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Political and Social Writings: Volume 1, 1946-1955
Cornelius CastoriadisDavid Ames Curtis, EditorTranslated by David Ames Curtis
University of Minnesota Press, 1988

Political and Social Writings: Volume 1, 1946–1955 was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

A series of writings by the man who inspired the students of the Workers' Rebellion in May of 1968.

"Given the rapid pace of change in the Soviet Union and Eastern Europe, and the radical nature of these transformations, the work of Cornelius Castoriadis, a consistent and radical critic of Soviet Marxism, gains renewed significance. . . . these volumes are instructive because they enable us to trace his rigorous engagement with the project of socialist construction from his break with Trotskyism to his final breach with Marxism . . . and would be read with profit by all those seeking to comprehend the historical originality of events in the USSR and Eastern Europe." –Contemporary Sociology

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Political and Social Writings: Volume 2, 1955-1960
Cornelius CastoriadisDavid Ames Curtis, EditorTranslated by David Ames Curtis
University of Minnesota Press, 1988

Political and Social Writings:Volume 2, 1955–1960 was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

A series of writings by the man who inspired the students of the Workers' Rebellion in May of 1968.

"Given the rapid pace of change in the Soviet Union and Eastern Europe, and the radical nature of these transformations, the work of Cornelius Castoriadis, a consistent and radical critic of Soviet Marxism, gains renewed significance....these volumes are instructive because they enable us to trace his rigorous engagement with the project of socialist construction from his break with Trotskyism to his final breach with Marxism. . . and would be read with profit by all those seeking to comprehend the historical originality of events in the USSR and Eastern Europe." –Contemporary Sociology

Expand Description

Political and Social Writings: Volume 3, 1961-1979
Cornelius CastoriadisDavid Ames Curtis, EditorTranslated by David Ames Curtis
University of Minnesota Press, 1992

Political and Social Writings: Volume 3, 1961–1979 was first published in 1992. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

This work offers an extraordinary wealth and variety of writings from the crucial years that followed the publication of Castoriadis's landmark text, Modern Capitalism and Revolution. The "new orientation" he proposed for the Socialisme ou Barbarie group centered on the emerging roles of women, youth, and minorities in the growing challenge to established society in the early sixties. Resistance within the group to this new orientation led Castoriadis to criticize the "neopaleo- Marxism" of Jean-François Lyotard and others who ultimately left Socialisme ou Barbarie. A heightened concern for ethnological issues culminated in what might be called, to the embarrassment of today's "poststructuralists," Castoriadis's "premature antistructuralism."

Additional texts examine the dissolution of the group itself and analyze the May 1968 rebellion of workers and students - who, according to their own testimony, were inspired by ideas developed in the group's journal. Also included were many of Castoriadis's still-relevant political writings from the seventies, which were developed in tandem with the more explicitly philosophical work now found in The Imaginary Institution of Society and Crossroads in the Labyrinth.

Political and Social Writings: Volume 3 provides key elements for a radical renewal of emancipatory thought and action while offering an irreplaceable and hitherto missing perspective on postwar French thought.
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Step by Step: Everyday Walks in a French Urban Housing Project
Jean-Francois Augoyard
University of Minnesota Press, 2007
Library of Congress HT135.A8813 2007 | Dewey Decimal 307.760944

The street riots that swept through France in the fall of 2005 focused worldwide attention on the plight of the country’s immigrants and their living conditions in the suburbs many of them call home. These high-density neighborhoods were constructed according to the principles of functionalist urbanism that were ascendant in the 1960s. Then, as now, the disparities between the planners’ utopian visions and the experiences of the inhabitants raised concerns, generating a number of sociological studies of the “new towns.” One of the most sophisticated and significant of these critiques is Jean-François Augoyard’s Step by Step, which was originally published in France in 1979 and famously influenced Michel de Certeau’s analysis of everyday life. Its examination of social life in the rationally planned suburb remains as cogent and timely as ever.

Step by Step is based on in-depth interviews Augoyard conducted with the inhabitants of l’Arlequin, a new town on the outskirts of Grenoble. A resident of l’Arlequin himself, Augoyard sought to understand how his neighbors used its passages, streets, and parks. He begins with a detailed investigation of the inhabitants’ daily walks before going on to consider how the built environment is personalized through place-names and shared memories, the ways in which sensory impressions define the atmosphere of a place and how, through individual and collective imagination, residents transformed l’Arlequin from a concept into a lived space.

