BiblioVault - Books about Andalusia

BULLFIGHT
Garry Marvin
University of Illinois Press, 1994
Library of Congress GV1108.5.M37 1994 | Dewey Decimal 791.8209468

This accessible account explores how and why men risk their lives to perform with and kill wild bulls as part of a
public celebration, describing and analyzing the corrida in a way not previously attempted in English.

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Butterflies Will Burn: Prosecuting Sodomites in Early Modern Spain and Mexico
By Federico Garza Carvajal
University of Texas Press, 2003
Library of Congress HQ1090.7.S7G37 2003 | Dewey Decimal 305.3109468

As Spain consolidated its Empire in the sixteenth and seventeenth centuries, discourses about the perfect Spanish man or “Vir” went hand-in-hand with discourses about another kind of man, one who engaged in the “abominable crime and sin against nature”—sodomy. In both Spain and Mexico, sodomy came to rank second only to heresy as a cause for prosecution, and hundreds of sodomites were tortured, garroted, or burned alive for violating Spanish ideals of manliness. Yet in reality, as Federico Garza Carvajal argues in this groundbreaking book, the prosecution of sodomites had little to do with issues of gender and was much more a concomitant of empire building and the need to justify political and economic domination of subject peoples. Drawing on previously unpublished records of some three hundred sodomy trials conducted in Spain and Mexico between 1561 and 1699, Garza Carvajal examines the sodomy discourses that emerged in Andalucía, seat of Spain’s colonial apparatus, and in the viceroyalty of New Spain (Mexico), its first and largest American colony. From these discourses, he convincingly demonstrates that the concept of sodomy (more than the actual practice) was crucial to the Iberian colonizing program. Because sodomy opposed the ideal of “Vir” and the Spanish nationhood with which it was intimately associated, the prosecution of sodomy justified Spain’s domination of foreigners (many of whom were represented as sodomites) in the peninsula and of “Indios” in Mexico, a totally subject people depicted as effeminate and prone to sodomitical acts, cannibalism, and inebriation.

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The Christianization of Western Baetica: Architecture, Power, and Religion in a Late Antique Landscape
Jerónimo Sánchez Velasco
Amsterdam University Press, 2017
Library of Congress BR133.S72S26 2018

The province of Baetica, in present-day Spain, was one of the most important areas in the Roman Empire in terms of politics, economics, and culture. And in the late medieval period, it was the centre of a rich and powerful state, the Umayyad Caliphate. But the historical sources on the intervening years are limited, and we lack an accurate understanding of the evolution of the region. In recent years, however, archaeological research has begun to fill the gaps, and this book-built on more than a decade of fieldwork-provides an unprecedented overview of urban and rural development in the period.

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The Feeling of History: Islam, Romanticism, and Andalusia
Charles Hirschkind
University of Chicago Press, 2020
Library of Congress DP302.A467H56 2020 | Dewey Decimal 946.02

In today’s world, the lines between Europe and the Middle East, between Christian Europeans and Muslim immigrants in their midst, seem to be hardening. Alarmist editorials compare the arrival of Muslim refugees with the “Muslim conquest of 711,” warning that Europe will be called on to defend its borders. Violence and paranoia are alive and well in Fortress Europe.

Against this xenophobic tendency, The Feeling of History examines the idea of Andalucismo—a modern tradition founded on the principle that contemporary Andalusia is connected in vitally important ways with medieval Islamic Iberia. Charles Hirschkind explores the works and lives of writers, thinkers, poets, artists, and activists, and he shows how, taken together, they constitute an Andalusian sensorium. Hirschkind also carefully traces the various itineraries of Andalucismo, from colonial and anticolonial efforts to contemporary movements supporting immigrant rights. The Feeling of History offers a nuanced view into the way people experience their own past, while also bearing witness to a philosophy of engaging the Middle East that experiments with alternative futures.

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The Study of al-Andalus: The Scholarship and Legacy of James T. Monroe
Michelle M. Hamilton
Harvard University Press, 2018
Library of Congress PJ8417.A5S78 2018 | Dewey Decimal 892.709946

The Study of al-Andalus is a collection of essays by students and colleagues of James T. Monroe, Professor Emeritus of Comparative Literature and Arabic at the University of California, Berkeley, and the premier scholar of Andalusi (Hispano-Arabic) literature in the United States. The introduction by the editors explains the impact Monroe’s scholarship has had on the fields of Arabic, Spanish, and comparative literatures.

The first essay in the collection explains the impact of Monroe’s watershed study Islam and Arabs in Spanish Scholarship (1971). The ten essays that follow explore the many ways in which Monroe’s scholarship has inspired further study in topics including Hispano-Arabic, Hebrew, and Romance literatures; Persian epic poetry; the impact of Andalusi literature in Egypt and the Arab East; and the lasting legacy of the expulsion of Spain’s last Muslims (the Moriscos) in the Early Modern and Modern Arab world.

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The Sublime South: Andalusia, Orientalism, and the Making of Modern Spain
Jose Luis Venegas
Northwestern University Press, 2018
Library of Congress DP302.A467V46 2018 | Dewey Decimal 946.8

The Sublime South: Andalusia, Orientalism, and the Making of Modern Spain is the first systematic study on cultural images of Andalusia as Spain’s “Orient” and the impact they have had on nation-building and modernization since the late nineteenth century. While a wealth of studies have examined how northern Europeans from the Romantic period viewed Spain and Andalusia as Europe’s Orient, little attention has been paid to how contemporary Spanish artists and intellectuals assimilated Romantic legacies to engage in an internal form of orientalism.

José Luis Venegas deftly explores Spain’s shifting engagements with oriental identity and otherness by looking, not just beyond national, ethnic, and racial borders, but at a territory that is institutionally embedded in the nation-state while symbolically placed between inclusion and abjection. The Sublime South shifts the focus and scale of Edward Said’s notion of orientalism by examining how it evolves and manifests transnationally, as the result of European colonialism in Africa and Asia, and intra-nationally, in a European yet orientalized country. Finally, Venegas challenges ethnocentric notions of Iberian cultures and fosters an understanding of the encounters between Western and Muslim cultures beyond opposing, and often mutually negating, essentialisms.

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White Gypsies: Race and Stardom in Spanish Musicals
Eva Woods Peiró
University of Minnesota Press, 2012
Library of Congress PN1995.9.R67W77 2012 | Dewey Decimal 791.436552

Little has been written about the Spanish film musical, a genre usually associated with the early Franco dictatorship and dismissed by critics as reactionary, escapist fare. A timely and valuable corrective, White Gypsies shows how the Spanish folkloric musical films of the 1940s and ’50s are inextricably tied to anxious concerns about race—especially, but not only, Gypsiness.

Focusing on the processes of identity formation in twentieth-century Spain—with multifaceted readings of the cinematic construction of class, gender, and sexuality—Eva Woods Peiró explores how these popular films allowed audiences to negotiate and imaginatively, at times problematically, resolve complex social contradictions. The intricate interweaving of race and modernity is particularly evident in her scrutiny of a striking popular phenomenon: how the musicals progressively whitened their stars, even as their story lines became increasingly Andalusianized and Gypsified.

White Gypsies reveals how these imaginary individuals constituted a veritable cultural barometer of how racial thinking was projected and understood across a broad swath of popular Spanish cinema.

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