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2433 scholarly books by University of Illinois Press and 190 start with C
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Claiming Neighborhood: New Ways of Understanding Urban Change
John Betancur
University of Illinois Press, 2016
Library of Congress HT168.C5B48 2016 | Dewey Decimal 307.12160977311

Based on historical case studies in Chicago, John J. Betancur and Janet L. Smith focus both the theoretical and practical explanations for why neighborhoods change today. As the authors show, a diverse collection of people including urban policy experts, elected officials, investors, resident leaders, institutions, community-based organizations, and many others compete to control how neighborhoods change and are characterized. Betancur and Smith argue that neighborhoods have become sites of consumption and spaces to be consumed. Discourse is used to add and subtract value from them. The romanticized image of "the neighborhood" exaggerates or obscures race and class struggles while celebrating diversity and income mixing. Scholars and policy makers must reexamine what sustains this image and the power effects produced in order to explain and govern urban space more equitably.
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Claire Denis
Judith Mayne
University of Illinois Press, 2005
Library of Congress PN1998.3.D465M39 2005 | Dewey Decimal 791.430233092

Widely regarded as one of the most innovative and passionate filmmakers working in France today, Claire Denis has continued to make beautiful and challenging films since the 1988 release of her first feature, Chocolat. Judith Mayne's comprehensive study traces Denis's career and discusses her major feature films in rich detail. 

Born in Paris but raised in West Africa, Denis explores in her films the legacies of French colonialism and the complex relationships between sexuality, gender, and race. From the adult woman who observes her past as a child in Cameroon to the Lithuanian immigrant who arrives in Paris and watches a serial killer to the disgraced French Foreign Legionnaire attempting to make sense of his past, the subjects of Denis's films continually revisit themes of watching, bearing witness, and making contact, as well as displacement, masculinity, and the migratory subject.

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Classic Hollywood: Lifestyles and Film Styles of American Cinema, 1930-1960
Veronica Pravadelli
University of Illinois Press, 2015
Library of Congress PN1993.5.U6P6713 2015 | Dewey Decimal 791.430973

Studies of "Classic Hollywood" typically treat Hollywood films released from 1930 to 1960 as a single interpretive mass. Veronica Pravadelli complicates this idea. Focusing on dominant tendencies in box office hits and Oscar-recognized classics, she breaks down the so-called classic period into six distinct phases that follow Hollywood's amazingly diverse offerings from the emancipated females of the "Transition Era" and the traditional men and women of the conservative 1930s that replaced it to the fantastical Fifties movie musicals that arose after anti-classic genres like film noir and women's films.
 
Pravadelli sets her analysis apart by paying particular attention to the gendered desires and identities exemplified in the films. Availing herself of the significant advances in film theory and modernity studies that have taken place since similar surveys first saw publication, she views Hollywood through strategies as varied as close textural analysis, feminism, psychoanalysis, film style and study of cinematic imagery, revealing the inconsistencies and antithetical traits lurking beneath Classic Hollywood's supposed transparency.
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Classical American Pragmatism: ITS CONTEMPORARY VITALITY
Edited by Sandra B. Rosenthal, Carl R. Hausman, and Douglas R. Anderson
University of Illinois Press, 1999
Library of Congress B944.P72C57 1999 | Dewey Decimal 144.30973

This collection provides a thorough grounding in the philosophy of American pragmatism by examining the views of four principal thinkers—Charles S. Peirce, William James, John Dewey, and George Herbert Mead—on issues of central and enduring importance to life in human society.
Pragmatism emerged as a characteristically American response to an inheritance of British empiricism.
Presenting a radical reconception of the nature of experience, pragmatism represents a belief that ideas are not merely to be contemplated but must be put into action, tested and refined through experience. At the same time, the American pragmatists argued for an emphasis on human community that would offset the deep-seated American bias in favor of individualism. Far from being a relic of the past, pragmatism offers a dynamic and substantive approach to questions of human conduct, social values, scientific inquiry, religious belief, and aesthetic experience that lie at the center of contemporary life. This volume is an invaluable introduction to a school of thought that remains vital, instructive, and provocative.
 
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Clear It with Sid!: Sidney R. Yates and Fifty Years of Presidents, Pragmatism, and Public Service
Michael C. Dorf and George Van Dusen
University of Illinois Press, 2022
Library of Congress E840.8.Y38D67 2019 | Dewey Decimal 328.73092

The son of a Lithuanian blacksmith, Sidney R. Yates rose to the pinnacle of Washington power and influence. As chair of a House Appropriations Subcommittee, Yates was a preeminent national figure involved in issues that ranged from the environment and Native American rights to Israel and support for the arts. Speaker Tip O'Neill relied on the savvy Chicagoan in the trenches and advised anyone with controversial legislation to first "clear it with Sid!"

Michael C. Dorf and George Van Dusen draw on scores of interviews and unprecedented access to private papers to illuminate the life of an Illinois political icon. Wise, energetic, charismatic, petty, stubborn--Sid Yates presented a complicated character to constituents and colleagues alike. Yet his get-it-done approach to legislation allowed him to bridge partisan divides in the often-polarized House of Representatives. Following Yates from the campaign trail to the negotiating table to the House floor, Dorf and Van Dusen offer a rich portrait of a dealmaker extraordinaire and tireless patriot on a fifty-year journey through postwar American politics.
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Coalfield Jews: An Appalachian History
Deborah R. Weiner
University of Illinois Press, 2006
Library of Congress F250.J5W45 2006 | Dewey Decimal 975.4004924

The stories of vibrant eastern European Jewish communities in the Appalachian coalfields

Coalfield Jews explores the intersection of two simultaneous historic events: central Appalachia’s transformative coal boom (1880s-1920), and the mass migration of eastern European Jews to America. Traveling to southern West Virginia, eastern Kentucky, and southwestern Virginia to investigate the coal boom’s opportunities, some Jewish immigrants found success as retailers and established numerous small but flourishing Jewish communities.

Deborah R. Weiner’s Coalfield Jews provides the first extended study of Jews in Appalachia, exploring where they settled, how they made their place within a surprisingly receptive dominant culture, how they competed with coal company stores, interacted with their non-Jewish neighbors, and maintained a strong Jewish identity deep in the heart of the Appalachian mountains. To tell this story, Weiner draws on a wide range of primary sources in social, cultural, religious, labor, economic, and regional history.  She also includes moving personal statements, from oral histories as well as archival sources, to create a holistic portrayal of Jewish life that will challenge commonly held views of Appalachia as well as the American Jewish experience.

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Cold War Games: Propaganda, the Olympics, and U.S. Foreign Policy
Toby C Rider
University of Illinois Press, 2016
Library of Congress GV721.5.R54 2016 | Dewey Decimal 796.48

It is the early Cold War. The Soviet Union appears to be in irresistible ascendance and moves to exploit the Olympic Games as a vehicle for promoting international communism. In response, the United States conceives a subtle, far-reaching psychological warfare campaign to blunt the Soviet advance.

Drawing on newly declassified materials and archives, Toby C. Rider chronicles how the U.S. government used the Olympics to promote democracy and its own policy aims during the tense early phase of the Cold War. Rider shows how the government, though constrained by traditions against interference in the Games, eluded detection by cooperating with private groups, including secretly funded émigré organizations bent on liberating their home countries from Soviet control. At the same time, the United States utilized Olympic host cities as launching pads for hyping the American economic and political system. Behind the scenes, meanwhile, the government attempted clandestine manipulation of the International Olympic Committee. Rider also details the campaigns that sent propaganda materials around the globe as the United States mobilized culture in general, and sports in particular, to fight the communist threat.

Deeply researched and boldly argued, Cold War Games recovers an essential chapter in Olympic and postwar history.

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Cold War on the Airwaves: The Radio Propaganda War against East Germany
Nicholas J. Schlosser
University of Illinois Press, 2015
Library of Congress PN1991.3.G4S286 2015 | Dewey Decimal 384.545309431554

Founded as a counterweight to the Communist broadcasters in East Germany, Radio in the American Sector (RIAS) became one of the most successful public information operations conducted against the Soviet Bloc. Cold War on the Airwaves examines the Berlin-based organization's history and influence on the political worldview of the people--and government--on the other side of the Iron Curtain.

Nicholas J. Schlosser draws on broadcast transcripts, internal memoranda, listener letters, and surveys by the U.S. Information Agency to profile RIAS. Its mission: to undermine the German Democratic Republic with propaganda that, ironically, gained in potency by obeying the rules of objective journalism. Throughout, Schlosser examines the friction inherent in such a contradictory project and propaganda's role in shaping political culture. He also portrays how RIAS's primarily German staff influenced its outlook and how the organization both competed against its rivals in the GDR and pushed communist officials to alter their methods in order to keep listeners.

From the occupation of Berlin through the airlift to the construction of the Berlin Wall, Cold War on the Airwaves offers an absorbing view of how public diplomacy played out at a flashpoint of East-West tension.

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Cold War Progressives: Women's Interracial Organizing for Peace and Freedom
Jacqueline Castledine
University of Illinois Press, 2012
Library of Congress HQ1426.C2837 2012 | Dewey Decimal 305.420973

In recognizing the relation between gender, race, and class oppression, American women of the postwar Progressive Party made the claim that peace required not merely the absence of violence, but also the presence of social and political equality. For progressive women, peace was the essential thread that connected the various aspects of their activist agendas. This study maps the routes taken by postwar popular front women activists into peace and freedom movements of the 1960s and 1970s. Historian Jacqueline Castledine tells the story of their decades-long effort to keep their intertwined social and political causes from unraveling and to maintain the connections among peace, feminism, and racial equality.
 
Postwar progressive women and their allies often saw themselves as members of a popular front promoting the rights of workers, women, and African Americans under the banner of peace. However, the Cold War indelibly shaped the contours of their activism. Following the Progressive Party's demise in the 1950s, these activists reentered social and political movements in the early 1960s and met the inescapable reality that their agenda was a casualty of the left-liberal political division of the early Cold War era. Many Americans now viewed peace as a leftist concern associated with Soviet sympathizers and civil rights as the favored cause of liberals. Faced with the dilemma of working to reunite these movements or choosing between them, some progressive women chose to lead such New Left organizations as the Jeannette Rankin Brigade while others became leaders of liberal "second wave" feminist movements.
 
Whether they committed to affiliating with groups that emphasized one issue over others or attempted to found groups with broad popular-front type agendas, Progressive women brought to their later work an understanding of how race, class, and gender intersect in women's organizing. These women's stories demonstrate that the ultimate result of Cold War-era McCarthyism was not the defeat of women's activism, but rather its reconfiguration.
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A Cole Porter Companion
Edited by Don M. Randel, Matthew Shaftel, and Susan Forscher
University of Illinois Press, 2016
Library of Congress ML410.P7844C65 2016 | Dewey Decimal 782.14092

Balancing sophisticated melodies and irresistible rhythms with lyrics by turns cynical and passionate, Cole Porter sent American song soaring on gossamer wings. Timeless works like "I Get a Kick Out of You" and "At Long Last Love" made him an essential figure in the soundtrack of a century and earned him adoration from generations of music lovers.

In A Cole Porter Companion, a parade of performers and scholars offers essays on little-known aspects of the master tunesmith's life and art. Here are Porter's days as a Yale wunderkind and his nights as the exemplar of louche living; the triumph of Kiss Me Kate and shocking failure of You Never Know; and his spinning rhythmic genius and a turkey dinner into "You're the Top" while cultural and economic forces take "Ev'ry Time We Say Goodbye" in unforeseen directions. Other entries explore notes on ongoing Porter scholarship and delve into his formative works, performing career, and long-overlooked contributions to media as varied as film and ballet.

Prepared with the cooperation of the Porter archives, A Cole Porter Companion is an invaluable guide for the fans and scholars of this beloved American genius.

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Collaborators for Emancipation: Abraham Lincoln and Owen Lovejoy
William F. Moore and Jane Ann Moore
University of Illinois Press, 2019
Library of Congress E457.2.M79 2014 | Dewey Decimal 973.70922

Few expected politician Abraham Lincoln and Congregational minister Owen Lovejoy to be friends when they met in 1854. One was a cautious lawyer who deplored abolitionists' flouting of the law, the other an outspoken antislavery activist who captained a stop on the Underground Railroad. Yet the two built a relationship that, in Lincoln's words, "was one of increasing respect and esteem."
 
In Collaborators for Emancipation: Abraham Lincoln and Owen Lovejoy, the authors examine the thorny issue of the pragmatism typically ascribed to Lincoln versus the radicalism of Lovejoy, and the role each played in ending slavery. Exploring the men's politics, personal traits, and religious convictions, the book traces their separate paths in life as well as their frequent interactions. Collaborators for Emancipation shows how Lincoln and Lovejoy influenced one another and analyzes the strategies and systems of belief each brought to the epic controversies of slavery versus abolition and union versus disunion.
 
Moore and Moore, editors of a previous volume of Lovejoy's writings, use their deep knowledge of his words and life to move beyond mere politics to a nuanced perspective on the fabric of religion and personal background that underlay the minister's worldview. Their multifaceted work of history and biography reveals how Lincoln embraced the radical idea of emancipation, and how Lovejoy shaped his own radicalism to wield the pragmatic political tools needed to reach that ultimate goal.
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Collected Poems
Edwin Rolfe
University of Illinois Press, 1993

      Edwin Rolfe (1909-54) is best known as the poet laureate of the Abraham
        Lincoln Battalion, the Americans who volunteered to help defend the elected
        Spanish government during its 1936-39 civil war. His career began in the
        revolutionary Left in New York in the 1920s and continued into the 1950s,
        when Rolfe wrote searing poetry attacking the McCarthy-era witch-hunts.
 
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Colored No More: Reinventing Black Womanhood in Washington, D.C.
Treva B. Lindsey
University of Illinois Press, 2017
Library of Congress E185.93.D6L56 2017 | Dewey Decimal 305.488960730753

Home to established African American institutions and communities, Washington, D.C., offered women in the New Negro movement a unique setting for the fight against racial and gender oppression. Colored No More traces how African American women of the late-nineteenth and early twentieth century made significant strides toward making the nation's capital a more equal and dynamic urban center.

Treva B. Lindsey presents New Negro womanhood as a multidimensional space that included race women, blues women, mothers, white collar professionals, beauticians, fortune tellers, sex workers, same-gender couples, artists, activists, and innovators. Drawing from these differing but interconnected African American women's spaces, Lindsey excavates a multifaceted urban and cultural history of struggle toward a vision of equality that could emerge and sustain itself. Upward mobility to equal citizenship for African American women encompassed challenging racial, gender, class, and sexuality status quos. Lindsey maps the intersection of these challenges and their place at the core of New Negro womanhood.
 
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The Colossal P. T. Barnum Reader: NOTHING ELSE LIKE IT IN THE UNIVERSE
Phineas T. BarnumEdited by James W. Cook
University of Illinois Press, 2005
Library of Congress GV1811.B3B37 2005 | Dewey Decimal 791.3092

The P. T. Barnum Reader reveals the trailblazing American showman P. T. Barnum as, by turns, a moral reformer, a habitual hoaxer, an insightful critic, a savvy "puffer," a master of images, a sparkling writer, a relentless provocateur, and an early advocate of "family" entertainments. Taken together, these selections paint a new and more complete portrait of this complex man than has ever been seen before. 
 
James W. Cook's The Colossal P. T. Barnum Reader is the largest collection of Barnum's works ever produced. Included are excerpts from his pseudo-autobiographical novel The Adventures of an Adventurer (1841), his European letters from 1844-46 informing readers of the New York Atlas of his regal reception overseas, and a large selection from his Ancient and Modern Humbugs of the World, Barnum's 1864-65 insider's look into the frauds of nineteenth-century American culture. It offers a glimpse of Tom Thumb's minstrel and singing performances in front of Queen Victoria, Barnum's many fraudulent representations of the supposedly ancient Joice Heth, and a more immediate, less filtered sense of Barnum as cultural and social critic in his serialized writings and travelogues. This volume also features reproductions of difficult to find posters from Barnum's two-decade collaboration with the prominent New York lithographers, Currier and Ives, and vintage photographs.
 
Finally, the reader also helps us to understand Barnum's role in building the modern culture industry. We follow his career from itinerant hawker, hardly distinguishable from his pre-industrial forebears, to manager of the world's first show business empire, with a staff of thousands and brand recognition across four continents. The Colossal P. T. Barnum Reader tracks the shifting personas of the great showman, his representational choices, and his publics across the nineteenth century.
 
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Combating Mountaintop Removal: New Directions in the Fight against Big Coal
Bryan T. McNeil
University of Illinois Press, 2012
Library of Congress TD195.C58M38 2011 | Dewey Decimal 622.292

 
Drawing on powerful personal testimonies of the hazards of mountaintop removal in southern West Virginia, Combating Mountaintop Removal critically examines the fierce conflicts over this violent and increasingly prevalent form of strip mining. Bryan T. McNeil documents the changing relationships among the coal industry, communities, environment, and economy from the perspective of local grassroots activist organizations and their broader networks.
 
Focusing on Coal River Mountain Watch (CRMW), an organization composed of individuals who have personal ties to the coal industry in the region, the study reveals a turn away from once-strong traditional labor unions and the emergence of community-based activist organizations. By framing social and moral arguments in terms of the environment, these innovative hybrid movements take advantage of environmentalism's higher profile in contemporary politics. In investigating the local effects of globalization and global economics, McNeil tracks the profound reimagining of social and personal ideas such as identity, history, and landscape and considers their roles in organizing an agenda for progressive community activism.

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Come Hither to Go Yonder: Playing Bluegrass with Bill Monroe
Bob Black
University of Illinois Press, 2005
Library of Congress ML419.B53 2005 | Dewey Decimal 787.881642092

Bob Black was a member of Bill Monroe's Blue Grass Boys in the 1970s. Black's memoir of his time with the man he called the Chief offers the unique vantage point of a man who traveled and performed extensively with the Father of Bluegrass at a time when the music had opened up to new audiences--and Monroe had become a living legend. 

Both role model and taskmaster, Monroe exerted a profound influence on Black and the musicians who have carried on the bluegrass tradition. In addition to Black's one-of-a-kind story, Come Hither to Go Yonder includes complete listing of Black's appearances with Monroe, recollections of the memorable experiences they shared while working together, descriptions of other important musicians and bands, and suggestions for further reading and listening. 

Offering a rare perspective on the creative forces that drove one of America's greatest composers and musical innovators, Come Hither to Go Yonder rewards fans of Bill Monroe and bluegrass while offering an insider's view of a crucial time in the music's history.

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Coming of Age in Post-Soviet Russia
Fran Markowitz
University of Illinois Press, 2000
Library of Congress HQ799.R9M285 2000 | Dewey Decimal 305.2350947

Anthropologist Fran Markowitz interviewed more than one hundred Russian teenagers to discover how adolescents have been coping with their country's seismic transitions. Her findings present a substantive challenge to near-axiomatic theories of human development that regard cultural stability as indispensable to the successful navigation of adolescence.
 
Markowitz's fieldwork leads to the surprising conclusion that the disruptions brought by glasnost, perestroika, and the fragmentation of the USSR exerted a greater impact on Western political hopes and on many of Russia's adults than on young people's perceptions of their lives. In their remarks on topics ranging from being Russian to religion, sex, music, and military service, the teenagers convey a flexible and optimistic approach to the future and a sense of security deriving from strong family, school, and neighborhood ties. Their perspectives suggest that culture change and social instability may be seen as positive forces, allowing for expressive opportunities, the establishment of individualized identities, and creative, pragmatic planning.
 
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Coming On Strong: Gender and Sexuality in Women's Sport
Susan K. Cahn
University of Illinois Press, 2015
Library of Congress GV709.C34 2015 | Dewey Decimal 796.082

Acclaimed since its original publication, Coming on Strong has become a much-cited touchstone in scholarship on women and sports. In this new edition, Susan K. Cahn updates her detailed history of women's sport and the struggles over gender, sexuality, race, class, and policy that have often defined it. A new chapter explores the impact of Title IX and how the opportunities and interest in sports it helped create reshaped women's lives even as the legislation itself came under sustained attack.
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Commemorating Hell: The Public Memory of Mittelbau-Dora
Gretchen Schafft and Gerhard Zeidler
University of Illinois Press, 2011
Library of Congress D805.5.D6S33 2011 | Dewey Decimal 940.531853224

This powerful, wide-ranging history of the Nazi concentration camp Mittelbau-Dora is the first book to analyze how memory of the Third Reich evolved throughout changes in the German regime from World War II to the present. Building on intimate knowledge of the history of the camp, where a third of the 60,000 prisoners did not survive the war, Gretchen Schafft and Gerhard Zeidler examine the political and cultural aspects of the camp's memorialization in East Germany and, after 1989, in unified Germany.

Prisoners at Mittelbau-Dora built the V-1 and V-2 missiles, some of them coming into direct contact with Wernher von Braun and Arthur Rudolph, who later became leading engineers in the U.S. space program. Through the continuing story of Mittelbau-Dora, from its operation as a labor camp to its social construction as a monument, Schafft and Zeidler reflect an abiding interest in the memory and commemoration of notorious national events. In extending the analysis of Mittelbau-Dora into post-war and present-day Germany, Commemorating Hell uncovers the intricate relationship between the politics of memory and broader state and global politics, revealing insights about the camp's relationship to the American space pioneers and the fate of the nearby city of Nordhausen.

