Dumbarton Oaks houses the largest collection of Byzantine lead seals in the world, with approximately 17,000 specimens. Volume 7 of the ongoing series of Dumbarton Oaks catalogues presents a distinct part of the collection: 572 anonymous seals bearing sacred images on both sides. The seals, almost all previously unpublished, are fully illustrated and accompanied by a detailed commentary that provides transcriptions of the identifying sigla. This volume represents the first attempt to analyze this group of seals chronologically and typologically.

The depictions of Christ, the Virgin, and a remarkably wide array of saints and narrative scenes offer rich and untapped material for scholars interested in Byzantine piety and culture. Discernible trends within this body of seals help to track the popularity of various saints and the changes in devotional images over time. The variety of these images, enhanced by reference to examples in other collections, will also enable scholars to compare the renderings of holy figures on lead seals to those appearing in other Byzantine religious images.

The vast collection of 17,000 Byzantine lead seals in the Harvard collections has long been recognized as an important source for the study of the Byzantine provinces. This volume, the first in a series of catalogues of geographical seals, covers the Empire’s western territories and its possessions North of Thessaly.

The sections begin with a short essay on the region’s location and history. Each seal is illustrated and is accompanied—where appropriate—by full commentary regarding the specimen’s date, biographical information on its owner, peculiarities of orthography, and special features of iconography. These small seals are a large contribution to historical geography, the evolution of the Byzantine provincial administration, prosopography, development in the Greek language, and decorative vogues.

The final volume in the series, this catalogue follows the general plan of volumes II–IV but differs from them in its use of the sylloge format for the catalogue proper. The collection of Palaeologan coins at Dumbarton Oaks is by far the largest that exists, and the field is one in which great advances have been made over the last half-century. This volume supersedes the previous accounts of Palaeologan coinage, and is definitive in its field.

Part I includes the introduction, appendices, and bibliography, while Part II continues with the catalogue, concordances, and indexes.

The fourth in a series of five catalogues, this volume’s sections have a more extensive treatment, featuring imperial costume and regalia, their importance in coin designs; the coordination, control, and methods of coin production; and an excursus on the main issues of the years around 1204. The introductions to each reign have also been expanded to take account of the historical and numismatic complexities of the period, and many more specimens from outside Dumbarton Oaks have been illustrated, offering a greater degree of coverage.

This volume is in two parts. Part I covers the reigns of Alexius I to Alexius V (1081–1204), and Part II covers the emperors of Nicea and their contemporaries (1204–1261).

The 12,000 coins in the Dumbarton Oaks Collection and the Whittemore Collection at the Fogg Art Museum form one of the greatest specialized collections of Byzantine coins in the world. The catalogue, edited by Alfred R. Bellinger and Philip Grierson, publishes the majority of these coins, dating between 491 and 1453, in five volumes.

The third volume in this catalogue is in two parts. Part I examines Leo III to Michael III (717–867) and Part II covers the period between Basil I and Nicephorus III (867–1081). Continuing the practice established in volume two, an extensive general introduction treats the historical background, the monetary system, mints and mint activity, and types and inscriptions, while the introduction to each reign covers chronology, main features of the coinage, and types issued by mint.

The 12,000 coins in the Dumbarton Oaks Collection and the Whittemore Collection at the Fogg Art Museum form one of the greatest specialized collections of Byzantine coins in the world. The catalogue, edited by Alfred R. Bellinger and Philip Grierson, publishes the majority of these coins, dating between 491 and 1453, in five volumes.

The second volume in this catalogue is in two parts. Part I examines Phocas and Heraclius (602–641) and Part II covers the period between Heraclius Constantine to Theodosius III (602–717). The extensive introduction treats the historical background, the monetary system, mints and mint activity, and types and inscriptions. Each reign also includes a longer introduction that covers chronology, main features of the coinage, and types issued by mint.

The 12,000 coins in the Dumbarton Oaks Collection and the Whittemore Collection at the Fogg Art Museum form one of the greatest specialized collections of Byzantine coins in the world. The catalogue, edited by Alfred R. Bellinger and Philip Grierson, publishes the majority of these coins, dating between 491 and 1453, in five volumes.

The first volume in the catalogue covers the coins of Anastasius I through Maurice, and includes a history of the collections.

This catalogue highlights the fifty-two sculptures in the Byzantine Collection at Dumbarton Oaks. The objects range from the third-century BC miniature portrait head of a Ptolemaic emperor to the sixteenth-century lindenwood “Queen of Heaven” by Tilmann Riemenschneider.

These sculptures are not representative of any one culture or period, but rather are characteristic of the Blisses’ wide-ranging tastes and extraordinary connoisseurship. About a quarter of the objects are Greco-Roman in date, and nearly two-thirds of the remainder are Late Antique, predominantly limestone carvings from Early Byzantine Egypt. Sculpture from the Middle Byzantine period is very rare, making the four pieces in this collection especially significant.

Although the treasury of King Croesus held great quantities of gold and silver plate, the Lydians clearly loved fine ceramic wares imported from Greece. This preference was entirely appropriate for the capital of the expansive Lydian Kingdom, which occupied a pivotal position between the city states of the Greeks and the gigantic empire of the Persians. The importation of Greek pottery corresponds to the visits from poets, philosophers, and politicians mentioned by the historian Herodotus.

This collaborative work consists of three generously illustrated sections presenting the ceramic finds excavated at Sardis, but produced in the mainland Greek centers of Corinth, Athens, and Sparta. Judith Snyder Schaeffer analyzes the Corinthian imports, Nancy H. Ramage the Attic, and Crawford H. Greenewalt, Jr., the Lakonian. Their study of this material from the Harvard-Cornell excavations at Sardis offers new evidence of the taste for specific Greek wares and shapes in Anatolia before the time of Alexander the Great.