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17 books about 1920s
Advertising Tower
Japanese Modernism and Modernity in the 1920s
William O. Gardner
Harvard University Press, 2006
On a December morning in 1925, a newspaper journalist reported receiving 25 different handbills in an hour's walk in downtown Tokyo, advertising everything from Western-style clothing and furniture to sweet shops, charity organizations, phonograph recordings, plays, and films. The activities of advertisers, and the new entertainment culture and patterns of consumption that they promoted, helped to define a new urban aesthetic emerging in the 1920s.
This book examines some of the responses of Japanese authors to the transformation of Tokyo in the early decades of the twentieth century. In particular, it explores the themes and formal strategies of the modernist literature that flourished in the 1920s, focusing on the work of Hagiwara Kyojiro (1899-1938) and Hayashi Fumiko (1903-1951). William Gardner shows how modernist works offer new constructions of individual subjectivity amid the social and technological changes that provided the ground for the appearance of "mass media." Hagiwara's conception of the poem and poet as an electric-radio "advertising tower" provides an emblem for the aesthetic tensions and multiple discourses of technology, media, urbanism, commerce, and propaganda that were circulating through the urban environment at the time; while Hayashi's work, with its references to popular songs, plays, and movies, suggests an understanding of "everyday life" as the interface between individual subjectivity and a highly mediated environment.
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American Cinema of the 1920s
Themes and Variations
Fischer, Lucy
Rutgers University Press, 2009
During the 1920s, sound revolutionized the motion picture industry and cinema continued as one of the most significant and popular forms of mass entertainment in the world. Film studios were transformed into major corporations, hiring a host of craftsmen and technicians including cinematographers, editors, screenwriters, and set designers. The birth of the star system supported the meteoric rise and celebrity status of actors including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino while black performers (relegated to "race films") appeared infrequently in mainstream movies. The classic Hollywood film style was perfected and significant film genres were established: the melodrama, western, historical epic, and romantic comedy, along with slapstick, science fiction, and fantasy.
In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era.
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Battling Siki
A Tale of Ring Fixes, Race, and Murder in the 1920s
Peter Benson
University of Arkansas Press, 2008
Battling Siki (1887–1925) was once one of the four or five most recognizable black men in the world and was written about by a host of great writers, including George Bernard Shaw, Ring Lardner, Damon Runyon, Janet Flanner, and Ernest Hemingway. Peter Benson’s lively biography of the first African to win a world championship in boxing delves into the complex world of sports, race, colonialism, and the cult of personality in the early twentieth century.
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Black Pearls
Blues Queens of the 1920s
Daphne Duval Harrison
Rutgers University Press, 1990
Throughout the 1920s, in tents, theaters, dance halls and cabarets, and on "race" records, black American women captivated large audiences with their singing of the blues. University of Maryland professor Harrison examines the subjects and texts of their songs, the toll these performers paid for their right to be heard, and what they did to transform a folk tradition into a popular art. She describes the singing and lifestyles of Sippie Wallace, Victoria Spivey, Edith Wilson and Alberta Hunter to illustrate how they introduced a new model of the black woman: assertive and sexy, gutsy yet tender, bereft but not downtrodden, exploited but not resentful, independent yet vulnerable. The author shows that their choice of performing style, inflection, emphasis and improvisation provided a perspective and expressiveness that profoundly affected later American popular music. -- Publishers Weekly
Blues music spawned legendary performers whose influence has been felt in many musical forms here and around the world. Until now the important role of the great women blues singers has largely gone unexplored. This book tells of the cultural and social impact of the blues during the 1920s when the genre was dominated by women, both on stage and on record. Harrison (Afro-American Studies Department, University of Maryland) writes with authority, focusing particularly on Sippie Wallace, Edith Wilson, Victoria Spivey, and Alberta Hunter as she analyzes the music and the collective black experience out of which it grew. A significant book, particularly for collections of music history, black studies, and women's studies. -- Library Journal
Blues music spawned legendary performers whose influence has been felt in many musical forms here and around the world. Until now the important role of the great women blues singers has largely gone unexplored. This book tells of the cultural and social impact of the blues during the 1920s when the genre was dominated by women, both on stage and on record. Harrison (Afro-American Studies Department, University of Maryland) writes with authority, focusing particularly on Sippie Wallace, Edith Wilson, Victoria Spivey, and Alberta Hunter as she analyzes the music and the collective black experience out of which it grew. A significant book, particularly for collections of music history, black studies, and women's studies. -- Library Journal
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The Chicago Tribune Tower Competition
Skyscraper Design and Cultural Change in the 1920s
Katherine Solomonson
University of Chicago Press, 2003
In 1922, the Chicago Tribune sponsored an international competition to design its new corporate headquarters. Both a serious design contest and a brilliant publicity stunt, the competition received worldwide attention for the hundreds of submissions—from the sublime to the ridiculous—it garnered.