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The Common Ground of Womanhood: Class, Gender, and Working Girls' Clubs, 1884-1928
Priscilla Murolo
University of Illinois Press, 1997
Library of Congress HQ1904.M87 1997 | Dewey Decimal 331.406073

Working girls' clubs were a flash-point for class antagonisms yet also provided fertile ground for surprising cross-class alliances. Priscilla Murolo's nuanced study charts the shifting points of conflict and consensus between working women and their genteel club sponsors; working women and their male counterparts; and among working women of differing ethnic backgrounds. 

The working girls' club movement lasted from the 1880s, when women poured into the industrial labor force, to the 1920s. Upper-class women initially governed the clubs, and activities converged around standards of "respectability" and the defense and uplift of the character of women who worked for wages. Later, the workers themselves presided over the leadership and shifted the clubs' focus to issues of labor reform, women's rights, and sisterhood across class lines. 

A valuable and lucid study of the club movement, The Common Ground of Womanhood throws new light on broader trends in the history of women's alliances, social reform, gender conventions, and worker organizing.

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Communications in Turkey and the Ottoman Empire: A Critical History
Burçe Çelik
University of Illinois Press, 2023

The history of communications in the Ottoman Empire and Turkey contradicts the widespread belief that communications is a byproduct of modern capitalism and other Western forces. Burçe Çelik uses a decolonial perspective to analyze the historical commodification and militarization of communications and how it affected production and practice for oppressed populations like women, the working class, and ethnic and religious minorities. Moving from the mid-nineteenth century through today, Çelik places networks within the changing geopolitical landscape and the evolution of modern capitalism in relationship to struggles involving a range of social and political actors. Throughout, she challenges Anglo- and Eurocentric assumptions that see the non-West as an ahistorical imitation of, or aberration from, the development of Western communications.

Ambitious and comprehensive, Communications in Turkey and the Ottoman Empire merges political economy with social history to challenge Western-centered assumptions about the origins and development of modern communications.

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The Communist Party in Maryland, 1919-57
Vernon L. Pedersen
University of Illinois Press, 2001
Library of Congress JK2391.C5P38 2001 | Dewey Decimal 324.27520750904

This rare grass-roots account of American communism traces the rise and fall of Maryland's Communist Party from the time of the Russian Revolution to the McCarthy era. Drawing on sources including the central archives of the Communist Party of the United States of America, recovered from remote storage in Siberia in 1993, Vernon L. Pedersen presents a sharp challenge to revisionist views of American communism as a benign domestic movement detached from Soviet interests.
 
Bolsheviks in Baltimore charts the uneven transformation of Baltimore's fledgling Communists into underground revolutionaries in the 1920s. Pedersen documents the mercurial careers of local organizers, their devotion to the Soviet cause, and their efforts to convert the Party from a hodgepodge of ethnic groups to an effective instrument of class interests. He also tracks the public's changing perception of the Communists, from amused unconcern to alarm, and details how the Ober antisubversive law and the HUAC hearings of the 1950s dismantled the Party from without while planting seeds of paranoia that destroyed it from within.
 
Behind the public fear of a Communist conspiracy against the U.S. government, Pedersen finds a party fractured by conflicting agendas, ineffectual leadership, and unstable membership. However, he also uncovers new evidence that Communists in the United States, acting on Soviet orders, used their influence in unions and front groups to sway American foreign policy in ways that benefited the Soviet Union. He documents the consolidation of an espionage apparatus in Baltimore and demonstrates that while espionage activities may have involved only a few individuals, all Party members shared an attitude of willing support for the activities of the Soviet Union that made these covert practices possible.
 
Paying tribute to the fervor and the effort dedicated by the Maryland Communists, often at the expense of their own physical and financial well-being, to a cause that ultimately failed them, Bolsheviks in Baltimore assesses an ambiguous legacy of admirable social vision, haphazard international conspiracy, and fierce internal conflict.
 
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Communists in Harlem during the Depression
Mark Naison
University of Illinois Press, 2004
Library of Congress JK2391.C53N56 2005

No socialist organization has ever had a more profound effect on black life than the Communist Party did in Harlem during the Depression. Mark Naison describes how the party won the early endorsement of such people as Adam Clayton Powell Jr. and how its support of racial equality and integration impressed black intellectuals, including Richard Wright, Langston Hughes, and Paul Robeson.
 
This meticulously researched work, largely based on primary materials and interviews with leading black Communists from the 1930s, is the first to fully explore this provocative encounter between whites and blacks. It provides a detailed look at an exciting period of reform, as well as an intimate portrait of Harlem in the 1920s and 30s, at the high point of its influence and pride.
 
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Communities of Journalism: A History of American Newspapers and Their Readers
David Paul Nord
University of Illinois Press, 2006
Library of Congress PN4855.N67 2001 | Dewey Decimal 071.309

Widely acknowledged as one of our most insightful commentators on the history of journalism in the United States, David Paul Nord reveals how newspapers have intersected with religion, politics, reform, and urban life over nearly three centuries, His lively and wide-ranging discussion shows journalism to be a vital component of community. Ranging from the religion-infused towns of colonial America to the rapidly expanding urban metropolises of the late nineteenth century, Nord explores the cultural work of the press and how ordinary readers use journalism to form community attachments and engage in civic life.
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COMMUNITY RECONSTRUCTS
James Campbell
University of Illinois Press, 1992
Library of Congress B944.P72C36 1992 | Dewey Decimal 300.1

In The Community Reconstructs
  James Campbell explores the Pragmatists' contributions to American social
  thought, drawing upon the writings of William James, John Dewey, George Herbert
  Mead, James Hayden Tufts, and their various critics. He explores the Pragmatic
  analysis of society's potential for ongoing intelligent inquiry and cooperative
  evaluation to address social ills. Campbell also considers the nature of political
  language, the relative importance of the moral and political values of liberty
  and equality, and the vital role of commitment to the life of a democratic community.
 
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Community-Centered Journalism: Engaging People, Exploring Solutions, and Building Trust
Andrea Wenzel
University of Illinois Press, 2020
Library of Congress PN4784.R29W46 2020 | Dewey Decimal 070.433

Contemporary journalism faces a crisis of trust that threatens the institution and may imperil democracy itself. Critics and experts see a renewed commitment to local journalism as one solution. But a lasting restoration of public trust requires a different kind of local journalism than is often imagined, one that engages with and shares power among all sectors of a community.

Andrea Wenzel models new practices of community-centered journalism that build trust across boundaries of politics, race, and class, and prioritize solutions while engaging the full range of local stakeholders. Informed by case studies from rural, suburban, and urban settings, Wenzel's blueprint reshapes journalism norms and creates vigorous storytelling networks between all parts of a community. Envisioning a portable, rather than scalable, process, Wenzel proposes a community-centered journalism that, once implemented, will strengthen lines of local communication, reinvigorate civic participation, and forge a trusting partnership between media and the people they cover.

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Comparative Arawakan Histories: Rethinking Language Family and Culture Area in Amazonia
Edited by Jonathan D. Hill and Fernando Santos-Granero
University of Illinois Press, 2002
Library of Congress F2230.2.A7C63 2002 | Dewey Decimal 972.9004979

Before they were largely decimated and dispersed by the effects of European colonization, Arawak-speaking peoples were the most widespread language family in Latin America and the Caribbean, and they were the first people Columbus encountered in the Americas. Comparative Arawakan Histories, in paperback for the first time, examines social structures, political hierarchies, rituals, religious movements, gender relations, and linguistic variations through historical perspectives to document sociocultural diversity across the diffused Arawakan diaspora.
 
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Compañeros: Latino Activists in the Face of AIDS
Jesus Ramirez-Valles
University of Illinois Press, 2011
Library of Congress HQ76.8.U5R36 2011 | Dewey Decimal 362.196979200897

 
Telling the affecting stories of eighty gay, bisexual, and transgender (GBT) Latino activists and volunteers living in Chicago and San Francisco, Compañeros: Latino Activists in the Face of AIDS closely details how these individuals have been touched or transformed by the AIDS epidemic. Weaving together activists' responses to oppression and stigma, their encounters with AIDS, and their experiences as GBTs and Latinos in North America and Latin America, Jesus Ramirez-Valles explores the intersection of civic involvement with ethnic and sexual identity. Even as activists battle multiple sources of oppression, they are able to restore their sense of family connection and self-esteem through the creation of an alternative space in which community members find value in their relationships with one another. In demonstrating the transformative effects of a nurturing community environment for GBT Latinos affected by the AIDS epidemic, Ramirez-Valles illustrates that members find support in one another, as compañeros, in their struggles with homophobia, gender discrimination, racism, poverty, and forced migration.
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Complaint: Grievance among Friends
Avital Ronell
University of Illinois Press, 2018
Library of Congress PN56.C6625R66 2018 | Dewey Decimal 809

“It is not, nor it cannot come to good. But break, my heart, for I must hold my tongue.” Thus spoke Hamlet, one of the great kvetchers of literature. Every day, gripers challenge our patience and compassion. Yet Pollyannas rile us up with their grotesque contentment and unfathomable rejection of protest.

Avital Ronell considers how literature and philosophy treat bellyachers, wailers, and grumps—and the complaints they lavish on the rest of us. Combining her trademark jazzy panache with a fearless range of readings, Ronell opens a dialogue with readers that discusses thinkers with whom she has directly engaged. Beginning with Hamlet, and with a candid awareness of her own experiences, Ronell proceeds to show how complaining is aggravated, distracted, stifled, and transformed. She moves on to the exemplary complaints of Friedrich Nietzsche, Hannah Arendt, and Barbara Johnson and examines the complaint-riven history of deconstruction.

Infused with the author’s trademark wit, Complaint takes friends, colleagues, and all of us on a courageous philosophical journey.

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The Complete Fables of Jean de La Fontaine
Jean de La Fontaine
University of Illinois Press, 2007
Library of Congress PQ1811.E3S45 2007 | Dewey Decimal 841.4

Inspired new translations of the work of one of the world's greatest fabulists

Told in an elegant style, Jean de la Fontaine's (1621-95) charming animal fables depict sly foxes and scheming cats, vain birds and greedy wolves, all of which subtly express his penetrating insights into French society and the beasts found in all of us. Norman R. Shapiro has been translating La Fontaine's fables for over twenty years, capturing the original work's lively mix of plain and archaic language. This newly complete translation is destined to set the English standard for this work.

Awarded the Lewis Galantière Prize by the American Translators Association, 2008.

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Complete Poems
Claude Mckay. Edited by William J. Maxwell.
University of Illinois Press, 2003
Library of Congress PS3525.A24785A17 2004 | Dewey Decimal 811.52

Containing more than three hundred poems, including nearly a hundred previously unpublished works, this unique collection showcases the intellectual range of Claude McKay (1889-1948), the Jamaican-born poet and novelist whose life and work were marked by restless travel and steadfast social protest. McKay's first poems were composed in rural Jamaican creole and launched his lifelong commitment to representing everyday black culture from the bottom up. Migrating to New York, he reinvigorated the English sonnet and helped spark the Harlem Renaissance with poems such as "If We Must Die." After coming under scrutiny for his communism, he traveled throughout Europe and North Africa for twelve years and returned to Harlem in 1934, having denounced Stalin's Soviet Union. By then, McKay's pristine "violent sonnets" were giving way to confessional lyrics informed by his newfound Catholicism.

McKay's verse eludes easy definition, yet this complete anthology, vividly introduced and carefully annotated by William J. Maxwell, acquaints readers with the full transnational evolution of a major voice in twentieth-century poetry.

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Complete Poems
Edgar Allan Poe
University of Illinois Press, 1969
Library of Congress PS2605.A1 2000

Although best known for his tales, Edgar Allan Poe himself thirsted for fame primarily as a poet. This volume, assembled by the eminent Poe scholar Thomas Ollive Mabbott, is the single most authoritative edition of Poe's poems ever published: 101 poems and their variants, including such gems as "The Raven," "The Bells," and "Annabel Lee," as well as previously uncollected poems, fragments, verses he published in reviews he wrote, and poems attributed to him.
In this exhaustive collection, Mabbott takes a fresh look at these texts, aiming "to present what [Poe] wrote, to explain why he wrote it, to tell what he meant when he wrote it (if that be in any way obscure), and to give a history of its publication." Containing the definitive poems as well as pertinent biographical background, full annotations, and a meticulous enumeration of successive texts and variants, Mabbott's edition stands as a firm foundation for Poe scholarship as well as for more general appreciation.
 
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The Complete Vegetarian: The Essential Guide to Good Health
Edited by Peggy Carlson M.D.
University of Illinois Press, 2009
Library of Congress TX392.C69 2009 | Dewey Decimal 641.5636

The Complete Vegetarian makes important scientific connections between good health and vegetarianism after citing health concerns as the number one reason many people adopt a vegetarian diet. Peggy Carlson examines the vegetarian diet’s impact on chronic diseases and serves as a nutritional guide and meal-planning resource for many health professionals and regular consumers. Vegetarian nutritionists’ and medical doctors’ cutting-edge research find that an absence of meat is the only factor that accounts for the health effects of a vegetarian diet, but also a lower saturated fat and more fiber, antioxidants, and unsaturated fat count than other diets.

Essential and in-depth The Complete Vegetarian is an invaluable guide for health professionals and the growing number of people who have adopted or want to adopt a vegetarian lifestyle.

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COMPUGIRLS: How Girls of Color Find and Define Themselves in the Digital Age
Kimberly A. Scott
University of Illinois Press, 2021
Library of Congress LB1028.3.S3788 2021 | Dewey Decimal 370.117

What does is it mean for girls of color to become techno-social change agents--individuals who fuse technological savvy with a deep understanding of society in order to analyze and confront inequality?

Kimberly A. Scott explores this question and others as she details the National Science Foundation-funded enrichment project COMPUGIRLS. This groundbreaking initiative teaches tech skills to adolescent girls of color but, as importantly, offers a setting that emphasizes empowerment, community advancement, and self-discovery. Scott draws on her experience as an architect of COMPUGIRLS to detail the difficulties of translating participants' lives into a digital context while tracing how the program evolved. The dramatic stories of the participants show them blending newly developed technical and communication skills in ways designed to spark effective action and bring about important change.

A compelling merger of theory and storytelling, COMPUGIRLS provides a much-needed roadmap for understanding how girls of color can find and define their selves in today's digital age.

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The Concise History of Woman Suffrage: Selections from History of Woman Suffrage, by Elizabeth Cady Stanton, Susan B. Anthony, Matilda Joslyn Gage, and the National American Woman Suffrage Association
Edited and with an Introduction by Mari Jo Buhle and Paul Buhle
University of Illinois Press, 2005
Library of Congress JK1896.C58 2005 | Dewey Decimal 324.6230973

The massive size of the original six-volume History of Woman Suffrage has likely limited its impact on the lives of the women who benefitted from the efforts of the pioneering suffragists.  By collecting miscellanies like state suffrage reports and speeches of every sort without interpretation or restraint, the set was often neglected as impenetrable. 
In their Concise History of Woman Suffrage, Mari Jo Buhle and Paul Buhle have revitalized this classic text by carefully selecting from among its best material.  The eighty-two chosen documents, now including interpretative introductory material by the editors, give researchers easy access to material that the original work's arrangement often caused readers to ignore or to overlook.
The volume contains the work of many reform agitators, among them Angelina Grimké, Lucy Stone, Carrie Chapman Catt, Charlotte Perkins Gilman, Anna Howard Shaw, Jane Addams, Sojourner Truth, and Victoria Woodhull, as well as Elizabeth Cady Stanton, Susan B. Anthony, Matilda Joslyn Gage, and Ida Husted Harper.
 
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Confronting AIDS through Literature: THE RESPONSIBILITIES OF REPRESENTATION
Edited by Judith Laurence Pastore
University of Illinois Press, 1993
Library of Congress PS169.A42C66 1993 | Dewey Decimal 810.9356

This anthology offers readers an
  array of viewpoints on the use of literature to confront AIDS as a social, literary,
  and medical phenomenon. A substantial annotated bibliography allows readers
  to pursue other fictional, biographical, poetic, and dramatic works on AIDS,
  as well as criticism and analysis of AIDS writing.
 
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Connexions: Histories of Race and Sex in North America
Edited by Jennifer Brier, Jim Downs, and Jennifer L. Morgan
University of Illinois Press, 2016
Library of Congress E184.A1C592 2016 | Dewey Decimal 305.800973

Connexions investigates the ways in which race and sex intersect, overlap, and inform each other in United States history. An expert team of editors curates thought-provoking articles that explore how to view the American past through the lens of race and sexuality studies. Chapters range from the prerevolutionary era to today to grapple with an array of captivating issues: how descriptions of bodies shaped colonial Americans' understandings of race and sex; same-sex sexual desire and violence within slavery; whiteness in gay and lesbian history; college women's agitation against heterosexual norms in the 1940s and 1950s; the ways society used sexualized bodies to sculpt ideas of race and racial beauty; how Mexican silent film icon Ramon Navarro masked his homosexuality with his racial identity; and sexual representation in mid-twentieth-century black print pop culture. The result is both an enlightening foray into ignored areas and an elucidation of new perspectives that challenge us to reevaluate what we "know" of our own history. Contributors: Sharon Block, Susan K. Cahn, Stephanie M. H. Camp, J. B. Carter, Ernesto Chávez, Brian Connolly, Jim Downs, Marisa J. Fuentes, Leisa D. Meyer, Wanda S. Pillow, Marc Stein, and Deborah Gray White.
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Conservative Counterrevolution: Challenging Liberalism in 1950s Milwaukee
Tula A. Connell
University of Illinois Press, 2016
Library of Congress F589.M657C66 2016 | Dewey Decimal 977.595

In the 1950s, Milwaukee's strong union movement and socialist mayor seemed to embody a dominant liberal consensus that sought to continue and expand the New Deal. Tula Connell explores how business interests and political conservatives arose to undo that consensus, and how the resulting clash both shaped a city and helped redefine postwar American politics. Connell focuses on Frank Zeidler, the city's socialist mayor. Zeidler's broad concept of the public interest at times defied even liberal expectations. At the same time, a resurgence of conservatism with roots presaging twentieth-century politics challenged his initiatives in public housing, integration, and other areas. As Connell shows, conservatives created an anti-progressive game plan that included a well-funded media and PR push; an anti-union assault essential to the larger project of delegitimizing any government action; opposition to civil rights; and support from a suburban silent majority. In the end, the campaign undermined notions of the common good essential to the New Deal order. It also sowed the seeds for grassroots conservatism's more extreme and far-reaching future success.
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Conserving Culture: A NEW DISCOURSE ON HERITAGE
Edited by Mary Hufford
University of Illinois Press, 1994
Library of Congress GN345.C656 1994 | Dewey Decimal 305.80072

Conserving Culture examines
  heritage protection in the United States and how it has been implemented in
  specific cases. Contributors challenge the division of heritage into nature,
  the built environment, and culture. They describe cultural conservation as an
  integrated process for resource planning and recommend supplanting the current
  prescriptive approach with one that is more responsive to grass-roots cultural
  concerns. 
 
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The Constitutional Convention and Formation of Union
Edited by Winton U. Solberg
University of Illinois Press, 1990
Library of Congress KF4510.C66 1990 | Dewey Decimal 342.73029

The American Constitution was hammered out in debates by the founding fathers at the 1787 Philadelphia Convention. This book contains James Madison's notes on the debates which provide a first-hand view of the drafting of the nation's fundamental charter. An introduction by Winton U. Solberg places the origins of the Constitution in the broader historical perspective of the development of political theory and constitutional practice in Western civilization. The book also links the formation of the Constitution, biographical sketches of each participant in the Philadelphia Convention, and population figures on which representation was to be based.
 
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The Consumer Trap: BIG BUSINESS MARKETING IN AMERICAN LIFE
Michael Dawson
University of Illinois Press, 2003
Library of Congress HF5415.1.D33 2003 | Dewey Decimal 380.10973

The Consumer Trap blows the lid off the trillion-dollar-a-year business marketing industry, explaining how it continues to soak up economic and environmental resources and dominate the personal lives of citizens. Flouting conventional mainstream and radical thinking about consumer culture, Michael Dawson reveals how corporate marketing embodies and extends into personal life the scientific management principles famously enunciated by Frederick Winslow Taylor, whose earliest disciples predicted the big business marketing revolution.

After revealing why corporate capitalism fuels an ever-increasing marketing race, Dawson provides a step-by-step account of how this behemoth works and expands. Using firsthand evidence, he explains in detail how big business marketing campaigns penetrate and profoundly affect the lives of ordinary Americans.

Dawson argues that if people are to escape the costly consumer trap set by the overclass, they will need to renew class struggle from below, inventing new institutions for democratically governing and implementing major economic decisions. A blueprint for reinventing the study and debate of the sociocultural effects of corporate marketing practices, The Consumer Trap makes big business marketing a target of direct historical and sociological scrutiny.

 

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Contemporary Mormonism: SOCIAL SCIENCE PERSPECTIVES
Edited by Marie Cornwall, Tim B. Heaton, and Lawrence A. Young
University of Illinois Press, 1994
Library of Congress BX8637.C59 2001 | Dewey Decimal 306.6893

Contemporary Mormonism is the first collection of sociological essays to focus exclusively on Mormons. Featuring the work of the major scholars conducting social science research on Mormons today, this volume offers refreshing new perspectives not only on Mormonism but also on the nature of successful religious movements, secularization and assimilation, church growth, patriarchy and gender roles, and other topics. This first paperback edition includes a new introduction assessing the current state of Mormon scholarship and the effect of the globalization of the LDS Church on scholarly research about Mormonism.
 
