BiblioVault - Books about Ancient Rome

Around the Roman Table: Food and Feasting in Ancient Rome
Patrick Faas
University of Chicago Press, 2005
Library of Congress TX725.R68F3313 2005 | Dewey Decimal 641.5937

Craving dolphin meatballs? Can't find a reliable restaurant for boiled parrot? Have a hankering for jellyfish omelettes, sows' wombs in brine, sheep's brain pate, or stuffed mice? Look no further than Around the Roman Table, a unique hybrid cookbook and history lesson. A portrait of Roman society from the vantage point of the dining table, kitchen, and market stalls, Around the Roman Table offers both an account of Roman eating customs and 150 recipes reconstructed for the modern cook.

Faas guides readers through the culinary conquests of Roman invasions—as conquerors pillaged foodstuffs from faraway lands—to the decadence of Imperial Rome and its associated table manners, dining arrangements, spices, seasonings, and cooking techniques. With recipes for such appetizing dishes as chicken galantine with lambs' brains and fish relish, Around the Roman Table is ideal for food aficionados who wish to understand how the desire for power and conquest was manifested in Roman appetites.

"There are many misconceptions about the food of ancient Rome that Faas sets out to correct. The result is half cookbook, half history book and is entirely fascinating to both chef and antiquarian alike."—Washington Times

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Author Unknown: The Power of Anonymity in Ancient Rome
Tom Geue
Harvard University Press, 2019
Library of Congress PA6018.5.G48 2019 | Dewey Decimal 808.0471

An exploration of the darker corners of ancient Rome to spotlight the strange sorcery of anonymous literature.

From Banksy to Elena Ferrante to the unattributed parchments of ancient Rome, art without clear authorship fascinates and even offends us. Classical scholarship tends to treat this anonymity as a problem or game—a defect to be repaired or mystery to be solved. Author Unknown is the first book to consider anonymity as a site of literary interest rather than a gap that needs filling. We can tether each work to an identity, or we can stand back and ask how the absence of a name affects the meaning and experience of literature.

Tom Geue turns to antiquity to show what the suppression or loss of a name can do for literature. Anonymity supported the illusion of Augustus’s sprawling puppet mastery (Res Gestae), controlled and destroyed the victims of a curse (Ovid’s Ibis), and created out of whole cloth a poetic persona and career (Phaedrus’s Fables). To assume these texts are missing something is to dismiss a source of their power and presume that ancient authors were as hungry for fame as today’s.

In this original look at Latin literature, Geue asks us to work with anonymity rather than against it and to appreciate the continuing power of anonymity in our own time.

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The End of the Past: Ancient Rome and the Modern West
Aldo Schiavone
Harvard University Press

This searching interpretation of past and present addresses fundamental questions about the fall of the Roman Empire. Why did ancient culture, once so strong and rich, come to an end? Was it destroyed by weaknesses inherent in its nature? Or were mistakes made that could have been avoided—was there a point at which Greco-Roman society took a wrong turn? And in what ways is modern society different?Western history is split into two discontinuous eras, Aldo Schiavone tells us: the ancient world was fundamentally different from the modern one. He locates the essential difference in a series of economic factors: a slave-based economy, relative lack of mechanization and technology, the dominance of agriculture over urban industry. Also crucial are aspects of the ancient mentality: disdain for manual work, a preference for transcending (rather than transforming) nature, a basic belief in the permanence of limits.Schiavone’s lively and provocative examination of the ancient world, “the eternal theater of history and power,” offers a stimulating opportunity to view modern society in light of the experience of antiquity.

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From Ancient Rome to Colonial Mexico: Religious Globalization in the Context of Empire
David Charles Wright-Carr
University Press of Colorado, 2023

From Ancient Rome to Colonial Mexico compares the Christianization of the Roman Empire with the evangelization of Mesoamerica, offering novel perspectives on the historical processes involved in the spread of Christianity. Combining concepts of empire and globalization with the notion of religion from a postcolonial perspective, the book proposes the method of analytical comparison as a point of departure to conceptualize historical affinities and differences between the ancient Roman Empire and colonial Mesoamerica.

