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24 books about 1980s
Acting for America
Movie Stars of the 1980s
Eberwein, Robert
Rutgers University Press, 2010
A captivating cast of 1980s power and talent--John Candy, Tom Cruise, Robert DeNiro, Clint Eastwood, Sally Field, Harrison Ford, Michael J. Fox, Mel Gibson, Goldie Hawn, Jessica Lange, Steve Martin, Eddie Murphy, Arnold Schwarzenegger, Sissy Spacek, Sylvester Stallone, Meryl Streep, Sigourney Weaver, Bruce Willis, and the "Brat Pack"—stars in the drama of this decade. Acting for America focuses on the way these film icons have engaged in and defined some major issues of cultural and social concern to America during the 1980s.
Scholars employing a variety of useful approaches explore how these movie stars' films speak to an increased audience awareness of advances in feminism, new ideas about masculinity, and the complex political atmosphere in the Age of Reagan. The essays demonstrate the range of these stars' contributions to such conversations in a variety of films, including blockbusters and major genres.
Scholars employing a variety of useful approaches explore how these movie stars' films speak to an increased audience awareness of advances in feminism, new ideas about masculinity, and the complex political atmosphere in the Age of Reagan. The essays demonstrate the range of these stars' contributions to such conversations in a variety of films, including blockbusters and major genres.
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American Cinema of the 1980s
Themes and Variations
Prince, Stephen
Rutgers University Press, 2007
During the 1980s, American cinema underwent enormous transformations. Blockbusters like Raiders of the Lost Ark, E.T., and The Empire Strikes Back grabbed huge revenues for the studios. At the same time, the growth of home video led to new and creative opportunities for independent film production, resulting in many of the decade's best films. Both large- and small-scale filmmakers responded to the social, political, and cultural conditions of the time. The two-term presidency of Ronald Reagan spawned a new Cold War with the Soviet Union, which Hollywood film both embraced and critiqued. Also during this time, Hollywood launched a long-awaited cycle of films about the Vietnam War, exploring its impact both at home and abroad. But science fiction remained the era's most popular genre, ranging from upbeat fantasies to dark, dystopic visions.
Bringing together original essays by ten respected scholars in the field, American Cinema of the 1980s examines the films that marked the decade, including Ordinary People, Body Heat, Blade Runner, Zelig, Platoon, Top Gun, Aliens, Blue Velvet, Robocop, Fatal Attraction, Die Hard, Batman, and sex, lies & videotape.
Bringing together original essays by ten respected scholars in the field, American Cinema of the 1980s examines the films that marked the decade, including Ordinary People, Body Heat, Blade Runner, Zelig, Platoon, Top Gun, Aliens, Blue Velvet, Robocop, Fatal Attraction, Die Hard, Batman, and sex, lies & videotape.
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American Economic Policy in the 1980s
Edited by Martin Feldstein
University of Chicago Press, 1994
Destined to become the standard guide to the economic policy of the United States during the Reagan era, this book provides an authoritative record of the economic reforms of the 1980s.
In his introduction, Martin Feldstein provides compelling analysis of policies with which he was closely involved as chairman of the Council of Economic Advisers during the Reagan administration: monetary and exchange rate policy, tax policy, and budget issues. Other leading economists and policymakers examine a variety of domestic and international issues, including monetary and exchange rate policy, regulation and antitrust, as well as trade, tax, and budget policies.
The contributors to this volume are Alberto Alesina, Phillip Areeda, Elizabeth Bailey, William F. Baxter, C. Fred Bergsten, James Burnley, Geoffrey Carliner, Christopher DeMuth, Douglas W. Elmendorf, Thomas O. Enders, Martin Feldstein, Jeffrey A. Frankel, Don Fullerton, William M. Isaac, Paul L Joskow, Paul Krugman, Robert E. Litan, Russell B. Long, Michael Mussa, William A. Niskanen, Roger G. Noll, Lionel H. Olmer, Rudolph Penner, William Poole, James M. Poterba, Harry M. Reasoner, William R. Rhodes, J. David Richardson, Charles Schultze, Paula Stern, David Stockman, William Taylor, James Tobin, W. Kip Viscusi, Paul A. Volcker, Charles E. Walker, David A. Wise, and Richard G. Woodbury.