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Contemporary Plays by African American Women: Ten Complete Works
Edited by Sandra Adell
University of Illinois Press, 2015
Library of Congress PS628.N4C66 2015 | Dewey Decimal 812.6080928709

African American women have increasingly begun to see their plays performed from regional stages to Broadway. Yet many of these artists still struggle to gain attention. In this volume, Sandra Adell draws from the vital wellspring of works created by African American women in the twenty-first century to present ten plays by both prominent and up-and-coming writers. Taken together, the selections portray how these women engage with history as they delve into--and shake up--issues of gender and class to craft compelling stories of African American life. Gliding from gritty urbanism to rural landscapes, these works expand boundaries and boldly disrupt modes of theatrical representation.

Selections: Blue Door, by Tanya Barfield; Levee James, by S. M. Shephard-Massat; Hoodoo Love, by Katori Hall; Carnaval, by Nikkole Salter; Single Black Female, by Lisa B. Thompson; Fabulation, or The Re-Education of Undine, by Lynn Nottage; BlackTop Sky, by Christina Anderson; Voyeurs de Venus, by Lydia Diamond; Fedra, by J. Nicole Brooks; and Uppa Creek: A Modern Anachronistic Parody in the Minstrel Tradition, by Keli Garrett.

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Contented among Strangers: Rural German-Speaking Women and Their Families in the Nineteenth-Century Midwest
Linda Schelbitzki Pickle
University of Illinois Press, 1995
Library of Congress F358.2.G3P53 1996 | Dewey Decimal 977.0043

German-Americans make up one of the largest ethnic groups in the United States, yet their very success at assimilating has also made them one of the least visible. Contented among Strangers examines the central role German-speaking women in rural areas of the Midwest played in preserving their ethnic and cultural identity. Even while living far from their original homelands, these women applied traditional European patterns of rural family life and values to their new homes in Illinois, Iowa, Kansas, Missouri, and Nebraska. As a result they were more content with their modest lives than were their Anglo-American counterparts. Through personal recollections--including interesting diary material translated by the author, church and community documents, and migration and census data--Pickle reveals the diversity and richness of the women's experiences.
 
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A Contest of Ideas: Capital, Politics and Labor
Nelson Lictenstein
University of Illinois Press, 2013
Library of Congress HD8066.L527 2013 | Dewey Decimal 331.0973

For more than thirty years Nelson Lichtenstein has deployed his scholarship--on labor, politics, and social thought--to chart the history and prospects of a progressive America. A Contest of Ideas collects and updates many of Lichtenstein's most provocative and controversial essays and reviews.

These incisive writings link the fate of the labor movement to the transformations in the shape of world capitalism, to the rise of the civil rights movement, and to the activists and intellectuals who have played such important roles. Tracing broad patterns of political thought, Lichtenstein offers important perspectives on the relationship of labor and the state, the tensions that sometimes exist between a culture of rights and the idea of solidarity, and the rise of conservatism in politics, law, and intellectual life. The volume closes with portraits of five activist intellectuals whose work has been vital to the conflicts that engage the labor movement, public policy, and political culture.

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CONTESTED CASTLE: GOTHIC NOVELS AND THE SUBVERSION OF DOME
Kate Ferguson Ellis
University of Illinois Press, 1989
Library of Congress PR830.T3E53 1989 | Dewey Decimal 823.0872

The Gothic novel emerged out of the romantic mist alongside a new conception of the home as a separate sphere for women. Looking at novels from Horace Walpole's Castle of Otranto to Mary Shelley's Frankenstein, Kate Ferguson Ellis investigates the relationship between these two phenomena of middle-class culture--the idealization of the home and the popularity of the Gothic--and explores how both male and female authors used the Gothic novel to challenge the false claim of home as a safe, protected place. Linking terror -- the most important ingredient of the Gothic novel -- to acts of transgression, Ellis shows how houses in Gothic fiction imprison those inside them, while those locked outside wander the earth plotting their return and their revenge.
 
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Contested Terrain: Reflections with Afghan Women Leaders
Sally L Kitch
University of Illinois Press, 2014
Library of Congress HQ1735.6.K56 2014 | Dewey Decimal 305.409581

Sally L. Kitch explores the crisis in contemporary Afghan women’s lives by focusing on two remarkable Afghan professional women working on behalf of their Afghan sisters. Kitch's compelling narrative follows the stories of Judge Marzia Basel and Jamila Afghani from 2005 through 2013, providing an oft-ignored perspective on the personal and professional lives of Afghanistan's women. Contending with the complex dynamics of a society both undergoing and resisting change, Basel and Afghani speak candidly--and critically--of matters like international intervention and patriarchal Afghan culture, capturing the ways in which immense possibility alternates and vies with utter hopelessness. Strongly rooted in feminist theory and interdisciplinary historical and geopolitical analysis, Contested Terrain sheds new light on the struggle against the powerful forces that affect Afghan women's education, health, political participation, livelihoods, and quality of life. The book also suggests how a new dialogue might be started--in which women from across geopolitical boundaries might find common cause for change and rewrite their collective stories.
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Contesting Archives: Finding Women in the Sources
Edited by Nupur Chaudhuri, Sherry J. Katz, and Mary Elizabeth Perry
University of Illinois Press, 2010
Library of Congress HQ1121.C63815 2010 | Dewey Decimal 305.40722

The contributors of Contesting Archives challenge the assumption that an archive is a neutral, immutable, and a historical repository of information. Instead, these historians view it as a place where decisions are made about whose documents--and therefore whose history--is important. Finding that women's voices and their texts were often obscured or lost altogether, they have developed many new methodologies for creating unique archives and uncovering more evidence by reading documents "against the grain," weaving together many layers of information to reveal complexities and working collectively to reconstruct the lives of women in the past.

Global in scope, this volume demonstrates innovative research on diverse women from the sixteenth century to the present in Spain, Mexico, Tunisia, India, Iran, Poland, Mozambique, and the United States. Addressing gender, race, class, nationalism, transnationalism, and migration, these essays' subjects include indigenous women of colonial Mexico, Muslim slave women, African American women of the early twentieth century, Bengali women activists of pre-independence India, wives and daughters of Qajar rulers in Iran, women industrial workers in communist Poland and socialist Mozambique, and women club owners in modern Las Vegas. A foreword by Antoinette Burton adroitly synthesizes the disparate themes woven throughout the book.

Contributors are Janet Afary, Maryam Ameli-Rezai, Antoinette Burton, Nupur Chaudhuri, Julia Clancy-Smith, Mansoureh Ettehadieh, Malgorzata Fidelis, Joanne L. Goodwin, Kali Nicole Gross, Daniel S. Haworth, Sherry J. Katz, Elham Malekzadeh, Mary Elizabeth Perry, Kathleen Sheldon, Lisa Sousa, and Ula Y. Taylor.

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Contesting Identities: SPORTS IN AMERICAN FILM
Aaron Baker
University of Illinois Press, 2003
Library of Congress PN1995.9.S67B35 2003 | Dewey Decimal 791.43655

 
Since the earliest days of the silent era, American filmmakers have been drawn to the visual spectacle of sports and their compelling narratives of conflict, triumph, and individual achievement. In Contesting Identities Aaron Baker examines how these cinematic representations of sports and athletes have evolved over time--from The Pinch Hitter and Buster Keaton's College to White Men Can't Jump, Jerry Maguire, and Girlfight. He focuses on how identities have been constructed and transcended in American society since the early twentieth century.
Whether depicting team or individual sports, these films return to that most American of themes, the master narrative of self-reliance. Baker shows that even as sports films tackle socially constructed identities like class, race, ethnicity, sexuality, and gender, they ultimately underscore transcendence of these identities through self-reliance.
Looking at films from almost every sporting genre--with a particular focus on movies about boxing, baseball, basketball, and football--Contesting Identities maps the complex cultural landscape depicted in American sports films and the ways in which stories about "subaltern" groups winning acceptance by the mainstream majority can serve to reinforce the values of that majority.
In addition to discussing the genre's recurring dramatic tropes, from the populist prizefighter to the hot-headed rebel to the "manly" female athlete, Baker also looks at the social and cinematic impacts of real-life sports figures from Jackie Robinson and Babe Didrikson Zaharias to Muhammad Ali and Michael Jordan.
 
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Contingent Faculty and the Remaking of Higher Education: A Labor History
Edited by Eric Fure-Slocum and Claire Goldstene
University of Illinois Press, 2024

Controlling the Silver
Lorna Goodison
University of Illinois Press, 2004
Library of Congress PR9265.9.G6C66 2005 | Dewey Decimal 811.54

Renowned poet Lorna Goodison has written a new collection of elegies and praise songs which explore the close link between history and genealogy in the Caribbean experience. Her subjects range from the economic genius of market women to the complex beauty of the natural world.
 
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Corrupt Illinois: Patronage, Cronyism, and Criminality
Thomas J. Gradel and Dick Simpson
University of Illinois Press, 2015
Library of Congress JK5745.G43 2015 | Dewey Decimal 364.132309773

Public funds spent on jets and horses. Shoeboxes stuffed with embezzled cash. Ghost payrolls and incarcerated ex-governors. Illinois' culture of "Where's mine?" and the public apathy it engenders has made our state and local politics a disgrace.
 
In Corrupt Illinois, veteran political observers Thomas J. Gradel and Dick Simpson take aim at business-as-usual. Naming names, the authors lead readers through a gallery of rogues and rotten apples to illustrate how generations of chicanery have undermined faith in, and hope for, honest government. From there, they lay out how to implement institutional reforms that provide accountability and eradicate the favoritism, sweetheart deals, and conflicts of interest corroding our civic life.
 
Corrupt Illinois lays out a blueprint to transform our politics from a pay-to-play–driven marketplace into what it should be: an instrument of public good.
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Corruption and Reform in the Teamsters Union
David Witwer
University of Illinois Press, 2002
Library of Congress HD6515.T22I589 2003 | Dewey Decimal 331.88113883241

Almost since its creation, recurring problems with corruption bedeviled the Teamsters Union. David Witwer provides the first in-depth historical study of the forces that contributed to the Teamsters' troubled past and the mechanisms the union employed--from top-down directives to grassroots measures--to combat corruption. 

Witwer draws on the perspectives of rank-and-file members, union leaders, and the criminal element to explain the processes that allowed organized crime to seize power inside the union. His account includes the infamous links between the Mafia and union head Jimmy Hoffa, but he also tells the little-known story of the McClellan Committee investigation that first brought those links to light. Witwer also examines how anti-labor forces used the Teamsters' unsavory reputation to influence popular and legislative opinion in a broad attack on workers' rights.

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The Cosmopolitan Self: George Herbert Mead and Continental Philosophy
Mitchell Aboulafia
University of Illinois Press, 2001
Library of Congress B945.M464A62 2001 | Dewey Decimal 191

The Costs of the Gig Economy: Musical Entrepreneurs and the Cultural Politics of Inequality in Northeastern Brazil
Falina Enriquez
University of Illinois Press, 2022
Library of Congress ML3917.B6E67 2022 | Dewey Decimal 306.4842098134

Institutions in Recife, Brazil, have restructured subsidies in favor of encouraging musicians to become more entrepreneurial. Falina Enriquez explores how contemporary and traditional musicians in the fabled musical city have negotiated these intensified neoliberal cultural policies and economic uncertainties.

Drawing on years of fieldwork, Enriquez shows how forcing artists to adopt “neutral” market solutions reinforces, and generates, overlapping racial and class-based inequalities. Lacking the social and financial resources of their middle-class peers, working-class musicians find it difficult to uphold institutional goals of connecting the city’s cultural roots to global markets and consumers. Enriquez also links the artists’ situation to that of cultural and creative workers around the world. As she shows, musical sponsorship in Recife and the contemporary gig economy elsewhere employ processes that, far from being neutral, uphold governmental and corporate ideologies that produce social stratification.

Rich and vibrant, The Costs of the Gig Economy offers a rare English-language portrait of the changing musical culture in Recife.

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Counter Cultures: Saleswomen, Managers, and Customers in American Department Stores, 1890-1940
Susan Porter Benson
University of Illinois Press, 1986
Library of Congress HF5465.U5B45 1986 | Dewey Decimal 381.10973

The luxurious appearance and handsome profits of American department stores from 1890 to 1940 masked a three-way struggle among saleswomen, managers, and customers for control of the selling floor. Counter Cultures explores the complex nature and contradictions of the conflict in an arena where class, gender, and the emerging culture of consumption all came together. The result is a fascinating illumination of the emotional labor of the workplace and the work-culture of consumerism that still defines the workday for millions of Americans.
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Country Music Humorists and Comedians
Loyal Jones
University of Illinois Press, 2008
Library of Congress ML102.C7.J66 2008 | Dewey Decimal 792.7028092273

Q: Is he afraid of work? 

A: No, he can lie down beside it and go to sleep.

This volume is an encyclopedia of the many country music performers who made comedy a central part of their careers. Loyal Jones offers an informative biographical sketch of each performer and many entries include a sample of the artist's humor, a recording history, and amusing anecdotal tidbits. Starting with vaudeville and radio barn dance figures like the Skillet Lickers and the Weaver Brothers and Elviry, Jones moves on to the regulars on Hee Haw and the Grand Old Opry and present-day comedians from the Austin Lounge Lizards to Jeff Foxworthy. 

Jones's introductory essay discusses such topics as stock comic figures, venues for comedic performance, and benchmark performers. Throughout the volume, he places each performer squarely in the context of the country music community, its performing traditions, and each artist's place in the larger cultural milieu.

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The Courage to Connect: Sexuality, Citizenship, and Community in Provincetown
Sandra L. Faiman-Silva
University of Illinois Press, 2003
Library of Congress HN80.P75F35 2004 | Dewey Decimal 306.0974492

Based on over six years of fieldwork, Sandra L. Faiman-Silva's The Courage to Connect traces the transformation of the Cape Cod community of Provincetown from its nineteenth-century origins as a fishing town where Portuguese immigrants settled to its present status as a welcoming, sexually diverse tourist enclave. Faiman-Silva examines the community’s history and economy as well as how gay and straight cultures intersect in areas such as public education, local government, and law enforcement. Using queer and critical culture theory to deconstruct day-to-day local encounters, Faiman-Silva describes the causes of social conflicts and how these conflicts can be resolved. Capturing the pathos and joy of a community that has struggled to accommodate radical social changes, The Courage to Connect yields understanding of the ways in which communities can construct themselves to overcome differences.

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Covering Bin Laden: Global Media and the World's Most Wanted Man
Edited by Susan Jeffords and Fahed Yahya Al-Sumait
University of Illinois Press, 2015
Library of Congress P96.T47C68 2015 | Dewey Decimal 303.625

Starting in 2001, much of the world media used the image of Osama bin Laden as a shorthand for terrorism. Bin Laden himself considered media manipulation on a par with military, political, and ideological tools, and intentionally used interviews, taped speeches, and distributed statements to further al-Qaida's ends.
 
In Covering Bin Laden, editors Susan Jeffords and Fahed Yahya Al-Sumait collect perspectives from global scholars exploring a startling premise: that media depictions of Bin Laden not only diverge but often contradict each other, depending on the media provider and format, the place in which the depiction is presented, and the viewer's political and cultural background. The contributors analyze the representations of the many Bin Ladens, ranging from Al Jazeera broadcasts to video games. They examine the media's dominant role in shaping our understanding of terrorists and why/how they should be feared, and they engage with the ways the mosaic of Bin Laden images and narratives have influenced policies and actions around the world.
 
Contributors include Fahed Al-Sumait, Saranaz Barforoush, Aditi Bhatia, Purnima Bose, Ryan Croken, Simon Ferrari, Andrew Hill, Richard Jackson, Susan Jeffords, Joanna Margueritte-Giecewicz, Noha Mellor, Susan Moeller, Brigitte Nacos, Courtney C. Radsch, and Alexander Spencer.
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Cowboy Poets and Cowboy Poetry
Edited by David Stanley and Elaine Thatcher
University of Illinois Press, 2000
Library of Congress PS153.C67C69 2000 | Dewey Decimal 811.00992636

In bunkhouses or rodeo arenas, on the trail or around the campfire, cowboys have been creating and reciting poetry since the 1870s. In this comprehensive overview, folklorists, scholars, and cowboy poets join forces to explore the 125-year history and development of cowboy poetry and to celebrate those who sustain it.
 
Centered around six areas of focus, from historical background to biographical profiles to creative process, Cowboy Poets and Cowboy Poetry approaches the tradition of occupational folk poetry from a variety of perspectives. Contributors trace its history as an extension of the Homeric tradition of storytelling in verse and discuss such topics as the way a text evolves in retelling, how it becomes linked to a tune, and how poetic content fuses with form to generate narrative tension and humor.
 
Personal and telling portraits of cowboy poets and reciters--including D. J. O'Malley, Henry Herbert Knibbs, and a number of contemporary cowboy poets--illuminate the creative process through which individual poets work within a long community tradition, while comparative studies examine poetry by women, Mexican-American vaqueros, loggers, Argentine gauchos, and Australian bush poets.
 
Cowboy Poets and Cowboy Poetry offers the first in-depth examination of a distinctive and community-based tradition rich with larger-than-life heroes, vivid occupational language, humor, and unblinking encounters with birth, death, nature, and animals. Throughout, the collection shows that cowboy poetry interweaves two thematic strands: a fierce defense of an endangered way of life and a dynamic celebration of organic wholeness, camaraderie, and individualism.
 
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Cowgirls of the Rodeo: Pioneer Professional Athletes
Mary Lou LeCompte
University of Illinois Press, 1993
Library of Congress GV1834.55.W47L43 1993 | Dewey Decimal 791.84

Acclaimed as a foundational study of rodeo women, Cowgirls of the Rodeosurveys the early rodeo cowgirls' achievements as professional athletes. Mary Lou LeCompte follows the story through the near-demise of women's rodeo events during World War II and the phenomenal success of the Women's Professional Rodeo Association in regaining lost ground for rodeo cowgirls. Recalling an extraordinary chapter in women's history and the history of American sport, Cowgirls of the Rodeo deepens our understanding of the challenges facing women in the American West and in American sport.
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Crack Wars: LITERATURE ADDICTION MANIA
Avital Ronell
University of Illinois Press, 1992
Library of Congress PN56.N18R66 2004 | Dewey Decimal 809.933561

Avital Ronell asks why "there is no culture without drug culture." She deals with the usual drugs and alcohol (and their celebrities: Freud's cocaine, Baudelaire's hashish, the Victorians' laudanum), and moves beyond them to addictions that are culturally accepted--an insatiable appetite for romance novels, for instance, and romance itself. 
 
It is a commonplace of modern culture to presume that there is a subculture or counterculture deeply saturated with drugs, but such modern cultures need subcultures, and need drugs on every level. Culture defines itself, its classes, its power structures, and its economy in terms of how it allows and encourages drugs to circulate. If drugs are dangerous, that danger seems to increase their appeal for millions. If drugs are unnatural and addictive, gasoline is a drug. What is art but a kind of drug, and what is art criticism but a kind of criticism of drugs and drug-induced states?
                                                           
Gustave Flaubert's Madame Bovary takes up the problems of drugs and addiction in numerous ways, which Ronnell unpacks and presents as examples of the safe and unsafe. From Emma Bovary's romantic hallucinations to her suicide by arsenic, she moves through this realistic novel constantly reaching for the unreal. For Ronell, Emma Bovary represents the first addict, embodying a yearning that calls from the bottom of her humanity, and which it seems can only be satisfied by some sort of drug.
 
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Creating Born Criminals
Nicole Hahn Rafter
University of Illinois Press, 1997
Library of Congress HV6047.R33 1997 | Dewey Decimal 364.24

Genetic screening, new reproductive technologies, gene therapies, and the reality of cloning all make biological solutions to human social problems seem possible. Creating Born Criminals shows how history can guide us in our response to the reemergence of eugenics. The first social history origins and content, showing their undue influence on crime control in the United States.
 
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Creating the Big Ten: Courage, Corruption, and Commercialization
Winton U Solberg
University of Illinois Press, 2018
Library of Congress GV958.5.B54S65 2018 | Dewey Decimal 796.33263

Big Ten football fans pack gridiron cathedrals that hold up to 100,000 spectators. The conference's fourteen member schools share a broadcast network and a 2016 media deal worth $2.64 billion. This cultural and financial colossus grew out of a modest 1895 meeting that focused on football's brutality and encroaching professionalism in the game.

Winton U. Solberg explores the relationship between higher education and collegiate football in the Big Ten's first fifty years. This formative era saw debates over eligibility and amateurism roil the sport. In particular, faculty concerned with academics clashed with coaches, university presidents, and others who played to win. Solberg follows the conference's successful early efforts to put the best interests of institutions and athletes first. Yet, as he shows, commercial concerns undid such work after World War I as sports increasingly eclipsed academics. By the 1940s, the Big Ten's impact on American sports was undeniable. It had shaped the development of intercollegiate athletics and college football nationwide while serving as a model for other athletic conferences.

