|
Browse by Author
|
READERS PUBLISHERS STUDENT SERVICES More to explore... |
100 scholarly books by Arizona Center for Medieval and Renaissance Studies
Folgore da San Gimignano and his Followers
The Complete Poems
Fabian Alfie
Arizona Center for Medieval and Renaissance Studies, 2019
This translation brings the complete works of three minor but important Italian poets — Dante’s contemporaries at the turn of the 14th century — to English speakers for the very first time. Taken together, the three authors sketch an idealized portrait of courtly life juxtaposed to the gritty, politically fractured world of northern Italy’s mercantile urban centers in which they lived. One poet, Folgore di San Gimignano, idealizes court life during the period; the second, Cenne da la Chitarra, looks at it more realistically and parodies Folgore; and the third, Pietro dei Faitinelli, takes inspiration from Folgore’s political writings and focuses on the politics of the times. The juxtaposition of the three poets in this work is effective and arguably shows them to be a poetic school. Tournaments, dinner tables, and public squares spring to life through vivid, material details, which should catch the interest of cultural historians and literary scholars alike. This translation is especially deft at reproducing the rich variety of culinary and sartorial vocabulary offered by the poets, and the translations of Pietro dei Faitinelli are especially well-executed.
[more]
Icastes
Marsilio Ficino's Interpretation of Plato's Sophist
Michael J. B. Allen
Arizona Center for Medieval and Renaissance Studies, 2016
New 2016 paperback edition of the original 1989 printing (out-of-print).
Michael Allen's latest work on the profoundly influential Florentine thinker of the fifteenth century, Marsilio Ficino, will be welcomed by philosophers, literary scholars, and historians of the Renaissance, as well as by classicists. Ficino was responsible for inaugurating, shaping, and disseminating the wide-ranging philosophico-cultural movement known as Renaissance Platonism, and his views on the Sophist, which he saw as Plato's preeminent ontological dialogue, are of signal interest. This dialogue also served Ficino as a vehicle for exploring a number of other humanist, philosophical, and magical preoccupations, including the theme of man the artist and creator.
[more]
Early Modern Women Journal v14.2
Bernadette Andrea
Arizona Center for Medieval and Renaissance Studies, 2020
EMWJ v15.1
Bernadette Andrea
Arizona Center for Medieval and Renaissance Studies, 2020
EMWJ v15.2
Bernadette Andrea
Arizona Center for Medieval and Renaissance Studies, 2021
The Grinnell Beowulf
Timothy D. Armer
Arizona Center for Medieval and Renaissance Studies, 2000
The Daily Lives of the Anglo-Saxons
Carole Biggam
Arizona Center for Medieval and Renaissance Studies, 2017
Essays in Anglo-Saxon Studies v.8 (Glasgow, 2015).
Insights into the lives of any group of historical people are provided by three main types of evidence: their language, their literature and their material culture. The contributors to this volume draw on all three types of evidence in order to present new research into the lives of the Anglo-Saxons. The particular focus is on daily life – the ordinary rather than the extraordinary, the normal rather than the exceptional. Rather than attempting an overview, the essays address individual scenarios in greater depth, but with an emphasis on shared experience.
The following scholars have contributed essays to this collection:
Martha Bayless
University of Oregon
Carole P. Biggam
University of Glasgow
Paul Cavill
University of Nottingham
Amy W. Clark
University of California, Berkeley
James Graham-Campbell
University College London
Antonina Harbus
Macquarie University, Sydney
Carole Hough
University of Glasgow
Daria Izdebska
Liverpool Hope University
Karen Louise Jolly
University of Hawai‘i at Mānoa
Alexandra Lester-Makin
University of Manchester
Elisabeth Okasha
University College, Cork
Phyllis Portnoy
University of Manitoba
Jane Roberts
University of London
Insights into the lives of any group of historical people are provided by three main types of evidence: their language, their literature and their material culture. The contributors to this volume draw on all three types of evidence in order to present new research into the lives of the Anglo-Saxons. The particular focus is on daily life – the ordinary rather than the extraordinary, the normal rather than the exceptional. Rather than attempting an overview, the essays address individual scenarios in greater depth, but with an emphasis on shared experience.
The following scholars have contributed essays to this collection:
Martha Bayless
University of Oregon
Carole P. Biggam
University of Glasgow
Paul Cavill
University of Nottingham
Amy W. Clark
University of California, Berkeley
James Graham-Campbell
University College London
Antonina Harbus
Macquarie University, Sydney
Carole Hough
University of Glasgow
Daria Izdebska
Liverpool Hope University
Karen Louise Jolly
University of Hawai‘i at Mānoa
Alexandra Lester-Makin
University of Manchester
Elisabeth Okasha
University College, Cork
Phyllis Portnoy
University of Manitoba
Jane Roberts
University of London
[more]
Early Modern Women Journal v.10.2
Robert E. Bjork
Arizona Center for Medieval and Renaissance Studies, 2000
Purged by Fire
Heresy of the Cathars
Diane Bonavist
Arizona Center for Medieval and Renaissance Studies, 2000
Appalachia as Contested Borderland of the Early Modern Atlantic, 1528-1715
Kimberly C. Borchard
Arizona Center for Medieval and Renaissance Studies, 2021
While political activists have long decried the cultural and economic marginalization of Appalachia in the twentieth and twenty-first centuries, Appalachia has similarly been excluded from the study of colonial expansion, transatlantic conflict, and slavery in the early modern Atlantic world. Drawing on sources in Spanish, Portuguese, French, Latin, and English, this monograph underscores the chaotically international, polyglot nature of early Appalachian history and foregrounds the region as a locus of imperial conflict during the early modern period. It likewise explores the European obsession with Appalachian mineral resources from 1528 to 1715, reframing Appalachian history within the fields of Latin American, early American, and Atlantic history. Ultimately, Appalachia as Contested Borderland of the Early Modern Atlantic provides new perspectives for scholars and students and suggests new directions for research in Native American and Indigenous studies, environmental studies, and Appalachian studies.
[more]
Chaucer’s Fame in Britannia 1641–1700
Jackson C. Boswell
Arizona Center for Medieval and Renaissance Studies, 2021
This volume is a compilation of references and allusions to Chaucer from the beginning of the English Civil War to the beginning of the eighteenth century. Chaucer’s Fame in Britannia 1641–1700 is a continuation of Jackson Campbell Boswell and Sylvia Wallace Holton’s Chaucer’s Fame in England: 1475–1640. Both books are meant to supplement the equivalent parts of Caroline Spurgeon’s invaluable Five Hundred Years of Chaucer Criticism and Allusion 1357–1900. Together, the two volumes considerably expand previous work in this area and offer a substantial contribution to intellectual history that gives us a much fuller and more profound understanding of Chaucer’s influence (and of his uses) during the period covered. Together, these volumes are a massive expansion of Spurgeon’s work. The references and allusions are full and, when possible, complete. Chaucer’s Fame in England: 1475–1640 has proven to be essential for those interested in the afterlives of Chaucer, and Chaucer’s Fame in Britannia 1641–1700 will take a similar place alongside its companion volume.
[more]
Old English Tradition
Essays in Honor of J. R. Hall
Lindy Brady
Arizona Center for Medieval and Renaissance Studies, 2021
Old English Tradition contains eighteen new essays by leading scholars in the field of Old English literary studies. The collection is centered around five key areas of research—Old English poetics, Anglo-Saxon Christianity, Beowulf, codicology, and early Anglo-Saxon studies—on which the work of scholar J. R. Hall, the volume’s honorand, has been influential over the course of his career.
The volume’s contents range from fresh insights on individual Old English poems such as The Wife’s Lament and Beowulf; new studies in Old English metrics and linguistics; codicological examinations of individual manuscripts; fresh editions of understudied texts; and innovative examinations of the role of early antiquarians in shaping the field of Old English literary studies as we know it today.
[more]
Rivall Friendship, by Bridget Manningham
Jean R. Brink
Arizona Center for Medieval and Renaissance Studies, 2021
The manuscript for Rivall Friendship was first acquired by the Newberry Library in 1937. At the time of the acquisition, the author of this seventeenth-century romance was anonymous. Scholar Jean R. Brink now suggests, based on dating of the manuscript and her analysis of its feminist themes, that the author was a woman. Specifically, Brink attributes the text to Bridget Manningham, who was the older sister of Thomas Manningham, a Jacobean and Caroline bishop, and the granddaughter of John Manningham, a diarist who recorded performances of Shakespeare’s plays.
Rivall Friendship is a post–English Civil War romance that examines proto-feminist issues, such as patriarchal dominance in the family and marriage. Manningham is scrupulous about maintaining verisimilitude, and unlike more fantastical romances of the period that feature monsters, giants, and magic, this text aspires to a level of probability in its historical and geographical details. The text of Rivall Friendship is accessible to most modern readers, particularly to students and scholars accustomed to working with seventeenth-century texts.