In closely scrutinizing everyday life in l’Arlequin, Step by Step draws a fascinating portrait of the richness of social life in the new towns and sheds light on the current living conditions of France’s immigrants.

Jean-François Augoyard is professor of philosophy and musicology and doctor of urban studies at the Center for Research on Sonorous Space and the Urban Environment at the School of Architecture of Grenoble.

David Ames Curtis is a translator, editor, writer, and citizen activist.

Françoise Choay is professor emeritus in the history and theory of architecture at the University of Paris VIII and Cornell University and the author of numerous books and essays.

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Writing: The Political Test
Claude Lefort
Duke University Press, 2000
Library of Congress PN51.L37513 2000 | Dewey Decimal 809.93358

Writing involves risks—the risk that one will be misunderstood, the risk of being persecuted, the risks of being made a champion for causes in which one does not believe, this risk of inadvertently supporting a reader’s prejudices, to name a few. In trying to give expression to what is true, the writer must “clear a passage within the agitated world of passions,” an undertaking that always to some extent fails: writers are never the master of their own speech.
In Writing: The Political Test, France’s leading political philosopher, Claude Lefort, illuminates the process by which writers negotiate difficult path to free themselves from the ideological and contextual traps that would doom their attempts to articulate a new vision. Lefort examines writers whose works provide special insights into this problem of risk, both literary artists and political philosophers. Among them are Salman Rushdie, Sade, Tocqueville,m Machiavelli, Leo Strauss, Orwell, Kant, Robespierre, Guizot, and Pierre Clastres. In Tocqueville, for example, Lefort finds that the author’s improvisatory and open-ended expression represents the character of the democratic experience. Orwell’s work on totalitarianism shows up the totalitarian subject’s complicity in this political regime. And Rushdie is remarkable for his solid attack on relativism. With the character and fate of the political forms of modernity, democracy, and totalitarianism a central theme, Lefort concludes with some reflections on the collapse of the Soviet Union.
This intriguing and accessible exploration of literature’s political aspects and political philosophy’s literary ones will be welcomed by those who have been stymied by current efforts to bridge these two fields. Taken together, the essays in this volume also stand as an intellectual autobiography of Lefort, making it an excellent introduction to his work for less experience students of political theory or philosophy.
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5 books about Curtis, David Ames
Political and Social Writings
Volume 1, 1946-1955
Cornelius CastoriadisDavid Ames Curtis, EditorTranslated by David Ames Curtis
University of Minnesota Press, 1988

Political and Social Writings: Volume 1, 1946–1955 was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

A series of writings by the man who inspired the students of the Workers' Rebellion in May of 1968.

"Given the rapid pace of change in the Soviet Union and Eastern Europe, and the radical nature of these transformations, the work of Cornelius Castoriadis, a consistent and radical critic of Soviet Marxism, gains renewed significance. . . . these volumes are instructive because they enable us to trace his rigorous engagement with the project of socialist construction from his break with Trotskyism to his final breach with Marxism . . . and would be read with profit by all those seeking to comprehend the historical originality of events in the USSR and Eastern Europe." –Contemporary Sociology

[more]

Political and Social Writings
Volume 2, 1955-1960
Cornelius CastoriadisDavid Ames Curtis, EditorTranslated by David Ames Curtis
University of Minnesota Press, 1988

Political and Social Writings:Volume 2, 1955–1960 was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

A series of writings by the man who inspired the students of the Workers' Rebellion in May of 1968.

"Given the rapid pace of change in the Soviet Union and Eastern Europe, and the radical nature of these transformations, the work of Cornelius Castoriadis, a consistent and radical critic of Soviet Marxism, gains renewed significance....these volumes are instructive because they enable us to trace his rigorous engagement with the project of socialist construction from his break with Trotskyism to his final breach with Marxism. . . and would be read with profit by all those seeking to comprehend the historical originality of events in the USSR and Eastern Europe." –Contemporary Sociology

[more]

Political and Social Writings
Volume 3, 1961-1979
Cornelius CastoriadisDavid Ames Curtis, EditorTranslated by David Ames Curtis
University of Minnesota Press, 1992

Political and Social Writings: Volume 3, 1961–1979 was first published in 1992. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

This work offers an extraordinary wealth and variety of writings from the crucial years that followed the publication of Castoriadis's landmark text, Modern Capitalism and Revolution. The "new orientation" he proposed for the Socialisme ou Barbarie group centered on the emerging roles of women, youth, and minorities in the growing challenge to established society in the early sixties. Resistance within the group to this new orientation led Castoriadis to criticize the "neopaleo- Marxism" of Jean-François Lyotard and others who ultimately left Socialisme ou Barbarie. A heightened concern for ethnological issues culminated in what might be called, to the embarrassment of today's "poststructuralists," Castoriadis's "premature antistructuralism."