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Creating the Land of Lincoln: The History and Constitutions of Illinois, 1778-1870
Frank Cicero Jr.
University of Illinois Press, 2018
Library of Congress KFI1601.5.C53 2018 | Dewey Decimal 342.773029

In its early days, Illinois seemed destined to extend the American South. Its population of transplants lived an upland southern culture and in some cases owned slaves. Yet the nineteenth century and three constitutions recast Illinois as a crucible of northern strength and American progress. Frank Cicero Jr. provides an appealing new history of Illinois as expressed by the state's constitutions—and the lively conventions that led to each one. In Creating the Land of Lincoln, Cicero sheds light on the vital debates of delegates who, freed from electoral necessity, revealed the opinions, prejudices, sentiments, and dreams of Illinoisans at critical junctures in state history. Cicero simultaneously analyzes decisions large and small that fostered momentous social and political changes. The addition of northern land in the 1818 constitution, for instance, opened up the state to immigrant populations that reoriented Illinois to the north. Legislative abuses and rancor over free blacks influenced the 1848 document and the subsequent rise of a Republican Party that gave the nation Abraham Lincoln as its president. Cicero concludes with the 1870 constitution, revealing how its dialogues and resolutions set the state on the modern course that still endures today.
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Creating the New Woman: The Rise of Southern Women's Progressive Culture in Texas, 1893-1918
Judith N. McArthur
University of Illinois Press, 1998
Library of Congress HQ1438.T4M35 1998 | Dewey Decimal 305.4209764

Regionally distinct yet influenced by national trends, women's progressive culture in Texas offers a valuable opportunity to analyze the evolution of women's voluntary associations, their challenges to southern conventions of race and class, and their quest for social change and political power. 

Judith McArthur traces how general concerns of national progressive organizations about pure food, prostitution, and education reform shaped programs at the state and local levels. Southern women differed from their Northern counterparts by devising new approaches to settlement work and taking advantage of World War I to challenge southern gender and racial norms. McArthur's original analysis details how women in Texas succeeded in securing partial voting rights before passage of the Nineteenth Amendment. She also provides valuable comparisons between North and South, among various southern states, and between black and white, and male and female, progressives.

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The Creation of Dangerous Violent Criminals
Lonnie H. Athens
University of Illinois Press, 1992

Lonnie Athens examines a problem that has long baffled experts and lay people alike: How does a person become a dangerous violent criminal? He explains how those who commit brutal crimes begin as relatively benign individuals who undergo lengthy, at times tortuous. development leading them to malevolence. The process that Athens labels "violentization" encompasses four stages: brutalization, belligerency, violent performance, and virulency. Athens uses vivid first-person accounts gleaned from in-depth interviews with nascent and hardened violent criminals to back up his theory, producing a book that will appeal to a wide variety of readers interested in criminal justice, law, and sociology.
 
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The Creation of Jazz: Music, Race, and Culture in Urban America
Burton W. Peretti
University of Illinois Press, 1992
Library of Congress ML3508.P45 1992 | Dewey Decimal 306.484

The story of jazz is more than a history of the music. The racial and cultural dynamics of American cities created the music, life, and business that was jazz. 

Burton W. Peretti's classic study charts the life of jazz culture from its origins in the jook joints of sharecroppers and the streets and dance halls of 1890s New Orleans to the eve of bebop and World War II. As Perett shows, jazz was the epic story of players who transitioned from childhood spasm bands to Carnegie Hall and worldwide touring and fame. It became the music of the Twenties, a decade of Prohibition, of adolescent discontent, of Harlem pride, and of Americans hoping to preserve cultural traditions in an urban, commercial age. Finally, jazz was where black and white musicians performed together, as uneasy partners, in the big bands of Artie Shaw and Benny Goodman. 

Drawing on archives and the firsthand testimony of more than seventy musicians and singers (among them Benny Carter, Bud Freeman, Kid Ory, and Mary Lou Williams), The Creation of Jazz offers a comprehensive analysis of the role of early jazz in American social history.

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Creative Life: Music, Politics, People, and Machines
Bob Ostertag
University of Illinois Press, 2008
Library of Congress ML3916.O77 2009

In this eloquent and passionate volume, Bob Ostertag explores the common ground and points of friction among music, creativity, politics, culture, and technology. In terrain ranging from the guerrilla underground in El Salvador's civil war to the drag queen underground in San Francisco and New York, these essays combine journalism and autobiography to explore fundamental questions of what art is and what role it can occupy in a violent and fragmented world, a world in which daily events compromise the universality toward which art strives.

Drawing on his intimate engagement with political conflict in Latin America and the Balkans, Ostertag identifies an art of "insurgent politics" that struggles to expand the parameters of the physical and social world. He also discusses his innovative collaborations with major modern performers, filmmakers, and artists around the world. Part memoir, part journalism, and part aesthetic manifesto, Creative Life is a dazzling set of writings from a musical artist who has worked on the cutting edge of new music for thirty years.

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The Creative Process in Music from Mozart to Kurtag
William Kinderman
University of Illinois Press, 2012
Library of Congress ML193.K56 2012 | Dewey Decimal 781.17

Great music arouses wonder: how did the composer create such an original work of art? What was the artist's inspiration, and how did that idea become a reality? Cultural products inevitably arise from a context, a submerged landscape that is often not easily accessible. To bring such things to light, studies of the creative process find their cutting edge by probing beyond the surface, opening new perspectives on the apparently familiar.

 
In this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavor in music. Focusing on the stages of composition, Kinderman maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to Kurtág's Kafka Fragments and Hommage à R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and Bartók's Dance Suite.
 
Kinderman's analysis takes the form of "genetic criticism," tracing the genesis of these cultural works, exploring their aesthetic meaning, and mapping the continuity of a central European tradition that has displayed remarkable vitality for over two centuries, as accumulated legacies assumed importance for later generations. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, The Creative Process in Music from Mozart to Kurtág illustrates the wealth of insight that can be gained through studying the creative process.
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Creole Echoes: The Francophone Poetry of Nineteenth-Century Louisiana
Translated by Norman R. Shapiro
University of Illinois Press, 2003
Library of Congress PQ3937.L8C68 2004 | Dewey Decimal 841.70809763

The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy
Christopher J. Smith
University of Illinois Press, 2014
Library of Congress ML1711.S63 2013 | Dewey Decimal 781.64097309034

The Creolization of American Culture examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807–1868) as a lens through which to see the multiethnic antebellum world that gave birth to blackface minstrelsy. As a young man living in the multiethnic working-class community of New York's Lower East Side, Mount took part in the black-white musical interchange his paintings depict. An avid musician and tune collector as well as an artist, he was the among the first to depict vernacular fiddlers, banjo players, and dancers precisely and sympathetically. His close observations and meticulous renderings provide rich evidence of performance techniques and class-inflected paths of musical apprenticeship that connected white and black practitioners.
 
Looking closely at the bodies and instruments Mount depicts in his paintings as well as other ephemera, Christopher J. Smith traces the performance practices of African American and Anglo-European music-and-dance traditions while recovering the sounds of that world. Further, Smith uses Mount's depictions of black and white music-making to open up fresh perspectives on cross-ethnic cultural transference in Northern and urban contexts, showing how rivers, waterfronts, and other sites of interracial interaction shaped musical practices by transporting musical culture from the South to the North and back. The "Africanization" of Anglo-Celtic tunes created minstrelsy's musical "creole synthesis," a body of melodic and rhythmic vocabularies, repertoires, tunes, and musical techniques that became the foundation of American popular music.
 
Reading Mount's renderings of black and white musicians against a background of historical sites and practices of cross-racial interaction, Smith offers a sophisticated interrogation and reinterpretation of minstrelsy, significantly broadening historical views of black-white musical exchange.
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Crime and Punishment in the Jim Crow South
Edited by Amy Louise Wood and Natalie J. Ring
University of Illinois Press, 2019
Library of Congress HV9955.S63C75 2019 | Dewey Decimal 364.97509041

Policing, incarceration, capital punishment: these forms of crime control were crucial elements of Jim Crow regimes. White southerners relied on them to assert and maintain racial power, which led to the growth of modern state bureaucracies that eclipsed traditions of local sovereignty. Friction between the demands of white supremacy and white southern suspicions of state power created a distinctive criminal justice system in the South, elements of which are still apparent today across the United States.

In this collection, Amy Louise Wood and Natalie J. Ring present nine groundbreaking essays about the carceral system and its development over time. Topics range from activism against police brutality to the peculiar path of southern prison reform to the fraught introduction of the electric chair. The essays tell nuanced stories of rapidly changing state institutions, political leaders who sought to manage them, and African Americans who appealed to the regulatory state to protect their rights.

Contributors: Pippa Holloway, Tammy Ingram, Brandon T. Jett, Seth Kotch, Talitha L. LeFlouria, Vivien Miller, Silvan Niedermeier, K. Stephen Prince, and Amy Louise Wood

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The Crimes of Womanhood: Defining Femininity in a Court of Law
A. Cheree Carlson
University of Illinois Press, 2014
Library of Congress KF4758.C365 2009 | Dewey Decimal 345.7303

Cultural views of femininity exerted a powerful influence on the courtroom arguments used to defend or condemn notable women on trial in nineteenth-century and early-twentieth-century America. By examining the colorful rhetorical strategies employed by lawyers and reporters of women's trials in newspaper articles, trial transcriptions, and popular accounts, A. Cheree Carlson argues that the men in charge of these communication avenues were able to transform their own values and morals into believable narratives that persuaded judges, juries, and the general public of a woman's guilt or innocence.

Carlson analyzes the situations of several women of varying historical stature, from the insanity trials of Mary Todd Lincoln and Lizzie Borden's trial for the brutal slaying of her father and stepmother, to lesser-known trials involving insanity, infidelity, murder, abortion, and interracial marriage. The insanity trial of Elizabeth Parsons Ware Packard, the wife of a minister, resulted from her attempts to change her own religion, while a jury acquitted Mary Harris for killing her married lover, suggesting that loss of virginity to an adulterous man was justifiable grounds for homicide. The popular conception of abortion as a "woman's crime" came to the fore in the case of Ann Loman (also known as Madame Restell), who performed abortions in New York both before and after it became a crime. Finally, Alice Rhinelander was sued for fraud by her new husband Leonard for "passing" as white, but the jury was more moved by the notion of Alice being betrayed as a woman by her litigious husband than by the supposed defrauding of Leonard as a white male. Alice won the case, but the image of womanhood as in need of sympathy and protection won out as well.

At the heart of these cases, Carlson reveals clearly just how narrow was the line that women had to walk, since the same womanly virtues that were expected of them--passivity, frailty, and purity--could be turned against them at any time. These trials of popular status are especially significant because they reflect the attitudes of the broad audience, indicate which forms of knowledge are easily manipulated, and allow us to analyze how the verdict is argued outside the courtroom in the public and press. With gripping retellings and incisive analysis of these scandalous criminal and civil cases, this book will appeal to historians, rhetoricians, feminist researchers, and anyone who enjoys courtroom drama.

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Cristi Puiu
Monica Filimon
University of Illinois Press, 2017
Library of Congress PN1998.3.P8535F55 2017 | Dewey Decimal 791.430233092

Cristi Puiu's black comedy The Death of Mr. Lazarescu announced the arrival of the New Romanian Cinema as a force on the film world stage. As critics and festival audiences embraced the new movement, Puiu emerged as its lodestar and critical voice. Monica Filimon explores the works of an artist dedicated to truth not as an abstract concept, but as the ephemeral revelation of the fuller, ungraspable world beyond the screen. Puiu's innovative use of the handheld camera as an observer and his reliance on austere, restricted narration highlight the very limits of human understanding, guiding the viewer's intellectual and emotional sensibilities to the reality that has been left unfilmed. Filimon examines the director's ethics of epiphany not only in relation to the collective and personal histories that have triggered it, but also in dialogue with the films, texts, and filmmakers that have shaped it.
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Critical Digital Humanities: The Search for a Methodology
James E. Dobson
University of Illinois Press, 2019
Library of Congress AZ105.D59 2019 | Dewey Decimal 025.060013072

Can established humanities methods coexist with computational thinking? It is one of the major questions in humanities research today, as scholars increasingly adopt sophisticated data science for their work. James E. Dobson explores the opportunities and complications faced by humanists in this new era. Though the study and interpretation of texts alongside sophisticated computational tools can serve scholarship, these methods cannot replace existing frameworks. As Dobson shows, ideas of scientific validity cannot easily nor should be adapted for humanities research because digital humanities, unlike science, lack a leading-edge horizon charting the frontiers of inquiry. Instead, the methods of digital humanities require a constant rereading. At the same time, suspicious and critical readings of digital methodologies make it unwise for scholars to defer to computational methods. Humanists must examine the tools--including the assumptions that went into the codes and algorithms--and questions surrounding their own use of digital technology in research. Insightful and forward thinking, Critical Digital Humanities lays out a new path of humanistic inquiry that merges critical theory and computational science.
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The Crooked Stovepipe: Athapaskan Fiddle Music and Square Dancing in Northeast Alaska and Northwest Canada
Craig Mishler
University of Illinois Press, 1993
Library of Congress ML3557.M6 1993 | Dewey Decimal 781.62972

Named for a popular local fiddle tune, The Crooked Stovepipe is a rollicking, detailed, first-ever study of the indigenous fiddle music and social dancing enjoyed by the Gwich'in Athapskan Indians and other tribal groups in northeast Alaska, the Yukon, and the Northwest Territories. Though the music has obvious roots in the British Isles, French Canada, and the American South, the Gwich'in have used it in shaping their own aesthetic, which is apparent in their choice of fiddle tunings, bowing techniques, foot clogging, dances, and a distinctively stratified tune repertoire.
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Crowe on the Banjo: The Music Life of J.D. Crowe
Marty Godbey
University of Illinois Press, 2011
Library of Congress ML418.C76G63 2011 | Dewey Decimal 787.881642092

In this first biography of legendary banjoist J. D. Crowe, Marty Godbey charts the life and career of one of bluegrass's most important innovators. Born and raised in Lexington, Kentucky, Crowe picked up the banjo when he was thirteen years old, inspired by a Flatt & Scruggs performance at the Kentucky Barn Dance. Godbey relates the long, distinguished career that followed, as Crowe performed and recorded both solo and as part of such varied ensembles as Jimmy Martin's Sunny Mountain Boys, the all-acoustic Kentucky Mountain Boys, and the revolutionary New South, who created an adventurously eclectic brand of bluegrass by merging rock and country music influences with traditional forms. Over the decades, this highly influential group launched the careers of many other fresh talents such as Keith Whitley, Ricky Skaggs, Tony Rice, Jerry Douglas, and Doyle Lawson.
 
With a selective discography and drawing from more than twenty interviews with Crowe and dozens more with the players who know him best, Crowe on the Banjo: The Music Life of J. D. Crowe is the definitive music biography of a true bluegrass original.
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Cultivating the Rosebuds: The Education of Women at the Cherokee Female Seminary, 1851-1909
Devon A. Mihesuah
University of Illinois Press, 1993
Library of Congress E97.6.C35M54 1993 | Dewey Decimal 376.089975

Recipient of a 1995 Critics' Choice Award of the American Educational Studies Association

Established by the Cherokee Nation in 1851 in present-day eastern Oklahoma, the nondenominaional Cherokee Female Seminary was one of the most important schools in the history of American Indian education. Devon Mihesuah explores its curriculum, faculty, administration, and educational philosophy.
"[An] important work. . . . It tells the fascinating and occasionally poignant story of the Cherokee Female Seminary, which enrolled its first class of 'Rosebuds,' as the seminarians called themselves, in 1851." --Choice
"I recommend it to any serious student of the Cherokee people." -- Robert J. Conley, author of Mountain Windsong
"Of the many books about Cherokee history, few deal with the issue of acculturation in the post-removal period and none so effectively as Devon Mihesuah's Cultivating the Rosebuds."  -- Nancy Shoemaker, Western Historical Quarterly
"Required reading for anyone remotely interested in the history of Native American education." -- David W. Adams, History of Education Quarterly
 
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Cultural Democracy: The Arts, Community, and the Public Purpose
James Bau Graves
University of Illinois Press, 2004
Library of Congress E169.Z83G739 2005 | Dewey Decimal 306.470973

Cultural Democracy explores the crisis of our national cultural vitality, as access to the arts becomes increasingly mediated by a handful of corporations and the narrow tastes of wealthy elites. Graves offers the concept of cultural democracy as corrective--an idea with important historic and contemporary validation, and an alternative pathway toward ethical cultural development that is part of a global shift in values. 
 
Drawing upon a range of scholarship and illustrative anecdotes from his own experiences with cultural programs in ethnically diverse communities, Graves explains in convincing detail the dynamics of how traditional and grassroots cultures may survive and thrive--or not--and what we can do to provide them opportunities equal to those of mainstream, Eurocentric culture. 
 
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Cultural Heritage in Mali in the Neoliberal Era
Rosa De Jorio
University of Illinois Press, 2016
Library of Congress DT551.3.D44 2016 | Dewey Decimal 363.69096623

Up to 2012, Mali was a poster child of African democracy, despite multiple signs of growing dissatisfaction with the democratic experiment. Then disaster struck, bringing many of the nation's unresolved contradictions to international attention. A military coup carved off the country's south. A revolt by a coalition of Tuareg and extremist Islamist forces shook the north. The events, so violent and unexpected, forced experts to reassess Mali's democratic institutions and the neoliberal economic reforms enacted in conjunction with the move toward democracy. Rosa De Jorio's detailed study of cultural heritage and its transformations provides a key to understanding the impasse that confronts Malian democracy. As she shows, postcolonial Mali privileged its cultural heritage to display itself on the regional and international scene. The neoliberal reforms both intensified and altered this trend. Profiling heritage sites ranging from statues of colonial leaders to women's museums to historic Timbuktu, De Jorio portrays how various actors have deployed and contested notions of heritage. These actors include not just Malian administrators and politicians but UNESCO, and non-state NGOs. She also delves into the intricacies of heritage politics from the perspective of Malian actors and groups, as producers and receivers--but always highly informed and critically engaged--of international, national and local cultural initiatives.
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Cultural Melancholy: Readings of Race, Impossible Mourning, and African American Ritual
Jermaine Singleton
University of Illinois Press, 2015
Library of Congress PS153.N5S553 2015 | Dewey Decimal 810.9896073

A daring cultural and literary studies investigation, Cultural Melancholy explores the legacy of unresolved grief produced by ongoing racial oppression and resistance in the United States. Using acute analysis of literature, drama, musical performance, and film, Singleton demonstrates how rituals of racialization and resistance transfer and transform melancholy discreetly across time, consolidating racial identities and communities along the way. He also argues that this form of impossible mourning binds racialized identities across time and social space by way of cultural resistance efforts.

Singleton develops the concept of "cultural melancholy" as a response to scholarship that calls for the separation of critical race studies and psychoanalysis, excludes queer theoretical approaches from readings of African American literatures and cultures, and overlooks the status of racialized performance culture as a site of serious academic theorization. In doing so, he weaves critical race studies, psychoanalysis, queer theory, and performance studies into conversation to uncover a host of hidden dialogues—psychic and social, personal and political, individual and collective—for the purpose of promoting a culture of racial grieving, critical race consciousness, and collective agency.

Wide-ranging and theoretically bold, Cultural Melancholy counteracts the racial legacy effects that plague our twenty-first century multiculture.

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Cultural Sustainabilities: Music, Media, Language, Advocacy
Edited by Timothy J. Cooley
University of Illinois Press, 2019
Library of Congress ML3799.C+ | Dewey Decimal 780.89

Environmental sustainability and human cultural sustainability are inextricably linked. Reversing damaging human impact on the global environment is ultimately a cultural question, and as with politics, the answers are often profoundly local. Cultural Sustainabilities presents twenty-three essays by musicologists and ethnomusicologists, anthropologists, folklorists, ethnographers, documentary filmmakers, musicians, artists, and activists, each asking a particular question or presenting a specific local case study about cultural and environmental sustainability. Contributing to the environmental humanities, the authors embrace and even celebrate human engagement with ecosystems, though with a profound sense of collective responsibility created by the emergence of the Anthropocene. Contributors: Aaron S. Allen, Michael B. Bakan, Robert Baron, Daniel Cavicchi, Timothy J. Cooley, Mark F. DeWitt, Barry Dornfeld, Thomas Faux, Burt Feintuch, Nancy Guy, Mary Hufford, Susan Hurley-Glowa, Patrick Hutchinson, Michelle Kisliuk, Pauleena M. MacDougall, Margarita Mazo, Dotan Nitzberg, Jennifer C. Post, Tom Rankin, Roshan Samtani, Jeffrey A. Summit, Jeff Todd Titon, Joshua Tucker, Rory Turner, Denise Von Glahn, and Thomas Walker
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Cupcakes, Pinterest, and Ladyporn: Feminized Popular Culture in the Early Twenty-First Century
Edited by Elana Levine
University of Illinois Press, 2015
Library of Congress HQ1075.C86 2015 | Dewey Decimal 305.3

Media expansion into the digital realm and the continuing segregation of users into niches has led to a proliferation of cultural products targeted to and consumed by women. Though often dismissed as frivolous or excessively emotional, feminized culture in reality offers compelling insights into the American experience of the early twenty-first century.

Elana Levine brings together writings from feminist critics that chart the current terrain of feminized pop cultural production. Analyzing everything from Fifty Shades of Grey to Pinterest to pregnancy apps, contributors examine the economic, technological, representational, and experiential dimensions of products and phenomena that speak to, and about, the feminine. As these essays show, the imperative of productivity currently permeating feminized pop culture has created a generation of texts that speak as much to women's roles as public and private workers as to an impulse for fantasy or escape.

Incisive and compelling, Cupcakes, Pinterest, and Ladyporn sheds new light on contemporary women's engagement with an array of media forms in the context of postfeminist culture and neoliberalism.