In his introduction, Martin Feldstein provides compelling analysis of policies with which he was closely involved as chairman of the Council of Economic Advisers during the Reagan administration: monetary and exchange rate policy, tax policy, and budget issues. Other leading economists and policymakers examine a variety of domestic and international issues, including monetary and exchange rate policy, regulation and antitrust, as well as trade, tax, and budget policies.
The contributors to this volume are Alberto Alesina, Phillip Areeda, Elizabeth Bailey, William F. Baxter, C. Fred Bergsten, James Burnley, Geoffrey Carliner, Christopher DeMuth, Douglas W. Elmendorf, Thomas O. Enders, Martin Feldstein, Jeffrey A. Frankel, Don Fullerton, William M. Isaac, Paul L Joskow, Paul Krugman, Robert E. Litan, Russell B. Long, Michael Mussa, William A. Niskanen, Roger G. Noll, Lionel H. Olmer, Rudolph Penner, William Poole, James M. Poterba, Harry M. Reasoner, William R. Rhodes, J. David Richardson, Charles Schultze, Paula Stern, David Stockman, William Taylor, James Tobin, W. Kip Viscusi, Paul A. Volcker, Charles E. Walker, David A. Wise, and Richard G. Woodbury.
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Are We Not New Wave?
Modern Pop at the Turn of the 1980s
Theo Cateforis
University of Michigan Press, 2011
“Are We Not New Wave? is destined to become the definitive study of new wave music.”
—Mark Spicer, coeditor of Sounding Out Pop
New wave emerged at the turn of the 1980s as a pop music movement cast in the image of punk rock’s sneering demeanor, yet rendered more accessible and sophisticated. Artists such as the Cars, Devo, the Talking Heads, and the Human League leapt into the Top 40 with a novel sound that broke with the staid rock clichés of the 1970s and pointed the way to a more modern pop style.
In Are We Not New Wave? Theo Cateforis provides the first musical and cultural history of the new wave movement, charting its rise out of mid-1970s punk to its ubiquitous early 1980s MTV presence and downfall in the mid-1980s. The book also explores the meanings behind the music’s distinctive traits—its characteristic whiteness and nervousness; its playful irony, electronic melodies, and crossover experimentations. Cateforis traces new wave’s modern sensibilities back to the space-age consumer culture of the late 1950s/early 1960s.
Three decades after its rise and fall, new wave’s influence looms large over the contemporary pop scene, recycled and celebrated not only in reunion tours, VH1 nostalgia specials, and “80s night” dance clubs but in the music of artists as diverse as Rihanna, Lady Gaga, Miley Cyrus, and the Killers.
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The Argument about Things in the 1980s
Goods and Garbage in an Age of Neoliberalism
Tim Jelfs
West Virginia University Press, 2018
In the late 1970s, a Jeff Koons art exhibit featured mounted vacuum cleaners lit by fluorescent tube lighting and identified by their product names: New Hoover Quik Broom, New Hoover Celebrity IV. Raymond Carver published short stories such as “Are These Actual Miles?” that cataloged the furniture, portable air conditioners, and children’s bicycles in a family home. Some years later the garbage barge Mobro 4000 turned into an international scandal as it spent months at sea, unable to dump its trash as it was refused by port after port.
Tim Jelfs’s The Argument about Things in the 1980s considers all this and more in a broad study of the literature and culture of the “long 1980s.” It contributes to of-the-moment scholarly debate about material culture, high finance, and ecological degradation, shedding new light on the complex relationship between neoliberalism and cultural life.
Tim Jelfs’s The Argument about Things in the 1980s considers all this and more in a broad study of the literature and culture of the “long 1980s.” It contributes to of-the-moment scholarly debate about material culture, high finance, and ecological degradation, shedding new light on the complex relationship between neoliberalism and cultural life.
