119 books about Anthology and 5
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Sin Puertas Visibles: An Anthology Of Contemporary Poetry By Mexican Women
Jen Hofer
University of Pittsburgh Press, 2003
Library of Congress PQ7263.E5S56 2003 | Dewey Decimal 861.640809287097
Sin puertas visibles is a fully bilingual anthology that features emerging women poets whose work provides a taste of the adventurous new spirit infusing Mexican literature. All eleven poets represented have had at least one book published in Mexico, yet none of their work has been translated into English until now.
Featuring the work of: Cristina Rivera-Garza, Carla Faesler, Angélica Tornero, Ana Belén López, Silvia Eugenia Castillero, Mónica Nepote, Dana Gelinas, María Rivera, Ofelia Pérez Sepúlveda, Dorantes, and Laura Solózano.
Mexico poesses one of Latin America's most important poetic traditions, but its depth and range are virtually unknown to readers north of the border. Reflecting the diversity and complexity f contemporary mexican poetry, the poems presented here are by turns meditative and explosive, sensuous and inventive, ironic and tender--in short, they are subversive, provocative, and bold.
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Southern Frontier Humor: An Anthology
Edited by M. Thomas Inge & Ed Piacentino
University of Missouri Press, 2010
Library of Congress PS566.S48 2010 | Dewey Decimal 810.80976
If, as some suggest, American literature began with Huckleberry Finn, then the humorists of the Old South surely helped us to shape that literature. Twain himself learned to write by reading the humorists’ work, and later writers were influenced by it. This book marks the first new collection of humor from that region published in fifteen years—and the first fresh selection of sketches and tales to appear in over forty years.
Thomas Inge and Ed Piacentino bring their knowledge of and fondness for this genre to a collection that reflects the considerable body of scholarship that has been published on its major figures and the place of the movement in American literary history. They breathe new life into the subject, gathering a new selection of texts and adding Twain—the only major American author to contribute to and emerge from the movement—as well as several recently identified humorists.
All of the major writers are represented, from Augustus Baldwin Longstreet to Thomas Bangs Thorpe, as well as a great many lesser-known figures like Hamilton C. Jones, Joseph M. Field, and John S. Robb. The anthology also includes several writers only recently discovered to be a part of the tradition, such as Joseph Gault, Christopher Mason Haile, James Edward Henry, and Marcus Lafayette Byrn, and features authors previously overlooked, such as William Gilmore Simms, Ham Jones, Orlando Benedict Mayer, and Adam Summer.
Selections are timely, reflecting recent trends in literary history and criticism sensitive to issues of gender, race, and ethnicity. The editors have also taken pains to seek out first printings to avoid the kinds of textual corruptions that often occur in later versions of these sketches. Southern Frontier Humor offers students and general readers alike a broad perspective and new appreciation of this singular form of writing from the Old South—and provides some chuckles along the way.
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The Stranger Next Door: An Anthology from the Other Europe
Richard Swartz
Northwestern University Press, 2013
Library of Congress PG551.E1A53 2013 | Dewey Decimal 808.8032496
The Balkans have been so troubled by violence and misunderstanding that we have the verb “balkanize,” meaning to break up into smaller, warring components. While some of the region’s artists and thinkers have invariably fallen into nationalistic tendencies, the twenty-two prominent authors represented here, from the erstwhile Yugoslavia and its neighbors Albania and Bulgaria, have chosen to attempt to bridge these divides. The essays, biographical sketches, and stories in The Stranger Next Door form a project of understanding that picks up where politics fail. The English-language translation joins editions of the book that appeared concurrently in all of the participating countries.
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Surrealism in Greece: An Anthology
Edited and translated by Nikos Stabakis
University of Texas Press, 2008
Library of Congress PA5273.S87 2008 | Dewey Decimal 889.0801163
In the decades between the two World Wars, Greek writers and artists adopted surrealism both as an avant-garde means of overturning the stifling traditions of their classical heritage and also as a way of responding to the extremely unstable political situation in their country. Despite producing much first-rate work throughout the rest of the twentieth century, Greek surrealists have not been widely read outside of Greece. This volume seeks to remedy that omission by offering authoritative translations of the major works of the most important Greek surrealist writers.
Nikos Stabakis groups the Greek surrealists into three generations: the founders (such as Andreas Embirikos, Nikos Engonopoulos, and Nicolas Calas), the second generation, and the Pali Group, which formed around the magazine Pali. For each generation, he provides a very helpful introduction to the themes and concerns that animate their work, as well as concise biographies of each writer. Stabakis anthologizes translations of all the key surrealist works of each generation—poetry, prose, letters, and other documents—as well as a selection of rarer texts. His introduction to the volume places Greek surrealism within the context of the international movement, showing how Greek writers and artists used surrealism to express their own cultural and political realities.
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The Surrealism Reader: An Anthology of Ideas
Edited by Dawn Ades, Michael Richardson, and Krzysztof Fijalkowski
University of Chicago Press, 2016
Library of Congress NX456.5.S8S8755 2015 | Dewey Decimal 700.41163
One of the most influential cultural movements of the past century, surrealism has been extensively studied within the framework of its contributions to art and literature—but its pivotal role in the development of intellectual ideas, both political and philosophical, has yet to be fully explored. Featuring writings from the 1920s up to the late 1990s, this anthology—the first of its kind in English—finally reveals surrealism’s diverse scope, its deep contributions to the history of ideas, and its profound implications for contemporary thought.
Including essays by leading surrealists and other major writers on the movement, the volume addresses the key themes of identity, otherness, freedom and morality, and poetry. The texts uncover, among other things, the significance of surrealism for the antifascist and anticolonialist movements and the various manifestations of surrealism in the years after World War II. Giving space to the many different voices that made up the movement, and placing them for the first time within a clear and coherent historical framework, The Surrealism Reader radically revises the popular understanding of what, and when, surrealism was—making this book an essential reference for students, scholars, and all those interested in the central place of surrealism within twentieth-century thought and culture.
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