In this lavishly illustrated book, Katherine Solomonson tells the fascinating story of the competition, the diverse architectural designs it attracted, and its lasting impact. She shows how the Tribune used the competition to position itself as a civic institution whose new headquarters would serve as a defining public monument for Chicago. For architects, planners, and others, the competition sparked influential debates over the design and social functions of skyscrapers. It also played a crucial role in the development of advertising, consumer culture, and a new national identity in the turbulent years after World War I.
In this lavishly illustrated book, Katherine Solomonson tells the fascinating story of the competition, the diverse architectural designs it attracted, and its lasting impact. She shows how the Tribune used the competition to position itself as a civic institution whose new headquarters would serve as a defining public monument for Chicago. For architects, planners, and others, the competition sparked influential debates over the design and social functions of skyscrapers. It also played a crucial role in the development of advertising, consumer culture, and a new national identity in the turbulent years after World War I.
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Community Planning in the 1920s
Roy Lubove
University of Pittsburgh Press, 1964
Roy Lubove presents the first detailed study of the Regional Planning Association of America, whose organization in 1923 signified a sharp break with traditional housing and planning in the United States. Composed of a small number of talented technicians and social critics, the RPAA was distinctive for its uncompromising criticism of small-scale speculative housing development and planning efforts that failed to relate physical and social change within a regional framework. Lubove's study is based in part upon interviews and materials supplied by some of the founding members of the RPAA.
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A Diminished Roar
Winnipeg in the 1920s
Jim Blanchard
University of Manitoba Press, 2019
Grantland Rice and His Heroes
The Sportswriter as Mythmaker in the 1920s
Mark Inabinett
University of Tennessee Press, 1994
Rice was a leading sportswriter of the so-called "Golden Age of Sports." Now, 40 years after Rice's death in 1954, Inabinett pays tribute to Rice's prose and poetry, which transformed the decade's leading athletes into popular heroes. After summarizing his fellow Southerner's career, Inabinett profiles six men who became idols during Rice's tenure: Babe Ruth, Red Grange, Knute Rockne, Jack Dempsey, Bobby Jones, and Bill Tilden. Rice's own story is told in The Tumult and the Shouting (1954). This slim, nostalgic effort may appeal to libraries buying sports history.
Morey Berger, St. Joseph's Hosp. Lib., Tucson
Copyright 1994 Reed Business Information, Inc.
Morey Berger, St. Joseph's Hosp. Lib., Tucson
Copyright 1994 Reed Business Information, Inc.
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Idols of Modernity
Movie Stars of the 1920s
Petro, Patrice
Rutgers University Press, 2010
With its sharp focus on stardom during the 1920s, Idols of Modernity reveals strong connections and dissonances in matters of storytelling and performance that can be traced both backward and forward, across Europe, Asia, and the United States, from the silent era into the emergence of sound.
Bringing together the best new work oncinemaand stardom in the 1920s, this illustrated collection showcases the range of complex social, institutional, and aesthetic issues at work in American cinema of this time. Attentive to stardom as an ensemble of texts, contexts, and social phenomena stretching beyond the cinema, major scholars provide careful analysis of the careers of both well-known and now forgotten stars of the silent and early sound era—Douglas Fairbanks, Buster Keaton, the Talmadge sisters, Rudolph Valentino, Gloria Swanson, Clara Bow, Colleen Moore, Greta Garbo, Anna May Wong, Emil Jannings, Al Jolson, Ernest Morrison, Noble Johnson, Evelyn Preer, Lincoln Perry, and Marie Dressler.
Bringing together the best new work oncinemaand stardom in the 1920s, this illustrated collection showcases the range of complex social, institutional, and aesthetic issues at work in American cinema of this time. Attentive to stardom as an ensemble of texts, contexts, and social phenomena stretching beyond the cinema, major scholars provide careful analysis of the careers of both well-known and now forgotten stars of the silent and early sound era—Douglas Fairbanks, Buster Keaton, the Talmadge sisters, Rudolph Valentino, Gloria Swanson, Clara Bow, Colleen Moore, Greta Garbo, Anna May Wong, Emil Jannings, Al Jolson, Ernest Morrison, Noble Johnson, Evelyn Preer, Lincoln Perry, and Marie Dressler.