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Beyond Auteurism
New Directions in Authorial Film Practices in France, Italy and Spain since the 1980s
Rosanna Maule
Intellect Books, 2008
Beyond Auteurism is a comprehensive study of nine directors who have blurred the boundaries between art house and mainstream, national and transnational, film production. Rosanna Maule argues that the film auteur is not only the most important symbol of European cinema’s cultural tradition, but a crucial part of Europe’s efforts to develop its cinema within domestic and international film industries. Through the examples of Luc Besson, Claire Denis, Gabriele Salvatores, and others, this volume offers an important contribution to a historical understanding of filmmaking that rejects America-centric practices.
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Bloodflowers
Rotimi Fani-Kayode, Photography, and the 1980s
W. Ian Bourland
Duke University Press, 2019
In Bloodflowers W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955–1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Born in Nigeria, Fani-Kayode moved between artistic and cultural worlds in Washington, DC, New York, and London, where he produced the bulk of his provocative and often surrealist and homoerotic photographs of black men. Bourland situates Fani-Kayode's work in a time of global transition and traces how it exemplified and responded to profound social, cultural, and political change. In addition to his formal analyses of Fani-Kayode's portraiture, Bourland outlines the important influence that surrealism, neo-Romanticism, Yoruban religion, the AIDS crisis, experimental film, loft culture, and house and punk music had on Fani-Kayode's work. In so doing, Bourland offers new perspectives on a pivotal artist whose brief career continues to resonate with deep aesthetic and social meaning.
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Contrasting Styles of Industrial Reform
China and India in the 1980s
George Rosen
University of Chicago Press, 1992
Since World War II, China has had a command economy administered under a dictatorship, while India's democracy has introduced a highly regulated economy. Despite obvious differences in their political systems, each country endured remarkably similar economic problems with respect to industry during the 1960s and 1970s. Both embarked in the 1980s on a series of industrial reforms designed to improve technology and efficiency in the use of resources, as well as to stimulate industrial growth in the face of declining productivity.
For economists, the two countries offer an interesting test case for examining similar reform programs launched from disparate political and economic systems. For policymakers concerned with the region's stability, a clear view of the economic futures of these two major powers is paramount.
Examining and comparing the reform experiences of China and India up to the present, George Rosen shows that although China enacted more sweeping reform measures and produced more impressive local growth, it also experienced more significant inflationary spurts. Two-thirds of each nation's population was involved in agriculture at the start of the reform period and nearly that many at the conclusion. Ultimately, the effects of the past industrial reforms in both countries in terms of significantly greater industrial employment or well-being of their populations were limited. An important lesson in these findings, argues Rosen, is that they actually reveal more about the political factors that limit and shape economic policy reforms in a dictatorship or democracy than they confirm the virtues of either capitalism or communism.
For economists, the two countries offer an interesting test case for examining similar reform programs launched from disparate political and economic systems. For policymakers concerned with the region's stability, a clear view of the economic futures of these two major powers is paramount.
Examining and comparing the reform experiences of China and India up to the present, George Rosen shows that although China enacted more sweeping reform measures and produced more impressive local growth, it also experienced more significant inflationary spurts. Two-thirds of each nation's population was involved in agriculture at the start of the reform period and nearly that many at the conclusion. Ultimately, the effects of the past industrial reforms in both countries in terms of significantly greater industrial employment or well-being of their populations were limited. An important lesson in these findings, argues Rosen, is that they actually reveal more about the political factors that limit and shape economic policy reforms in a dictatorship or democracy than they confirm the virtues of either capitalism or communism.
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Germany at the Polls
The Bundestag Elections of the 1980s
Karl H. Cerny, ed.
Duke University Press, 1990
This volume provides systematic information on the campaigns, political parties, and results of the Bundestag elections of 1980, 1983, and 1987. It explores the issues between elections in addition to providing an overview of the campaigns and an analysis of the three election results. The contributors examine the various parties involved—the Christian Democratic Union/Christian Social Union, the Social Democratic Party, the Free Democratic Party, and the Greens. They also analyze the role of the media in the 1980 and 1983 campaigns. Cerny concludes with a general assessment of the wider significance of the three elections for the West German political system.