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Curious Encounters with the Natural World: From Grumpy Spiders to Hidden Tigers
Michael Jeffords
University of Illinois Press, 2017
Library of Congress QH45.5.J44 2017 | Dewey Decimal 508

Michael R. Jeffords and Susan L. Post have circled the globe--and explored their neighborhood--collecting images of the natural world. This book opens their personal cabinet of curiosities to tell the stories of the pair's most unusual encounters. From the "necking" battles of mate-hungry giraffes to the breathtaking beauty of millions of monarch butterflies at rest, Jeffords and Post share 200 stunning photographs and their own insightful essays to guide readers on a spectacular journey. Their training as entomologists offers unique perspectives on surprise stag beetle swarms and spider hunting habits. Their photographic eye, honed by decades of observation, finds expression in once-in-a-lifetime images. The result is an eyewitness collection of startling and unusual phenomena that illuminates the diverse life inhabiting our planet.
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The Curse: A CULTURAL HISTORY OF MENSTRUATION
Janice Delaney, Mary Jane Lupton, and Emily Toth
University of Illinois Press, 1988
Library of Congress QP263.D45 1988 | Dewey Decimal 306.4

 
"In its hard headed, richly documented concreteness, it is worth a thousand polemics."
-- New York Times, from a review of the first edition
"The Curse deserves a place in every women's studies library collection."
-- Sharon Golub, editor of Lifting the curse of Menstruation
"A stimulating and useful book, both for the scholarly and the general reader."
-- Paula A. Treichler, co-author of A Feminist Dictionary
 
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Custome Is an Idiot: JACOBEAN PAMPHLET LITERATURE ON WOMEN
Edited by Susan Gushee O'Malley
University of Illinois Press, 2004
Library of Congress HQ1599.E5C87 2004 | Dewey Decimal 305.40942

Containing the complete and annotated texts of six pamphlets written between 1609 and 1620, "Custome Is an Idiot" makes an invaluable contribution to the scholarship on early modern British cultural history, specifically on competing opinions about the role of women in society.
 
During the early seventeenth century a fierce debate raged in British intellectual society regarding the role of women, how much is ordained by God, and how much is merely custom. The pamphlets that circulated at the time reveal a great deal about the terms of the debate, and these six constitute a significant body of primary literature, allowing the contending voices to be heard anew.
 
Included here are two pamphlets about gossips by Samuel Rowlands, William Heale's treatise against wife-beating, Christopher Newstead's argument for the superiority of women, and Hic Mulier and Haec Vir, two pamphlets that address the theme of cross-dressing. Introductions by Susan Gushee O'Malley place each pamphlet in a wider context, and detailed annotations shed light on the individual texts.
 
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Cyber-Marx: Cycles and Circuits of Struggle in High Technology Capitalism
Nick Dyer-Witheford
University of Illinois Press, 1999
Library of Congress HC79.H53D94 1999 | Dewey Decimal 338.4762

In this highly readable and thought-provoking work, Nick Dyer-Witheford assesses the relevance of Marxism in our time and demonstrates how the information age, far from transcending the historic conflict between capital and its laboring subjects, constitutes the latest battleground in their encounter.
 
Dyer-Witheford maps the dynamics of modern capitalism, showing how capital depends for its operations not just on exploitation in the immediate workplace, but on the continuous integration of a whole series of social sites and activities, from public health and maternity to natural resource allocation and the geographical reorganization of labor power. He also shows how these sites and activities may become focal points of subversion and insurgency, as new means of communication vital for the smooth flow of capital also permit otherwise isolated and dispersed points of resistance to connect and combine with one another.
 
Cutting through the smokescreen of high-tech propaganda, Dyer-Witheford predicts the advent of a reinvented, "autonomist" Marxism that will rediscover the possibility of a collective, communist transformation of society. Refuting the utopian promises of the information revolution, he discloses the real potentialities for a new social order in the form of a twenty-first-century communism based on the common sharing of wealth.
 
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Cybersonic Arts: Adventures in American New Music
Godon Mumma, Edited by Michelle Fillion
University of Illinois Press, 2015
Library of Congress ML200.5.M93 2015

Composer, performer, instrument builder, teacher, and writer Gordon Mumma has left an indelible mark on the American contemporary music scene. A prolific composer and innovative French horn player, Mumma is recognized for integrating advanced electronic processes into musical structures, an approach he has termed ""Cybersonics.""

Musicologist Michelle Fillion curates a collection of Mumma's writings, presenting revised versions of his classic pieces as well as many unpublished works from every stage of his storied career. Here, through words and astonishing photos, is Mumma's chronicle of seminal events in the musical world of the twentieth century: his cofounding the Cooperative Studio for Electronic Music; his role in organizing the historic ONCE Festivals of Contemporary Music; performances with the Sonic Arts Union; and working alongside John Cage and David Tudor as a composer-musician with the Merce Cunningham Dance Company. In addition, Mumma describes his collaborations with composers, performers, dancers, and visual artists ranging from Robert Ashley and Pauline Oliveros to Marcel Duchamp and Robert Rauschenberg.

Candid and insightful, Cybersonic Arts is the eye-opening account of a broad artistic community by an active participant and observer.

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Czech Bluegrass: Notes from the Heart of Europe
Lee Bidgood
University of Illinois Press, 2017
Library of Congress ML3520.B49 2017

Bluegrass has found an unlikely home, and avid following, in the Czech Republic. The music’s emergence in Central Europe places it within an increasingly global network of communities built around bluegrass activities.
 
Lee Bidgood offers a fascinating study of the Czech bluegrass phenomenon that merges intimate immersion in the music with on-the-ground fieldwork informed by his life as a working musician. Drawing on his own close personal and professional interactions, Bidgood charts how Czech bluegrass put down roots and looks at its performance as a uniquely Czech musical practice. He also reflects on “Americanist” musical projects and the ways Czech musicians use them to construct personal and social identities. Bidgood sees these acts of construction as a response to the Czech Republic’s postsocialist environment but also to US cultural prominence within our global mediascape.
 
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2433 scholarly books by University of Illinois Press and 190 2433 scholarly books by University of Illinois Press
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Claiming Neighborhood
New Ways of Understanding Urban Change
John Betancur
University of Illinois Press, 2016
Based on historical case studies in Chicago, John J. Betancur and Janet L. Smith focus both the theoretical and practical explanations for why neighborhoods change today. As the authors show, a diverse collection of people including urban policy experts, elected officials, investors, resident leaders, institutions, community-based organizations, and many others compete to control how neighborhoods change and are characterized. Betancur and Smith argue that neighborhoods have become sites of consumption and spaces to be consumed. Discourse is used to add and subtract value from them. The romanticized image of "the neighborhood" exaggerates or obscures race and class struggles while celebrating diversity and income mixing. Scholars and policy makers must reexamine what sustains this image and the power effects produced in order to explain and govern urban space more equitably.
[more]

Claire Denis
Judith Mayne
University of Illinois Press, 2005

Widely regarded as one of the most innovative and passionate filmmakers working in France today, Claire Denis has continued to make beautiful and challenging films since the 1988 release of her first feature, Chocolat. Judith Mayne's comprehensive study traces Denis's career and discusses her major feature films in rich detail. 

Born in Paris but raised in West Africa, Denis explores in her films the legacies of French colonialism and the complex relationships between sexuality, gender, and race. From the adult woman who observes her past as a child in Cameroon to the Lithuanian immigrant who arrives in Paris and watches a serial killer to the disgraced French Foreign Legionnaire attempting to make sense of his past, the subjects of Denis's films continually revisit themes of watching, bearing witness, and making contact, as well as displacement, masculinity, and the migratory subject.

[more]

Classic Hollywood
Lifestyles and Film Styles of American Cinema, 1930-1960
Veronica Pravadelli
University of Illinois Press, 2015
Studies of "Classic Hollywood" typically treat Hollywood films released from 1930 to 1960 as a single interpretive mass. Veronica Pravadelli complicates this idea. Focusing on dominant tendencies in box office hits and Oscar-recognized classics, she breaks down the so-called classic period into six distinct phases that follow Hollywood's amazingly diverse offerings from the emancipated females of the "Transition Era" and the traditional men and women of the conservative 1930s that replaced it to the fantastical Fifties movie musicals that arose after anti-classic genres like film noir and women's films.
 
Pravadelli sets her analysis apart by paying particular attention to the gendered desires and identities exemplified in the films. Availing herself of the significant advances in film theory and modernity studies that have taken place since similar surveys first saw publication, she views Hollywood through strategies as varied as close textural analysis, feminism, psychoanalysis, film style and study of cinematic imagery, revealing the inconsistencies and antithetical traits lurking beneath Classic Hollywood's supposed transparency.
[more]

Classical American Pragmatism
ITS CONTEMPORARY VITALITY
Edited by Sandra B. Rosenthal, Carl R. Hausman, and Douglas R. Anderson
University of Illinois Press, 1999
This collection provides a thorough grounding in the philosophy of American pragmatism by examining the views of four principal thinkers—Charles S. Peirce, William James, John Dewey, and George Herbert Mead—on issues of central and enduring importance to life in human society.
Pragmatism emerged as a characteristically American response to an inheritance of British empiricism.
Presenting a radical reconception of the nature of experience, pragmatism represents a belief that ideas are not merely to be contemplated but must be put into action, tested and refined through experience. At the same time, the American pragmatists argued for an emphasis on human community that would offset the deep-seated American bias in favor of individualism. Far from being a relic of the past, pragmatism offers a dynamic and substantive approach to questions of human conduct, social values, scientific inquiry, religious belief, and aesthetic experience that lie at the center of contemporary life. This volume is an invaluable introduction to a school of thought that remains vital, instructive, and provocative.
 
[more]

Clear It with Sid!
Sidney R. Yates and Fifty Years of Presidents, Pragmatism, and Public Service
Michael C. Dorf and George Van Dusen
University of Illinois Press, 2022
The son of a Lithuanian blacksmith, Sidney R. Yates rose to the pinnacle of Washington power and influence. As chair of a House Appropriations Subcommittee, Yates was a preeminent national figure involved in issues that ranged from the environment and Native American rights to Israel and support for the arts. Speaker Tip O'Neill relied on the savvy Chicagoan in the trenches and advised anyone with controversial legislation to first "clear it with Sid!"

Michael C. Dorf and George Van Dusen draw on scores of interviews and unprecedented access to private papers to illuminate the life of an Illinois political icon. Wise, energetic, charismatic, petty, stubborn--Sid Yates presented a complicated character to constituents and colleagues alike. Yet his get-it-done approach to legislation allowed him to bridge partisan divides in the often-polarized House of Representatives. Following Yates from the campaign trail to the negotiating table to the House floor, Dorf and Van Dusen offer a rich portrait of a dealmaker extraordinaire and tireless patriot on a fifty-year journey through postwar American politics.
[more]

Coalfield Jews
An Appalachian History
Deborah R. Weiner
University of Illinois Press, 2006

The stories of vibrant eastern European Jewish communities in the Appalachian coalfields

Coalfield Jews explores the intersection of two simultaneous historic events: central Appalachia’s transformative coal boom (1880s-1920), and the mass migration of eastern European Jews to America. Traveling to southern West Virginia, eastern Kentucky, and southwestern Virginia to investigate the coal boom’s opportunities, some Jewish immigrants found success as retailers and established numerous small but flourishing Jewish communities.

Deborah R. Weiner’s Coalfield Jews provides the first extended study of Jews in Appalachia, exploring where they settled, how they made their place within a surprisingly receptive dominant culture, how they competed with coal company stores, interacted with their non-Jewish neighbors, and maintained a strong Jewish identity deep in the heart of the Appalachian mountains. To tell this story, Weiner draws on a wide range of primary sources in social, cultural, religious, labor, economic, and regional history.  She also includes moving personal statements, from oral histories as well as archival sources, to create a holistic portrayal of Jewish life that will challenge commonly held views of Appalachia as well as the American Jewish experience.

[more]

Cold War Games
Propaganda, the Olympics, and U.S. Foreign Policy
Toby C Rider
University of Illinois Press, 2016
It is the early Cold War. The Soviet Union appears to be in irresistible ascendance and moves to exploit the Olympic Games as a vehicle for promoting international communism. In response, the United States conceives a subtle, far-reaching psychological warfare campaign to blunt the Soviet advance.

Drawing on newly declassified materials and archives, Toby C. Rider chronicles how the U.S. government used the Olympics to promote democracy and its own policy aims during the tense early phase of the Cold War. Rider shows how the government, though constrained by traditions against interference in the Games, eluded detection by cooperating with private groups, including secretly funded émigré organizations bent on liberating their home countries from Soviet control. At the same time, the United States utilized Olympic host cities as launching pads for hyping the American economic and political system. Behind the scenes, meanwhile, the government attempted clandestine manipulation of the International Olympic Committee. Rider also details the campaigns that sent propaganda materials around the globe as the United States mobilized culture in general, and sports in particular, to fight the communist threat.

Deeply researched and boldly argued, Cold War Games recovers an essential chapter in Olympic and postwar history.

[more]

Cold War on the Airwaves
The Radio Propaganda War against East Germany
Nicholas J. Schlosser
University of Illinois Press, 2015
Founded as a counterweight to the Communist broadcasters in East Germany, Radio in the American Sector (RIAS) became one of the most successful public information operations conducted against the Soviet Bloc. Cold War on the Airwaves examines the Berlin-based organization's history and influence on the political worldview of the people--and government--on the other side of the Iron Curtain.

Nicholas J. Schlosser draws on broadcast transcripts, internal memoranda, listener letters, and surveys by the U.S. Information Agency to profile RIAS. Its mission: to undermine the German Democratic Republic with propaganda that, ironically, gained in potency by obeying the rules of objective journalism. Throughout, Schlosser examines the friction inherent in such a contradictory project and propaganda's role in shaping political culture. He also portrays how RIAS's primarily German staff influenced its outlook and how the organization both competed against its rivals in the GDR and pushed communist officials to alter their methods in order to keep listeners.

From the occupation of Berlin through the airlift to the construction of the Berlin Wall, Cold War on the Airwaves offers an absorbing view of how public diplomacy played out at a flashpoint of East-West tension.

[more]

Cold War Progressives
Women's Interracial Organizing for Peace and Freedom
Jacqueline Castledine
University of Illinois Press, 2012
In recognizing the relation between gender, race, and class oppression, American women of the postwar Progressive Party made the claim that peace required not merely the absence of violence, but also the presence of social and political equality. For progressive women, peace was the essential thread that connected the various aspects of their activist agendas. This study maps the routes taken by postwar popular front women activists into peace and freedom movements of the 1960s and 1970s. Historian Jacqueline Castledine tells the story of their decades-long effort to keep their intertwined social and political causes from unraveling and to maintain the connections among peace, feminism, and racial equality.
 
Postwar progressive women and their allies often saw themselves as members of a popular front promoting the rights of workers, women, and African Americans under the banner of peace. However, the Cold War indelibly shaped the contours of their activism. Following the Progressive Party's demise in the 1950s, these activists reentered social and political movements in the early 1960s and met the inescapable reality that their agenda was a casualty of the left-liberal political division of the early Cold War era. Many Americans now viewed peace as a leftist concern associated with Soviet sympathizers and civil rights as the favored cause of liberals. Faced with the dilemma of working to reunite these movements or choosing between them, some progressive women chose to lead such New Left organizations as the Jeannette Rankin Brigade while others became leaders of liberal "second wave" feminist movements.
 
Whether they committed to affiliating with groups that emphasized one issue over others or attempted to found groups with broad popular-front type agendas, Progressive women brought to their later work an understanding of how race, class, and gender intersect in women's organizing. These women's stories demonstrate that the ultimate result of Cold War-era McCarthyism was not the defeat of women's activism, but rather its reconfiguration.
[more]

A Cole Porter Companion
Edited by Don M. Randel, Matthew Shaftel, and Susan Forscher
University of Illinois Press, 2016
Balancing sophisticated melodies and irresistible rhythms with lyrics by turns cynical and passionate, Cole Porter sent American song soaring on gossamer wings. Timeless works like "I Get a Kick Out of You" and "At Long Last Love" made him an essential figure in the soundtrack of a century and earned him adoration from generations of music lovers.

In A Cole Porter Companion, a parade of performers and scholars offers essays on little-known aspects of the master tunesmith's life and art. Here are Porter's days as a Yale wunderkind and his nights as the exemplar of louche living; the triumph of Kiss Me Kate and shocking failure of You Never Know; and his spinning rhythmic genius and a turkey dinner into "You're the Top" while cultural and economic forces take "Ev'ry Time We Say Goodbye" in unforeseen directions. Other entries explore notes on ongoing Porter scholarship and delve into his formative works, performing career, and long-overlooked contributions to media as varied as film and ballet.

Prepared with the cooperation of the Porter archives, A Cole Porter Companion is an invaluable guide for the fans and scholars of this beloved American genius.

[more]

Collaborators for Emancipation
Abraham Lincoln and Owen Lovejoy
William F. Moore and Jane Ann Moore
University of Illinois Press, 2019
Few expected politician Abraham Lincoln and Congregational minister Owen Lovejoy to be friends when they met in 1854. One was a cautious lawyer who deplored abolitionists' flouting of the law, the other an outspoken antislavery activist who captained a stop on the Underground Railroad. Yet the two built a relationship that, in Lincoln's words, "was one of increasing respect and esteem."
 
In Collaborators for Emancipation: Abraham Lincoln and Owen Lovejoy, the authors examine the thorny issue of the pragmatism typically ascribed to Lincoln versus the radicalism of Lovejoy, and the role each played in ending slavery. Exploring the men's politics, personal traits, and religious convictions, the book traces their separate paths in life as well as their frequent interactions. Collaborators for Emancipation shows how Lincoln and Lovejoy influenced one another and analyzes the strategies and systems of belief each brought to the epic controversies of slavery versus abolition and union versus disunion.
 
Moore and Moore, editors of a previous volume of Lovejoy's writings, use their deep knowledge of his words and life to move beyond mere politics to a nuanced perspective on the fabric of religion and personal background that underlay the minister's worldview. Their multifaceted work of history and biography reveals how Lincoln embraced the radical idea of emancipation, and how Lovejoy shaped his own radicalism to wield the pragmatic political tools needed to reach that ultimate goal.
[more]

Collected Poems
Edwin Rolfe
University of Illinois Press, 1993
      Edwin Rolfe (1909-54) is best known as the poet laureate of the Abraham
        Lincoln Battalion, the Americans who volunteered to help defend the elected
        Spanish government during its 1936-39 civil war. His career began in the
        revolutionary Left in New York in the 1920s and continued into the 1950s,
        when Rolfe wrote searing poetry attacking the McCarthy-era witch-hunts.
 
[more]

Colored No More
Reinventing Black Womanhood in Washington, D.C.
Treva B. Lindsey
University of Illinois Press, 2017
Home to established African American institutions and communities, Washington, D.C., offered women in the New Negro movement a unique setting for the fight against racial and gender oppression. Colored No More traces how African American women of the late-nineteenth and early twentieth century made significant strides toward making the nation's capital a more equal and dynamic urban center.

Treva B. Lindsey presents New Negro womanhood as a multidimensional space that included race women, blues women, mothers, white collar professionals, beauticians, fortune tellers, sex workers, same-gender couples, artists, activists, and innovators. Drawing from these differing but interconnected African American women's spaces, Lindsey excavates a multifaceted urban and cultural history of struggle toward a vision of equality that could emerge and sustain itself. Upward mobility to equal citizenship for African American women encompassed challenging racial, gender, class, and sexuality status quos. Lindsey maps the intersection of these challenges and their place at the core of New Negro womanhood.
 
[more]

The Colossal P. T. Barnum Reader
NOTHING ELSE LIKE IT IN THE UNIVERSE
Phineas T. BarnumEdited by James W. Cook
University of Illinois Press, 2005
The P. T. Barnum Reader reveals the trailblazing American showman P. T. Barnum as, by turns, a moral reformer, a habitual hoaxer, an insightful critic, a savvy "puffer," a master of images, a sparkling writer, a relentless provocateur, and an early advocate of "family" entertainments. Taken together, these selections paint a new and more complete portrait of this complex man than has ever been seen before. 
 
James W. Cook's The Colossal P. T. Barnum Reader is the largest collection of Barnum's works ever produced. Included are excerpts from his pseudo-autobiographical novel The Adventures of an Adventurer (1841), his European letters from 1844-46 informing readers of the New York Atlas of his regal reception overseas, and a large selection from his Ancient and Modern Humbugs of the World, Barnum's 1864-65 insider's look into the frauds of nineteenth-century American culture. It offers a glimpse of Tom Thumb's minstrel and singing performances in front of Queen Victoria, Barnum's many fraudulent representations of the supposedly ancient Joice Heth, and a more immediate, less filtered sense of Barnum as cultural and social critic in his serialized writings and travelogues. This volume also features reproductions of difficult to find posters from Barnum's two-decade collaboration with the prominent New York lithographers, Currier and Ives, and vintage photographs.
 
Finally, the reader also helps us to understand Barnum's role in building the modern culture industry. We follow his career from itinerant hawker, hardly distinguishable from his pre-industrial forebears, to manager of the world's first show business empire, with a staff of thousands and brand recognition across four continents. The Colossal P. T. Barnum Reader tracks the shifting personas of the great showman, his representational choices, and his publics across the nineteenth century.
 