[more]
Literary Speech Acts of the Medieval North
Essays Inspired by the Works of Thomas A. Shippey
Eric Shane Bryan
Arizona Center for Medieval and Renaissance Studies, 2020
This volume brings together examinations of pragmatic meaning and proverbs of the Medieval North. Pragmatic meaning, which relies upon cultural and interpersonal context to go beyond the simple semantic and grammatical meaning of an utterance, has a fundamental connection with proverbs, which also communicate a deeper meaning than what is actually said. Essays in this volume explore this connection by examining the language of generosity, conversion, friendship, debate, dragon proverbs, and saints’ lives. These essays are inspired by the works of Thomas A. Shippey, who has been a pioneer in the study of wisdom poetry and pragmatics in medieval literature.
[more]
Boccaccio's "Decameron"
Rewriting the Christian Middle Ages and the Lyric Tradition
Dino S. Cervigni
Arizona Center for Medieval and Renaissance Studies, 2021
This study develops a new interpretation of The Decameron, Giovanni Boccaccio’s masterpiece, which has found new popularity in the wake of COVID. Dino S. Cervigni offers an inclusive and novel reading of the collection, theorizing that the first ninety tales offer a parodic rewriting of the Christian Middle Age, while the last ten tales craft a reconstruction of society based on human and liberal principles such as generosity and sacrifice.
Still relevant to this day, The Decameron offers a notable description of the bubonic plague of 1348 which devastated Western Europe—drawing striking parallels with the current global pandemic. Furthermore, Boccaccio’s concluding message applies to all of us in the present moment, plunged as we are into a world of intellectual and ethical chaos, exhorting us to practice forgiveness, compassion, tolerance, mutual acceptance, and generous open-mindedness. No other book on The Decameron offers such a relevant, up-to-date reading of the classic work.
[more]
Erotic Tales of Medieval Germany
Albrecht Classen
Arizona Center for Medieval and Renaissance Studies, 2007
Love, Life, and Lust in Heinrich Kaufringer's Verse Narratives
Albrecht Classen
Arizona Center for Medieval and Renaissance Studies, 2015
England, Ireland, and the Insular World
Textual and Material Connections in the Early Middle Ages
Mary Clayton
Arizona Center for Medieval and Renaissance Studies, 2017
ISAS Dublin 2013. England, Ireland and the Insular World: Textual and Material Connections in the Early Middle Ages is a collection of twelve essays related to the theme of the 2013 conference of the International Society of Anglo-Saxonists, ‘Insular Cultures’. Contributors cover a broad range of topics, from early medieval agriculture in Ireland and England, to sculpture, manuscript illumination and script, homilies, hagiography, aristocratic gift-giving, relics, calendars, Beowulf, and Anglo-Saxon perceptions of the Celtic peoples, considering connections, parallels and differences between Anglo-Saxon England and its insular neighbors. The volume will be of interest to all those working on Early Medieval history, literature, archaeology, liturgy, art, and manuscripts.
[more]
From Misa to Mise en Scène
Fra Francesc Moner’s Prototype of the Spanish Sacramental Theater of the Fifteenth Century
Peter Cocozzella
Arizona Center for Medieval and Renaissance Studies, 2020
As both layman and Franciscan friar, the Catalan writer known as Francesc Moner (ca 1463–1495) is one of the leading exponents of the bilingual (Catalan-Castilian) culture that flourished in Barcelona in the late 1400s. In his approach to Sepultura d’amor (Burial of Love), Moner’s longest poem, Peter Cocozzella focuses on the author’s ingenious version of a kind of parody that desacralizes but does not desecrate the celebration of the funeral Mass. Cocozzella discovers the aspects of Moner’s unconventional idea of a theater based on the dramatics of the monologue and on the transformation of the divine ritual into a human analogue of transubstantiation. This allegorical pattern validates the profile of the masterpiece in question as one of the earliest manifestations of the auto sacramental, the distinctive theatrical genre scripted in the language of Castile. The book includes the text of Sepultura and its translation.
[more]
The Saga of St. Jón of Hólar
Margaret Cormack
Arizona Center for Medieval and Renaissance Studies, 2020
This volume contains a translation of the version of the Saga of St. Jón of Hólar that is probably closest to the first Latin vita. It is only the second saga of an Icelandic episcopal saint to appear in a modern translation in the present century. The volume consists of two parts, the first comprising a general introduction and a translation by Margaret Cormack. The second part provides a detailed scholarly analysis of the manuscripts, contents, style, and literary connections of the saga by the late Peter Foote, one of the foremost scholars of Old Norse and Icelandic literature.
The Jóns saga was written in the early thirteenth century, nearly a century after the death of its protagonist, the first bishop of the diocese of Hólar in Northern Iceland. The author of the saga combined Latin learning with native folklore to produce a readable narrative that is contemporary with the earliest family and contemporary sagas. This text provides valuable insight into the religious life of ordinary Icelanders in the thirteenth century, and the introduction corrects common misconceptions about ecclesiastical history and the cult of saints in Iceland. It will be of value to scholars of medieval Icelandic literature, hagiography, and history.
[more]
Early Modern Women Journal v.10.1
Anne J. Cruz
Arizona Center for Medieval and Renaissance Studies, 2000
Vida y muerte de San Cristóbal
Juan de Benavides
Arizona Center for Medieval and Renaissance Studies, 2020
As the patron of travelers, Saint Christopher inspired one of the most popular cults in the medieval era, which spread across Europe and especially the Iberian Peninsula. Artistic renderings of the saint were found near the doors of most Spanish Gothic churches, and paratheatrical representations of Saint Christopher were also commonplace in religious processions. His conversion and martyrdom were often staged between the fifteenth and early eighteenth centuries.
In the theater, Juan de Benavides’s Vida y muerte de San Cristóbal is one of two known comedias dealing with the saint, but it was heavily censored after its premiere. The immense popularity of St. Christopher and other primitive saints first drew the attention of the Council of Trent in the mid-1500s, when the Catholic Church attempted to suppress the influence of the earlier saints due to their fantastical nature. The stories of these saints were censored, rewritten or even omitted in the post-Tridentine martyrologies. This publication is the first critical edition of the only extant copy of Benavides’s playscript. The circumstances surrounding Benavides’s play continue a dialogue about such important topics as censorship and the influence of the church over artistic production.
[more]
The Devourer of Gods
Viking Magic in the New World
Thomas Benjamin De Mayo
Arizona Center for Medieval and Renaissance Studies, 2000
The Story of the Death of Anne Boleyn
A Poem by Lancelot de Carle
JoAnn DellaNeva
Arizona Center for Medieval and Renaissance Studies, 2021
The Story of the Death of Anne Boleyn is a critical edition and translation of a long narrative poem written by the secretary to the French ambassador in London within two weeks of Anne Boleyn’s execution. It was intended as a diplomatic dispatch, relating the astonishing news of the queen’s demise (along with that of five alleged lovers). Uniquely among diplomatic correspondence, this dispatch was written in verse form. It thus straddles the domains of literature and history, of chronicle and fiction.
The base text for this edition is a previously unstudied manuscript housed at the British Library. Variants are given from all other known manuscripts found in Europe, including several key verses that were previously unpublished and that shed new light on the interpretation of the poem. The book features a sense-for-sense translation into modern English in free verse form, along with extensive explanatory notes. It also provides a study focusing on the historical background to the poem, an essay on the poet and the reception of his work, and a literary analysis of the poem.
[more]
Lady in Ermine
The Story of a Woman Who Painted the Renaissance. A Biographical Novel
Donna DiGiuseppe
Arizona Center for Medieval and Renaissance Studies, 2019
Lady in Ermine: The Story of a Woman Who Painted the Renaissance reveals the discovery of an historic figure who embodies the struggle of women throughout the ages while immersing the reader in the sixteenth century world of the Renaissance figures she paints.
As a girl in Lombardy, Sofonisba Anguissola trains to paint with mannerist masters, and though society frowns upon women having such ambition, Sofonisba’s father unwaveringly encourages her. A royal tour by Prince Philip of Spain inspires her lifelong dream: to perfect the king’s portrait and show his truth on canvas, the highest calling for a Renaissance portraitist. Her drive to vindicate her loving father, a bastard of nobility, propels her. Politics of the Spanish empire brings Sofonisba to the heart of the royal court in Madrid. She aspires to achieve her goal while others at court work to undermine her as a female artist. Tragedy unfolds in the royal household, but in the process, Sofonisba finds her opportunity to paint the King of Spain, honoring her family name with her success. In life after court, Sofonisba navigates two marriages, royal appointments, love, hardship, and bankruptcy, while leaving a legacy of hundreds of paintings and influencing generations of artists from Anthony van Dyck to Peter Paul Rubens. This is her story.
[more]
Early Modern Women on the Fall
An Anthology
Michelle M. Dowd
Arizona Center for Medieval and Renaissance Studies, 2012
Annali d'Italianistica
The New Italy and the Jews from Massimo d'Azeglio to Primo Levi
Jonathan Druker
Arizona Center for Medieval and Renaissance Studies, 2018
Founded in 1983, Annali d’italianistica has become synonymous with timely and fundamental scholarship on Italy’s literary culture, employing broad historical, cultural, and literary perspectives that are of interest to a wide variety of scholars. Published annually and monographic in nature, the journal uses as its point of departure the study of Italian literature and the Humanities more generally to foster scholarly excellence at all levels. Annali d’italianistica is receptive to a variety of topics, critical approaches, and theoretical perspectives that cross disciplinary boundaries and span several centuries, from the beginning of Italy’s cultural history to the present.