Contributors. Kendall L. Baker, Karl H. Cerny, David P. Conradt, Arthur B. Gunlicks, Alice McGillivray, Peter H. Merkl, Ferdinand Muller-Rommel, Helmut Norpoth, Richard M. Scammon, Donald Schoonmaker, Christian Soe
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Housing America in the 1980s
John S. Adams
Russell Sage Foundation, 1987
Housing provides shelter, in a variety of forms, but it is also resonant with meaning on many other levels--as a financial asset, a status symbol, an expression of private aspirations and identities, a means of inclusion or exclusion, and finally as a battleground for social change. John Adams' impressive new study explores this complex topic in all its dimensions. Using census data and other housing surveys, Adams describes the recent history of housing in America; the nature of housing supply and demand; patterns of housing use; and selected housing policy questions. Adams supplements this national and regional analysis with a remarkable set of small-area analyses, revealing how neighborhood settings affect housing use and how market forces and other trends interact to shape a neighborhood. These analyses focus on a sample of over fifty urbanized areas, including the nation's three largest cities (New York, Los Angeles, and Chicago). Special two-color maps illustrate the dynamics of housing use in each of these communities. Clearly and insightfully, this volume paints a unique picture of the American "housing landscape," a landscape that reflects and regulates significant aspects of our national life. A Volume in the Russell Sage Foundation Census Series
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James Baldwin and the 1980s
Witnessing the Reagan Era
Joseph Vogel
University of Illinois Press, 2018
By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media.
Joseph Vogel offers the first in-depth look at Baldwin's dynamic final decade of work. Delving into the writer's creative endeavors, crucial essays and articles, and the impassioned polemic The Evidence of Things Not Seen, Vogel finds Baldwin as prescient and fearless as ever. Baldwin's sustained grappling with "the great transforming energy" of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women's and gay rights movements.
Astute and compelling, James Baldwin and the 1980s revives and redeems the final act of a great American writer.
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Making Sense of the Americas
How Protest Related to America in the 1980s and Beyond
Edited by Jan Hansen, Christian Helm, and Frank Reichherzer
Campus Verlag, 2015
From anti-Reagan riots in West Berlin to pictures of revolutionary Nicaragua, it is impossible to examine global social protest movements of the 1970s and ’80s without addressing how these movements imagined the Americas. By examining historical representations of the United States and Latin America among Western European protesters and how these symbols were utilized by these movements, this book offers a fresh and compelling look at protest in the second half of the twentieth century. Contributions focus primarily on the anti-Euromissile peace protests and the solidarity movement with Latin America to shed light both on how European protestors built networks with the Americas and how American activists conceived of Europe and European protest. Looking east to west, north to south, this book reveals that we cannot understand the groundswell of 1980s protest movements in Europe without unraveling European representations of the Americas.
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Never Turn Back
China and the Forbidden History of the 1980s
Julian Gewirtz
Harvard University Press, 2022
A BBC History Magazine Best Book of the Year
A Foreign Affairs Best Book of the Year
The history the Chinese Communist Party has tried to erase: the dramatic political debates of the 1980s that could have put China on a path to greater openness.
On a hike in Guangdong Province in January 1984, Deng Xiaoping was warned that his path was a steep and treacherous one. “Never turn back,” the Chinese leader replied. That became a mantra as the government forged ahead with reforms in the face of heated contestation over the nation’s future. For a time, everything was on the table, including democratization and China’s version of socialism. But deliberation came to a sudden halt in spring 1989, with protests and purges, massacre and repression. Since then, Beijing has worked intensively to suppress the memory of this era of openness.
