In this bold study, Edna Aizenberg offers a much-needed corrective to both Latin American literary scholarship and popular assumptions that the whole of Latin America served as a Nazi refuge both during and after World War II. Analyzing the treatment of the Shoah by five leading figures in Argentine, Brazilian, and Chilean writing—Alberto Gerchunoff, Clarice Lispector, Jorge Luis Borges, Gabriela Mistral, and Joao Guimaraes Rosa—Aizenberg illuminates how Latin American intellectuals engaged with the horrific information that reached them regarding the Holocaust, including the sympathy and collaboration of their own governments with the Nazis. Aizenberg emphasizes how—through fiction, journalism, and activism—these five culture-makers opposed and fought fascism. At the same time, her readings of individual texts confront shopworn clichés about Latin American writing and literature, suggesting deeper and richer dimensions to many canonical works. This interdisciplinary book fills critical gaps in both Holocaust and Latin American studies, and will be of great interest to scholars and students in both fields.

This illuminating study explores the role of religious institutions in the makeup of Jewish identity in the former Soviet Union, against the backdrop of the government’s antireligion policies from the 1940s to the 1960s. Foregrounding instances of Jewish public and private activities centered on synagogues and prayer groups—paradoxically the only Jewish institutions sanctioned by the government—Altshuler dispels the commonly held perception of Soviet Jewry as “The Jews of Silence” and reveals the earliest stirrings of Jewish national sentiment that anticipated the liberation movement of the 1960s and 1970s.

When Christ, wearied by the heavy burden of the cross, leaned for a moment against a stranger’s doorway, the stranger drove him away and cried, “Walk faster!” To this, Christ replied, “I go, but you will walk until I come again!” So began the legend of the Wandering Jew, which has recurred in many forms of literature and folklore ever since. George K. Anderson, in a book first published in 1965 and immediately hailed as a classic, traces this enduring legend through the ages, from St. John through the Middle Ages to Shelley, Eugène Sue, and the antisemitism of Hitler to recent movies and novels. Though the main elements of the legend are a constant, Anderson shows how changes in emphasis and meaning reflect civilization’s shifting concerns and attitudes over time.

Fourteen provocative essays challenge traditional notions of Jewish female identity presented in mass media images, films, narrative, and stories by portraying the American Jewish woman not only as subject but as shaper of American popular culture. Sometimes internalizing negative presentations but more often "talking back" to them, Jewish women created alternative images that became tools of rebellion, subverting and dismantling such stereotypes as the "Yiddishe Mama," the Jewish Mother, and the Jewish American Princess. Over the course of the century -- and particularly as a consequence of feminism -- Jewish female novelists, screenwriters, dramatists, entertainers, and grass-roots feminists were able to create new possibilities for the expression of Jewish women's voices.

This fascinating volume reveals some of the dark, dramatic episodes concealed in the folds of the hasidic cloak—shocking events and anomalous figures in the history of Hasidism. Using tools of detection, Assaf extracts historical truth from a variety of sources by examining how the same events are treated in different memory traditions, whether hasidic, maskilic, or modern historical, and tells the stories of individuals from the hasidic elites who found themselves unable to walk the trodden path. By placing these episodes and individuals under his historical lens, Assaf offers a more nuanced historical portrayal of Hasidism in the nineteenth-century context.