In the 1980s, numerous scientific surveys documented both declining bird populations, especially among Neotropical songbirds that winter in the tropics, and the loss of tropical rain forest habitat. Drawing the seemingly obvious conclusion, scientists and environmental activists linked songbird declines to loss of tropical habitats and alerted the world to an impending ecological catastrophe. Their warnings led to the establishment of the Neotropical Migratory Bird Conservation Program, also known as Partners in Flight, the self-proclaimed largest conservation effort in history.

Looking back over more than a decade of efforts to save migrant birds, John Faaborg offers the first serious evaluation of the state of songbird populations today, the effectiveness of conservation programs such as Partners in Flight, and the reliability and completeness of scientific research on migrant birds. Taking neither an alarmist nor a complacent approach, he shows that many factors besides habitat loss affect bird populations and that Neotropical migrants as a group are not declining dramatically, though some species adapt to habitat alteration more successfully than others. Faaborg's state-of-the-art survey thus clarifies the kinds of information we will need and the conservation efforts we should undertake to ensure the long-term survival of Neotropical migrant birds.

Hitchcock allowed his writers a great deal of creative freedom, which resulted in dynamic screenplays that expanded traditional narrative and defied earlier conventions. Critically examining the question of authorship in film, Raubicheck and Srebnick argue that Hitchcock did establish visual and narrative priorities for his writers, but his role in the writing process was that of an editor. While the writers and their contributions have generally been underappreciated, this study reveals that all the dialogue and much of the narrative structure of the films were the work of screenwriters Jay Presson Allen, Joseph Stefano, and Evan Hunter. The writers also shaped American cultural themes into material specifically for actors such as Janet Leigh, Tippi Hedren, and Tony Perkins. This volume gives due credit to those writers who gave narrative form to Hitchcock's filmic vision.

Pete Dunne has been watching birds since he was seven years old. But not just watching-deeply absorbing every nuance of color, markings, shape, flight, and song; all the subtle clues that can identify a bird barely glimpsed among the highest branches in fading twilight. With the same skill, he has been observing and writing about birding and birders for over twenty years, using humor, sentiment, occasional sarcasm, and unashamed passion for his chosen profession to explore why birdwatching is so irresistibly compelling to so many people.

This book brings together thirty-two vintage essays that Dunne originally wrote for publications such as American Birds, Bird Watcher's Digest, Birder's World, Birding, Living Bird, the New Jersey edition of the Sunday New York Times, WildBird, and Wild Bird News. Encounters with birds rare and common is their shared theme, through which Dunne weaves stories of his family and friends, reflections on the cycles of nature, and portraits of unforgettable birders whose paths have crossed his, ranging from Roger Tory Peterson to a life-battered friend who finds solace in birding. A cliff-hanger story of the bird that got away gives this book its title.