[more]
Early Modern Women Journal v13.1
Susan J. Dudash
Arizona Center for Medieval and Renaissance Studies, 2018
Early Modern Women Journal v13.2
Susan J. Dudash
Arizona Center for Medieval and Renaissance Studies, 2019
Early Modern Women Journal v14.1
Susan J. Dudash
Arizona Center for Medieval and Renaissance Studies, 2019
Early Modern Women Journal Volume 12.1
Susan J. Dudash
Arizona Center for Medieval and Renaissance Studies, 2017
A Tale of Two Maidens
A Medieval French Story of Fate, Adventure, and the Hundred Years' War
Anne Echols
Arizona Center for Medieval and Renaissance Studies, 2000
A Hole in the Heavens
Dyan Elliott
Arizona Center for Medieval and Renaissance Studies, 2017
What if Satan were to disguise himself as an angel of light? What if he even appeared as Christ? Schoolmen in late medieval Paris were obsessed with that question--and A Hole in the Heavens explores the alarming consequences of this obsession. It soon becomes impossible to tell the difference between saints and impostors, conversion and demonic possession, heresy and the true faith. Even the wisest and holiest may be deceived. A struggling student, a pair of prostitutes, and a beautiful priest's daughter are among those caught up in the chaos. Based on meticulous research, Dyan Elliott's first novel is an absorbing and ultimately chilling exercise in the discernment of spirits.
[more]
Pachacuti
World Overturned
Lori Eshleman
Arizona Center for Medieval and Renaissance Studies, 2015
Patron to Painter
Elizabethan Programs for Five Allegorical Paintings
David Evett
Arizona Center for Medieval and Renaissance Studies, 2020
For more than two centuries the group of early modern English manuscripts presented in this volume sat mostly ignored on the shelves of the British Library, known only to the librarians who catalogued them. Six of them, for four different elaborate allegorical paintings, appear in the manuscript catalog of the Sloane Collection as “Instructions to painters.” A seventh, from the Harley collection in the same library, has more recently been added to the group. On art historical, iconographic, and historical grounds the manuscripts add significantly to our knowledge of Elizabethan visual allegory, and reveal a provocative new contribution to the evolution of English political thought. And the development across three of the programs of a warm personal relationship between the patron and the artist opens a unique window into early modern relationships of this kind. Unlike most other surviving artistic programs, this one reveals its author’s personality and interests in a rich and beguiling way, and although as a writer he is no Sidney or Nashe, the naïve yet widely informed enthusiasm with which he addresses his readers has considerable force and charm.
[more]
Syncretism in the West
Pico's 900 Theses (1486) With Text, Translation, and Commentary
S. A. Farmer
Arizona Center for Medieval and Renaissance Studies, 2016
This is the 2016 paperback printing of the 2008 edition of the popular text, translation, and commentary by S. A. Farmer. (The 2008 edition was a revised edition of the 1998 original publication).
Published by ACMRS (Arizona Center for Medieval and Renaissance Studies) in Tempe, Arizona as part of the MRTS (Medieval and Renaissance Texts and Studies) Series, this book -- previously available only in hardcover and otherwise out-of-print since 2014 -- is now available in its entirety in paperback format.
[more]
Annali d’Italianistica
Violence Resistance Tolerance Sacrifice in Italy's Literary & Cultural History
Chiara Ferrari
Arizona Center for Medieval and Renaissance Studies, 2017
Early Modern Women Journal v.11.1
Sharonah Frederick
Arizona Center for Medieval and Renaissance Studies, 2000
Early Modern Women Journal v.11.2
Sharonah Frederick
Arizona Center for Medieval and Renaissance Studies, 2000
Early Modern Women Journal v.9.2
Sharonah Frederick
Arizona Center for Medieval and Renaissance Studies, 2000
An Introductory Grammar of Old English with an Anthology of Readings
Robert D. Fulk
Arizona Center for Medieval and Renaissance Studies, 2014
Race and Romance
Coloring the Past
Margo Hendricks
Arizona Center for Medieval and Renaissance Studies, 2021
This study brings race and the literary tradition of romance into dialogue.
Race and Romance: Coloring the Past explores the literary and cultural genealogy of colorism, white passing, and white presenting in the romance genre. The scope of the study ranges from Heliodorus’ Aithiopika to the short novels of Aphra Behn, to the modern romance novel Forbidden by Beverly Jenkins. This analysis engages with the troublesome racecraft of “passing” and the instability of racial identity and its formation from the premodern to the present. The study also looks at the significance of white settler colonialism to early modern romance narratives. A bridge between studies of early modern romance and scholarship on twenty-first-century romance novels, this book is well-suited for those interested in the romance genre.
Race and Romance: Coloring the Past explores the literary and cultural genealogy of colorism, white passing, and white presenting in the romance genre. The scope of the study ranges from Heliodorus’ Aithiopika to the short novels of Aphra Behn, to the modern romance novel Forbidden by Beverly Jenkins. This analysis engages with the troublesome racecraft of “passing” and the instability of racial identity and its formation from the premodern to the present. The study also looks at the significance of white settler colonialism to early modern romance narratives. A bridge between studies of early modern romance and scholarship on twenty-first-century romance novels, this book is well-suited for those interested in the romance genre.
[more]
Kane from Canada
Mary Kane
Arizona Center for Medieval and Renaissance Studies, 2016
Marsilio Ficino, Three Books on Life
A Critical Edition and Translation
Carol V. Kaske
Arizona Center for Medieval and Renaissance Studies, 2019
The Maritime World of the Anglo-Saxons
Stacy S. Klein
Arizona Center for Medieval and Renaissance Studies, 2014
The twenty-first century has been marked by an “oceanic turn” and by groundbreaking new research on the previously hidden depths of maritime life, literature, and culture. The Maritime World of the Anglo-Saxons builds upon these new areas of research as the first major volume of essays to explore Anglo-Saxon England’s complex relationship to its maritime history, economy, and sensibilities. Individual essays focus on maritime travel, Viking invasions by sea, littoral culture, the archeology of the whale, and literary mythologies of monstrous sea creatures, bringing together insights from a range of disciplines: archeology, history, literature, paleography, linguistics, art history, critical theory, geography, and cultural studies.
[more]
The Viking Coloring Book
Dayanna Knight
Arizona Center for Medieval and Renaissance Studies, 2017
What do you think of when you think of the Vikings? Fierce warriors? Sailors of magnificent dragon-prowed ships who terrorized North-Western Europe? Do you think of darkened halls thick with smoke and song?
Like all people those researchers now consider to be Viking were much more complex than the modern world sees them as. This coloring book is meant to show that. It is designed to provide scenes of the beauty of the early medieval world the Vikings inhabited. It is in this context that Viking cultures developed. You will find artifacts and animals, plants and landscapes within these pages to explore. Species that held some use to the Vikings, such as those that provided fur in particular have been focused on. Reconstructed scenes are inspired by the diverse world experienced in the north. There are no horned helmets here. The real Vikings were much more practical than that.
[more]
Mary Wroth
The Countess of Montgomery's Urania (Abridged)
Mary Ellen Lamb
Arizona Center for Medieval and Renaissance Studies, 2000
M is for Monster
Sherry M. Lindquist
Arizona Center for Medieval and Renaissance Studies, 2000
Petrarch and His Legacies
Ernesto Livorni
Arizona Center for Medieval and Renaissance Studies, 2021
This book gathers cutting-edge articles by prominent scholars reflecting on Petrarch’s poetry and his long legacy, from the Renaissance to the present day. The scholars engaged in this volume read Petrarch in the context of his own world and with a variety of theoretical and critical approaches, never overlooking the opportunity for an interdisciplinary reading that combines poetry and visual arts. The volume includes scholars from the United States and Europe (Italy, in particular), thus offering the opportunity to compare different theoretical approaches.
The articles in the second half of the volume celebrate Petrarch’s legacies beyond the historically fundamental Renaissance Petrarchism, while exploring the presence of Petrarch’s poetry in several cultural realities. The scholars also read Petrarch with necessary attention to new disciplines such as digital humanities. The richness of the volume lies in these innovative perusals of Petrarch’s works not only through the critical lens of dedicated scholars, but also through their readings of artists who throughout the centuries appreciated and revived Petrarch’s poetry in their own literary endeavors.
[more]
Clément Marot's Epistles
Clément Marot
Arizona Center for Medieval and Renaissance Studies, 2021
The first complete, versified English-language translation of the epistles of Renaissance poet Clément Marot.
Clément Marot (1496–1544), a royal poet in Renaissance France who ushered in new verse forms and renewed existing ones, stands as one of the most important literary voices of the first half of the sixteenth century. Clément Marot’s Epistles represents a first attempt to offer a sustained English-language translation and critical edition of what is widely considered his most personal, historically relevant, and crowning verse form. Aiming for integrality and poetic precision, the volume translates and sets to verse all seventy-four of Marot’s epistles, employing the same meter and rhyme scheme used by the poet in the original compositions. Likewise focused on capturing Marot’s poetic voice, thus maintaining idiomatic and literary integrity, the resulting translation is an attempt to relate the playfulness and pathos of Marot’s verse, rendering it accessible to an anglophone public.
