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220 books about Cuba and 4 start with N
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Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920–1940
Robin Dale Moore
University of Pittsburgh Press, 1997
Library of Congress ML3486.C8M66 1997 | Dewey Decimal 781.6409729123

Nationalizing Blackness uses the music of the 1920s and 1930s to examine Cuban society as it begins to embrace Afrocuban culture.  Moore examines the public debate over “degenerate Africanisms” associated with comparas or carnival bands; similar controversies associated with son music; the history of blackface theater shows; the rise of afrocubanismo in the context of anti-imperialist nationalism and revolution against Gerardo Machado; the history of cabaret rumba; an overview of poetry, painting, and music inspired by Afrocuban street culture; and reactions of the black Cuban middle classes to afrocubanismo.  He has collected numerous illustrations of early twentieth-century performers in Havana, many included in this book.

Nationalizing Blackness represents one of the first politicized studies of twentieth-century culture in Cuba.  It demonstrates how music can function as the center of racial and cultural conflict during the formation of a national identity.

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Negro Soy Yo: Hip Hop and Raced Citizenship in Neoliberal Cuba
Marc D. Perry
Duke University Press, 2016
Library of Congress ML3486.C82P47 2016

In Negro Soy Yo Marc D. Perry explores Cuba’s hip hop movement as a window into the racial complexities of the island’s ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux. 
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New Short Fiction from Cuba
Jacqueline Loss and Esther Whitfield
Northwestern University Press, 2007
Library of Congress PQ7386.5.E54N49 2007 | Dewey Decimal 863.01089729109

With the disintegration of the Soviet bloc, the ongoing uncertainty surrounding Cuba’s political future, the onslaught of tourists, and the economic upheavals in their society, Cubans face an important, perhaps epochal, moment of cultural change.  It is a moment amply and complexly reflected in the fiction collected here, twelve short stories written in Cuba during the past ten years and published in English for the first time with the collaboration of some of today’s finest translators.

An eclectic selection, the stories offer an exhilarating sense of a rich literary diversity and cultural history, an experience of Cuban literature that has rarely been available to an English audience.  They differ widely, even wildly, in style and theme:  from an impromptu encounter with Ernest Hemingway to an imagined romance mapped onto Cuba’s foundational nineteenth-century novel; from a witty, Borgesian satire on bureaucracy and officialist identity to a gothic adventure in homosexual voyeurism and mental illness; from an allegorical travelogue set in repressive China to a semi-surreal celebration of angels in Havana.  These are the voices of Cuban fiction today, reflecting the past, anticipating the future, and composing in their infinite variety the stories of their culture.
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No More, No More: Slavery And Cultural Resistance In Havana And New Orleans
Daniel E. Walker
University of Minnesota Press, 2004
Library of Congress F379.N59N484 2004 | Dewey Decimal 305.876335


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220 books about Cuba and 4 220 books about Cuba
 4
 start with N  start with N
Nationalizing Blackness
Afrocubanismo and Artistic Revolution in Havana, 1920–1940
Robin Dale Moore
University of Pittsburgh Press, 1997

Nationalizing Blackness uses the music of the 1920s and 1930s to examine Cuban society as it begins to embrace Afrocuban culture.  Moore examines the public debate over “degenerate Africanisms” associated with comparas or carnival bands; similar controversies associated with son music; the history of blackface theater shows; the rise of afrocubanismo in the context of anti-imperialist nationalism and revolution against Gerardo Machado; the history of cabaret rumba; an overview of poetry, painting, and music inspired by Afrocuban street culture; and reactions of the black Cuban middle classes to afrocubanismo.  He has collected numerous illustrations of early twentieth-century performers in Havana, many included in this book.

Nationalizing Blackness represents one of the first politicized studies of twentieth-century culture in Cuba.  It demonstrates how music can function as the center of racial and cultural conflict during the formation of a national identity.

[more]

Negro Soy Yo
Hip Hop and Raced Citizenship in Neoliberal Cuba
Marc D. Perry
Duke University Press, 2016
In Negro Soy Yo Marc D. Perry explores Cuba’s hip hop movement as a window into the racial complexities of the island’s ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux. 
[more]

New Short Fiction from Cuba
Jacqueline Loss and Esther Whitfield
Northwestern University Press, 2007
With the disintegration of the Soviet bloc, the ongoing uncertainty surrounding Cuba’s political future, the onslaught of tourists, and the economic upheavals in their society, Cubans face an important, perhaps epochal, moment of cultural change.  It is a moment amply and complexly reflected in the fiction collected here, twelve short stories written in Cuba during the past ten years and published in English for the first time with the collaboration of some of today’s finest translators.

An eclectic selection, the stories offer an exhilarating sense of a rich literary diversity and cultural history, an experience of Cuban literature that has rarely been available to an English audience.  They differ widely, even wildly, in style and theme:  from an impromptu encounter with Ernest Hemingway to an imagined romance mapped onto Cuba’s foundational nineteenth-century novel; from a witty, Borgesian satire on bureaucracy and officialist identity to a gothic adventure in homosexual voyeurism and mental illness; from an allegorical travelogue set in repressive China to a semi-surreal celebration of angels in Havana.  These are the voices of Cuban fiction today, reflecting the past, anticipating the future, and composing in their infinite variety the stories of their culture.
[more]

No More, No More
Slavery And Cultural Resistance In Havana And New Orleans
Daniel E. Walker
University of Minnesota Press, 2004




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BiblioVault ® 2001 - 2023
The University of Chicago Press