While Bob La Follette's exploits as leader of progressive politics are legendary, his early morning exertions to save valuable government documents and executive department paintings during the disastrous 1904 capitol fire are largely unknown - until now. Odd Wisconsin captures the Wisconsin people, places, and events that didn't make it into conventional state histories, lowering a bucket into the depths of Wisconsin history and bringing to light curious fragments of forgotten lives.

This unique book unearths the stories that got lost to history even though they may have made local headlines at the time. No mythical hodags or eight-legged horses here! Odd Wisconsin features strange but true stories from Wisconsin's past, every one of which was documented (albeit by the standards of the day). These brief glimpses into Wisconsin's past will surprise, perplex, astonish, and otherwise connect readers with the state's fascinating history. From "the voyageur with a hole in his side" to "pigs beneath the legislature," Odd Wisconsin gathers 300 years of curiosities, all under the radar of traditional stories.

In this humorous and upbeat memoir, James Wickersham describes his career as a pioneer judge and later as a congressional representative assigned to a vast, snow-covered district, extending over 300,000 square miles in the undeveloped Alaska Territory.  Wickersham’s many adventures include traveling by dogsled over hundreds of miles through snow-covered mountains; serving as judge for the trials of many famous outlaws in the midst of the gold strikes; and hunting, mining, and climbing in his local Alaska wilderness. Though he was instrumental in the early history of Alaska, and his legacy is evident throughout the state—for example, he named the city of Fairbanks—this is the first and only work to focus on Wickersham’s life during this pivotal time in Alaska’s history.

With playfulness and a large dose of wit, Robert Merton traces the origin of Newton's aphorism, "If I have seen farther, it is by standing on the shoulders of giants." Using as a model the discursive and digressive style of Sterne's Tristram Shandy, Merton presents a whimsical yet scholarly work which deals with the questions of creativity, tradition, plagiarism, the transmission of knowledge, and the concept of progress.

"This book is the delightful apotheosis of donmanship: Merton parodies scholarliness while being faultlessly scholarly; he scourges pedantry while brandishing his own abstruse learning on every page. The most recondite and obscure scholarly squabbles are transmuted into the material of comedy as the ostensible subject is shouldered to one side by yet another hobby horse from Merton's densely populated stable. He has created a jeu d'esprit which is profoundly suggestive both in detail and as a whole."—Sean French, Times Literary Supplement

Western literature has had a long tradition of physician-writers. From Mikhail Bulgakov to William Carlos Williams to Richard Selzer to Ethan Canin, exposure to human beings at their most vulnerable has inspired fine writing. In his own inimitable and unpretentious style, David Watts is also a master storyteller. Whether recounting the decline and death of a dear friend or poking holes in the faulty logic of an insurance company underling, The Orange Wire Problem lays bare the nobility and weakness, generosity and churlishness of human nature.

With disarming candor and the audacity to admit that practicing medicine can be a crazy thing, Watts fills each page with riveting details, moving accounts, or belly-laughs.  As the stories in this work unfold, we are witness to the moral dilemmas and personal rewards of ministering to the sick. Whether the subject is the potential benefits of therapeutic deception or telling a child about death, Watts’s ear for the right word, the right tone, and the right detail never fails him.

From The Orange Wire Problem and Other Tales from the Doctor’s Office:

We were lingering in the outer office. He mentioned again, no biopsy. I knew that. And I knew there would be no chemotherapy.
    Maybe it's like that Orange Wire Problem, I said.
    Yes exactly, he said, and four years from now when we're all sitting around the campfire we'll remember the Orange Wire Problem. . .
    And I thought to myself, my brother did that. Spoke of the time ahead as he was dying of lung cancer. Six months from now he had said, we'll be glad we did all those drug therapies—as if to speak of the future laid claim to the future.

Out of the Woods: A Bird Watcher’s Year is a journey through the seasons and a joyous celebration of growing old. In fifty-nine essays and poems, Ora E. Anderson, birder, bird carver, naturalist, and nature writer, reveals the insights and recollections of a keen-eyed observer of nature, both human and avian. The essays follow the rivers and creeks, the highways and little-known byways of Appalachia, and along the way we become nearly as familiar with its numerous bird, plant, and animal species as with the author himself.

These are not the memories of a single year, however, but of a long lifetime spent immersed in the natural world. Out of the Woods, presented with humor and passion, is an account of a well-lived, productive, and satisfying life. The essays offer an intimate portrait of a half century of Anderson's life on his beloved old farm (more nearly a nature preserve), where he lived in harmony with birds and nature and followed the rhythm of the seasons. We are invited to share the joys—and the disappointments and sorrows—inherent in such a life.

Generously illustrated with Julie Zickefoose’s detailed and evocative drawings, this book will delight bird watchers, artists, naturalists, backyard gardeners, and anyone who is ever tempted to take a rutted, overgrown path just to see where it leads.