Beyond the more traditional verse epistles included in the primary base text, Marot’s authorized complete works from 1538, the volume also offers translations of the introductory prose epistles penned by Marot for his Adolescence clémentine of 1532 and the 1538 edition (Lyon, Dolet), as well as the coq-à-l’âne and other versified satirical epistles, the “artificial epistle” retelling of a popular medieval romance, and more. A robust critical apparatus includes ample footnotes, an extensive introduction, illustrations, a bibliography, a chronological table, and a concordance with the principal modern French-language editions of Marot’s epistles.
The book should appeal to English-speaking historians and literary scholars alike, as well as to poetry lovers, who will appreciate a new acquaintance with this distinctive voice from poetry’s past.
Clément Marot (1496–1544), a royal poet in Renaissance France who ushered in new verse forms and renewed existing ones, stands as one of the most important literary voices of the first half of the sixteenth century. Clément Marot’s Epistles represents a first attempt to offer a sustained English-language translation and critical edition of what is widely considered his most personal, historically relevant, and crowning verse form. Aiming for integrality and poetic precision, the volume translates and sets to verse all seventy-four of Marot’s epistles, employing the same meter and rhyme scheme used by the poet in the original compositions. Likewise focused on capturing Marot’s poetic voice, thus maintaining idiomatic and literary integrity, the resulting translation is an attempt to relate the playfulness and pathos of Marot’s verse, rendering it accessible to an anglophone public.
Beyond the more traditional verse epistles included in the primary base text, Marot’s authorized complete works from 1538, the volume also offers translations of the introductory prose epistles penned by Marot for his Adolescence clémentine of 1532 and the 1538 edition (Lyon, Dolet), as well as the coq-à-l’âne and other versified satirical epistles, the “artificial epistle” retelling of a popular medieval romance, and more. A robust critical apparatus includes ample footnotes, an extensive introduction, illustrations, a bibliography, a chronological table, and a concordance with the principal modern French-language editions of Marot’s epistles.
The book should appeal to English-speaking historians and literary scholars alike, as well as to poetry lovers, who will appreciate a new acquaintance with this distinctive voice from poetry’s past.
[more]
New Ways of Looking at Old Texts, VI
Papers of the Renaissance English Text Society 2011-2016
Arthur F. Marotti
Arizona Center for Medieval and Renaissance Studies, 2019
The Legacy of Boethius in Medieval England
The Consolation and its Afterlives
A. Joseph McMullen
Arizona Center for Medieval and Renaissance Studies, 2018
The study of Boethius’s medieval reception has enjoyed a resurgence of interest in recent years, with the publication of new editions, translations, databases, and research reshaping our understanding of his profound influence. This study offers the first holistic survey of the reworkings of the Consolation in medieval England, surveying the Old English Boethius together with Chaucer’s Boece and a host of understudied interlocutors for the first time in a volume of this kind. Arranged into sections on “earlier” and “later” periods, The Legacy of Boethius argues for a reassessment of the medieval English Boethian tradition as a 600-year continuum in vernacular reading and readership.
[more]
Race and Affect in Early Modern English Literature
Carol Mejia LaPerle
Arizona Center for Medieval and Renaissance Studies, 2021
This collection brings together critical race studies and affect theory to examine the emotional dimensions of race in early modern literature.
Race and Affect in Early Modern English Literature puts the fields of critical race studies and affect theory into dialogue. Doing so opens a new set of questions: What are the emotional experiences of racial formation and racist ideologies? How do feelings—through the physical senses, emotional passions, or sexual encounters—come to signify race? What is the affective register of anti-blackness that pervades canonical literature? How can these visceral forms of racism be resisted in discourse and in practice? By investigating how race feels, this book offers new ways of reading and interpreting literary traditions, religious differences, gendered experiences, class hierarchies, sexuality, and social identities. So far scholars have shaped the discussion of race in the early modern period by focusing on topics such as genealogy, language, economics, religion, skin color, and ethnicity. This book, however, offers something new: it considers racializing processes as visceral, affective experiences.
Race and Affect in Early Modern English Literature puts the fields of critical race studies and affect theory into dialogue. Doing so opens a new set of questions: What are the emotional experiences of racial formation and racist ideologies? How do feelings—through the physical senses, emotional passions, or sexual encounters—come to signify race? What is the affective register of anti-blackness that pervades canonical literature? How can these visceral forms of racism be resisted in discourse and in practice? By investigating how race feels, this book offers new ways of reading and interpreting literary traditions, religious differences, gendered experiences, class hierarchies, sexuality, and social identities. So far scholars have shaped the discussion of race in the early modern period by focusing on topics such as genealogy, language, economics, religion, skin color, and ethnicity. This book, however, offers something new: it considers racializing processes as visceral, affective experiences.
[more]
A Tapestry of Queens
A Story of Scotland's Struggle for Independence
Carol Milkuhn
Arizona Center for Medieval and Renaissance Studies, 2014
Gender in the Premodern Mediterranean
Megan Moore
Arizona Center for Medieval and Renaissance Studies, 2019
Drawing upon literary, historical, and visual evidence, this collection of interdisciplinary essays examines how the Mediterranean shaped practices of gender in the premodern era. This volume bridges the gap between gender studies and Mediterranean studies, which have a natural fit with each other in their interest on defining identity carefully through connectivity and attentiveness to cultural hegemonies. The essays in this volume build off of this double approach to offer a unique contribution to the field, and use gender to understand the Mediterranean and the Mediterranean to understand premodern gender.
Whereas other volumes have examined gender in the premodern period or premodern Mediterranean Studies, to date no other volume has sought to explore the intersection of the two. The interdisciplinary nature of the essays will make them useful to both scholars and teachers, for they will combine theory and practice in a length that makes them easily accessible to advanced students as well as specialized researchers. The first chapter provides a critical overview of the scholarship on Mediterranean studies as a field of area studies as well as an overview of gender studies in the medieval period. As such, the volume will be useful for students, teachers, and researchers, and its interdisciplinary nature reflects the diaspora of the Mediterranean itself.
Whereas other volumes have examined gender in the premodern period or premodern Mediterranean Studies, to date no other volume has sought to explore the intersection of the two. The interdisciplinary nature of the essays will make them useful to both scholars and teachers, for they will combine theory and practice in a length that makes them easily accessible to advanced students as well as specialized researchers. The first chapter provides a critical overview of the scholarship on Mediterranean studies as a field of area studies as well as an overview of gender studies in the medieval period. As such, the volume will be useful for students, teachers, and researchers, and its interdisciplinary nature reflects the diaspora of the Mediterranean itself.
[more]
The Tragedy of the Sack of Cabrières
Charles-Louis Morand-Métivier
Arizona Center for Medieval and Renaissance Studies, 2022
A critical edition and the first English translation of the French play.
April 1542 saw a massacre of epic proportions in the Luberon, in southeastern France, of its Waldensian population, who had been peacefully living there after they settled in a few centuries before. This massacre foreshadowed the wars of religion, which tore apart the kingdom for almost forty years. The Tragédie du Sac de Cabrières is the only play devoted to these events. This is a critical edition and English translation of the French play. Three critical editions of the play have been published in 1927, 1928, and 1998, and this new edition complements the previous works. This is the first English translation of the play and makes it available to an international audience of scholars and students of the early modern period.
This edition “translates” the moment of the play's creation, the representation of the event, and its importance in the narrative of religious persecutions in sixteenth-century France. It explains how history is dramatized through the creation of the scenic story and scenic play of Cabrières. and how the specific retelling of the events of Cabrières makes this a tool of historical narration, thus allowing the audience to participate in the unfolding of history before their eyes. Therefore, they become part of history, because it is played before their eyes so that they can not only witness it but also propagate the glory of the martyrs for future generations. This is not only a translation and a work of literary scholarship, it is an analysis of the literary, political, and religious production of this period, and a multidisciplinary analysis of Waldensianism in southeastern France.
April 1542 saw a massacre of epic proportions in the Luberon, in southeastern France, of its Waldensian population, who had been peacefully living there after they settled in a few centuries before. This massacre foreshadowed the wars of religion, which tore apart the kingdom for almost forty years. The Tragédie du Sac de Cabrières is the only play devoted to these events. This is a critical edition and English translation of the French play. Three critical editions of the play have been published in 1927, 1928, and 1998, and this new edition complements the previous works. This is the first English translation of the play and makes it available to an international audience of scholars and students of the early modern period.
This edition “translates” the moment of the play's creation, the representation of the event, and its importance in the narrative of religious persecutions in sixteenth-century France. It explains how history is dramatized through the creation of the scenic story and scenic play of Cabrières. and how the specific retelling of the events of Cabrières makes this a tool of historical narration, thus allowing the audience to participate in the unfolding of history before their eyes. Therefore, they become part of history, because it is played before their eyes so that they can not only witness it but also propagate the glory of the martyrs for future generations. This is not only a translation and a work of literary scholarship, it is an analysis of the literary, political, and religious production of this period, and a multidisciplinary analysis of Waldensianism in southeastern France.