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The Impossible Triangle
Mexico, Soviet Russia, and the United States in the 1920s
Daniela Spenser
Duke University Press, 1999
During the 1920s, Mexico was caught in a diplomatic struggle between the ideologies of two strong states. In The Impossible Triangle Daniela Spenser explores the tangled relationship between Russia and Mexico in the years following their own dramatic revolutions, as well as the role played by the United States during this turbulent period. Bringing together Mexican, Soviet, and North American (as well as British) perspectives, Spenser shows how the convergence of each country’s domestic and foreign policies precluded them from a harmonious triangular relationship.
Based on documents from the archives of several nations—including reports by former Mexican diplomats in Moscow that have never before been studied—the book analyzes the Mexican government’s motivation for establishing relations with the Soviet Union in the face of continued imperialist pressure and harsh opposition from the United States. After explaining how Mexico established diplomatic ties with the Soviet Union in 1924 in an attempt to broaden the spectrum of its alliances after several years of uneven relations with the United States, Spenser reveals the troubled nature of the relationship that ensued. Soviet policy toward Mexico was characterized by a series of profound contradictions, varying from neglect to strong involvement in Mexican politics and the belief that Mexico could become a center of world revolution. Working to resolve and explain these contradictions, Spenser explores how, despite U.S. objections to Mexico’s relations with the Soviet Union, Mexico continued its association with the Soviets until the United States adopted the Good Neighbor Policy and softened its stance toward Mexico’s revolutionary program after 1927.
With a foreword by Friedrich Katz and illustrated by illuminating photographs, The Impossible Triangle contributes to an understanding of the international dimension of the Mexican revolution. It will interest students and scholars of history, revolutionary theory, political science, diplomacy, and international relations.
Based on documents from the archives of several nations—including reports by former Mexican diplomats in Moscow that have never before been studied—the book analyzes the Mexican government’s motivation for establishing relations with the Soviet Union in the face of continued imperialist pressure and harsh opposition from the United States. After explaining how Mexico established diplomatic ties with the Soviet Union in 1924 in an attempt to broaden the spectrum of its alliances after several years of uneven relations with the United States, Spenser reveals the troubled nature of the relationship that ensued. Soviet policy toward Mexico was characterized by a series of profound contradictions, varying from neglect to strong involvement in Mexican politics and the belief that Mexico could become a center of world revolution. Working to resolve and explain these contradictions, Spenser explores how, despite U.S. objections to Mexico’s relations with the Soviet Union, Mexico continued its association with the Soviets until the United States adopted the Good Neighbor Policy and softened its stance toward Mexico’s revolutionary program after 1927.
With a foreword by Friedrich Katz and illustrated by illuminating photographs, The Impossible Triangle contributes to an understanding of the international dimension of the Mexican revolution. It will interest students and scholars of history, revolutionary theory, political science, diplomacy, and international relations.
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Ku Klux Kulture
America and the Klan in the 1920s
Felix Harcourt
University of Chicago Press, 2017
In popular understanding, the Ku Klux Klan is a hateful white supremacist organization. In Ku Klux Kulture, Felix Harcourt argues that in the 1920s the self-proclaimed Invisible Empire had an even wider significance as a cultural movement.
Ku Klux Kulture reveals the extent to which the KKK participated in and penetrated popular American culture, reaching far beyond its paying membership to become part of modern American society. The Klan owned radio stations, newspapers, and sports teams, and its members created popular films, pulp novels, music, and more. Harcourt shows how the Klan’s racist and nativist ideology became subsumed in sunnier popular portrayals of heroic vigilantism. In the process he challenges prevailing depictions of the 1920s, which may be best understood not as the Jazz Age or the Age of Prohibition, but as the Age of the Klan. Ku Klux Kulture gives us an unsettling glimpse into the past, arguing that the Klan did not die so much as melt into America’s prevailing culture.
Ku Klux Kulture reveals the extent to which the KKK participated in and penetrated popular American culture, reaching far beyond its paying membership to become part of modern American society. The Klan owned radio stations, newspapers, and sports teams, and its members created popular films, pulp novels, music, and more. Harcourt shows how the Klan’s racist and nativist ideology became subsumed in sunnier popular portrayals of heroic vigilantism. In the process he challenges prevailing depictions of the 1920s, which may be best understood not as the Jazz Age or the Age of Prohibition, but as the Age of the Klan. Ku Klux Kulture gives us an unsettling glimpse into the past, arguing that the Klan did not die so much as melt into America’s prevailing culture.
