BiblioVault - Books about 1809-1852

The Complete Tales of Nikolai Gogol, Volume 1
Nikolai Gogol
University of Chicago Press, 1985
Library of Congress PG3333.A15 1985 | Dewey Decimal 891.733

Nikolai Gogol was an artist who, like Rabelais, Cervantes, Swift, and Sterne, "knew how to walk upside down in our valley of sorrows so as to make it to a merry place." This two-volume edition at last brings all of Gogol's fiction (except his novel Dead Souls) together in paperback. Volume 1 includes Evenings on a Farm near Dikanka, the early Ukrainian folktales that first brought Gogol fame, as well as "Nevsky Prospekt" and "Diary of a Madman."

"It is good to have a complete collection of Gogol's tales in paperback. . . . Professor Kent has thoroughly revised Mrs. Garnett's conscientious and skillful translation, eliminating the Victorianisms of her style, correcting mistakes and pruderies of diction, and making the whole translation sound much more contemporary and alive. But he has avoided the whimsicality and 'curliness' in which some recent translators indulged, and he has not changed or suppressed anything material. He has also supplied helpful notes which are often the first annotation in English, and he has written an introduction which steers the correct middle course between making Gogol an irresponsible artist of the grotesque and proving him a documentary historian of backward Russia."—René Wellek, Yale University

Expand Description

The Complete Tales of Nikolai Gogol, Volume 2
Nikolai Gogol
University of Chicago Press, 1983
Library of Congress PG3333.A15 1985 | Dewey Decimal 891.733

Volume 2 of The Complete Tales includes Gogol's Mirgorod stories—among them that masterpiece of grotesque comedy, "The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich," the wonderfully satiric "Old World Landowners," and the Cossak epic "Taras Bulba." Here also is "The Nose," Gogol's final effort in the realm of the fantastic, as well as "The Coach," "The Portrait" (in its final version), and the most influential of his Petersburg stories, "The Overcoat."

Expand Description

Dostoevsky and Romantic Realism: A Study of Dostoevsky in Relation to Balzac, Dickens, and Gogol
Donald Fanger
Northwestern University Press, 1998
Library of Congress PG3328.Z6F25 1998 | Dewey Decimal 891.733

Dostoevsky and Romantic Realism is Donald Fanger's groundbreaking study of the art of Dostoevsky and the literary and historical context in which it was created. Through detailed analyses of the work of Balzac, Dickens, and Gogol, Fanger identifies romantic realism, the transformative fusion of two generic categories, as a powerful imaginary response to the great modern city. This fusion reaches its aesthetic and metaphysical climax in Dostoevsky, whose vision culminating in Crime and Punishment is seen by Fanger as the final synthesis of romantic realism.

Expand Description

Economies of Feeling: Russian Literature under Nicholas I
Jillian Porter
Northwestern University Press, 2017
Library of Congress PG3012.P67 2017 | Dewey Decimal 891.709355309034

Economies of Feeling offers new explanations for the fantastical plots of mad or blocked ambition that set the nineteenth-century Russian prose tradition in motion. Jillian Porter compares the conceptual history of social ambition in post-Napoleonic France and post-Decembrist Russia and argues that the dissonance between foreign and domestic understandings of this economic passion shaped the literature of Nicholas I’s reign (1825 —1855).

Porter shows how, for Pushkin, Gogol, Dostoevsky, and Faddei Bulgarin, ambition became a staging ground for experiments with transnational literary exchange. In its encounters with the celebrated Russian cultural value of hospitality and the age-old vice of miserliness, ambition appears both timely and anachronistic, suspiciously foreign and disturbingly Russian—it challenges readers to question the equivalence of local and imported words, feelings, and forms.

Economies of Feeling examines founding texts of nineteenth-century Russian prose alongside nonliterary materials from which they drew energy—from French clinical diagnoses of “ambitious monomania” to the various types of currency that proliferated under Nicholas I. It thus contributes fresh and fascinating insights into Russian characters’ impulses to attain rank and to squander, counterfeit, and hoard. Porter’s interdisciplinary approach will appeal to scholars of comparative as well as Russian literature.