[more]

Combating Mountaintop Removal
New Directions in the Fight against Big Coal
Bryan T. McNeil
University of Illinois Press, 2012
 
Drawing on powerful personal testimonies of the hazards of mountaintop removal in southern West Virginia, Combating Mountaintop Removal critically examines the fierce conflicts over this violent and increasingly prevalent form of strip mining. Bryan T. McNeil documents the changing relationships among the coal industry, communities, environment, and economy from the perspective of local grassroots activist organizations and their broader networks.
 
Focusing on Coal River Mountain Watch (CRMW), an organization composed of individuals who have personal ties to the coal industry in the region, the study reveals a turn away from once-strong traditional labor unions and the emergence of community-based activist organizations. By framing social and moral arguments in terms of the environment, these innovative hybrid movements take advantage of environmentalism's higher profile in contemporary politics. In investigating the local effects of globalization and global economics, McNeil tracks the profound reimagining of social and personal ideas such as identity, history, and landscape and considers their roles in organizing an agenda for progressive community activism.

[more]

Come Hither to Go Yonder
Playing Bluegrass with Bill Monroe
Bob Black
University of Illinois Press, 2005

Bob Black was a member of Bill Monroe's Blue Grass Boys in the 1970s. Black's memoir of his time with the man he called the Chief offers the unique vantage point of a man who traveled and performed extensively with the Father of Bluegrass at a time when the music had opened up to new audiences--and Monroe had become a living legend. 

Both role model and taskmaster, Monroe exerted a profound influence on Black and the musicians who have carried on the bluegrass tradition. In addition to Black's one-of-a-kind story, Come Hither to Go Yonder includes complete listing of Black's appearances with Monroe, recollections of the memorable experiences they shared while working together, descriptions of other important musicians and bands, and suggestions for further reading and listening. 

Offering a rare perspective on the creative forces that drove one of America's greatest composers and musical innovators, Come Hither to Go Yonder rewards fans of Bill Monroe and bluegrass while offering an insider's view of a crucial time in the music's history.

[more]

Coming of Age in Post-Soviet Russia
Fran Markowitz
University of Illinois Press, 2000
Anthropologist Fran Markowitz interviewed more than one hundred Russian teenagers to discover how adolescents have been coping with their country's seismic transitions. Her findings present a substantive challenge to near-axiomatic theories of human development that regard cultural stability as indispensable to the successful navigation of adolescence.
 
Markowitz's fieldwork leads to the surprising conclusion that the disruptions brought by glasnost, perestroika, and the fragmentation of the USSR exerted a greater impact on Western political hopes and on many of Russia's adults than on young people's perceptions of their lives. In their remarks on topics ranging from being Russian to religion, sex, music, and military service, the teenagers convey a flexible and optimistic approach to the future and a sense of security deriving from strong family, school, and neighborhood ties. Their perspectives suggest that culture change and social instability may be seen as positive forces, allowing for expressive opportunities, the establishment of individualized identities, and creative, pragmatic planning.
 
[more]

Coming On Strong
Gender and Sexuality in Women's Sport
Susan K. Cahn
University of Illinois Press, 2015
Acclaimed since its original publication, Coming on Strong has become a much-cited touchstone in scholarship on women and sports. In this new edition, Susan K. Cahn updates her detailed history of women's sport and the struggles over gender, sexuality, race, class, and policy that have often defined it. A new chapter explores the impact of Title IX and how the opportunities and interest in sports it helped create reshaped women's lives even as the legislation itself came under sustained attack.
[more]

Commemorating Hell
The Public Memory of Mittelbau-Dora
Gretchen Schafft and Gerhard Zeidler
University of Illinois Press, 2011
This powerful, wide-ranging history of the Nazi concentration camp Mittelbau-Dora is the first book to analyze how memory of the Third Reich evolved throughout changes in the German regime from World War II to the present. Building on intimate knowledge of the history of the camp, where a third of the 60,000 prisoners did not survive the war, Gretchen Schafft and Gerhard Zeidler examine the political and cultural aspects of the camp's memorialization in East Germany and, after 1989, in unified Germany.

Prisoners at Mittelbau-Dora built the V-1 and V-2 missiles, some of them coming into direct contact with Wernher von Braun and Arthur Rudolph, who later became leading engineers in the U.S. space program. Through the continuing story of Mittelbau-Dora, from its operation as a labor camp to its social construction as a monument, Schafft and Zeidler reflect an abiding interest in the memory and commemoration of notorious national events. In extending the analysis of Mittelbau-Dora into post-war and present-day Germany, Commemorating Hell uncovers the intricate relationship between the politics of memory and broader state and global politics, revealing insights about the camp's relationship to the American space pioneers and the fate of the nearby city of Nordhausen.

[more]

The Common Ground of Womanhood
Class, Gender, and Working Girls' Clubs, 1884-1928
Priscilla Murolo
University of Illinois Press, 1997

Working girls' clubs were a flash-point for class antagonisms yet also provided fertile ground for surprising cross-class alliances. Priscilla Murolo's nuanced study charts the shifting points of conflict and consensus between working women and their genteel club sponsors; working women and their male counterparts; and among working women of differing ethnic backgrounds. 

The working girls' club movement lasted from the 1880s, when women poured into the industrial labor force, to the 1920s. Upper-class women initially governed the clubs, and activities converged around standards of "respectability" and the defense and uplift of the character of women who worked for wages. Later, the workers themselves presided over the leadership and shifted the clubs' focus to issues of labor reform, women's rights, and sisterhood across class lines. 

A valuable and lucid study of the club movement, The Common Ground of Womanhood throws new light on broader trends in the history of women's alliances, social reform, gender conventions, and worker organizing.

[more]

Communications in Turkey and the Ottoman Empire
A Critical History
Burçe Çelik
University of Illinois Press, 2023
The history of communications in the Ottoman Empire and Turkey contradicts the widespread belief that communications is a byproduct of modern capitalism and other Western forces. Burçe Çelik uses a decolonial perspective to analyze the historical commodification and militarization of communications and how it affected production and practice for oppressed populations like women, the working class, and ethnic and religious minorities. Moving from the mid-nineteenth century through today, Çelik places networks within the changing geopolitical landscape and the evolution of modern capitalism in relationship to struggles involving a range of social and political actors. Throughout, she challenges Anglo- and Eurocentric assumptions that see the non-West as an ahistorical imitation of, or aberration from, the development of Western communications.

Ambitious and comprehensive, Communications in Turkey and the Ottoman Empire merges political economy with social history to challenge Western-centered assumptions about the origins and development of modern communications.

[more]

The Communist Party in Maryland, 1919-57
Vernon L. Pedersen
University of Illinois Press, 2001
This rare grass-roots account of American communism traces the rise and fall of Maryland's Communist Party from the time of the Russian Revolution to the McCarthy era. Drawing on sources including the central archives of the Communist Party of the United States of America, recovered from remote storage in Siberia in 1993, Vernon L. Pedersen presents a sharp challenge to revisionist views of American communism as a benign domestic movement detached from Soviet interests.
 
Bolsheviks in Baltimore charts the uneven transformation of Baltimore's fledgling Communists into underground revolutionaries in the 1920s. Pedersen documents the mercurial careers of local organizers, their devotion to the Soviet cause, and their efforts to convert the Party from a hodgepodge of ethnic groups to an effective instrument of class interests. He also tracks the public's changing perception of the Communists, from amused unconcern to alarm, and details how the Ober antisubversive law and the HUAC hearings of the 1950s dismantled the Party from without while planting seeds of paranoia that destroyed it from within.
 
Behind the public fear of a Communist conspiracy against the U.S. government, Pedersen finds a party fractured by conflicting agendas, ineffectual leadership, and unstable membership. However, he also uncovers new evidence that Communists in the United States, acting on Soviet orders, used their influence in unions and front groups to sway American foreign policy in ways that benefited the Soviet Union. He documents the consolidation of an espionage apparatus in Baltimore and demonstrates that while espionage activities may have involved only a few individuals, all Party members shared an attitude of willing support for the activities of the Soviet Union that made these covert practices possible.
 
Paying tribute to the fervor and the effort dedicated by the Maryland Communists, often at the expense of their own physical and financial well-being, to a cause that ultimately failed them, Bolsheviks in Baltimore assesses an ambiguous legacy of admirable social vision, haphazard international conspiracy, and fierce internal conflict.
 
[more]

Communists in Harlem during the Depression
Mark Naison
University of Illinois Press, 2004
No socialist organization has ever had a more profound effect on black life than the Communist Party did in Harlem during the Depression. Mark Naison describes how the party won the early endorsement of such people as Adam Clayton Powell Jr. and how its support of racial equality and integration impressed black intellectuals, including Richard Wright, Langston Hughes, and Paul Robeson.
 
This meticulously researched work, largely based on primary materials and interviews with leading black Communists from the 1930s, is the first to fully explore this provocative encounter between whites and blacks. It provides a detailed look at an exciting period of reform, as well as an intimate portrait of Harlem in the 1920s and 30s, at the high point of its influence and pride.
 
[more]

Communities of Journalism
A History of American Newspapers and Their Readers
David Paul Nord
University of Illinois Press, 2006
Widely acknowledged as one of our most insightful commentators on the history of journalism in the United States, David Paul Nord reveals how newspapers have intersected with religion, politics, reform, and urban life over nearly three centuries, His lively and wide-ranging discussion shows journalism to be a vital component of community. Ranging from the religion-infused towns of colonial America to the rapidly expanding urban metropolises of the late nineteenth century, Nord explores the cultural work of the press and how ordinary readers use journalism to form community attachments and engage in civic life.
[more]

COMMUNITY RECONSTRUCTS
James Campbell
University of Illinois Press, 1992
In The Community Reconstructs
  James Campbell explores the Pragmatists' contributions to American social
  thought, drawing upon the writings of William James, John Dewey, George Herbert
  Mead, James Hayden Tufts, and their various critics. He explores the Pragmatic
  analysis of society's potential for ongoing intelligent inquiry and cooperative
  evaluation to address social ills. Campbell also considers the nature of political
  language, the relative importance of the moral and political values of liberty
  and equality, and the vital role of commitment to the life of a democratic community.
 
[more]

Community-Centered Journalism
Engaging People, Exploring Solutions, and Building Trust
Andrea Wenzel
University of Illinois Press, 2020
Contemporary journalism faces a crisis of trust that threatens the institution and may imperil democracy itself. Critics and experts see a renewed commitment to local journalism as one solution. But a lasting restoration of public trust requires a different kind of local journalism than is often imagined, one that engages with and shares power among all sectors of a community.

Andrea Wenzel models new practices of community-centered journalism that build trust across boundaries of politics, race, and class, and prioritize solutions while engaging the full range of local stakeholders. Informed by case studies from rural, suburban, and urban settings, Wenzel's blueprint reshapes journalism norms and creates vigorous storytelling networks between all parts of a community. Envisioning a portable, rather than scalable, process, Wenzel proposes a community-centered journalism that, once implemented, will strengthen lines of local communication, reinvigorate civic participation, and forge a trusting partnership between media and the people they cover.

[more]

Comparative Arawakan Histories
Rethinking Language Family and Culture Area in Amazonia
Edited by Jonathan D. Hill and Fernando Santos-Granero
University of Illinois Press, 2002
Before they were largely decimated and dispersed by the effects of European colonization, Arawak-speaking peoples were the most widespread language family in Latin America and the Caribbean, and they were the first people Columbus encountered in the Americas. Comparative Arawakan Histories, in paperback for the first time, examines social structures, political hierarchies, rituals, religious movements, gender relations, and linguistic variations through historical perspectives to document sociocultural diversity across the diffused Arawakan diaspora.
 
[more]

Compañeros
Latino Activists in the Face of AIDS
Jesus Ramirez-Valles
University of Illinois Press, 2011
 
Telling the affecting stories of eighty gay, bisexual, and transgender (GBT) Latino activists and volunteers living in Chicago and San Francisco, Compañeros: Latino Activists in the Face of AIDS closely details how these individuals have been touched or transformed by the AIDS epidemic. Weaving together activists' responses to oppression and stigma, their encounters with AIDS, and their experiences as GBTs and Latinos in North America and Latin America, Jesus Ramirez-Valles explores the intersection of civic involvement with ethnic and sexual identity. Even as activists battle multiple sources of oppression, they are able to restore their sense of family connection and self-esteem through the creation of an alternative space in which community members find value in their relationships with one another. In demonstrating the transformative effects of a nurturing community environment for GBT Latinos affected by the AIDS epidemic, Ramirez-Valles illustrates that members find support in one another, as compañeros, in their struggles with homophobia, gender discrimination, racism, poverty, and forced migration.
[more]

Complaint
Grievance among Friends
Avital Ronell
University of Illinois Press, 2018
“It is not, nor it cannot come to good. But break, my heart, for I must hold my tongue.” Thus spoke Hamlet, one of the great kvetchers of literature. Every day, gripers challenge our patience and compassion. Yet Pollyannas rile us up with their grotesque contentment and unfathomable rejection of protest.

Avital Ronell considers how literature and philosophy treat bellyachers, wailers, and grumps—and the complaints they lavish on the rest of us. Combining her trademark jazzy panache with a fearless range of readings, Ronell opens a dialogue with readers that discusses thinkers with whom she has directly engaged. Beginning with Hamlet, and with a candid awareness of her own experiences, Ronell proceeds to show how complaining is aggravated, distracted, stifled, and transformed. She moves on to the exemplary complaints of Friedrich Nietzsche, Hannah Arendt, and Barbara Johnson and examines the complaint-riven history of deconstruction.

Infused with the author’s trademark wit, Complaint takes friends, colleagues, and all of us on a courageous philosophical journey.

[more]

The Complete Fables of Jean de La Fontaine
Jean de La Fontaine
University of Illinois Press, 2007
Inspired new translations of the work of one of the world's greatest fabulists

Told in an elegant style, Jean de la Fontaine's (1621-95) charming animal fables depict sly foxes and scheming cats, vain birds and greedy wolves, all of which subtly express his penetrating insights into French society and the beasts found in all of us. Norman R. Shapiro has been translating La Fontaine's fables for over twenty years, capturing the original work's lively mix of plain and archaic language. This newly complete translation is destined to set the English standard for this work.

Awarded the Lewis Galantière Prize by the American Translators Association, 2008.

[more]

Complete Poems
Claude Mckay. Edited by William J. Maxwell.
University of Illinois Press, 2003

Containing more than three hundred poems, including nearly a hundred previously unpublished works, this unique collection showcases the intellectual range of Claude McKay (1889-1948), the Jamaican-born poet and novelist whose life and work were marked by restless travel and steadfast social protest. McKay's first poems were composed in rural Jamaican creole and launched his lifelong commitment to representing everyday black culture from the bottom up. Migrating to New York, he reinvigorated the English sonnet and helped spark the Harlem Renaissance with poems such as "If We Must Die." After coming under scrutiny for his communism, he traveled throughout Europe and North Africa for twelve years and returned to Harlem in 1934, having denounced Stalin's Soviet Union. By then, McKay's pristine "violent sonnets" were giving way to confessional lyrics informed by his newfound Catholicism.

McKay's verse eludes easy definition, yet this complete anthology, vividly introduced and carefully annotated by William J. Maxwell, acquaints readers with the full transnational evolution of a major voice in twentieth-century poetry.

[more]

Complete Poems
Edgar Allan Poe
University of Illinois Press, 1969
Although best known for his tales, Edgar Allan Poe himself thirsted for fame primarily as a poet. This volume, assembled by the eminent Poe scholar Thomas Ollive Mabbott, is the single most authoritative edition of Poe's poems ever published: 101 poems and their variants, including such gems as "The Raven," "The Bells," and "Annabel Lee," as well as previously uncollected poems, fragments, verses he published in reviews he wrote, and poems attributed to him.
In this exhaustive collection, Mabbott takes a fresh look at these texts, aiming "to present what [Poe] wrote, to explain why he wrote it, to tell what he meant when he wrote it (if that be in any way obscure), and to give a history of its publication." Containing the definitive poems as well as pertinent biographical background, full annotations, and a meticulous enumeration of successive texts and variants, Mabbott's edition stands as a firm foundation for Poe scholarship as well as for more general appreciation.
 
[more]

The Complete Vegetarian
The Essential Guide to Good Health
Edited by Peggy Carlson M.D.
University of Illinois Press, 2009
The Complete Vegetarian makes important scientific connections between good health and vegetarianism after citing health concerns as the number one reason many people adopt a vegetarian diet. Peggy Carlson examines the vegetarian diet’s impact on chronic diseases and serves as a nutritional guide and meal-planning resource for many health professionals and regular consumers. Vegetarian nutritionists’ and medical doctors’ cutting-edge research find that an absence of meat is the only factor that accounts for the health effects of a vegetarian diet, but also a lower saturated fat and more fiber, antioxidants, and unsaturated fat count than other diets.

Essential and in-depth The Complete Vegetarian is an invaluable guide for health professionals and the growing number of people who have adopted or want to adopt a vegetarian lifestyle.

[more]

COMPUGIRLS
How Girls of Color Find and Define Themselves in the Digital Age
Kimberly A. Scott
University of Illinois Press, 2021
What does is it mean for girls of color to become techno-social change agents--individuals who fuse technological savvy with a deep understanding of society in order to analyze and confront inequality?

Kimberly A. Scott explores this question and others as she details the National Science Foundation-funded enrichment project COMPUGIRLS. This groundbreaking initiative teaches tech skills to adolescent girls of color but, as importantly, offers a setting that emphasizes empowerment, community advancement, and self-discovery. Scott draws on her experience as an architect of COMPUGIRLS to detail the difficulties of translating participants' lives into a digital context while tracing how the program evolved. The dramatic stories of the participants show them blending newly developed technical and communication skills in ways designed to spark effective action and bring about important change.

A compelling merger of theory and storytelling, COMPUGIRLS provides a much-needed roadmap for understanding how girls of color can find and define their selves in today's digital age.

[more]

The Concise History of Woman Suffrage
Selections from History of Woman Suffrage, by Elizabeth Cady Stanton, Susan B. Anthony, Matilda Joslyn Gage, and the National American Woman Suffrage Association
Edited and with an Introduction by Mari Jo Buhle and Paul Buhle
University of Illinois Press, 2005
The massive size of the original six-volume History of Woman Suffrage has likely limited its impact on the lives of the women who benefitted from the efforts of the pioneering suffragists.  By collecting miscellanies like state suffrage reports and speeches of every sort without interpretation or restraint, the set was often neglected as impenetrable. 
In their Concise History of Woman Suffrage, Mari Jo Buhle and Paul Buhle have revitalized this classic text by carefully selecting from among its best material.  The eighty-two chosen documents, now including interpretative introductory material by the editors, give researchers easy access to material that the original work's arrangement often caused readers to ignore or to overlook.
The volume contains the work of many reform agitators, among them Angelina Grimké, Lucy Stone, Carrie Chapman Catt, Charlotte Perkins Gilman, Anna Howard Shaw, Jane Addams, Sojourner Truth, and Victoria Woodhull, as well as Elizabeth Cady Stanton, Susan B. Anthony, Matilda Joslyn Gage, and Ida Husted Harper.
 
[more]

Confronting AIDS through Literature
THE RESPONSIBILITIES OF REPRESENTATION
Edited by Judith Laurence Pastore
University of Illinois Press, 1993
This anthology offers readers an
  array of viewpoints on the use of literature to confront AIDS as a social, literary,
  and medical phenomenon. A substantial annotated bibliography allows readers
  to pursue other fictional, biographical, poetic, and dramatic works on AIDS,
  as well as criticism and analysis of AIDS writing.
 
[more]

Connexions
Histories of Race and Sex in North America
Edited by Jennifer Brier, Jim Downs, and Jennifer L. Morgan
University of Illinois Press, 2016
Connexions investigates the ways in which race and sex intersect, overlap, and inform each other in United States history. An expert team of editors curates thought-provoking articles that explore how to view the American past through the lens of race and sexuality studies. Chapters range from the prerevolutionary era to today to grapple with an array of captivating issues: how descriptions of bodies shaped colonial Americans' understandings of race and sex; same-sex sexual desire and violence within slavery; whiteness in gay and lesbian history; college women's agitation against heterosexual norms in the 1940s and 1950s; the ways society used sexualized bodies to sculpt ideas of race and racial beauty; how Mexican silent film icon Ramon Navarro masked his homosexuality with his racial identity; and sexual representation in mid-twentieth-century black print pop culture. The result is both an enlightening foray into ignored areas and an elucidation of new perspectives that challenge us to reevaluate what we "know" of our own history. Contributors: Sharon Block, Susan K. Cahn, Stephanie M. H. Camp, J. B. Carter, Ernesto Chávez, Brian Connolly, Jim Downs, Marisa J. Fuentes, Leisa D. Meyer, Wanda S. Pillow, Marc Stein, and Deborah Gray White.
[more]

Conservative Counterrevolution
Challenging Liberalism in 1950s Milwaukee
Tula A. Connell
University of Illinois Press, 2016
In the 1950s, Milwaukee's strong union movement and socialist mayor seemed to embody a dominant liberal consensus that sought to continue and expand the New Deal. Tula Connell explores how business interests and political conservatives arose to undo that consensus, and how the resulting clash both shaped a city and helped redefine postwar American politics. Connell focuses on Frank Zeidler, the city's socialist mayor. Zeidler's broad concept of the public interest at times defied even liberal expectations. At the same time, a resurgence of conservatism with roots presaging twentieth-century politics challenged his initiatives in public housing, integration, and other areas. As Connell shows, conservatives created an anti-progressive game plan that included a well-funded media and PR push; an anti-union assault essential to the larger project of delegitimizing any government action; opposition to civil rights; and support from a suburban silent majority. In the end, the campaign undermined notions of the common good essential to the New Deal order. It also sowed the seeds for grassroots conservatism's more extreme and far-reaching future success.
[more]

Conserving Culture
A NEW DISCOURSE ON HERITAGE
Edited by Mary Hufford
University of Illinois Press, 1994
Conserving Culture examines
  heritage protection in the United States and how it has been implemented in
  specific cases. Contributors challenge the division of heritage into nature,
  the built environment, and culture. They describe cultural conservation as an
  integrated process for resource planning and recommend supplanting the current
  prescriptive approach with one that is more responsive to grass-roots cultural
  concerns. 
 