An international team of specialists in classical scholarship and Mesoamerican studies engage in an interdisciplinary discussion involving ideas from history, anthropology, archaeology, art history, iconography, and philology. Key themes include the role of religion in processes of imperial domination; religion’s use as an instrument of resistance or the imposition, appropriation, incorporation, and adaptation of various elements of religious systems by hegemonic groups and subaltern peoples; the creative misunderstandings that can arise on the “middle ground”; and Christianity’s rejection of ritual violence and its use of this rejection as a pretext for inflicting other kinds of violence against peoples classified as “barbarian,” “pagan,”or “diabolical.”

From Ancient Rome to Colonial Mexico presents a sympathetic vantage point for discussing and attempting to decipher past processes of social communication in multicultural contexts of present-day realities.It will be significant for scholars and specialists in the history of religions, ethnohistory, classical antiquity, and Mesoamerican studies.

Publication supported, in part, by Spain’s Ministry of Economy and Competitiveness.

Contributors: Sergio Botta,Maria Celia Fontana Calvo, Martin Devecka, György Németh, Guilhem Olivier, Francisco Marco Simón, Paolo Taviani, Greg Woolf, David Charles Wright-Carr, Lorenzo Pérez Yarza
Translators: Emma Chesterman, Benjamin Adam Jerue, Layla Wright-Contreras

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A History of the Global Stock Market: From Ancient Rome to Silicon Valley
B. Mark Smith
University of Chicago Press, 2004
Library of Congress HG4551.S568 2004 | Dewey Decimal 332.632

The stock market is central to the global economy. Tens of millions of people look to it to provide for a comfortable retirement. Central bankers watch it closely as they set monetary policy. Businesses around the world are forced to adjust the way they operate to meet the demands of equity investors. Yet very little has been written about how the modern global stock market came to be. In A History of the Global Stock Market, B. Mark Smith weaves an entertaining tale that ranges from medieval trading companies and nineteenth-century robber barons to modern theorists and international speculators. Here, Smith debunks the popular myth that the market is inevitably subject to recurring speculative bubbles and discredits the notion that the current "globalization" of the market is something radically different from what has occurred in the past.

Informative, entertaining, and written for specialists and non-specialists alike, A History of the Global Stock Market is a worthy read for anyone who wants to understand the role of the stock market in the global economy.

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A Latin Lover in Ancient Rome: Readings in Propertius and His Genre
W. R. Johnson
The Ohio State University Press, 2009
Library of Congress PA6059.E6J64 2009 | Dewey Decimal 874.01

Over the centuries, Latin love elegy has inspired love poetry in the West from Petrarch to Pound. A Latin Lover in Ancient Rome: Readings in Propertius and His Genre offers a critical reevaluation of the Latin elegiac poet Propertius, situating him within the social and political milieu of first-century BCE Rome. W. R. Johnson’s study is centered on close readings of the poems in Propertius’ four books that emphasize both his celebration of erotic freedom as a manifestation of the sovereignty of the individual and his insistence on the value of this freedom, especially when it is threatened by autocratic ideology. Many recent titles on Propertius have tended to minimize or ignore this aspect of the poet’s work, concentrating instead on neo-formalism or Lacanian psychology. Johnson restores Propertius’ erotic creed and his politics to the core of his poetics and his career. He offers a vivid picture of the sociopolitical and erotic world of the late Roman Republic and the early years of the Empire which hatched Latin love elegy and allowed it to flourish. This study aims to redirect attention to the pleasures and energies Propertius provides that later generations of poets and readers discovered in and through him.