[more]
Ogier's Youth (Les Enfances Ogier)
A Thirteenth-Century Epic by Adenet le Roi
Anna Moore Morton
Arizona Center for Medieval and Renaissance Studies, 2020
Ogier’s Youth is the first English prose translation of Les Enfances Ogier, an epic poem written in Old French in the late thirteenth century by Adenet le Roi, who lived in Brabant and Flanders. It concerns the exploits of a young knight, Ogier, who rose from his status as Charlemagne’s captive to become the hero of Charlemagne’s army in the latter’s campaign to recover Rome from a pagan army and restore the Pope to his holy seat. Ogier came to symbolize the hero who saves the city, the land from monstrous enemies. His legend as conquering hero persisted for centuries; versions of his story were written in many forms and many European languages. Reminders of Ogier’s fame are found from Belgium to Italy even today in such events as processions and puppet shows. Adenet’s version of the Ogier story is considered the most important and influential in the development of the enduring Ogier legend. Throughout Adenet’s story, we witness the development of a strong friendship between Ogier and Carahuel, a noble Saracen (Muslim) knight of the opposing army. The two warriors save one another’s lives when treachery threatens. We get a full and constant picture of Carahuel as a human being of complete integrity, honor and loyalty—qualities which also characterize Ogier. In addition, Carahuel’s faithful fiancée Gloriande, a strong, influential woman whose efforts are also crucial to the safety of both Ogier and Carahuel, plays an important part.
[more]
Giambattista Marino
Adonis
Thomas E. Mussio
Arizona Center for Medieval and Renaissance Studies, 2019
This is the first complete translation in English of Giambattista Marino’s Adone, a poem of 20 cantos written in Italian and first published in 1623 in Paris. Although Marino’s work has been characterized as a mythological poem with the tragic tale of Venus and Adonis at its core and woven through with retellings of many Greek and Roman myths, it is clear that Marino strove to write more than an Italian version of Ovid’s Metamorphoses. The highly wrought descriptive passages that permeate the poem, the allusions to contemporary political figures and events, and the rich scientific, philosophical, and theological language of many passages reflect Marino’s particular poetic style, his broad interests, and his engagement with the political and intellectual scene of early seventeenth-century Europe. One of the goals of this translation is to provide a highly accessible version of the whole poem and to expand its readership to include not only students and scholars of the romance epic and the early modern period but also curious general readers. It is hoped that this modern, annotated translation will spur new research on Marino’s poem and bear new assessments of the poem’s relation to its sources, of its influence on later literature, and of its vital connection with key issues of Marino’s time, such as scientific advancement, discovery and exploration, and the power and influence of the Catholic Church.
Translated, with introduction and notes by Thomas E. Mussio.
Translated, with introduction and notes by Thomas E. Mussio.
[more]
Death Before Compline
Short Stories by Sharan Newman
Sharan Newman
Arizona Center for Medieval and Renaissance Studies, 2012
Dante’s Volume from Alpha to Omega
Christiana Purdy Moudarres
Arizona Center for Medieval and Renaissance Studies, 2020
Dante’s Volume from Alpha to Omega brings together essays written by internationally recognized scholars to explore the poet’s encyclopedic impulse in light of our own frenzied information age. This comprehensive collection of essays, coedited by Carol Chiodo and Christiana Purdy Moudarres, examines how Dante’s spiritual quest is powered by an encyclopedic one, which has for more than seven centuries drawn a readership as diverse as the knowledge his work contains. The essays investigate both the intellectual and spiritual pleasures that Dante’s Commedia affords, underscoring how, through the sheer breadth of its knowledge, the poem demands collective and collaborative inquiry. Rather than isolating the poetic or theological strands of the Commedia, the book acts as a bridge across disciplines, braiding together the well-worn strands of poetry and theology with those of philosophy, the sciences, and the arts. The wide range of entries within Dante’s poetic summa yield multiple opportunities to reflect on their points of intersection, and the urgency of the convergence of the poem’s aesthetic, intellectual, and affective aims.
[more]
Caliburn
Merlin's Tale
Virgil Renzulli
Arizona Center for Medieval and Renaissance Studies, 2015
Cloak of Ashes
The Women of Beowulf Book Three
Donnita L. Rogers
Arizona Center for Medieval and Renaissance Studies, 2000
Faces in the Fire
The Women of Beowulf: Book One
Donnita L. Rogers
Arizona Center for Medieval and Renaissance Studies, 2013
Fanning the Flames
The Women of Beowulf Book 2
Donnita L. Rogers
Arizona Center for Medieval and Renaissance Studies, 2014
SMRH 15
Joel T. Rosenthal
Arizona Center for Medieval and Renaissance Studies, 2020
SMRH 16
Joel T. Rosenthal
Arizona Center for Medieval and Renaissance Studies, 2021
Studies in Medieval and Renaissance History
Volume 13
Joel T. Rosenthal
Arizona Center for Medieval and Renaissance Studies, 2019
Formerly published by AMS Press, Studies in Medieval and Renaissance History continues with an annual volume now published by ACMRS.
[more]
Studies in Medieval and Renaissance History
Volume 14
Joel T. Rosenthal
Arizona Center for Medieval and Renaissance Studies, 2019
Formerly published by AMS Press, Studies in Medieval and Renaissance History continues with an annual volume now published by ACMRS.
[more]
Annali d'italianistica
Urban Space and the Body
Silvia Ross
Arizona Center for Medieval and Renaissance Studies, 2019
Founded in 1983, Annali d’Italianistica has become synonymous with timely and fundamental scholarship on Italy’s literary culture, employing broad historical, cultural, and literary perspectives that are of interest to a wide variety of scholars. Published annually and monographic in nature, the journal uses as its point of departure the study of Italian literature and the Humanities more generally to foster scholarly excellence at all levels. Annali d’Italianistica is receptive to a variety of topics, critical approaches, and theoretical perspectives that cross disciplinary boundaries and span several centuries, from the beginning of Italy’s cultural history to the present.
[more]
The Comedy of Errors
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
Shakespeare’s archetypal slapstick comedy, now with updated jokes and wordplay.
One of Shakespeare’s earliest plays, The Comedy of Errors is a farcical tale of separated twins and mistaken identities. This slapstick play is a staple of the genre, including madcap bawdiness, love at first sight, reunions, and happily-ever-afters. Christina Anderson’s translation dives deep into the joy of the original text, reinterpreting the metaphor, antiquated slang, and double and triple entendre for a contemporary audience.
This translation of The Comedy of Errors was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
One of Shakespeare’s earliest plays, The Comedy of Errors is a farcical tale of separated twins and mistaken identities. This slapstick play is a staple of the genre, including madcap bawdiness, love at first sight, reunions, and happily-ever-afters. Christina Anderson’s translation dives deep into the joy of the original text, reinterpreting the metaphor, antiquated slang, and double and triple entendre for a contemporary audience.
This translation of The Comedy of Errors was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Much Ado About Nothing
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
Ranjit Bolt updates Much Ado About Nothing with a merry new translation.
In Much Ado About Nothing, a series of miscommunications and misunderstandings spiral out of control, leaving two sets of lovers to untangle their words and their hearts. Ranjit Bolt, an accomplished translator, takes on Shakespeare’s well-loved comedy to update much of the obscure language while maintaining the humor, characterization, and wit that audiences know and love. For modern readers, Beatrice, Benedick, Hero, and Claudio are just as enchanting as always—and perhaps funnier than ever before.
This translation of Much Ado About Nothing was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
In Much Ado About Nothing, a series of miscommunications and misunderstandings spiral out of control, leaving two sets of lovers to untangle their words and their hearts. Ranjit Bolt, an accomplished translator, takes on Shakespeare’s well-loved comedy to update much of the obscure language while maintaining the humor, characterization, and wit that audiences know and love. For modern readers, Beatrice, Benedick, Hero, and Claudio are just as enchanting as always—and perhaps funnier than ever before.
This translation of Much Ado About Nothing was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
The Tempest
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
Considered by most scholars to be the last play that Shakespeare wrote, The Tempest is a stormy tale of betrayal and forgiveness. After being banished by his brother Antonio, Prospero harnesses the magic of an otherworldly island full of monsters and spirits to seek revenge. In reworking this play for a twenty-first-century audience, Kenneth Cavander focuses on the humor and the magic in the tale, much of which has largely escaped modern audiences in recent years.
Cavander’s translation of The Tempest, which premiered at the Alabama Shakespeare Festival in 2017, was written as part of the Play On! Shakespeare project, an ambitious undertaking from the Oregon Shakespeare Festival that commissioned new translations of 39 Shakespeare plays. These translations present the Bard’s work in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Cavander’s translation of The Tempest, which premiered at the Alabama Shakespeare Festival in 2017, was written as part of the Play On! Shakespeare project, an ambitious undertaking from the Oregon Shakespeare Festival that commissioned new translations of 39 Shakespeare plays. These translations present the Bard’s work in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Timon of Athens
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
In a respectful, but not reverent, adaptation, Kenneth Cavander reimagines Timon of Athens for the twenty-first century.
