In a time when most Americans never questioned the premise that women should be subordinate to men, and in a place where only white men enjoyed fully the rights and privileges of citizenship, many women learned how to negotiate societal boundaries and to claim a share of power for themselves in a male-dominated world.

Covering the early nineteenth through the early twentieth centuries, Negotiating Boundaries of Southern Womanhood describes the ways southern women found to advance their development and independence and establish their own identities in the context of a society that restricted their opportunities and personal freedom.

They confronted, cooperated with, and sometimes were co-opted by existing powers: the white and African American elite whose status was determined by wealth, family name, gender, race, skin color, or combinations thereof. Some women took action against established powers and, in so doing, strengthened their own communities; some bowed to the powers and went along to get along; some became the powers, using status to ensure their prosperity as well as their survival. All chose their actions based on the time and place in which they lived.

In these thought-provoking essays, the authors illustrate the complex intersections of race, class, and gender as they examine the ways in which southern women dealt with "the powers that be" and, in some instances, became those powers. Elitism, status, and class were always filtered through a prism of race and gender in the South, and women of both races played an important role in maintaining as well as challenging the hierarchies that existed.

Encamped within the limits of experience and "authenticity," critics today often stake out their positions according to race and ethnicity, sexuality and gender, and vigilantly guard the boundaries against any incursions into their privileged territory. In this book, Michael Awkward raids the borders of contemporary criticism to show how debilitating such "protectionist" stances can be and how much might be gained by crossing our cultural boundaries.

From Spike Lee's She's Gotta Have It to Michael Jackson's physical transmutations, from Toni Morrison's Song of Solomon to August Wilson's Fences, from male scholars' investments in feminism to white scholars' in black texts—Awkward explores cultural moments that challenge the exclusive critical authority of race and gender. In each instance he confronts the question: What do artists, scholars, and others concerned with representations of Afro-American life make of the view that gender, race, and sexuality circumscribe their own and others' lives and narratives? Throughout he demonstrates the perils and merits of the sort of "boundary crossing" this book ultimately makes: a black male feminism.

In pursuing a black male feminist criticism, Awkward's study acknowledges the complexities of interpretation in an age when a variety of powerful discourses have proliferated on the subject of racial, gendered, and sexual difference; at the same time, it identifies this proliferation as an opportunity to negotiate seemingly fixed cultural and critical positions.

Virtually unknown outside of her adopted hometown of Cleveland, Ohio, Jane Edna Harris Hunter was one of the most influential African American social activists of the early-to mid-twentieth century. In her autobiography A Nickel and a Prayer, Hunter presents an enlightening two-part narrative that recollects her formative years in post-Civil War South and her activist years in Cleveland. First published in 1940, Hunter’s autobiography recalls a childhood filled with the pleasures and pains of family life on the former plantation where her ancestors had toiled, adventures and achievements in schools for African American children, tests and trials during her brief marriage, and recognition and respect while completing nursing training and law school. When sharing the story of her life as an activist, Hunter describes the immense obstacles she overcame while developing an interracial coalition to support the Phillis Wheatley Association and nurturing its growth from a rented home that provided accommodation for twenty-two women to a nine-story building that featured one hundred and thirty-five rooms.   
This new and annotated edition of A Nickel and a Prayer includes the final chapter, “Fireside Musings,” that Hunter added to the second, limited printing of her autobiography and an introduction that lauds her as a multifaceted social activist who not only engaged in racial uplift work, but impacted African American cultural production, increased higher education opportunities for women, and invigorated African American philanthropy. This important text restores Jane Edna Harris Hunter to her rightful place among prominent African American race leaders of the twentieth century.