbors, and keep up her morale after her region was abandoned by the Confederate government soon after the beginning of hostilities.

More than just an elegantly written account of her own day-to-day experiences in the Civil War, Ida’s journal opens a window into the Southern culture of the time.

Stevan F. Meserve has written extensively for several Civil War publications and is the author of The Civil War in Loudoun County, Virginia: A History of Hard Times.

Anne Mackall Sasscer grew up on Selby, a family farm near The Plains, Virginia, the home of Ida Powell Dulany’s youngest daughter.

Mary LeJeune Mackall spent her early years at Blenheim, a pre-Revolutionary farm near Charlottesville, which inspired her lifelong interest in Virginia history.

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In the Solitude of My Soul: The Diary of Genevieve Breton, 1867-1871
James Smith Allen
Southern Illinois University Press, 1994
Library of Congress ND553.R4B6913 1994 | Dewey Decimal 759.4

Originally published to glowing reviews and literary prizes in France in 1985, this revealing diary not only recounts the moving and tragic relationship of its author, Geneviève Bréton, with the rising young nineteenth-century artist Henri Regnault, it also serves as a valuable historical document concerning the social, cultural, and political life of the French Second Empire.

The young Geneviève Bréton began her journal in 1867 as a consolation for the death of her eldest brother, Antoine. She met Regnault soon after on a trip to Rome. Throughout the next four years of their relationship, Bréton eloquently describes the personal, cultural, and political turbulence that affected her life. Writing against the backdrop of France’s fateful conflict with Prussia and the hardships and dangers of the siege of Paris and the Commune, Bréton, with innate candor and lyricism, creates a text that beautifully illuminates French art, literature, family life, society, and politics of the time. Her poignant account of her love for and engagement to Regnault reveals special insight into the life and mind of an extraordinary, though little known, literary talent. At Regnault’s death in 1871 during the Franco–Prussian War, the expression of her anguish is as much testimony to the political and cultural disorder of the time as it is to her own personal tragedy.

Following Bréton’s own instructions that she left before her death in 1918, this English version of the diary reincorporates material that was deleted from the French edition. Graced by rare photographs of the Bréton family as well as Regnault’s paintings, the book contains a touching foreword by the author’s granddaughter, Daphné Doublet-Vaudoyer. In its first English translation, it is a book for lovers of French life and culture, as well as students of French history; literature, and art.

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The Inman Diary: A Public and Private Confession
Arthur C. Inman
Harvard University Press, 1985
Library of Congress PS3517.N84Z466 1985 | Dewey Decimal 818.5203

Between 1919 and his death by suicide in 1963, Arthur Crew Inman wrote what is surely one of the fullest diaries ever kept by any American. Convinced that his bid for immortality required complete candor, he held nothing back. This abridgment of the original 155 volumes is at once autobiography, social chronicle, and an apologia addressed to unborn readers.

Into this fascinating record Inman poured memories of a privileged Atlanta childhood, disastrous prep-school years, a nervous collapse in college followed by a bizarre life of self-diagnosed invalidism. Confined to a darkened room in his Boston apartment, he lived vicariously: through newspaper advertisements he hired “talkers” to tell him the stories of their lives, and he wove their strange histories into the diary. Young women in particular fascinated him. He studied their moods, bought them clothes, fondled them, and counseled them on their love affairs. His marriage in 1923 to Evelyn Yates, the heroine of the diary, survived a series of melodramatic episodes. While reflecting on national politics, waifs and revolutions, Inman speaks directly about his fears, compulsions, fantasies, and nightmares, coaxing the reader into intimacy with him. Despite his shocking self-disclosures he emerges as an oddly impressive figure.

This compelling work is many things: a case history of a deeply troubled man; the story of a transplanted and self-conscious southerner; a historical overview of Boston illuminated with striking cityscapes; an odd sort of American social history. But chiefly it is, as Inman himself came to see, a gigantic nonfiction novel, a new literary form. As it moves inexorably toward a powerful denouement, The Inman Diary is an addictive narrative.

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Inside Lincoln's White House: The Complete Civil War Diary of John Hay
Edited by Michael Burlingame and John R. Turner Ettlinger
Southern Illinois University Press, 1999
Library of Congress E664.H41A3 1997 | Dewey Decimal 973.7092

On 18 April 1861, assistant presidential secretary John Hay recorded in his diary the report of several women that "some young Virginian long haired swaggering chivalrous of course. . . and half a dozen others including a daredevil guerrilla from Richmond named Ficklin would do a thing within forty eight hours that would ring through the world."

The women feared that the Virginian planned either to assassinate or to capture the president. Calling this a "harrowing communication," Hay continued his entry: "They went away and I went to the bedside of the Chief couché. I told him the yarn; he quietly grinned."