Never performed in Shakespeare’s lifetime, Timon of Athens presents an intriguing puzzle for contemporary audiences. The disjointed plot and many gaps in the story have led scholars to believe it was a collaboration between Shakespeare and Thomas Middleton, a younger writer known for his satires, and productions for decades have faced choices about the most effective way to present the play. In this translation, Cavander acts as a third playwright in this collaborative process. Wrangling the voices of Shakespeare and Middleton on the page, Cavander unveils poetic lines and phrases that have sat stubbornly in the cobwebs, cutting these voices through the time barrier and into the world as we know it.
This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era.
Never performed in Shakespeare’s lifetime, Timon of Athens presents an intriguing puzzle for contemporary audiences. The disjointed plot and many gaps in the story have led scholars to believe it was a collaboration between Shakespeare and Thomas Middleton, a younger writer known for his satires, and productions for decades have faced choices about the most effective way to present the play. In this translation, Cavander acts as a third playwright in this collaborative process. Wrangling the voices of Shakespeare and Middleton on the page, Cavander unveils poetic lines and phrases that have sat stubbornly in the cobwebs, cutting these voices through the time barrier and into the world as we know it.
This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Macbeth
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
In Migdalia Cruz’s Macbeth, the Witches run the world. The Macbeths live out a dark cautionary tale of love, greed, and power, falling from glory into calamity as the Witches spin their fate. Translating Shakespeare’s language for a modern audience, Nuyorican playwright Migdalia Cruz rewrites Macbeth with all the passion of the Bronx.
This translation of Macbeth was presented in 2018 as part of the Play On! Shakespeare project, an ambitious undertaking from the Oregon Shakespeare Festival that commissioned new translations of 39 Shakespeare plays. These translations present the Bard’s work in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Richard III
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
Playwright Migdalia Cruz breathes new life into Richard III.
Nuyorican playwright Migdalia Cruz unpacks and repositions Shakespeare’s Richard III for a twenty-first-century audience. She presents a contemporary English verse translation, faithfully keeping the poetry, the puns, and the politics of the play intact, with a rigorous and in-depth examination of Richard III—the man, the king, the outsider—who is still the only English king to have died in battle. In the Wars of the Roses, his Catholic belief in his country led to his slaughter at Bosworth’s Field by his Protestant rivals. In reimagining this text, Cruz emphasizes Richard III’s outsider status—exacerbated by his severe scoliosis, which twisted his spine—by punctuating the text with punk music from 1970s London. Cruz’s Richard is no one’s fool or lackey. He is a new kind of monarch, whose dark sense of humor and deep sense of purpose leads his charge against the society which never fully accepted him because he looked different.
This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era.
Nuyorican playwright Migdalia Cruz unpacks and repositions Shakespeare’s Richard III for a twenty-first-century audience. She presents a contemporary English verse translation, faithfully keeping the poetry, the puns, and the politics of the play intact, with a rigorous and in-depth examination of Richard III—the man, the king, the outsider—who is still the only English king to have died in battle. In the Wars of the Roses, his Catholic belief in his country led to his slaughter at Bosworth’s Field by his Protestant rivals. In reimagining this text, Cruz emphasizes Richard III’s outsider status—exacerbated by his severe scoliosis, which twisted his spine—by punctuating the text with punk music from 1970s London. Cruz’s Richard is no one’s fool or lackey. He is a new kind of monarch, whose dark sense of humor and deep sense of purpose leads his charge against the society which never fully accepted him because he looked different.
This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Taming of the Shrew
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
Amy Freed rewrites The Taming of the Shrew, one of the more problematic plays in the Shakespeare canon.
While beloved for its sharp dialogue and witty banter, The Taming of the Shrew offers a problematic storyline that many have deemed misogynistic. The play contains insensitive gags and uneasy politics, making it difficult for modern audiences to connect with the text. Amy Freed’s new translation reactivates the original story, blowing away the dust and cobwebs. As Freed’s text reminds us, at its heart The Taming of the Shrew is a story about courage and authenticity.
This translation of The Taming of the Shrew was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
While beloved for its sharp dialogue and witty banter, The Taming of the Shrew offers a problematic storyline that many have deemed misogynistic. The play contains insensitive gags and uneasy politics, making it difficult for modern audiences to connect with the text. Amy Freed’s new translation reactivates the original story, blowing away the dust and cobwebs. As Freed’s text reminds us, at its heart The Taming of the Shrew is a story about courage and authenticity.
This translation of The Taming of the Shrew was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Titus Andronicus
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
Shakespeare’s tragic story of revenge is reimagined for the twenty-first century.
One of Shakespeare’s goriest plays, Titus Andronicus traces the fall of the Andronicus family in ancient Rome. Clinging to the ways of the past, Titus desperately seeks to remain loyal to the throne as his world crumbles around him. Amy Freed’s translation of Titus Andronicus is careful and meticulous, making small but mighty changes in moments that enhance the drama of each scene. Freed’s version gives this extraordinary play an even faster track on which to run.
This translation of Titus Andronicus was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
One of Shakespeare’s goriest plays, Titus Andronicus traces the fall of the Andronicus family in ancient Rome. Clinging to the ways of the past, Titus desperately seeks to remain loyal to the throne as his world crumbles around him. Amy Freed’s translation of Titus Andronicus is careful and meticulous, making small but mighty changes in moments that enhance the drama of each scene. Freed’s version gives this extraordinary play an even faster track on which to run.
This translation of Titus Andronicus was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
King Lear
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
A new translation of Shakespeare’s great tragedy that renews it for today’s audiences.
Marcus Gardley’s translation of King Lear renews the language of one of Shakespeare’s most frequently staged tragedies for a modern audience. Gardley’s update allows audiences to hear the play anew while still finding themselves in the tragic midst of Shakespeare’s play.
This translation of King Lear was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Marcus Gardley’s translation of King Lear renews the language of one of Shakespeare’s most frequently staged tragedies for a modern audience. Gardley’s update allows audiences to hear the play anew while still finding themselves in the tragic midst of Shakespeare’s play.
This translation of King Lear was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Troilus and Cressida
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
Lillian Groag presents a new version of Troilus and Cressida that will resonate with contemporary audiences.
One of the most obscure plays in Shakespeare’s canon, Troilus and Cressida may also be the Bard’s darkest comedy. Exploring some of the events of Homer’s Iliad, the play juxtaposes the carnage of the Trojan War with a love story between its two titular characters. Lillian Groag’s translation brings this ancient world to modern audiences. Replacing the archaisms with new and accessible phrasing, Shakespeare’s lines regain their meaning and humor in the twenty-first century. This translation illuminates Troilus and Cressida as one of Shakespeare’s funniest, saddest, and most bitterly modern plays.
This translation of Troilus and Cressida was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
One of the most obscure plays in Shakespeare’s canon, Troilus and Cressida may also be the Bard’s darkest comedy. Exploring some of the events of Homer’s Iliad, the play juxtaposes the carnage of the Trojan War with a love story between its two titular characters. Lillian Groag’s translation brings this ancient world to modern audiences. Replacing the archaisms with new and accessible phrasing, Shakespeare’s lines regain their meaning and humor in the twenty-first century. This translation illuminates Troilus and Cressida as one of Shakespeare’s funniest, saddest, and most bitterly modern plays.
This translation of Troilus and Cressida was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Richard II
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
Shakespeare’s history play reimagined by Naomi Iizuka.
Following the events of the final two years of his life, Richard II interrogates royal power and the forces that threaten it. After banishing his cousin Henry Bolingbroke, Richard begins to lose grip of his throne and strives to find meaning in the churn and chaos of the events unfolding around him. In her new translation, Naomi Iizuka ventures into the mystery of the work, scraping away the layers of received wisdom and cracking the play open for contemporary audiences.
This translation of Richard II was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Following the events of the final two years of his life, Richard II interrogates royal power and the forces that threaten it. After banishing his cousin Henry Bolingbroke, Richard begins to lose grip of his throne and strives to find meaning in the churn and chaos of the events unfolding around him. In her new translation, Naomi Iizuka ventures into the mystery of the work, scraping away the layers of received wisdom and cracking the play open for contemporary audiences.
This translation of Richard II was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
As You Like It
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
Actor and director David Ivers presents As You Like It, as you’d like to hear it today. Presenting a new translation of Shakespeare into contemporary English, Ivers reimagines Shakespeare’s comedy from an actor’s point of view. Analyzing the play line by line to uncover the meaning of every joke, pun, and witty aside, Ivers repurposes Shakespeare’s language while maintaining an homage to the original rhythm, cadence, and structure. An accomplished actor and director, and a lifelong lover of the Bard, Ivers is the perfect writer to bring As You Like It into the present moment.
This translation of As You Like It was written as part of the Play On! Shakespeare project, an ambitious undertaking from the Oregon Shakespeare Festival that commissioned new translations of 39 Shakespeare plays. These translations present the Bard’s work in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Romeo and Juliet
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
Shakespeare’s famous play finds new life with a translation into contemporary American English.