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Living Up to the Ads
Gender Fictions of the 1920s
Simone Weil Davis
Duke University Press, 2000
In Living Up to the Ads Simone Weil Davis examines commodity culture’s impact on popular notions of gender and identity during the 1920s. Arguing that the newly ascendant advertising industry introduced three new metaphors for personhood—the ad man, the female consumer, and the often female advertising model or spokesperson—Davis traces the emergence of the pervasive gendering of American consumerism.
Materials from advertising firms—including memos, manuals, meeting minutes, and newsletters—are considered alongside the fiction of Sinclair Lewis, Nella Larsen, Bruce Barton, F. Scott Fitzgerald, and Zelda Fitzgerald. Davis engages such books as Babbitt, Quicksand, and Save Me the Waltz in original and imaginative ways, asking each to participate in her discussion of commodity culture, gender, and identity. To illuminate the subjective, day-to-day experiences of 1920s consumerism in the United States, Davis juxtaposes print ads and industry manuals with works of fiction. Capturing the maverick voices of some of the decade’s most influential advertisers and writers, Davis reveals the lines that were drawn between truths and lies, seduction and selling, white and black, and men and women.
Davis’s methodology challenges disciplinary borders by employing historical, sociological, and literary practices to discuss the enduring links between commodity culture, gender, and identity construction. Living Up to the Ads will appeal to students and scholars of advertising, American studies, women’s studies, cultural studies, and early-twentieth-century American history.
Materials from advertising firms—including memos, manuals, meeting minutes, and newsletters—are considered alongside the fiction of Sinclair Lewis, Nella Larsen, Bruce Barton, F. Scott Fitzgerald, and Zelda Fitzgerald. Davis engages such books as Babbitt, Quicksand, and Save Me the Waltz in original and imaginative ways, asking each to participate in her discussion of commodity culture, gender, and identity. To illuminate the subjective, day-to-day experiences of 1920s consumerism in the United States, Davis juxtaposes print ads and industry manuals with works of fiction. Capturing the maverick voices of some of the decade’s most influential advertisers and writers, Davis reveals the lines that were drawn between truths and lies, seduction and selling, white and black, and men and women.
Davis’s methodology challenges disciplinary borders by employing historical, sociological, and literary practices to discuss the enduring links between commodity culture, gender, and identity construction. Living Up to the Ads will appeal to students and scholars of advertising, American studies, women’s studies, cultural studies, and early-twentieth-century American history.
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Managing Their Own Affairs
The Australian Deaf Community in the 1920s and 1930s
Breda Carty
Gallaudet University Press, 2017
Managing Their Own Affairs explores how Deaf organizations and institutions were forged in Australia during the early 20th century. During this period, deaf people challenged the authority of the dominant welfare organizations, or Deaf Societies, which were largely controlled by hearing people and run as charitable institutions. Breda Carty comprehensively documents the growth of the Australian Deaf community and Australian Deaf organizations for the first time. She focuses on both the political developments of the early 20th century and on the nature of the relationships between deaf and hearing people.
During this time, deaf Australians aspired to manage their own affairs. They enjoyed some success by establishing “breakaways” from the Deaf Societies, and they also established an independent national organization, which was contested and ultimately suppressed by the Deaf Societies. These developments were influenced by wider social movements in Australian society, such as the mobilization of minority groups in their push for autonomy and equal rights. Although most of the breakaway Deaf organizations did not survive beyond the 1930s, they significantly affected the power structures and relationships between deaf and hearing people in Australia. The Australian Deaf community’s attempts to organize independently during these years have been largely erased from collective memory, making Carty’s examination a particularly important and necessary addition to the historical literature.
During this time, deaf Australians aspired to manage their own affairs. They enjoyed some success by establishing “breakaways” from the Deaf Societies, and they also established an independent national organization, which was contested and ultimately suppressed by the Deaf Societies. These developments were influenced by wider social movements in Australian society, such as the mobilization of minority groups in their push for autonomy and equal rights. Although most of the breakaway Deaf organizations did not survive beyond the 1930s, they significantly affected the power structures and relationships between deaf and hearing people in Australia. The Australian Deaf community’s attempts to organize independently during these years have been largely erased from collective memory, making Carty’s examination a particularly important and necessary addition to the historical literature.