Additional texts examine the dissolution of the group itself and analyze the May 1968 rebellion of workers and students - who, according to their own testimony, were inspired by ideas developed in the group's journal. Also included were many of Castoriadis's still-relevant political writings from the seventies, which were developed in tandem with the more explicitly philosophical work now found in The Imaginary Institution of Society and Crossroads in the Labyrinth.

Political and Social Writings: Volume 3 provides key elements for a radical renewal of emancipatory thought and action while offering an irreplaceable and hitherto missing perspective on postwar French thought.
[more]

Step by Step
Everyday Walks in a French Urban Housing Project
Jean-Francois Augoyard
University of Minnesota Press, 2007

The street riots that swept through France in the fall of 2005 focused worldwide attention on the plight of the country’s immigrants and their living conditions in the suburbs many of them call home. These high-density neighborhoods were constructed according to the principles of functionalist urbanism that were ascendant in the 1960s. Then, as now, the disparities between the planners’ utopian visions and the experiences of the inhabitants raised concerns, generating a number of sociological studies of the “new towns.” One of the most sophisticated and significant of these critiques is Jean-François Augoyard’s Step by Step, which was originally published in France in 1979 and famously influenced Michel de Certeau’s analysis of everyday life. Its examination of social life in the rationally planned suburb remains as cogent and timely as ever.

Step by Step is based on in-depth interviews Augoyard conducted with the inhabitants of l’Arlequin, a new town on the outskirts of Grenoble. A resident of l’Arlequin himself, Augoyard sought to understand how his neighbors used its passages, streets, and parks. He begins with a detailed investigation of the inhabitants’ daily walks before going on to consider how the built environment is personalized through place-names and shared memories, the ways in which sensory impressions define the atmosphere of a place and how, through individual and collective imagination, residents transformed l’Arlequin from a concept into a lived space.

In closely scrutinizing everyday life in l’Arlequin, Step by Step draws a fascinating portrait of the richness of social life in the new towns and sheds light on the current living conditions of France’s immigrants.

Jean-François Augoyard is professor of philosophy and musicology and doctor of urban studies at the Center for Research on Sonorous Space and the Urban Environment at the School of Architecture of Grenoble.

David Ames Curtis is a translator, editor, writer, and citizen activist.

Françoise Choay is professor emeritus in the history and theory of architecture at the University of Paris VIII and Cornell University and the author of numerous books and essays.

[more]

Writing
The Political Test
Claude Lefort
Duke University Press, 2000
Writing involves risks—the risk that one will be misunderstood, the risk of being persecuted, the risks of being made a champion for causes in which one does not believe, this risk of inadvertently supporting a reader’s prejudices, to name a few. In trying to give expression to what is true, the writer must “clear a passage within the agitated world of passions,” an undertaking that always to some extent fails: writers are never the master of their own speech.
In Writing: The Political Test, France’s leading political philosopher, Claude Lefort, illuminates the process by which writers negotiate difficult path to free themselves from the ideological and contextual traps that would doom their attempts to articulate a new vision. Lefort examines writers whose works provide special insights into this problem of risk, both literary artists and political philosophers. Among them are Salman Rushdie, Sade, Tocqueville,m Machiavelli, Leo Strauss, Orwell, Kant, Robespierre, Guizot, and Pierre Clastres. In Tocqueville, for example, Lefort finds that the author’s improvisatory and open-ended expression represents the character of the democratic experience. Orwell’s work on totalitarianism shows up the totalitarian subject’s complicity in this political regime. And Rushdie is remarkable for his solid attack on relativism. With the character and fate of the political forms of modernity, democracy, and totalitarianism a central theme, Lefort concludes with some reflections on the collapse of the Soviet Union.
This intriguing and accessible exploration of literature’s political aspects and political philosophy’s literary ones will be welcomed by those who have been stymied by current efforts to bridge these two fields. Taken together, the essays in this volume also stand as an intellectual autobiography of Lefort, making it an excellent introduction to his work for less experience students of political theory or philosophy.
[more]




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BiblioVault ® 2001 - 2023
The University of Chicago Press