Julian Gewirtz recovers the debates of the 1980s, tracing the Communist Party’s diverse attitudes toward markets, state control, and sweeping technological change, as well as freewheeling public argument over political liberalization. The administration considered bold proposals from within the party and without, including separation between the party and the state, empowering the private sector, and establishing an independent judiciary. After Tiananmen, however, Beijing systematically erased these discussions of alternative directions. Using newly available Chinese sources, Gewirtz details how the leadership purged the key reformist politician Zhao Ziyang, quashed the student movement, recast the transformations of the 1980s as the inevitable products of consensus, and indoctrinated China and the international community in the new official narrative.
Never Turn Back offers a revelatory look at how different China’s rise might have been and at the foundations of strongman rule under Xi Jinping, who has intensified the policing of history to bolster his own authority.
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The New Public Art
Collectivity and Activism in Mexico since the 1980s
Mara Polgovsky Ezcurra
University of Texas Press, 2023
Over the Edge
The Growth of Homelessness in the 1980s
Martha M. Burt
Russell Sage Foundation, 1992
Often described as an emergency, homelessness in America is becoming a chronic condition that reflects an overall decline in the nation's standard of living and the general state of the economy. This is the disturbing conclusion drawn by Martha Burt in Over the Edge, a timely book that takes a clear-eyed look at the astonishing surge in the homeless population during the 1980s. Assembling and analyzing data from 147 U.S. cities, Burt documents the increase in homelessness and proposes a comprehensive explanation of its causes, incorporating economic, personal, and policy determinants. Her unique research answers many provocative questions: Why did homelessness continue to spiral even after economic conditions improved in 1983? Why is it significantly greater in cities with both high poverty rates and high per capita income? What can be done about the problem? Burt points to the significant catalysts of homelessness—the decline of manufacturing jobs in the inner city, the increased cost of living, the tight rental housing market, diminished household income, and reductions in public benefit programs—all of which exert pressures on the more vulnerable of the extremely poor. She looks at the special problems facing the homeless, including the growing number of mentally ill and chemically dependent individuals, and explains why certain groups—minorities and low-skilled men, single men and women, and families headed by women—are at greatest risk of becoming homeless. Burt's analysis reveals that homelessness arises from no single factor, but is instead perpetuated by pivotal interactions between external social and economic conditions and personal vulnerabilities. From an understanding of these interactions, Over the Edge builds lucid, realistic recommendations for policymakers struggling to alleviate a situation of grave consequence for our entire society.
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Perspectives on Women in the 1980s
Joan Turner
University of Manitoba Press, 1983
Some Wear Leather, Some Wear Lace
The Worldwide Compendium of Postpunk and Goth in the 1980s
Andi Harriman and Marloes Bontje
Intellect Books, 2014
It was a scene that had many names: some original members referred to themselves as punks, others, new romantics, new wavers, the bats, or the morbids. “Goth” did not gain lexical currency until the late 1980s. But no matter what term was used, “postpunk” encompasses all the incarnations of the 1980s alternative movement. Some Wear Leather, Some Wear Lace is a visual and oral history of the first decade of the scene. Featuring interviews with both the performers and the audience to capture the community on and off stage, the book places personal snapshots alongside professional photography to reveal a unique range of fashions, bands, and scenes.
A book about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books. Whether you were part of the scene or are just fascinated by different modes of expression, this book will transport you to another time and place.
A book about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books. Whether you were part of the scene or are just fascinated by different modes of expression, this book will transport you to another time and place.
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Soviet Jewry in the 1980s
The Politics of Anti-Semitism and Emigration and the Dynamics of Resettlement
Robert O. Freedman, ed.
Duke University Press, 1989
Contributors. Stephen Feinstein, Robert O. Freedman, Theodore H. Friedgut, Zvi Gitelman, Marshall I. Goldman, Sidney Heitman, William Korey, Howard Spier
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Theories of Dependent Foreign Policy and the Case of Ecuador in the 1980s
Jeanne A. K. Hey
Ohio University Press, 1995
How do economic weakness and dependence influence foreign policy decisions and behavior in third world countries? Theories in Dependent Foreign Policy examines six foreign policy theories: compliance, consensus, counterdependence, realism, leader preferences and domestic politics, and each is applied to a series of case studies of Ecuador’s foreign policy during the 1980s under two regimes: Osvaldo Hurtado (1981-1984) and his successor León Febres Cordero (1984-1988).
