The annual seasons and rhythms of the desert are a dance of clouds, wind, rain, and flood—water in it roles from bringer of food to destroyer of life. The critical importance of weather and climate to native desert peoples is reflected with grace and power in this personal collection of poems, the first written creative work by an individual in O'odham and a landmark in Native American literature.

Poet Ofelia Zepeda centers these poems on her own experiences growing up in a Tohono O'odham family, where desert climate profoundly influenced daily life, and on her perceptions as a contemporary Tohono O'odham woman. One section of poems deals with contemporary life, personal history, and the meeting of old and new ways. Another section deals with winter and human responses to light and air. The final group of poems focuses on the nature of women, the ocean, and the way the past relationship of the O'odham with the ocean may still inform present day experience. These fine poems will give the outside reader a rich insight into the daily life of the Tohono O'odham people.

While it was once believed that agriculture and pottery developed concurrently in prehistoric societies, modern research has concluded that agriculture preceded pottery making, since a sedentary life with greater food production led to both the need and time to create storage containers. Bruce Huckell has been at the forefront of a movement in Arizona archaeology that has greatly modified our understanding of the transition from the Archaic to the agricultural periods in the Southwest. Work done by Huckell and others at Matty Canyon has produced the most detailed account available of a Late Archaic village and has been extremely influential in suggesting that the cultivation of maize predated the appearance of pottery. Of Marshes and Maize presents archaeological information obtained from small-scale investigations at two deeply buried preceramic sites in the Cienega Creek Basin. Its report on excavations at the Donaldson Site and at Los Ojitos offers a thorough description of archaeological features and artifacts, floral and faunal remains, and their geological and chronological contexts. From this data, the author concludes that a major shift toward a sedentary lifeway dependent on maize agriculture had already occurred by Late Archaic times (c. 500 to 800 B.C.), demonstrating that previous research on late preceramic sites in this region has provided an inadequate picture of the period. This monograph represents the first full presentation in the literature of an important set of data that is well-known among researchers but has thus far not been easily accessible. It is a classic example of the use of fragmentary evidence in well-dated contexts to introduce new ideas, and will stand not only as an important record of the evidence but also as the primary reference for this significant new interpretation of the late Archaic and the introduction of agriculture into the Southwest.

Deep in the heart of the Sonoran Desert lies an oasis of ebony mountains, golden poppies, stately saguaros—and the organ pipe cactus, "a prickly octopus turned on its head."

A terrain where one learns to pay attention to the details: the tracks of a sidewinder in the sand, the tiny eggs of a cactus wren, the flash of a vermilion flycatcher against the azure sky.

Organ Pipe Cactus National Monument lies in southwestern Arizona on the Mexican border. It is an isolated park that for Carol Ann Bassett has long been a place of solitude—a silent refuge where she often camped out alone to capture the natural rhythms of the desert. Photographer Michael Hyatt hiked through Organ Pipe to visually document its subtle beauty in the Ajo Mountains and the valley of the Ajo, and at Quitobaquito, a rare desert oasis.

Few visitors may brave Organ Pipe during summer, when the temperature can reach 120 degrees, but for Bassett and Hyatt the searing heat is but a harbinger of rain, when normally dry arroyos surge with rust-colored water and desert tarantulas come out to mate. Bassett introduces readers to Organ Pipe’s cultural heritage as well: Spanish missionaries, Anglo settlers, and the Tohono O’odham and the Hia Ced O’odham people who still travel there to gather cactus fruit during Hasan Bakmasad, "saguaro moon." She also considers the changes taking place throughout the park, including the onrush of immigrants passing through in search of better lives in the United States.

This small, lyrical book is a sensitive reflection on the heart of the Sonoran Desert. It reminds us of the beauty to be found in unexpected places—and of our intimate connection with the wild.