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Astronomica
Manilius
Harvard University Press, 1977
Library of Congress PA6500.M5E5 1977 | Dewey Decimal 133.50937
Marcus Manilius, who lived in the reigns of Augustus and Tiberius, is the author of the earliest treatise on astrology we possess. His Astronomica, a Latin didactic poem in five books, begins with an account of celestial phenomena, and then proceeds to treat of the signs of the zodiac and the twelve temples; there follow instructions for calculating the horoscoping degree, and details of chronocrators, decans, injurious degrees, zodiacal geography, paranatellonta, and other technical matters. Besides exhibiting great virtuosity in rendering mathematical tables and diagrams in verse form, the poet writes with some passion about his Stoic beliefs and shows much wit and humour in his character sketches of persons born under particular stars. Perhaps taking a lead from Virgil in his Georgics, Manilius abandons the proportions of his last book to narrate the story of Perseus and Andromeda at considerable length.
In spite of its undoubted elegance, the Astronomica is a difficult work, and this edition provides in addition to the first English prose translation a full guide to the poem, with copious explanatory notes and illustrative figures.
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The Crown and the Cosmos: Astrology and the Politics of Maximilian I
Darin Hayton
University of Pittsburgh Press, 2015
Library of Congress BF1676.H39 2015 | Dewey Decimal 133.5094309031
Despite its popular association today with magic, astrology was once a complex and sophisticated practice, grounded in technical training provided by a university education. The Crown and the Cosmos examines the complex ways that political practice and astrological discourse interacted at the Habsburg court, a key center of political and cultural power in early modern Europe. Like other monarchs, Maximilian I used astrology to help guide political actions, turning to astrologers and their predictions to find the most propitious times to sign treaties or arrange marriage contracts. Perhaps more significantly, the emperor employed astrology as a political tool to gain support for his reforms and to reinforce his own legitimacy as well as that of the Habsburg dynasty. Darin Hayton analyzes the various rhetorical tools astrologers used to argue for the nobility, antiquity, and utility of their discipline, and how they strove to justify their “science” on the grounds that through its rigorous interpretation of the natural world, astrology could offer more reliable predictions. This book draws on extensive printed and manuscript sources from archives across northern and central Europe, including Poland, Germany, France, and England.
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The Duke and the Stars: Astrology and Politics in Renaissance Milan
Monica Azzolini
Harvard University Press, 2012
Library of Congress BF1729.P6A99 2012 | Dewey Decimal 133.509452109024
This study is the first to examine the important political role played by astrology in Italian court culture. Reconstructing the powerful dynamics existing between astrologers and their prospective or existing patrons, The Duke and the Stars illustrates how the “predictive art” of astrology was a critical source of information for Italian Renaissance rulers, particularly in times of crisis. Astrological “intelligence” was often treated as sensitive, and astrologers and astrologer-physicians were often trusted with intimate secrets and delicate tasks that required profound knowledge not only of astrology but also of the political and personal situation of their clients. Two types of astrological predictions, medical and political, were taken into the most serious consideration. Focusing on Milan, Monica Azzolini describes the various ways in which the Sforza dukes (and Italian rulers more broadly) used astrology as a political and dynastic tool, guiding them as they contracted alliances, made political decisions, waged war, planned weddings, and navigated health crises.
The Duke and the Stars explores science and medicine as studied and practiced in fifteenth-century Italy, including how astrology was taught in relation to astronomy.
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Influences: Art, Optics, and Astrology in the Italian Renaissance
Mary Quinlan-McGrath
University of Chicago Press, 2013
Library of Congress N6915.M42 2013 | Dewey Decimal 709.4509024
Today few would think of astronomy and astrology as fields related to theology. Fewer still would know that physically absorbing planetary rays was once considered to have medical and psychological effects. But this was the understanding of light radiation held by certain natural philosophers of early modern Europe, and that, argues Mary Quinlan-McGrath, was why educated people of the Renaissance commissioned artworks centered on astrological themes and practices.
Influences is the first book to reveal how important Renaissance artworks were designed to be not only beautiful but also—perhaps even primarily—functional. From the fresco cycles at Caprarola, to the Vatican’s Sala dei Pontefici, to the Villa Farnesina, these great works were commissioned to selectively capture and then transmit celestial radiation, influencing the bodies and minds of their audiences. Quinlan-McGrath examines the sophisticated logic behind these theories and practices and, along the way, sheds light on early creation theory; the relationship between astrology and natural theology; and the protochemistry, physics, and mathematics of rays.
An original and intellectually stimulating study, Influences adds a new dimension to the understanding of aesthetics among Renaissance patrons and a new meaning to the seductive powers of art.
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Marsilio Ficino, Three Books on Life: A Critical Edition and Translation
Carol V. Kaske
Arizona Center for Medieval and Renaissance Studies, 2019
Library of Congress BF1680.F5513 1989 | Dewey Decimal 615.899
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Uncommon Sense: Understanding Nature's Truths Across Time and Culture
Anthony Aveni
University Press of Colorado, 2006
Library of Congress QB43.3.A94 2006 | Dewey Decimal 520
The divide between teaching “intelligent design” and evolution in U.S. schools has brought to the public eye a struggle that archaeoastronomer Anthony Aveni argues is as old as culture itself. All societies seek to understand the natural world, but their search is shaped by culturally distinct views and experiences. In Uncommon Sense, Aveni explores the common and conflicting ways that ancient and contemporary societies have searched for the literal truth about the natural world’s mysteries, from dinosaur bones to the Star of Bethlehem. Aveni demonstrates that a society’s approach to making sense of the natural world can serve as a working definition of its culture, so strongly does it resonate with fundamental values and assumptions.
In ten fascinating essays, Aveni examines topics that have absorbed scientists, religious figures, and ordinary citizens over the centuries. He traces the tug of war between astronomy and astrology, reveals the underpinnings of our notions of cartography and the representation of space and time, and much more.
Readers interested in science, history, and world cultures will revel in this celebration of different cultures’ common and uncommon questions and conclusions about the natural world.
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