[more]

The Constitutional Convention and Formation of Union
Edited by Winton U. Solberg
University of Illinois Press, 1990
The American Constitution was hammered out in debates by the founding fathers at the 1787 Philadelphia Convention. This book contains James Madison's notes on the debates which provide a first-hand view of the drafting of the nation's fundamental charter. An introduction by Winton U. Solberg places the origins of the Constitution in the broader historical perspective of the development of political theory and constitutional practice in Western civilization. The book also links the formation of the Constitution, biographical sketches of each participant in the Philadelphia Convention, and population figures on which representation was to be based.
 
[more]

The Consumer Trap
BIG BUSINESS MARKETING IN AMERICAN LIFE
Michael Dawson
University of Illinois Press, 2003
The Consumer Trap blows the lid off the trillion-dollar-a-year business marketing industry, explaining how it continues to soak up economic and environmental resources and dominate the personal lives of citizens. Flouting conventional mainstream and radical thinking about consumer culture, Michael Dawson reveals how corporate marketing embodies and extends into personal life the scientific management principles famously enunciated by Frederick Winslow Taylor, whose earliest disciples predicted the big business marketing revolution.

After revealing why corporate capitalism fuels an ever-increasing marketing race, Dawson provides a step-by-step account of how this behemoth works and expands. Using firsthand evidence, he explains in detail how big business marketing campaigns penetrate and profoundly affect the lives of ordinary Americans.

Dawson argues that if people are to escape the costly consumer trap set by the overclass, they will need to renew class struggle from below, inventing new institutions for democratically governing and implementing major economic decisions. A blueprint for reinventing the study and debate of the sociocultural effects of corporate marketing practices, The Consumer Trap makes big business marketing a target of direct historical and sociological scrutiny.

 

[more]

Contemporary Mormonism
SOCIAL SCIENCE PERSPECTIVES
Edited by Marie Cornwall, Tim B. Heaton, and Lawrence A. Young
University of Illinois Press, 1994
Contemporary Mormonism is the first collection of sociological essays to focus exclusively on Mormons. Featuring the work of the major scholars conducting social science research on Mormons today, this volume offers refreshing new perspectives not only on Mormonism but also on the nature of successful religious movements, secularization and assimilation, church growth, patriarchy and gender roles, and other topics. This first paperback edition includes a new introduction assessing the current state of Mormon scholarship and the effect of the globalization of the LDS Church on scholarly research about Mormonism.
 
[more]

Contemporary Plays by African American Women
Ten Complete Works
Edited by Sandra Adell
University of Illinois Press, 2015
African American women have increasingly begun to see their plays performed from regional stages to Broadway. Yet many of these artists still struggle to gain attention. In this volume, Sandra Adell draws from the vital wellspring of works created by African American women in the twenty-first century to present ten plays by both prominent and up-and-coming writers. Taken together, the selections portray how these women engage with history as they delve into--and shake up--issues of gender and class to craft compelling stories of African American life. Gliding from gritty urbanism to rural landscapes, these works expand boundaries and boldly disrupt modes of theatrical representation.

Selections: Blue Door, by Tanya Barfield; Levee James, by S. M. Shephard-Massat; Hoodoo Love, by Katori Hall; Carnaval, by Nikkole Salter; Single Black Female, by Lisa B. Thompson; Fabulation, or The Re-Education of Undine, by Lynn Nottage; BlackTop Sky, by Christina Anderson; Voyeurs de Venus, by Lydia Diamond; Fedra, by J. Nicole Brooks; and Uppa Creek: A Modern Anachronistic Parody in the Minstrel Tradition, by Keli Garrett.

[more]

Contented among Strangers
Rural German-Speaking Women and Their Families in the Nineteenth-Century Midwest
Linda Schelbitzki Pickle
University of Illinois Press, 1995
German-Americans make up one of the largest ethnic groups in the United States, yet their very success at assimilating has also made them one of the least visible. Contented among Strangers examines the central role German-speaking women in rural areas of the Midwest played in preserving their ethnic and cultural identity. Even while living far from their original homelands, these women applied traditional European patterns of rural family life and values to their new homes in Illinois, Iowa, Kansas, Missouri, and Nebraska. As a result they were more content with their modest lives than were their Anglo-American counterparts. Through personal recollections--including interesting diary material translated by the author, church and community documents, and migration and census data--Pickle reveals the diversity and richness of the women's experiences.
 
[more]

A Contest of Ideas
Capital, Politics and Labor
Nelson Lictenstein
University of Illinois Press, 2013
For more than thirty years Nelson Lichtenstein has deployed his scholarship--on labor, politics, and social thought--to chart the history and prospects of a progressive America. A Contest of Ideas collects and updates many of Lichtenstein's most provocative and controversial essays and reviews.

These incisive writings link the fate of the labor movement to the transformations in the shape of world capitalism, to the rise of the civil rights movement, and to the activists and intellectuals who have played such important roles. Tracing broad patterns of political thought, Lichtenstein offers important perspectives on the relationship of labor and the state, the tensions that sometimes exist between a culture of rights and the idea of solidarity, and the rise of conservatism in politics, law, and intellectual life. The volume closes with portraits of five activist intellectuals whose work has been vital to the conflicts that engage the labor movement, public policy, and political culture.

[more]

CONTESTED CASTLE
GOTHIC NOVELS AND THE SUBVERSION OF DOME
Kate Ferguson Ellis
University of Illinois Press, 1989
The Gothic novel emerged out of the romantic mist alongside a new conception of the home as a separate sphere for women. Looking at novels from Horace Walpole's Castle of Otranto to Mary Shelley's Frankenstein, Kate Ferguson Ellis investigates the relationship between these two phenomena of middle-class culture--the idealization of the home and the popularity of the Gothic--and explores how both male and female authors used the Gothic novel to challenge the false claim of home as a safe, protected place. Linking terror -- the most important ingredient of the Gothic novel -- to acts of transgression, Ellis shows how houses in Gothic fiction imprison those inside them, while those locked outside wander the earth plotting their return and their revenge.
 
[more]

Contested Terrain
Reflections with Afghan Women Leaders
Sally L Kitch
University of Illinois Press, 2014
Sally L. Kitch explores the crisis in contemporary Afghan women’s lives by focusing on two remarkable Afghan professional women working on behalf of their Afghan sisters. Kitch's compelling narrative follows the stories of Judge Marzia Basel and Jamila Afghani from 2005 through 2013, providing an oft-ignored perspective on the personal and professional lives of Afghanistan's women. Contending with the complex dynamics of a society both undergoing and resisting change, Basel and Afghani speak candidly--and critically--of matters like international intervention and patriarchal Afghan culture, capturing the ways in which immense possibility alternates and vies with utter hopelessness. Strongly rooted in feminist theory and interdisciplinary historical and geopolitical analysis, Contested Terrain sheds new light on the struggle against the powerful forces that affect Afghan women's education, health, political participation, livelihoods, and quality of life. The book also suggests how a new dialogue might be started--in which women from across geopolitical boundaries might find common cause for change and rewrite their collective stories.
[more]

Contesting Archives
Finding Women in the Sources
Edited by Nupur Chaudhuri, Sherry J. Katz, and Mary Elizabeth Perry
University of Illinois Press, 2010

The contributors of Contesting Archives challenge the assumption that an archive is a neutral, immutable, and a historical repository of information. Instead, these historians view it as a place where decisions are made about whose documents--and therefore whose history--is important. Finding that women's voices and their texts were often obscured or lost altogether, they have developed many new methodologies for creating unique archives and uncovering more evidence by reading documents "against the grain," weaving together many layers of information to reveal complexities and working collectively to reconstruct the lives of women in the past.

Global in scope, this volume demonstrates innovative research on diverse women from the sixteenth century to the present in Spain, Mexico, Tunisia, India, Iran, Poland, Mozambique, and the United States. Addressing gender, race, class, nationalism, transnationalism, and migration, these essays' subjects include indigenous women of colonial Mexico, Muslim slave women, African American women of the early twentieth century, Bengali women activists of pre-independence India, wives and daughters of Qajar rulers in Iran, women industrial workers in communist Poland and socialist Mozambique, and women club owners in modern Las Vegas. A foreword by Antoinette Burton adroitly synthesizes the disparate themes woven throughout the book.

Contributors are Janet Afary, Maryam Ameli-Rezai, Antoinette Burton, Nupur Chaudhuri, Julia Clancy-Smith, Mansoureh Ettehadieh, Malgorzata Fidelis, Joanne L. Goodwin, Kali Nicole Gross, Daniel S. Haworth, Sherry J. Katz, Elham Malekzadeh, Mary Elizabeth Perry, Kathleen Sheldon, Lisa Sousa, and Ula Y. Taylor.

[more]

Contesting Identities
SPORTS IN AMERICAN FILM
Aaron Baker
University of Illinois Press, 2003
 
Since the earliest days of the silent era, American filmmakers have been drawn to the visual spectacle of sports and their compelling narratives of conflict, triumph, and individual achievement. In Contesting Identities Aaron Baker examines how these cinematic representations of sports and athletes have evolved over time--from The Pinch Hitter and Buster Keaton's College to White Men Can't Jump, Jerry Maguire, and Girlfight. He focuses on how identities have been constructed and transcended in American society since the early twentieth century.
Whether depicting team or individual sports, these films return to that most American of themes, the master narrative of self-reliance. Baker shows that even as sports films tackle socially constructed identities like class, race, ethnicity, sexuality, and gender, they ultimately underscore transcendence of these identities through self-reliance.
Looking at films from almost every sporting genre--with a particular focus on movies about boxing, baseball, basketball, and football--Contesting Identities maps the complex cultural landscape depicted in American sports films and the ways in which stories about "subaltern" groups winning acceptance by the mainstream majority can serve to reinforce the values of that majority.
In addition to discussing the genre's recurring dramatic tropes, from the populist prizefighter to the hot-headed rebel to the "manly" female athlete, Baker also looks at the social and cinematic impacts of real-life sports figures from Jackie Robinson and Babe Didrikson Zaharias to Muhammad Ali and Michael Jordan.
 
[more]

Contingent Faculty and the Remaking of Higher Education
A Labor History
Edited by Eric Fure-Slocum and Claire Goldstene
University of Illinois Press, 2024

Controlling the Silver
Lorna Goodison
University of Illinois Press, 2004
Renowned poet Lorna Goodison has written a new collection of elegies and praise songs which explore the close link between history and genealogy in the Caribbean experience. Her subjects range from the economic genius of market women to the complex beauty of the natural world.
 
[more]

Corrupt Illinois
Patronage, Cronyism, and Criminality
Thomas J. Gradel and Dick Simpson
University of Illinois Press, 2015
Public funds spent on jets and horses. Shoeboxes stuffed with embezzled cash. Ghost payrolls and incarcerated ex-governors. Illinois' culture of "Where's mine?" and the public apathy it engenders has made our state and local politics a disgrace.
 
In Corrupt Illinois, veteran political observers Thomas J. Gradel and Dick Simpson take aim at business-as-usual. Naming names, the authors lead readers through a gallery of rogues and rotten apples to illustrate how generations of chicanery have undermined faith in, and hope for, honest government. From there, they lay out how to implement institutional reforms that provide accountability and eradicate the favoritism, sweetheart deals, and conflicts of interest corroding our civic life.
 
Corrupt Illinois lays out a blueprint to transform our politics from a pay-to-play–driven marketplace into what it should be: an instrument of public good.
[more]

Corruption and Reform in the Teamsters Union
David Witwer
University of Illinois Press, 2002

Almost since its creation, recurring problems with corruption bedeviled the Teamsters Union. David Witwer provides the first in-depth historical study of the forces that contributed to the Teamsters' troubled past and the mechanisms the union employed--from top-down directives to grassroots measures--to combat corruption. 

Witwer draws on the perspectives of rank-and-file members, union leaders, and the criminal element to explain the processes that allowed organized crime to seize power inside the union. His account includes the infamous links between the Mafia and union head Jimmy Hoffa, but he also tells the little-known story of the McClellan Committee investigation that first brought those links to light. Witwer also examines how anti-labor forces used the Teamsters' unsavory reputation to influence popular and legislative opinion in a broad attack on workers' rights.

[more]

The Cosmopolitan Self
George Herbert Mead and Continental Philosophy
Mitchell Aboulafia
University of Illinois Press, 2001

The Costs of the Gig Economy
Musical Entrepreneurs and the Cultural Politics of Inequality in Northeastern Brazil
Falina Enriquez
University of Illinois Press, 2022
Institutions in Recife, Brazil, have restructured subsidies in favor of encouraging musicians to become more entrepreneurial. Falina Enriquez explores how contemporary and traditional musicians in the fabled musical city have negotiated these intensified neoliberal cultural policies and economic uncertainties.

Drawing on years of fieldwork, Enriquez shows how forcing artists to adopt “neutral” market solutions reinforces, and generates, overlapping racial and class-based inequalities. Lacking the social and financial resources of their middle-class peers, working-class musicians find it difficult to uphold institutional goals of connecting the city’s cultural roots to global markets and consumers. Enriquez also links the artists’ situation to that of cultural and creative workers around the world. As she shows, musical sponsorship in Recife and the contemporary gig economy elsewhere employ processes that, far from being neutral, uphold governmental and corporate ideologies that produce social stratification.

Rich and vibrant, The Costs of the Gig Economy offers a rare English-language portrait of the changing musical culture in Recife.

[more]

Counter Cultures
Saleswomen, Managers, and Customers in American Department Stores, 1890-1940
Susan Porter Benson
University of Illinois Press, 1986
The luxurious appearance and handsome profits of American department stores from 1890 to 1940 masked a three-way struggle among saleswomen, managers, and customers for control of the selling floor. Counter Cultures explores the complex nature and contradictions of the conflict in an arena where class, gender, and the emerging culture of consumption all came together. The result is a fascinating illumination of the emotional labor of the workplace and the work-culture of consumerism that still defines the workday for millions of Americans.
[more]

Country Music Humorists and Comedians
Loyal Jones
University of Illinois Press, 2008

Q: Is he afraid of work? 

A: No, he can lie down beside it and go to sleep.

This volume is an encyclopedia of the many country music performers who made comedy a central part of their careers. Loyal Jones offers an informative biographical sketch of each performer and many entries include a sample of the artist's humor, a recording history, and amusing anecdotal tidbits. Starting with vaudeville and radio barn dance figures like the Skillet Lickers and the Weaver Brothers and Elviry, Jones moves on to the regulars on Hee Haw and the Grand Old Opry and present-day comedians from the Austin Lounge Lizards to Jeff Foxworthy. 

Jones's introductory essay discusses such topics as stock comic figures, venues for comedic performance, and benchmark performers. Throughout the volume, he places each performer squarely in the context of the country music community, its performing traditions, and each artist's place in the larger cultural milieu.

[more]

The Courage to Connect
Sexuality, Citizenship, and Community in Provincetown
Sandra L. Faiman-Silva
University of Illinois Press, 2003

Based on over six years of fieldwork, Sandra L. Faiman-Silva's The Courage to Connect traces the transformation of the Cape Cod community of Provincetown from its nineteenth-century origins as a fishing town where Portuguese immigrants settled to its present status as a welcoming, sexually diverse tourist enclave. Faiman-Silva examines the community’s history and economy as well as how gay and straight cultures intersect in areas such as public education, local government, and law enforcement. Using queer and critical culture theory to deconstruct day-to-day local encounters, Faiman-Silva describes the causes of social conflicts and how these conflicts can be resolved. Capturing the pathos and joy of a community that has struggled to accommodate radical social changes, The Courage to Connect yields understanding of the ways in which communities can construct themselves to overcome differences.

[more]

Covering Bin Laden
Global Media and the World's Most Wanted Man
Edited by Susan Jeffords and Fahed Yahya Al-Sumait
University of Illinois Press, 2015
Starting in 2001, much of the world media used the image of Osama bin Laden as a shorthand for terrorism. Bin Laden himself considered media manipulation on a par with military, political, and ideological tools, and intentionally used interviews, taped speeches, and distributed statements to further al-Qaida's ends.
 
In Covering Bin Laden, editors Susan Jeffords and Fahed Yahya Al-Sumait collect perspectives from global scholars exploring a startling premise: that media depictions of Bin Laden not only diverge but often contradict each other, depending on the media provider and format, the place in which the depiction is presented, and the viewer's political and cultural background. The contributors analyze the representations of the many Bin Ladens, ranging from Al Jazeera broadcasts to video games. They examine the media's dominant role in shaping our understanding of terrorists and why/how they should be feared, and they engage with the ways the mosaic of Bin Laden images and narratives have influenced policies and actions around the world.
 
Contributors include Fahed Al-Sumait, Saranaz Barforoush, Aditi Bhatia, Purnima Bose, Ryan Croken, Simon Ferrari, Andrew Hill, Richard Jackson, Susan Jeffords, Joanna Margueritte-Giecewicz, Noha Mellor, Susan Moeller, Brigitte Nacos, Courtney C. Radsch, and Alexander Spencer.
[more]

Cowboy Poets and Cowboy Poetry
Edited by David Stanley and Elaine Thatcher
University of Illinois Press, 2000
In bunkhouses or rodeo arenas, on the trail or around the campfire, cowboys have been creating and reciting poetry since the 1870s. In this comprehensive overview, folklorists, scholars, and cowboy poets join forces to explore the 125-year history and development of cowboy poetry and to celebrate those who sustain it.
 
Centered around six areas of focus, from historical background to biographical profiles to creative process, Cowboy Poets and Cowboy Poetry approaches the tradition of occupational folk poetry from a variety of perspectives. Contributors trace its history as an extension of the Homeric tradition of storytelling in verse and discuss such topics as the way a text evolves in retelling, how it becomes linked to a tune, and how poetic content fuses with form to generate narrative tension and humor.
 
Personal and telling portraits of cowboy poets and reciters--including D. J. O'Malley, Henry Herbert Knibbs, and a number of contemporary cowboy poets--illuminate the creative process through which individual poets work within a long community tradition, while comparative studies examine poetry by women, Mexican-American vaqueros, loggers, Argentine gauchos, and Australian bush poets.
 
Cowboy Poets and Cowboy Poetry offers the first in-depth examination of a distinctive and community-based tradition rich with larger-than-life heroes, vivid occupational language, humor, and unblinking encounters with birth, death, nature, and animals. Throughout, the collection shows that cowboy poetry interweaves two thematic strands: a fierce defense of an endangered way of life and a dynamic celebration of organic wholeness, camaraderie, and individualism.
 
[more]

Cowgirls of the Rodeo
Pioneer Professional Athletes
Mary Lou LeCompte
University of Illinois Press, 1993
Acclaimed as a foundational study of rodeo women, Cowgirls of the Rodeosurveys the early rodeo cowgirls' achievements as professional athletes. Mary Lou LeCompte follows the story through the near-demise of women's rodeo events during World War II and the phenomenal success of the Women's Professional Rodeo Association in regaining lost ground for rodeo cowgirls. Recalling an extraordinary chapter in women's history and the history of American sport, Cowgirls of the Rodeo deepens our understanding of the challenges facing women in the American West and in American sport.
[more]

Crack Wars
LITERATURE ADDICTION MANIA
Avital Ronell
University of Illinois Press, 1992
Avital Ronell asks why "there is no culture without drug culture." She deals with the usual drugs and alcohol (and their celebrities: Freud's cocaine, Baudelaire's hashish, the Victorians' laudanum), and moves beyond them to addictions that are culturally accepted--an insatiable appetite for romance novels, for instance, and romance itself. 
 
It is a commonplace of modern culture to presume that there is a subculture or counterculture deeply saturated with drugs, but such modern cultures need subcultures, and need drugs on every level. Culture defines itself, its classes, its power structures, and its economy in terms of how it allows and encourages drugs to circulate. If drugs are dangerous, that danger seems to increase their appeal for millions. If drugs are unnatural and addictive, gasoline is a drug. What is art but a kind of drug, and what is art criticism but a kind of criticism of drugs and drug-induced states?
                                                           
Gustave Flaubert's Madame Bovary takes up the problems of drugs and addiction in numerous ways, which Ronnell unpacks and presents as examples of the safe and unsafe. From Emma Bovary's romantic hallucinations to her suicide by arsenic, she moves through this realistic novel constantly reaching for the unreal. For Ronell, Emma Bovary represents the first addict, embodying a yearning that calls from the bottom of her humanity, and which it seems can only be satisfied by some sort of drug.
 
[more]

Creating Born Criminals
Nicole Hahn Rafter
University of Illinois Press, 1997
Genetic screening, new reproductive technologies, gene therapies, and the reality of cloning all make biological solutions to human social problems seem possible. Creating Born Criminals shows how history can guide us in our response to the reemergence of eugenics. The first social history origins and content, showing their undue influence on crime control in the United States.
 