Expand Description

Essays on Gogol: Logos and the Russian Word
Susanne Fusso and Priscilla Meyer
Northwestern University Press, 1994
Library of Congress PG3335.Z8E84 1992 | Dewey Decimal 891.78309

These fourteen essays reflect the increasingly interdisciplinary character of Russian literature research in general and of the study of Gogol in particular, focusing on specific works, Gogol's own character, and the various approaches to aesthetic, religious, and philosophical issues raised by his writing.

Expand Description

Fiction and Society in the Age of Pushkin: Ideology, Institutions, and Narrative
III William MillsTodd
Harvard University Press, 1986
Library of Congress PG3098.3.T6 1986 | Dewey Decimal 891.73309

The early decades of the nineteenth century in Imperial Russia embraced a sequence of catastrophic events--the assassination of Paul I, Napoleon's invasion, the Decembrist rebellion, the cholera epidemic, the Polish uprising--along with radical changes in the fabric of society. Yet, far from exhausted by these convulsions, Russian literature blossomed as never before, producing the first in the long line of novels now regarded as masterpieces throughout the world. With all the sentimentality, nostalgia, and mythic echoes the term evokes, posterity has called this the golden age of Russian letters.

William Mills Todd describes the ideology of the educated westernized gentry (obshchestvo) of the time, then charts the various possibilities for literary life: first patronage, the salons, popular literature; then the rapid emergence of an incipient literary profession, which was encouraged by copyright laws, journals and booksellers, and an increasing readership. Through an examination of three brilliant fictions--Pushkin's Eugene Onegin, Lermontov's A Hero of Our Time, and Gogol's Dead Souls--he explores the complicated interactions of literature and society as these writers "discovered" their own milieu and were discovered by it, confronting the fragility, exclusiveness, and potential for hypocrisy and self-delusion in Russian culture. Todd's interdisciplinary approach will ensure his book's appeal to students of comparative and other national literatures as well as of Russian culture.

Expand Description

Gogol
V. V. Gippius
Duke University Press, 1989
Library of Congress PG3335.G4913 1989 | Dewey Decimal 891.78309

Gogol: Plays and Selected Writings
Nikolai Gogol
Northwestern University Press, 1994
Library of Congress PG3333.A6 1994a | Dewey Decimal 891.723

The theatrical genius of Gogol has gone largely unappreciated by English-speaking audiences because literal translations have left his plays virtually impossible to perform. These fresh translations restore the vitality of Gogol's language and humor, allowing his dramatic art to speak to readers, directors, actors, and theater-goers.

Expand Description

Gogol's Afterlife: The Evolution of a Classic in Imperial and Soviet Russia
Caryl Emerson
Northwestern University Press, 2002
Library of Congress PG3335.M64 2002 | Dewey Decimal 891.78309

Gogol's claim to the title of national literary classic is incontestable. An exemplar of popular audiences no less than for the intelligentsia, Gogol was pressed into service under the tsarist and Soviet regimes for causes both aesthetic and political, official and unofficial. In Gogol's Afterlife, Stephen Moeller-Sally explores how he achieved this peculiar brand of cultural authority and later maintained it, despite dramatic shifts in the organization of Russian literature and society.

Part I charts the historical and cultural currents that shaped Gogol's reputation, devoting particular attention to the models of authorship Gogol himself devised in response to his changing audience and developing authorial mission. Part II takes a panoramic view of the social milieu in which Gogol's status evolved. Finally, Part III examines the place of the classics in Soviet culture, with a focus on Gogol's role in the cultural revolution and his peculiar relationship with state power under Stalinism.

Expand Description

Gogol's Artistry
Andrei Bely, translated by Christopher Colbath
Northwestern University Press, 2009
Library of Congress PG3335.Z8B4513 2009 | Dewey Decimal 891.733

When one great author engages another, as Andrei Bely so brilliantly does in Gogol’s Artistry, the result is inevitably a telling portrait of both writers. So it is in Gogol’s Artistry. Translated into English for the first time, this idiosyncratic, exhaustive critical study is as interesting for what it tells us about Bely’s thought and method as it is for its insights into the oeuvre of his literary predecessor. Bely’s argument in this book is that Gogol’s earlier writing should be given more consideration than most critics have granted. Employing what might be called a scientific perspective, Bely considers how often certain colors appear; he diagrams sentences and discusses Gogol’s prose in terms of mathematical equations. The result, as strange and engaging as Bely’s best fiction, is also an innovative, thorough, and remarkably revealing work of criticism.