Hey shows that Ecuador during this period represented the third world in many ways. It was a new democracy, having just emerged from years of military rule, extremely indebted to the West, and dependent on primary product export economy that relied heavily on importers, especially the United States.
Jeanne Hey finds that some of the most popular and enduring theories in western research, such as realism and compliance, poorly account for Ecuadorian foreign policy. She explains that poor countries like Ecuador have substantial foreign policy latitude in the diplomatic area. Drawing on archival research and interviews with policy makers including Presidents Hurtado and Febres Cordero, Dr. Hey convincingly argues that many of the traditional foreign policy theories do not “fit” dependent states, and inadequately account for the complexity of foreign policy in the third world.
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The Transformation of the Christian Right in the 1980s
Matthew C. Moen
University of Alabama Press, 2008
The Transformation of the Christian Right chronicles and analyzes the remarkable changes that have occurred in the Christian Right from its emergence in the late 1970s to the present. It documents the rapid turnover of Christian-Right organizations and explains the forces driving that kaleidoscopic change. Moen also traces the strategic shift of the movement’s leaders, away from lobbying the Congress and toward mobilizing conservative activists in the grass roots; he demonstrates the substitution of liberal language (with its emphasis on “equality, rights, and freedom”) for moralistic language (with its focus on “right and wrong”). Much has been written about the Christian Right’s impact on politics but little about how years of political activism have shaped and influenced the Christian Right. Moen addresses that neglected side of the issue.
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Travel & See
Black Diaspora Art Practices since the 1980s
Kobena Mercer
Duke University Press, 2016
Over the years, Kobena Mercer has critically illuminated the visual innovations of African American and black British artists. In Travel & See he presents a diasporic model of criticism that gives close attention to aesthetic strategies while tracing the shifting political and cultural contexts in which black visual art circulates. In eighteen essays, which cover the period from 1992 to 2012 and discuss such leading artists as Isaac Julien, Renée Green, Kerry James Marshall, and Yinka Shonibare, Mercer provides nothing less than a counternarrative of global contemporary art that reveals how the “dialogical principle” of cross-cultural interaction not only has transformed commonplace perceptions of blackness today but challenges us to rethink the entangled history of modernism as well.
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The United States and Latin America in the 1980s
Kevin J. Middlebrook
University of Pittsburgh Press, 1986
Major political and economic events of the 1980s such as the international debt crisis, the 1982 Falklands War, the return to democratic rule in a number of countries, and the prolonged crisis in Central America, focused great attention on the U.S. and its dealings in Latin America. In this volume, experts from Latin America, the United States and Europe offer profound insights on the state of U.S.-Latin American relations, external debt and capital flows, trade relations, democracy, human rights, migration, and security during the 1980s.
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Unpackaging Art of the 1980s
Alison Pearlman
University of Chicago Press, 2003
American art of the 1980s is as misunderstood as it is notorious. Critics of the time feared that market hype and self-promotion threatened the integrity of art. They lashed out at contemporary art, questioning the validity of particular media and methods and dividing the art into opposing camps. While controversies have since subsided, critics still view art of the 1980s as a stylistic battlefield. Alison Pearlman rejects this picture, which is truer of the period's criticism than of its art.
Pearlman reassesses the works and careers of six artists who became critics' biggest targets. In each of three chapters, she pairs two artists the critics viewed as emblematic of a given trend: Julian Schnabel and David Salle in association with Neo-Expressionism; Jean-Michel Basquiat and Keith Haring vis-à-vis Graffiti Art; and Peter Halley and Jeff Koons in relation to Simulationism. Pearlman shows how all these artists shared important but unrecognized influences and approaches: a crucial and overwhelming inheritance of 1960s and 1970s Conceptualism, a Warholian understanding of public identity, and a deliberate and nuanced use of past styles and media. Through in-depth discussions of works, from Haring's body-paintings of Grace Jones to Schnabel's movie Basquiat, Pearlman demonstrates how these artists' interests exemplified a broader, generational shift unrecognized by critics. She sees this shift as starting not in the 1980s but in the mid-1970s, when key developments in artistic style, art-world structures, and consumer culture converged to radically alter the course of American art.
