BiblioVault - Books about Catalogs

Navajo Textiles: The William Randolph Hearst Collection
Nancy J. Blomberg
University of Arizona Press, 1988
Library of Congress E99.N3B56 1988 | Dewey Decimal 746.1408997

William Randolph Hearst's collection of Navajo textiles is one of the most complete gatherings of nineteenth-century Navajo weaving in the world. Comprising dozens of Classic Period serapes, chief blankets, Germantown eyedazzlers, and turn-of-the-century rugs, the 185-piece collection was donated to the Los Angeles County Museum of Natural History in 1942 but for the next forty years was known only to a handful of scholars. Hearst began acquiring textiles from the Fred Harvey Company after viewing an exhibit of Indian artifacts.

Over four decades he amassed a collection spanning more than a century of Navajo weaving and including nearly every major type produced from 1800 to 1920. Hearst's passion for American Indian artifacts was so strong that he had originally visualized his now-famous castle in San Simeon as a showplace for his Navajo textile collection. At a time when the Harvey Company was itself influencing the development of Indian handcrafts by opening up the tourist market, Hearst contributed to this influence by expressing his own artistic preference for rare and unusual pieces.

This catalogue raisonné, featuring nearly 200 illustrations, provides the general public with the first look at this important collection. Nancy Blomberg's narrative introduces the reader to the history of Navajo weaving and documents Hearst's role in its development. The heart of the book provides a detailed analysis of each textile: fibers, yarn types, dyes, and designs. Navajo Textiles thus constitutes an invaluable reference for scholars and collectors and will be enjoyed by anyone who appreciates these beautiful creations from the Navajo loom.

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Nazi-Looted Jewish Archives in Moscow: A Guide to Jewish Historical and Cultural Collections in the Russian State Military Archive
Edited by David E. Fishman, Mark Kupovetsky, and Vladimir Kuzelenkov
University of Scranton Press, 2011
Library of Congress Z6374.H6N39 2010 | Dewey Decimal 026.90904924

During their ascendency and subsequent occupation of much of Europe, the Nazis plundered the documents and cultural treasures of Jewish organizations as well as other groups and individuals they deemed to be enemies of the Reich. When the Nazis were crushed, many of these looted collections, as well as records of Nazi state agencies that persecuted and murdered Jews, were discovered by the Soviet Army, then transferred to Moscow and held for decades in closed, secret archives. This catalog and guide supplies the first comprehensive, collection-by-collection English-language description of this historical and cultural documentation, which the Nazis meant to be among the only vestiges of the millions of victims they annihilated. Scholars and lay researchers will find this reference a unique and indispensable guide to the invaluable remains of a rich world brutally destroyed.

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The Neal-Schuman Guide to Recommended Children's Books and Media for Use with Every Elementary Subject
American Library Association
American Library Association, 2010
Library of Congress Z1037.M2865 2010 | Dewey Decimal 011.62

New Literary Papyri from the Michigan Collection: Mythographic Lyric and a Catalogue of Poetic First Lines
Cassandra Borges and C. Michael Sampson
University of Michigan Press, 2012
Library of Congress PA3318.M53 2012 | Dewey Decimal 881.0108

New texts from Greek antiquity continue to emerge on scraps of papyrus from the sands of Egypt, not only adding to the surviving corpus of classical and Hellenistic literature, but also occasionally offering a glimpse into how these poems were studied in antiquity. New Literary Papyri from the Michigan Collection: Mythographic Lyric and a Catalogue of Poetic First Lines presents three such new texts: an innovative lyric poem on the Trojan cycle, a scholarly anthology of lyric verses, and a brief but enigmatic third text. Cassandra Borges and C. Michael Sampson offer the original Greek text of these pieces, along with their scholarly commentary, analyzing their features in a variety of contexts—historical, cultural, poetic, mythological, religious, and scholarly.

The fragments collected here are of considerable antiquity (late third to second century BCE) a fact that is significant inasmuch as it places them among the oldest Greek papyri, but all the more so because in this period, a scholarly community was thriving in Ptolemaic Alexandria, the political and cultural capital of Hellenistic Egypt. The fragments bear witness to that scholarly activity: not only is their anthology of poetic verses consistent with other scholarly selections, but the very survival of these texts may well be at least partially indebted to the work of the Alexandrians in studying and propagating Greek literature in Egypt.

This edition supplements the 1970s work of Reinhold Merkelbach and Denys Page. Recent digitizing for the APIS project revealed a previously unsuspected join with other material, however, which alone warrants a new, comprehensive edition and analysis.

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New Plant Sources for Drugs and Foods from the New York Botanical Garden Herbarium
Siri von Reis and Frank J. Lipp, Jr.
Harvard University Press, 1982
Library of Congress QK99.A1V66 1982 | Dewey Decimal 581.63

This companion volume to Siri von Reis's previous exploration of ethnobotanical notes in the Harvard herbaria brings to light a new array of plants with drug or food potential, offering wide-ranging possible applications for pharmacologists, chemists, botanists, and even anthropologists. Following the same criteria as in earlier investigations, the authors have examined the vast holdings of The New York Botanical Garden Herbarium to select little-known plant uses and to record any note suggesting biodynamic constituents--i.e., those having effects on living tissue--from skin irritants and poisons and medications of any kind to foods, beverages, and spices. They have also included species whose applications suggest other kinds of unreported chemical activity, plants associated with magic or ritual which affected people in some unusual way.

Listing the notes in the order in which the species were found in the collection, family by family, the authors call attention to similar characteristics in related species and families having biodvnamic properties in common. Each entry begins with the Latin name of the specimen, cites the country in which it was collected, the collector's name, and his held number for the plant, and then quotes the ethnobotanical or other note of interest.

While in itself a valuable reference work in the search for clues to useful plants, New Plant Source for Drugs and Foods also will enhance the value of the first volume by allowing a comparison of entries.

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Nic Nicosia
By Nic Nicosia
University of Texas Press, 2012
Library of Congress NX512.N53A4 2012 | Dewey Decimal 779.092

Photographer and filmmaker Nic Nicosia makes pictures. Since the late 1970s, Nicosia has staged and constructed sets, objects, and situations to be photographed rather than to reproduce something that already exists. These conceptual fabrications have ranged from elaborate sets with live actors to dioramas and abstract constructions. Whether his pictures contain a disturbing suburban narrative, or are fabricated by the act of drawing, or are simply created by the use of common objects with dramatic lighting, the familiar thread of Nicosia’s unique vision and sensibility is always present.

Nic Nicosia is the first major publication of the artist’s work and covers his entire oeuvre through 2011. The catalog presents images from all of Nicosia’s major photographic series, including Domestic Dramas, Near (modern) Disasters, The Cast, Life as We Know It, Real Pictures, Love + Lust, Acts, Sex Acts, Untitled Landscapes, 365 SaFe Days, Untitled (drawing), Space Time Light, I See Light, and in the absence of others, as well as stills from the videos Middletown, Moving Picture, Middletown Morning, Cerchi E Quadratti, On Acting America, and 9 1/2 Hours to SaFe. Accompanying the catalog is an overview of Nicosia’s career by Michelle White, an interview with the artist by Sue Graze, and an original short story by Philipp Meyer that powerfully resonates with the sense of wonder and menace in Nicosia’s art.

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