“For never was a story of more woe / Than this of Juliet and her Romeo.” In this new version of Romeo and Juliet, written in accessible modern English, Hansol Jung breathes new life into Shakespeare’s famous tragedy. By closely examining the familiar language and focusing on the subtleties of the text, Jung illuminates a surprising and more nuanced world than many of us have come to expect from the well-known tale of star-crossed lovers.
This translation of Romeo and Juliet was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
“For never was a story of more woe / Than this of Juliet and her Romeo.” In this new version of Romeo and Juliet, written in accessible modern English, Hansol Jung breathes new life into Shakespeare’s famous tragedy. By closely examining the familiar language and focusing on the subtleties of the text, Jung illuminates a surprising and more nuanced world than many of us have come to expect from the well-known tale of star-crossed lovers.
This translation of Romeo and Juliet was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Julius Caesar
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
A fresh, contemporary translation of one of Shakespeare’s most dramatic and popular plays.
Julius Caesar, Shakespeare’s famous Roman tragedy, chronicles the chaos leading up to the fateful murder of Caesar and the ensuing political fallout upon his death. Shishir Kurup’s translation updates Shakespeare’s language to allow more of the playwright’s ideas to come through; it opens the wonders and blazing relevance of the play’s rhetorical brilliance to the twenty-first century.
This translation of Julius Caesar was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Julius Caesar, Shakespeare’s famous Roman tragedy, chronicles the chaos leading up to the fateful murder of Caesar and the ensuing political fallout upon his death. Shishir Kurup’s translation updates Shakespeare’s language to allow more of the playwright’s ideas to come through; it opens the wonders and blazing relevance of the play’s rhetorical brilliance to the twenty-first century.
This translation of Julius Caesar was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Henry VI, Part 1
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
New versions of Shakespeare’s history plays from director and translator Douglas Langworthy.
In his three Henry VI plays, Shakespeare tackles the infamous Wars of the Roses and the fall of the House of Lancaster. In this translation of Henry VI, Part 1, Douglas Langworthy explores the initial unrest as a young Henry VI becomes king. Langworthy’s translation takes a deep dive into the language of Shakespeare. With a fine-tooth comb, he updates passages that are archaic and difficult to the modern ear and matches them with the syntax and lyricism of the rest of the play, essentially translating archaic Shakespeare to match contemporary Shakespeare.
This translation of Henry VI, Part 1 was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
In his three Henry VI plays, Shakespeare tackles the infamous Wars of the Roses and the fall of the House of Lancaster. In this translation of Henry VI, Part 1, Douglas Langworthy explores the initial unrest as a young Henry VI becomes king. Langworthy’s translation takes a deep dive into the language of Shakespeare. With a fine-tooth comb, he updates passages that are archaic and difficult to the modern ear and matches them with the syntax and lyricism of the rest of the play, essentially translating archaic Shakespeare to match contemporary Shakespeare.
This translation of Henry VI, Part 1 was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Henry VI, Part 2
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
New versions of Shakespeare’s history plays from director and translator Douglas Langworthy.
In his three Henry VI plays, Shakespeare tackles the infamous Wars of the Roses and the fall of the House of Lancaster. In this translation of Henry VI, Part 2, Douglas Langworthy follows the increasing tensions as the Duke of York foments rebellion against the crown. Langworthy’s translation takes a deep dive into the language of Shakespeare. With a fine-tooth comb, he updates passages that are archaic and difficult to the modern ear, and matches them with the syntax and lyricism of the rest of the play, essentially translating archaic Shakespeare to match contemporary Shakespeare.
This translation of Henry VI, Part 2 was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
In his three Henry VI plays, Shakespeare tackles the infamous Wars of the Roses and the fall of the House of Lancaster. In this translation of Henry VI, Part 2, Douglas Langworthy follows the increasing tensions as the Duke of York foments rebellion against the crown. Langworthy’s translation takes a deep dive into the language of Shakespeare. With a fine-tooth comb, he updates passages that are archaic and difficult to the modern ear, and matches them with the syntax and lyricism of the rest of the play, essentially translating archaic Shakespeare to match contemporary Shakespeare.
This translation of Henry VI, Part 2 was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Henry VI, Part 3
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
New versions of Shakespeare’s history plays from director and translator Douglas Langworthy.
In his three Henry VI plays, Shakespeare tackles the infamous Wars of the Roses and the fall of the House of Lancaster. In this translation of Henry VI, Part 3, Douglas Langworthy concludes the trilogy, tracking the final downfall of Henry VI and the rise of the House of York. Langworthy’s translation takes a deep dive into the language of Shakespeare. With a fine-tooth comb, he updates passages that are archaic and difficult to the modern ear, and matches them with the syntax and lyricism of the rest of the play, essentially translating archaic Shakespeare to match contemporary Shakespeare.
This translation of Henry VI, Part 3 was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
In his three Henry VI plays, Shakespeare tackles the infamous Wars of the Roses and the fall of the House of Lancaster. In this translation of Henry VI, Part 3, Douglas Langworthy concludes the trilogy, tracking the final downfall of Henry VI and the rise of the House of York. Langworthy’s translation takes a deep dive into the language of Shakespeare. With a fine-tooth comb, he updates passages that are archaic and difficult to the modern ear, and matches them with the syntax and lyricism of the rest of the play, essentially translating archaic Shakespeare to match contemporary Shakespeare.
This translation of Henry VI, Part 3 was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Henry IV Part 1
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
The two-part tale of King Henry IV, rewritten with new language for the twenty-first century.
Shakespeare’s two Henry IV plays follow the exploits of King Henry IV after usurping the crown from his cousin Richard II. Featuring some of Shakespeare’s most recognizable characters such as Prince Hal and the roguish Sir John Falstaff, Henry IV, Part 1 delves into complicated questions of loyalty and kingship on and off the battlefield. Henry IV, Part 2 follows Prince Hal as he grapples with his eventual ascent to the throne and his increasingly strained relationship with Falstaff. As the king falls sick and Hal’s ascent appears imminent, Hal’s decisions hold significant implications for all those around him. Modernizing the language of the two plays, Yvette Nolan’s translation carefully works at the seeds sown by Shakespeare—bringing to new life the characters and dramatic arcs of the original.
These translations of Henry IV were written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Shakespeare’s two Henry IV plays follow the exploits of King Henry IV after usurping the crown from his cousin Richard II. Featuring some of Shakespeare’s most recognizable characters such as Prince Hal and the roguish Sir John Falstaff, Henry IV, Part 1 delves into complicated questions of loyalty and kingship on and off the battlefield. Henry IV, Part 2 follows Prince Hal as he grapples with his eventual ascent to the throne and his increasingly strained relationship with Falstaff. As the king falls sick and Hal’s ascent appears imminent, Hal’s decisions hold significant implications for all those around him. Modernizing the language of the two plays, Yvette Nolan’s translation carefully works at the seeds sown by Shakespeare—bringing to new life the characters and dramatic arcs of the original.
These translations of Henry IV were written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Henry IV Part 2
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
The two-part tale of King Henry IV, rewritten with new language for the twenty-first century.
Shakespeare’s two Henry IV plays follow the exploits of King Henry IV after usurping the crown from his cousin Richard II. Featuring some of Shakespeare’s most recognizable characters such as Prince Hal and the roguish Sir John Falstaff, Henry IV, Part 1 delves into complicated questions of loyalty and kingship on and off the battlefield. Henry IV, Part 2 follows Prince Hal as he grapples with his eventual ascent to the throne and his increasingly strained relationship with Falstaff. As the king falls sick and Hal’s ascent appears imminent, Hal’s decisions hold significant implications for all those around him. Modernizing the language of the two plays, Yvette Nolan’s translation carefully works at the seeds sown by Shakespeare—bringing to new life the characters and dramatic arcs of the original.
These translations of Henry IV were written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Shakespeare’s two Henry IV plays follow the exploits of King Henry IV after usurping the crown from his cousin Richard II. Featuring some of Shakespeare’s most recognizable characters such as Prince Hal and the roguish Sir John Falstaff, Henry IV, Part 1 delves into complicated questions of loyalty and kingship on and off the battlefield. Henry IV, Part 2 follows Prince Hal as he grapples with his eventual ascent to the throne and his increasingly strained relationship with Falstaff. As the king falls sick and Hal’s ascent appears imminent, Hal’s decisions hold significant implications for all those around him. Modernizing the language of the two plays, Yvette Nolan’s translation carefully works at the seeds sown by Shakespeare—bringing to new life the characters and dramatic arcs of the original.
These translations of Henry IV were written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Hamlet
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
To thine own text be true—Lisa Peterson’s translation of Hamlet into contemporary American English makes the play accessible to new audiences while keeping the soul of Shakespeare’s writing intact.
Lovers of Shakespeare’s language take heart: Lisa Peterson’s translation of Hamlet into contemporary American English was guided by the principle of “First, do no harm.” Leaving the most famous parts of Hamlet untouched, Peterson untied the language knots that can make the rest of the play difficult to understand in a single theatrical viewing. Peterson’s translation makes Hamlet accessible to new audiences, drawing out its timeless themes while helping to contextualize "To be, or not to be: that is the question," and “Something is rotten in the state of Denmark,” so that contemporary audiences can feel their full weight.