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Literary and Artistic Patronage in Ancient Rome
Edited by Barbara K. Gold
University of Texas Press, 1982

Virgil, Horace, Catullus, Propertius—these are just a few of the poets whose work we would be without today were it not for the wealthy and powerful patrons upon whose support the Roman cultural establishment so greatly depended. Who were these patrons? What benefits did they give, to whom, and why? What effect did the support of such men as Maecenas and Pompey have on the lives and work of those who looked to them for aid? These questions and others are addressed in this volume, which explores all the important aspects of patronage—a topic crucial to the study of literature and art from Homer to the present day. The subject is approached from various vantage points: literary, artistic, historical. The essayists reach conclusions that dispel the many misconceptions about Roman patronage derived from seventeenth- and eighteenth-century models in England and Europe. An understanding of the workings of patronage is indispensable in helping us see how the Roman cultural establishment functioned in the four centuries of its flourishing and also in helping us read and enjoy specific poems and works of art. A book for all concerned with classical literature, art, and social history, Literary and Artistic Patronage in Ancient Rome not only deepens our understanding of the ancient world but also suggests important avenues for future exploration.

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The Phantom Image: Seeing the Dead in Ancient Rome
Patrick R. Crowley
University of Chicago Press, 2019
Library of Congress BF1472.R6C769 2019 | Dewey Decimal 133.10937

Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.

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Reading Death in Ancient Rome
Mario Erasmo
The Ohio State University Press, 2008
Library of Congress PA6029.D43E73 2008 | Dewey Decimal 870.93548

In Reading Death in Ancient Rome, Mario Erasmo considers both actual funerary rituals and their literary depictions in epic, elegy, epitaphs, drama, and prose works as a form of participatory theater in which the performers and the depicters of rituals engage in strategies to involve the viewer/reader in the ritual process, specifically by invoking and playing on their cultural associations at a number of levels simultaneously. He focuses on the associative reading process—the extent to which literary texts allude to funeral and burial ritual, the narrative role played by the allusion to recreate a fictive version of the ritual, and how the allusion engages readers’ knowledge of the ritual or previous literary intertexts.

Such a strategy can advance a range of authorial agendas by inviting readers to read and reread assumptions about both the surrounding Roman culture and earlier literature invoked through intertextual referencing. By (re)defining their relation to the dead, readers assume various roles in an ongoing communion with the departed.

Reading Death in Ancient Rome makes an important and innovative contribution to semiotic theory as applied to classical texts and to the emerging field of mortality studies. It should thus appeal to classicists as well as to advanced undergraduate and graduate students in art history and archeology.

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A Taste of Ancient Rome
Ilaria Gozzini Giacosa
University of Chicago Press, 1992
Library of Congress TX725.A1G613 1992 | Dewey Decimal 641.5937

From appetizers to desserts, the rustic to the refined, here are more than two hundred recipes from ancient Rome tested and updated for today's tastes. With its intriguing sweet-sour flavor combinations, its lavish use of fresh herbs and fragrant spices, and its base in whole grains and fruits and vegetables, the cuisine of Rome will be a revelation to serious cooks ready to create new dishes in the spirit of an ancient culture.

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Water Distribution in Ancient Rome: The Evidence of Frontinus
Harry B. Evans
University of Michigan Press, 1997
Library of Congress TD280.R6E94 1994 | Dewey Decimal 628.10937

Water Distribution in Ancient Rome examines the nature and effects of Rome's system of aqueducts, drawing on the difficult but important work of the Roman engineer Frontinus. Among other questions, the volume considers how water traveled to the many neighborhoods of hilly Rome, which neighborhoods were connected to the water system, and how those connections were made. A consideration of Frontinus' writing reveals comprehensive planning by city officials over long periods of time and the difficulties these engineering feats posed. Water Distribution in Ancient Rome is essential reading for students and scholars of Frontinus, of Roman engineering and imperial policy, and of Roman topography and archaeology.

"Clear style, good maps and photographs, notes, and bibliography make this work accessible and valuable for students at every level. An admirable contribution to knowledge of the Roman Empire." --Choice

Harry B. Evans is Professor of Classics, Fordham University. He is a recipient of the Rome Prize and is past Secretary-Treasurer of the American Philological Association.

This book was published with the assistance of a grant from the National Endowment for the Humanities.

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