This is but one of the dramatic entries in Hay’s Civil War diary, presented here in a definitive edition by Michael Burlingame and John R. Turner Ettlinger. Justly deemed the most intimate record we will ever have of Abraham Lincoln in the White House, the Hay diary is, according to Burlingame and Ettlinger, "one of the richest deposits of high-grade ore for the smelters of Lincoln biographers and Civil War historians." While the Cabinet diaries of Salmon P. Chase, Edward Bates, and Gideon Welles also shed much light on Lincoln’s presidency, as does the diary of Senator Orville Hickman Browning, none of these diaries has the literary flair of Hay’s, which is, as Lincoln’s friend Horace White noted, as "breezy and sparkling as champagne." An aspiring poet, Hay recorded events in a scintillating style that the lawyer-politician diarists conspicuously lacked.

Burlingame and Ettlinger’s edition of the diary is the first to publish the complete text of all of Hay’s entries from 1861 through 1864. In 1939 Tyler Dennett published Lincoln and the Civil War in the Diaries and Letters of John Hay, which, as Civil War historian Allan Nevins observed, was "rather casually edited." This new edition is essential in part because Dennett omitted approximately 10 percent of Hay’s 1861–64 entries.

Not only did the Dennett edition omit important parts of the diaries, it also introduced some glaring errors. More than three decades ago, John R. Turner Ettlinger, then in charge of Special Collections at the Brown University Library, made a careful and literal transcript of the text of the diary, which involved deciphering Hay’s difficult and occasionally obscure writing. In particular, passages were restored that had been canceled, sometimes heavily, by the first editors for reasons of confidentiality and propriety. Ettlinger’s text forms the basis for the present edition, which also incorporates, with many additions and much updating by Burlingame, a body of notes providing a critical apparatus to the diary, identifying historical events and persons.

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Into Africa
Craig Packer
University of Chicago Press, 1994
Library of Congress QL31.P15A3 1994 | Dewey Decimal 599.05109676

Craig Packer takes us into Africa for a journey of fifty-two days in the fall of 1991. But this is more than a tour of magnificent animals in an exotic, faraway place. A field biologist since 1972, Packer began his work studying primates at Gombe and then the lions of the Serengeti and the Ngorongoro Crater with his wife and colleague Anne Pusey. Here, he introduces us to the real world of fieldwork—initiating assistants to lion research in the Serengeti, helping a doctoral student collect data, collaborating with Jane Goodall on primate research.

As in the works of George Schaller and Cynthia Moss, Packer transports us to life in the field. He is addicted to this land—to the beauty of a male lion striding across the Serengeti plains, to the calls of a baboon troop through the rain forests of Gombe—and to understanding the animals that inhabit it. Through his vivid narration, we feel the dust and the bumps of the Arusha Road, smell the rosemary in the air at lunchtime on a Serengeti verandah, and hear the lyrics of the Grateful Dead playing off bootlegged tapes.

Into Africa also explores the social lives of the animals and the threats to their survival. Packer grapples with questions he has passionately tried to answer for more than two decades. Why do female lions raise their young in crèches? Why do male baboons move from troop to troop while male chimps band together? How can humans and animals continue to coexist in a world of diminishing resources? Immediate demands—logistical nightmares, political upheavals, physical exhaustion—yield to the larger inescapable issues of the interdependence of the land, the animals, and the people who inhabit it.

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It All Tastes of Farewell: Diaries, 1964–1970
Brigitte Reimann
Seagull Books, 2021

Continuing where Reimann's earlier book of diaries, I Have No Regrets, left off, in 1964, this volume is a compelling and frank account of one woman’s life and loves in 1960s East Germany.

It All Tastes of Farewell is a frank account of one woman’s life and loves in 1960s East Germany. As a writer, Brigitte Reimann could not help but tell a compelling story, and that is born out here in her diaries, which are gripping as any novel. She recorded only what mattered: telling details, emotional truths, and political realities. Never written for publication and first published in full in German only after the fall of the Berlin Wall, these diaries offer a unique record of what it felt like to live in a country that no longer exists, was represented for years largely through Cold War propaganda, and is still portrayed in fairy-tale Stasi dramas. Here we get a sense of lived experience, as if Doris Lessing or Edna O’Brien had been allowed in with their notebooks. This volume continues where her earlier book of diaries, I Have No Regrets, left off, in 1964. It sees Reimann grow wistful and at times bitter, as her love life, her professional life, and her health all suffer. Yet throughout she retains a lively appetite for new experiences and a dedication to writing. Finally she finds security in a surprising new love, and although she died soon after this volume ends, the novel she was writing was to become a much-read cult hit after her death.

A remarkable document from a time and place that we still struggle to see clearly, It All Tastes of Farewell is unforgettable, a last gift from an essential writer.

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