This translation of Hamlet was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Lovers of Shakespeare’s language take heart: Lisa Peterson’s translation of Hamlet into contemporary American English was guided by the principle of “First, do no harm.” Leaving the most famous parts of Hamlet untouched, Peterson untied the language knots that can make the rest of the play difficult to understand in a single theatrical viewing. Peterson’s translation makes Hamlet accessible to new audiences, drawing out its timeless themes while helping to contextualize "To be, or not to be: that is the question," and “Something is rotten in the state of Denmark,” so that contemporary audiences can feel their full weight.
This translation of Hamlet was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
The Two Noble Kinsmen
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
Tim Slover brings fresh clarity to his contemporary version of Shakespeare’s final play.
Playwright, poet, and novelist Tim Slover presents William Shakespeare’s and John Fletcher’s collaboration, The Two Noble Kinsmen, in a modern translation that retains all the wit, romance, and poetry of the original. For his last play, the Bard pulled out all the stops, creating a tragicomedy of heart’s yearning and deadly rivalry, and peopling it with heroes and heroines out of legend, including two of the greatest—and least known—female roles in the entire canon. Fletcher provided the music and dance. Slover brings it all vividly to life with fresh clarity and fiery passion in this new, contemporary version.
This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era.
Playwright, poet, and novelist Tim Slover presents William Shakespeare’s and John Fletcher’s collaboration, The Two Noble Kinsmen, in a modern translation that retains all the wit, romance, and poetry of the original. For his last play, the Bard pulled out all the stops, creating a tragicomedy of heart’s yearning and deadly rivalry, and peopling it with heroes and heroines out of legend, including two of the greatest—and least known—female roles in the entire canon. Fletcher provided the music and dance. Slover brings it all vividly to life with fresh clarity and fiery passion in this new, contemporary version.
This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Edward III
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
Edward III comes to life in a new version by playwright Octavio Solis.
Written after England’s victory over the Spanish Armada in 1588, Edward III follows the exploits of King Edward III and his son Edward, the Black Prince of Wales. England dominates on the battlefield as the play explores questions of kinghood and chivalry through the actions of King Edward and his son. Octavio Solis’s translation of the play provides all of the complexity and richness of the original while renewing the allusions and metaphors lost through time.
This translation of Edward III was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Written after England’s victory over the Spanish Armada in 1588, Edward III follows the exploits of King Edward III and his son Edward, the Black Prince of Wales. England dominates on the battlefield as the play explores questions of kinghood and chivalry through the actions of King Edward and his son. Octavio Solis’s translation of the play provides all of the complexity and richness of the original while renewing the allusions and metaphors lost through time.
This translation of Edward III was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Henry V
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
Playwright Lloyd Suh reimagines the political intrigue and high drama of Henry V for twenty-first-century audiences.
Shakespeare’s Henry V is a play about nationalism, war, and how we remember history. Known for its rousing speeches and miraculous outcomes, the play has long had a life beyond the stage and page, its themes and rhetoric common points of reference in politics. In this modern translation of Henry V, Lloyd Suh has created a new interpretation that is distinctly his own while protecting the mystery of Shakespeare’s drama. Suh’s translation focuses on the actors and the staging, channeling the theatrical nature of Shakespeare’s play for a new audience.
This translation of Henry V was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the Bard’s work in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Shakespeare’s Henry V is a play about nationalism, war, and how we remember history. Known for its rousing speeches and miraculous outcomes, the play has long had a life beyond the stage and page, its themes and rhetoric common points of reference in politics. In this modern translation of Henry V, Lloyd Suh has created a new interpretation that is distinctly his own while protecting the mystery of Shakespeare’s drama. Suh’s translation focuses on the actors and the staging, channeling the theatrical nature of Shakespeare’s play for a new audience.
This translation of Henry V was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the Bard’s work in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Henry VIII
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
Caridad Svich offers a new take on the history play, which tells the story of Henry VIII’s marriage to Anne Boleyn.
Shakespeare’s Henry VIII is a story of a brazen race to power and the desire for an heir. Advised by Cardinal Wolsey, Henry VIII is caught between church and state as he meets Anne Boleyn and seeks to annul his marriage to Queen Katherine. This episodic and plot-driven play examines the machinations of royal power. Shakespeare’s Henry VIII, in this new translation by Caridad Svich, is a swift-moving, complex tale of intrigue.
This translation of Henry VIII was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Shakespeare’s Henry VIII is a story of a brazen race to power and the desire for an heir. Advised by Cardinal Wolsey, Henry VIII is caught between church and state as he meets Anne Boleyn and seeks to annul his marriage to Queen Katherine. This episodic and plot-driven play examines the machinations of royal power. Shakespeare’s Henry VIII, in this new translation by Caridad Svich, is a swift-moving, complex tale of intrigue.
This translation of Henry VIII was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
The Merchant of Venice
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
An updated version of The Merchant of Venice that speaks to our contemporary reckoning with racism and injustice.
Elise Thoron’s translation of Shakespeare’s searing The Merchant of Venice cuts straight to the heart of today’s fraught issues of social justice and systemic racism. Thoron’s clear, compelling contemporary verse translation retains the power of the original iambic pentameter while allowing readers and audiences to fully comprehend and directly experience the brutal dilemmas of Shakespeare’s Venice, where prejudice and privilege reign unchallenged. As the author of three acclaimed music-theater works on the Jewish experience and informed by her work directing cross-cultural projects in locations as different as Russia, Japan, Cuba, and New York City, Thoron brings to her Merchant an immediacy that speaks directly to the present reckoning with race in America.
This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era.
Elise Thoron’s translation of Shakespeare’s searing The Merchant of Venice cuts straight to the heart of today’s fraught issues of social justice and systemic racism. Thoron’s clear, compelling contemporary verse translation retains the power of the original iambic pentameter while allowing readers and audiences to fully comprehend and directly experience the brutal dilemmas of Shakespeare’s Venice, where prejudice and privilege reign unchallenged. As the author of three acclaimed music-theater works on the Jewish experience and informed by her work directing cross-cultural projects in locations as different as Russia, Japan, Cuba, and New York City, Thoron brings to her Merchant an immediacy that speaks directly to the present reckoning with race in America.
This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Othello
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
A contemporary translation that emphasizes the racial malice at the heart of Shakespeare’s play.
In her update of Shakespeare’s Othello, Mfoniso Udofia engages with the racial malice at the heart of the play. Udofia’s take on this complicated story emphasizes the rhythm and lyrical patterns of Othello’s speech. Opening up the text to modern ears, Udofia presents us with a code-switched Othello.
This translation of Othello was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
In her update of Shakespeare’s Othello, Mfoniso Udofia engages with the racial malice at the heart of the play. Udofia’s take on this complicated story emphasizes the rhythm and lyrical patterns of Othello’s speech. Opening up the text to modern ears, Udofia presents us with a code-switched Othello.
This translation of Othello was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
A Midsummer Night's Dream
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
Shakespeare’s most spirited play, adapted for new audiences by Jeffrey Whitty.
Tony Award–winning and Oscar-nominated storyteller Jeffrey Whitty offers his adaptation of A Midsummer Night’s Dream, mindfully adapted into modern language. Matching the Bard line for line, rhyme for rhyme, Whitty illuminates Shakespeare’s meaning for modern audiences while maintaining the play’s storytelling architecture, emotional texture, and freewheeling humor. Designed to supplement, not supplant, the original, Whitty’s Midsummer cuts through the centuries to bring audiences a fresh, moment-by-moment take, designed to flow as effortlessly for modern audiences as Shakespeare’s beloved classic played to the Elizabethans.
This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era.
Tony Award–winning and Oscar-nominated storyteller Jeffrey Whitty offers his adaptation of A Midsummer Night’s Dream, mindfully adapted into modern language. Matching the Bard line for line, rhyme for rhyme, Whitty illuminates Shakespeare’s meaning for modern audiences while maintaining the play’s storytelling architecture, emotional texture, and freewheeling humor. Designed to supplement, not supplant, the original, Whitty’s Midsummer cuts through the centuries to bring audiences a fresh, moment-by-moment take, designed to flow as effortlessly for modern audiences as Shakespeare’s beloved classic played to the Elizabethans.
This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]
Early Modern Women Journal Volume 12.2
Mihoko Suzuki
Arizona Center for Medieval and Renaissance Studies, 2018
Early Modern Women: An Interdisciplinary Journal (EMWJ) is the only journal devoted solely to the interdisciplinary and global study of women and gender spanning the late medieval through early modern periods. Each volume gathers essays on early modern women from every country and region by scholars from a wide range of academic disciplines including art history, cultural studies, music, history, languages and literatures, political science, religion, theatre, history of science, and history of philosophy.
[more]
Gunpowder Percy
Grace Tiffany
Arizona Center for Medieval and Renaissance Studies, 2000
Paint
Grace Tiffany
Arizona Center for Medieval and Renaissance Studies, 2013
Eadfrith
Scribe of Lindisfarne
Michelle Treeve
Arizona Center for Medieval and Renaissance Studies, 2014
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2023
The University of Chicago Press