Expand Description

Nikolai Gogol: Between Ukrainian and Russian Nationalism
Edyta M. Bojanowska
Harvard University Press, 2007
Library of Congress PG3335.Z9N383 2007 | Dewey Decimal 891.78309

No other writer captured the fraught relations between Ukrainian and Russian nationalisms with as much complexity and lasting relevance as Nikolai Gogol. This pathbreaking book illuminates the deep cultural stakes of today’s geopolitical conflict.

The nineteenth-century author Nikolai Gogol occupies a key place in the Russian cultural pantheon as an ardent champion of Russian nationalism. Indeed, he created the nation’s most famous literary icon: Russia as a rushing carriage, full of elemental energy and limitless potential.

In a pathbreaking book, Edyta M. Bojanowska topples the foundations of this russocentric myth of the Ukrainian-born writer, a myth that has also dominated his Western image. She reveals Gogol’s creative engagement with Ukrainian nationalism and calls attention to the subversive irony and ambiguity in his writings on Russian themes. While in early writings Gogol endowed Ukraine with cultural wholeness and a heroic past, his Russia appears bleak and fractured. Russian readers resented this unflattering contrast and called upon him to produce a brighter vision of Russia. Gogol struggled to satisfy their demands but ultimately failed.

In exploring Gogol’s fluctuating nationalist commitments, this book traces the connections and tensions between the Russian and Ukrainian nationalist paradigms in his work, and situates both in the larger imperial context. In addition to radically new interpretations of Gogol’s texts, Bojanowska offers a comprehensive analysis of his reception by contemporaries.

Brilliantly conceived and masterfully argued, Edyta Bojanowska fundamentally changes our understanding of this beloved author and his place in Russian literature.

Expand Description

The Sexual Labyrinth of Nikolai Gogol
Simon Karlinsky
University of Chicago Press, 1992
Library of Congress PG3335.K34 1992 | Dewey Decimal 891.78309

Through careful textual readings of Gogol's most famous works, Karlinsky argues that Gogol's homosexual orientation—which Gogol himself could not accept or forgive in himself—may provide the missing key to the riddle of Gogol's personality.

"A brilliant new biography that will long be prized for its illuminating psychological insights into Gogol's actions, its informative readings of his fiction and drama, and its own stylistic grace and vivacity."—Edmund White, Washington Post Book World

Expand Description

Writing as Exorcism: The Personal Codes of Pushkin, Lermontov, and Gogol
Ilya Kutik
Northwestern University Press, 2005
Library of Congress PG3015.5.A8K88 2005 | Dewey Decimal 891.709003

"Sometimes it takes a poet to read a poet. In this inspired, idiosyncratic study, Ilya Kutik offers exemplary interpretations of three Russian writers, of the lessons of fatalism, and of the complexities of reading." —from the Introduction

A remarkable literary performance in its own right, this interpretive essay brings a highly original poetic sensibility to bear on the lives and works of three major Russian writers. It is Ilya Kutik's contention that many writers are tormented by secret fears and desires that only writing—in particular, the use of certain words and images—can exorcise. Making this biographical approach peculiarly his own—and susceptible to the nuances of comedy, tragedy, and critical equanimity—Kutik reads works of Alexander Pushkin, Mikhail Lermontov, and Nikolai Gogol, three Russian writers who were demonstrably subject to the whims, superstitions, and talismans that Kutik identifies. Exposing the conjunction of literary effort and private act in writings such as "The Queen of Spades," Dead Souls, and A Hero of Our Time, Kutik's work gives us a new way of understanding these masterpieces of Russian literature and their authors, and a new way of reading the mysteries of life and literature as mutually enriching.

Expand Description