Unpackaging Art of the 1980s offers an innovative approach to one of the most significant yet least understood episodes in twentieth-century art.
Pearlman reassesses the works and careers of six artists who became critics' biggest targets. In each of three chapters, she pairs two artists the critics viewed as emblematic of a given trend: Julian Schnabel and David Salle in association with Neo-Expressionism; Jean-Michel Basquiat and Keith Haring vis-à-vis Graffiti Art; and Peter Halley and Jeff Koons in relation to Simulationism. Pearlman shows how all these artists shared important but unrecognized influences and approaches: a crucial and overwhelming inheritance of 1960s and 1970s Conceptualism, a Warholian understanding of public identity, and a deliberate and nuanced use of past styles and media. Through in-depth discussions of works, from Haring's body-paintings of Grace Jones to Schnabel's movie Basquiat, Pearlman demonstrates how these artists' interests exemplified a broader, generational shift unrecognized by critics. She sees this shift as starting not in the 1980s but in the mid-1970s, when key developments in artistic style, art-world structures, and consumer culture converged to radically alter the course of American art.
Unpackaging Art of the 1980s offers an innovative approach to one of the most significant yet least understood episodes in twentieth-century art.
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Write Now
American Literature in the 1980s and 1990s, Volume 68
Sharon O’Brien
Duke University Press
Write Now speculates on some of the dominant literary and critical trends in contemporary American literature, bringing together writers and critics in a volume that shows how literature engages both the mind and the heart. The essays in this collection show that today’s writers are blurring the lines between genres, challenging the boundaries that distinguish fiction from nonfiction, memoir from biography, essay from poetry, and autobiography from criticism.
Contributors explore many of the relationships now shaping American literature and criticism, including the tensions between postmodernist playfulness and autobiographical earnestness, art and commerce, and politics and aesthetics. Novelists Miriam Levine, Robert Olmstead, and Jonathan Strong offers essays on their creative processes and discuss the imaginative and emotional mysteries of writing and reading. Essays on Alice Walker, Art Spiegelman, Marilynne Robinson, and AIDS literature examine how the act of writing is linked to themes of longing, discovery, desire, and betrayal.
In evaluating both familiar and rarely studied contemporary literature from the standpoint of practicing writers as well as critics, this volume challenges the literary politics that silence critics as well as writers and testifies to the power of silent works to speak aloud. Certain to spark conversations about the politics of scholarship on current American writing, Write Now will be of interest to teachers and scholars of creative writing and American literary studies, those engaged in the arts of writing and literary criticism, and readers of contemporary American literature.
Contributors explore many of the relationships now shaping American literature and criticism, including the tensions between postmodernist playfulness and autobiographical earnestness, art and commerce, and politics and aesthetics. Novelists Miriam Levine, Robert Olmstead, and Jonathan Strong offers essays on their creative processes and discuss the imaginative and emotional mysteries of writing and reading. Essays on Alice Walker, Art Spiegelman, Marilynne Robinson, and AIDS literature examine how the act of writing is linked to themes of longing, discovery, desire, and betrayal.
In evaluating both familiar and rarely studied contemporary literature from the standpoint of practicing writers as well as critics, this volume challenges the literary politics that silence critics as well as writers and testifies to the power of silent works to speak aloud. Certain to spark conversations about the politics of scholarship on current American writing, Write Now will be of interest to teachers and scholars of creative writing and American literary studies, those engaged in the arts of writing and literary criticism, and readers of contemporary American literature.
Contributors. Bonnie Braendlin, Christine Caver, Thomas Doherty, Rachel Blau DePlessis, Jennifer Gillan, Stephanie Girard, Deborah Landau, Miriam Levine, Sharon O’Brien, Robert Olmstead, Juliana Spahr, Jonathan Strong
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