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Not a Catholic Nation
The Ku Klux Klan Confronts New England in the 1920s
Mark Paul Richard
University of Massachusetts Press, 2015
During the 1920s the Ku Klux Klan experienced a remarkable resurgence, drawing millions of American men and women into its ranks. In Not a Catholic Nation, Mark Paul Richard examines the KKK's largely ignored growth in the six states of New England—Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island, and Vermont—and details the reactions of the region's Catholic population, the Klan's primary targets.
Drawing on a wide range of previously untapped sources—French-language newspapers in the New England–Canadian borderlands; KKK documents scattered in local, university, and Catholic repositories; and previously undiscovered copies of the Maine Klansmen—Richard demonstrates that the Klan was far more active in the Northeast than previously thought. He also challenges the increasingly prevalent view that the Ku Klux Klan became a mass movement during this period largely because it functioned as a social, fraternal, or civic organization for many Protestants. While Richard concedes that some Protestants in New England may have joined the KKK for those reasons, he shows that the politics of ethnicity and labor played a more significant role in the Klan's growth in the region.
The most comprehensive analysis of the Ku Klux Klan's antagonism toward Catholics in the 1920s, this book is also distinctive in its consideration of the history of the Canada–U.S. borderlands, particularly the role of Canadian immigrants as both proponents and victims of the Klan movement in the United States.
Drawing on a wide range of previously untapped sources—French-language newspapers in the New England–Canadian borderlands; KKK documents scattered in local, university, and Catholic repositories; and previously undiscovered copies of the Maine Klansmen—Richard demonstrates that the Klan was far more active in the Northeast than previously thought. He also challenges the increasingly prevalent view that the Ku Klux Klan became a mass movement during this period largely because it functioned as a social, fraternal, or civic organization for many Protestants. While Richard concedes that some Protestants in New England may have joined the KKK for those reasons, he shows that the politics of ethnicity and labor played a more significant role in the Klan's growth in the region.
The most comprehensive analysis of the Ku Klux Klan's antagonism toward Catholics in the 1920s, this book is also distinctive in its consideration of the history of the Canada–U.S. borderlands, particularly the role of Canadian immigrants as both proponents and victims of the Klan movement in the United States.
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These Colored United States
African American Essays from the 1920s
Lutz, Tom
Rutgers University Press, 1996
African American Essays from the 1920s
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The Troublesome Legacy of Commissioner Lin
The Opium Trade and Opium Suppression in Fujian Province, 1820s to 1920s
Joyce A. Madancy
Harvard University Press, 2003
In 1908, a very public crusade against opium was in full swing throughout China, and the provincial capital and treaty port of Fuzhou was a central stage for the campaign. This, the most successful attempt undertaken by the Chinese state before 1949 to eliminate opium, came at a time when, according to many historians, China's central state was virtually powerless. This volume attempts to reconcile that apparent contradiction.
The remarkable, albeit temporary, success of the anti-opium campaign between 1906 and 1920 is as yet largely unexplained. How these results were achieved, how that progress was squandered, and why China's opium problem proved so tenacious are the questions that inspired this volume. The attack on this social problem was led by China's central and provincial authorities, aided by reformist elites, and seemingly supported by most Chinese. The anti-opium movement relied on the control and oversight provided by a multilayered state bureaucracy, the activism and support of unofficial elite-led reform groups, the broad nationalistic and humanitarian appeal of the campaign, and the cooperation of the British government. The extent to which the Chinese state was able to control the pace and direction of the anti-opium campaign and the evolving nature of the political space in which elite reformers publicized and enforced that campaign are the guiding themes of this analysis.
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Visions of Vienna
Narrating the City in 1920s and 1930s Cinema
Alexandra Seibel
Amsterdam University Press, 2017
Vienna, with its stunning architecture and unforgettable streetscape, has long provided a backdrop for filmmakers. Visions of Vienna offers a close look at how directors such as Erich von Stroheim, Ernst Lubitsch, and Max Ophüls made use of the city, and how the nostalgic glorification of the Habsburg era can be seen as directly tied to crucial issues of modernity. Films set in Vienna, Alexandra Seibel shows, persistently articulate the experience of displacement due to emigration, changing gender relations and anti-feminism, class distinction, and anti-Semitism, themes that run counter to the ongoing mystification of Vienna as the incarnation of "waltz dreams" and schmaltz.
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