[more]

Creating the Big Ten
Courage, Corruption, and Commercialization
Winton U Solberg
University of Illinois Press, 2018
Big Ten football fans pack gridiron cathedrals that hold up to 100,000 spectators. The conference's fourteen member schools share a broadcast network and a 2016 media deal worth $2.64 billion. This cultural and financial colossus grew out of a modest 1895 meeting that focused on football's brutality and encroaching professionalism in the game.

Winton U. Solberg explores the relationship between higher education and collegiate football in the Big Ten's first fifty years. This formative era saw debates over eligibility and amateurism roil the sport. In particular, faculty concerned with academics clashed with coaches, university presidents, and others who played to win. Solberg follows the conference's successful early efforts to put the best interests of institutions and athletes first. Yet, as he shows, commercial concerns undid such work after World War I as sports increasingly eclipsed academics. By the 1940s, the Big Ten's impact on American sports was undeniable. It had shaped the development of intercollegiate athletics and college football nationwide while serving as a model for other athletic conferences.

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Creating the Land of Lincoln
The History and Constitutions of Illinois, 1778-1870
Frank Cicero Jr.
University of Illinois Press, 2018
In its early days, Illinois seemed destined to extend the American South. Its population of transplants lived an upland southern culture and in some cases owned slaves. Yet the nineteenth century and three constitutions recast Illinois as a crucible of northern strength and American progress. Frank Cicero Jr. provides an appealing new history of Illinois as expressed by the state's constitutions—and the lively conventions that led to each one. In Creating the Land of Lincoln, Cicero sheds light on the vital debates of delegates who, freed from electoral necessity, revealed the opinions, prejudices, sentiments, and dreams of Illinoisans at critical junctures in state history. Cicero simultaneously analyzes decisions large and small that fostered momentous social and political changes. The addition of northern land in the 1818 constitution, for instance, opened up the state to immigrant populations that reoriented Illinois to the north. Legislative abuses and rancor over free blacks influenced the 1848 document and the subsequent rise of a Republican Party that gave the nation Abraham Lincoln as its president. Cicero concludes with the 1870 constitution, revealing how its dialogues and resolutions set the state on the modern course that still endures today.
[more]

Creating the New Woman
The Rise of Southern Women's Progressive Culture in Texas, 1893-1918
Judith N. McArthur
University of Illinois Press, 1998

Regionally distinct yet influenced by national trends, women's progressive culture in Texas offers a valuable opportunity to analyze the evolution of women's voluntary associations, their challenges to southern conventions of race and class, and their quest for social change and political power. 

Judith McArthur traces how general concerns of national progressive organizations about pure food, prostitution, and education reform shaped programs at the state and local levels. Southern women differed from their Northern counterparts by devising new approaches to settlement work and taking advantage of World War I to challenge southern gender and racial norms. McArthur's original analysis details how women in Texas succeeded in securing partial voting rights before passage of the Nineteenth Amendment. She also provides valuable comparisons between North and South, among various southern states, and between black and white, and male and female, progressives.

[more]

The Creation of Dangerous Violent Criminals
Lonnie H. Athens
University of Illinois Press, 1992
Lonnie Athens examines a problem that has long baffled experts and lay people alike: How does a person become a dangerous violent criminal? He explains how those who commit brutal crimes begin as relatively benign individuals who undergo lengthy, at times tortuous. development leading them to malevolence. The process that Athens labels "violentization" encompasses four stages: brutalization, belligerency, violent performance, and virulency. Athens uses vivid first-person accounts gleaned from in-depth interviews with nascent and hardened violent criminals to back up his theory, producing a book that will appeal to a wide variety of readers interested in criminal justice, law, and sociology.
 
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The Creation of Jazz
Music, Race, and Culture in Urban America
Burton W. Peretti
University of Illinois Press, 1992

The story of jazz is more than a history of the music. The racial and cultural dynamics of American cities created the music, life, and business that was jazz. 

Burton W. Peretti's classic study charts the life of jazz culture from its origins in the jook joints of sharecroppers and the streets and dance halls of 1890s New Orleans to the eve of bebop and World War II. As Perett shows, jazz was the epic story of players who transitioned from childhood spasm bands to Carnegie Hall and worldwide touring and fame. It became the music of the Twenties, a decade of Prohibition, of adolescent discontent, of Harlem pride, and of Americans hoping to preserve cultural traditions in an urban, commercial age. Finally, jazz was where black and white musicians performed together, as uneasy partners, in the big bands of Artie Shaw and Benny Goodman. 

Drawing on archives and the firsthand testimony of more than seventy musicians and singers (among them Benny Carter, Bud Freeman, Kid Ory, and Mary Lou Williams), The Creation of Jazz offers a comprehensive analysis of the role of early jazz in American social history.

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Creative Life
Music, Politics, People, and Machines
Bob Ostertag
University of Illinois Press, 2008
In this eloquent and passionate volume, Bob Ostertag explores the common ground and points of friction among music, creativity, politics, culture, and technology. In terrain ranging from the guerrilla underground in El Salvador's civil war to the drag queen underground in San Francisco and New York, these essays combine journalism and autobiography to explore fundamental questions of what art is and what role it can occupy in a violent and fragmented world, a world in which daily events compromise the universality toward which art strives.

Drawing on his intimate engagement with political conflict in Latin America and the Balkans, Ostertag identifies an art of "insurgent politics" that struggles to expand the parameters of the physical and social world. He also discusses his innovative collaborations with major modern performers, filmmakers, and artists around the world. Part memoir, part journalism, and part aesthetic manifesto, Creative Life is a dazzling set of writings from a musical artist who has worked on the cutting edge of new music for thirty years.

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The Creative Process in Music from Mozart to Kurtag
William Kinderman
University of Illinois Press, 2012

Great music arouses wonder: how did the composer create such an original work of art? What was the artist's inspiration, and how did that idea become a reality? Cultural products inevitably arise from a context, a submerged landscape that is often not easily accessible. To bring such things to light, studies of the creative process find their cutting edge by probing beyond the surface, opening new perspectives on the apparently familiar.

 
In this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavor in music. Focusing on the stages of composition, Kinderman maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to Kurtág's Kafka Fragments and Hommage à R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and Bartók's Dance Suite.
 
Kinderman's analysis takes the form of "genetic criticism," tracing the genesis of these cultural works, exploring their aesthetic meaning, and mapping the continuity of a central European tradition that has displayed remarkable vitality for over two centuries, as accumulated legacies assumed importance for later generations. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, The Creative Process in Music from Mozart to Kurtág illustrates the wealth of insight that can be gained through studying the creative process.
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Creole Echoes
The Francophone Poetry of Nineteenth-Century Louisiana
Translated by Norman R. Shapiro
University of Illinois Press, 2003

The Creolization of American Culture
William Sidney Mount and the Roots of Blackface Minstrelsy
Christopher J. Smith
University of Illinois Press, 2014
The Creolization of American Culture examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807–1868) as a lens through which to see the multiethnic antebellum world that gave birth to blackface minstrelsy. As a young man living in the multiethnic working-class community of New York's Lower East Side, Mount took part in the black-white musical interchange his paintings depict. An avid musician and tune collector as well as an artist, he was the among the first to depict vernacular fiddlers, banjo players, and dancers precisely and sympathetically. His close observations and meticulous renderings provide rich evidence of performance techniques and class-inflected paths of musical apprenticeship that connected white and black practitioners.
 
Looking closely at the bodies and instruments Mount depicts in his paintings as well as other ephemera, Christopher J. Smith traces the performance practices of African American and Anglo-European music-and-dance traditions while recovering the sounds of that world. Further, Smith uses Mount's depictions of black and white music-making to open up fresh perspectives on cross-ethnic cultural transference in Northern and urban contexts, showing how rivers, waterfronts, and other sites of interracial interaction shaped musical practices by transporting musical culture from the South to the North and back. The "Africanization" of Anglo-Celtic tunes created minstrelsy's musical "creole synthesis," a body of melodic and rhythmic vocabularies, repertoires, tunes, and musical techniques that became the foundation of American popular music.
 
Reading Mount's renderings of black and white musicians against a background of historical sites and practices of cross-racial interaction, Smith offers a sophisticated interrogation and reinterpretation of minstrelsy, significantly broadening historical views of black-white musical exchange.
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Crime and Punishment in the Jim Crow South
Edited by Amy Louise Wood and Natalie J. Ring
University of Illinois Press, 2019
Policing, incarceration, capital punishment: these forms of crime control were crucial elements of Jim Crow regimes. White southerners relied on them to assert and maintain racial power, which led to the growth of modern state bureaucracies that eclipsed traditions of local sovereignty. Friction between the demands of white supremacy and white southern suspicions of state power created a distinctive criminal justice system in the South, elements of which are still apparent today across the United States.

In this collection, Amy Louise Wood and Natalie J. Ring present nine groundbreaking essays about the carceral system and its development over time. Topics range from activism against police brutality to the peculiar path of southern prison reform to the fraught introduction of the electric chair. The essays tell nuanced stories of rapidly changing state institutions, political leaders who sought to manage them, and African Americans who appealed to the regulatory state to protect their rights.

Contributors: Pippa Holloway, Tammy Ingram, Brandon T. Jett, Seth Kotch, Talitha L. LeFlouria, Vivien Miller, Silvan Niedermeier, K. Stephen Prince, and Amy Louise Wood

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The Crimes of Womanhood
Defining Femininity in a Court of Law
A. Cheree Carlson
University of Illinois Press, 2014
Cultural views of femininity exerted a powerful influence on the courtroom arguments used to defend or condemn notable women on trial in nineteenth-century and early-twentieth-century America. By examining the colorful rhetorical strategies employed by lawyers and reporters of women's trials in newspaper articles, trial transcriptions, and popular accounts, A. Cheree Carlson argues that the men in charge of these communication avenues were able to transform their own values and morals into believable narratives that persuaded judges, juries, and the general public of a woman's guilt or innocence.

Carlson analyzes the situations of several women of varying historical stature, from the insanity trials of Mary Todd Lincoln and Lizzie Borden's trial for the brutal slaying of her father and stepmother, to lesser-known trials involving insanity, infidelity, murder, abortion, and interracial marriage. The insanity trial of Elizabeth Parsons Ware Packard, the wife of a minister, resulted from her attempts to change her own religion, while a jury acquitted Mary Harris for killing her married lover, suggesting that loss of virginity to an adulterous man was justifiable grounds for homicide. The popular conception of abortion as a "woman's crime" came to the fore in the case of Ann Loman (also known as Madame Restell), who performed abortions in New York both before and after it became a crime. Finally, Alice Rhinelander was sued for fraud by her new husband Leonard for "passing" as white, but the jury was more moved by the notion of Alice being betrayed as a woman by her litigious husband than by the supposed defrauding of Leonard as a white male. Alice won the case, but the image of womanhood as in need of sympathy and protection won out as well.

At the heart of these cases, Carlson reveals clearly just how narrow was the line that women had to walk, since the same womanly virtues that were expected of them--passivity, frailty, and purity--could be turned against them at any time. These trials of popular status are especially significant because they reflect the attitudes of the broad audience, indicate which forms of knowledge are easily manipulated, and allow us to analyze how the verdict is argued outside the courtroom in the public and press. With gripping retellings and incisive analysis of these scandalous criminal and civil cases, this book will appeal to historians, rhetoricians, feminist researchers, and anyone who enjoys courtroom drama.

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Cristi Puiu
Monica Filimon
University of Illinois Press, 2017
Cristi Puiu's black comedy The Death of Mr. Lazarescu announced the arrival of the New Romanian Cinema as a force on the film world stage. As critics and festival audiences embraced the new movement, Puiu emerged as its lodestar and critical voice. Monica Filimon explores the works of an artist dedicated to truth not as an abstract concept, but as the ephemeral revelation of the fuller, ungraspable world beyond the screen. Puiu's innovative use of the handheld camera as an observer and his reliance on austere, restricted narration highlight the very limits of human understanding, guiding the viewer's intellectual and emotional sensibilities to the reality that has been left unfilmed. Filimon examines the director's ethics of epiphany not only in relation to the collective and personal histories that have triggered it, but also in dialogue with the films, texts, and filmmakers that have shaped it.
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Critical Digital Humanities
The Search for a Methodology
James E. Dobson
University of Illinois Press, 2019
Can established humanities methods coexist with computational thinking? It is one of the major questions in humanities research today, as scholars increasingly adopt sophisticated data science for their work. James E. Dobson explores the opportunities and complications faced by humanists in this new era. Though the study and interpretation of texts alongside sophisticated computational tools can serve scholarship, these methods cannot replace existing frameworks. As Dobson shows, ideas of scientific validity cannot easily nor should be adapted for humanities research because digital humanities, unlike science, lack a leading-edge horizon charting the frontiers of inquiry. Instead, the methods of digital humanities require a constant rereading. At the same time, suspicious and critical readings of digital methodologies make it unwise for scholars to defer to computational methods. Humanists must examine the tools--including the assumptions that went into the codes and algorithms--and questions surrounding their own use of digital technology in research. Insightful and forward thinking, Critical Digital Humanities lays out a new path of humanistic inquiry that merges critical theory and computational science.
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The Crooked Stovepipe
Athapaskan Fiddle Music and Square Dancing in Northeast Alaska and Northwest Canada
Craig Mishler
University of Illinois Press, 1993
Named for a popular local fiddle tune, The Crooked Stovepipe is a rollicking, detailed, first-ever study of the indigenous fiddle music and social dancing enjoyed by the Gwich'in Athapskan Indians and other tribal groups in northeast Alaska, the Yukon, and the Northwest Territories. Though the music has obvious roots in the British Isles, French Canada, and the American South, the Gwich'in have used it in shaping their own aesthetic, which is apparent in their choice of fiddle tunings, bowing techniques, foot clogging, dances, and a distinctively stratified tune repertoire.
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Crowe on the Banjo
The Music Life of J.D. Crowe
Marty Godbey
University of Illinois Press, 2011
In this first biography of legendary banjoist J. D. Crowe, Marty Godbey charts the life and career of one of bluegrass's most important innovators. Born and raised in Lexington, Kentucky, Crowe picked up the banjo when he was thirteen years old, inspired by a Flatt & Scruggs performance at the Kentucky Barn Dance. Godbey relates the long, distinguished career that followed, as Crowe performed and recorded both solo and as part of such varied ensembles as Jimmy Martin's Sunny Mountain Boys, the all-acoustic Kentucky Mountain Boys, and the revolutionary New South, who created an adventurously eclectic brand of bluegrass by merging rock and country music influences with traditional forms. Over the decades, this highly influential group launched the careers of many other fresh talents such as Keith Whitley, Ricky Skaggs, Tony Rice, Jerry Douglas, and Doyle Lawson.
 
With a selective discography and drawing from more than twenty interviews with Crowe and dozens more with the players who know him best, Crowe on the Banjo: The Music Life of J. D. Crowe is the definitive music biography of a true bluegrass original.
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Cultivating the Rosebuds
The Education of Women at the Cherokee Female Seminary, 1851-1909
Devon A. Mihesuah
University of Illinois Press, 1993
Recipient of a 1995 Critics' Choice Award of the American Educational Studies Association

Established by the Cherokee Nation in 1851 in present-day eastern Oklahoma, the nondenominaional Cherokee Female Seminary was one of the most important schools in the history of American Indian education. Devon Mihesuah explores its curriculum, faculty, administration, and educational philosophy.
"[An] important work. . . . It tells the fascinating and occasionally poignant story of the Cherokee Female Seminary, which enrolled its first class of 'Rosebuds,' as the seminarians called themselves, in 1851." --Choice
"I recommend it to any serious student of the Cherokee people." -- Robert J. Conley, author of Mountain Windsong
"Of the many books about Cherokee history, few deal with the issue of acculturation in the post-removal period and none so effectively as Devon Mihesuah's Cultivating the Rosebuds."  -- Nancy Shoemaker, Western Historical Quarterly
"Required reading for anyone remotely interested in the history of Native American education." -- David W. Adams, History of Education Quarterly
 
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Cultural Democracy
The Arts, Community, and the Public Purpose
James Bau Graves
University of Illinois Press, 2004
Cultural Democracy explores the crisis of our national cultural vitality, as access to the arts becomes increasingly mediated by a handful of corporations and the narrow tastes of wealthy elites. Graves offers the concept of cultural democracy as corrective--an idea with important historic and contemporary validation, and an alternative pathway toward ethical cultural development that is part of a global shift in values. 
 
Drawing upon a range of scholarship and illustrative anecdotes from his own experiences with cultural programs in ethnically diverse communities, Graves explains in convincing detail the dynamics of how traditional and grassroots cultures may survive and thrive--or not--and what we can do to provide them opportunities equal to those of mainstream, Eurocentric culture. 
 
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Cultural Heritage in Mali in the Neoliberal Era
Rosa De Jorio
University of Illinois Press, 2016
Up to 2012, Mali was a poster child of African democracy, despite multiple signs of growing dissatisfaction with the democratic experiment. Then disaster struck, bringing many of the nation's unresolved contradictions to international attention. A military coup carved off the country's south. A revolt by a coalition of Tuareg and extremist Islamist forces shook the north. The events, so violent and unexpected, forced experts to reassess Mali's democratic institutions and the neoliberal economic reforms enacted in conjunction with the move toward democracy. Rosa De Jorio's detailed study of cultural heritage and its transformations provides a key to understanding the impasse that confronts Malian democracy. As she shows, postcolonial Mali privileged its cultural heritage to display itself on the regional and international scene. The neoliberal reforms both intensified and altered this trend. Profiling heritage sites ranging from statues of colonial leaders to women's museums to historic Timbuktu, De Jorio portrays how various actors have deployed and contested notions of heritage. These actors include not just Malian administrators and politicians but UNESCO, and non-state NGOs. She also delves into the intricacies of heritage politics from the perspective of Malian actors and groups, as producers and receivers--but always highly informed and critically engaged--of international, national and local cultural initiatives.
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Cultural Melancholy
Readings of Race, Impossible Mourning, and African American Ritual
Jermaine Singleton
University of Illinois Press, 2015
A daring cultural and literary studies investigation, Cultural Melancholy explores the legacy of unresolved grief produced by ongoing racial oppression and resistance in the United States. Using acute analysis of literature, drama, musical performance, and film, Singleton demonstrates how rituals of racialization and resistance transfer and transform melancholy discreetly across time, consolidating racial identities and communities along the way. He also argues that this form of impossible mourning binds racialized identities across time and social space by way of cultural resistance efforts.

Singleton develops the concept of "cultural melancholy" as a response to scholarship that calls for the separation of critical race studies and psychoanalysis, excludes queer theoretical approaches from readings of African American literatures and cultures, and overlooks the status of racialized performance culture as a site of serious academic theorization. In doing so, he weaves critical race studies, psychoanalysis, queer theory, and performance studies into conversation to uncover a host of hidden dialogues—psychic and social, personal and political, individual and collective—for the purpose of promoting a culture of racial grieving, critical race consciousness, and collective agency.

Wide-ranging and theoretically bold, Cultural Melancholy counteracts the racial legacy effects that plague our twenty-first century multiculture.

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Cultural Sustainabilities
Music, Media, Language, Advocacy
Edited by Timothy J. Cooley
University of Illinois Press, 2019
Environmental sustainability and human cultural sustainability are inextricably linked. Reversing damaging human impact on the global environment is ultimately a cultural question, and as with politics, the answers are often profoundly local. Cultural Sustainabilities presents twenty-three essays by musicologists and ethnomusicologists, anthropologists, folklorists, ethnographers, documentary filmmakers, musicians, artists, and activists, each asking a particular question or presenting a specific local case study about cultural and environmental sustainability. Contributing to the environmental humanities, the authors embrace and even celebrate human engagement with ecosystems, though with a profound sense of collective responsibility created by the emergence of the Anthropocene. Contributors: Aaron S. Allen, Michael B. Bakan, Robert Baron, Daniel Cavicchi, Timothy J. Cooley, Mark F. DeWitt, Barry Dornfeld, Thomas Faux, Burt Feintuch, Nancy Guy, Mary Hufford, Susan Hurley-Glowa, Patrick Hutchinson, Michelle Kisliuk, Pauleena M. MacDougall, Margarita Mazo, Dotan Nitzberg, Jennifer C. Post, Tom Rankin, Roshan Samtani, Jeffrey A. Summit, Jeff Todd Titon, Joshua Tucker, Rory Turner, Denise Von Glahn, and Thomas Walker
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Cupcakes, Pinterest, and Ladyporn
Feminized Popular Culture in the Early Twenty-First Century
Edited by Elana Levine
University of Illinois Press, 2015
Media expansion into the digital realm and the continuing segregation of users into niches has led to a proliferation of cultural products targeted to and consumed by women. Though often dismissed as frivolous or excessively emotional, feminized culture in reality offers compelling insights into the American experience of the early twenty-first century.

Elana Levine brings together writings from feminist critics that chart the current terrain of feminized pop cultural production. Analyzing everything from Fifty Shades of Grey to Pinterest to pregnancy apps, contributors examine the economic, technological, representational, and experiential dimensions of products and phenomena that speak to, and about, the feminine. As these essays show, the imperative of productivity currently permeating feminized pop culture has created a generation of texts that speak as much to women's roles as public and private workers as to an impulse for fantasy or escape.

Incisive and compelling, Cupcakes, Pinterest, and Ladyporn sheds new light on contemporary women's engagement with an array of media forms in the context of postfeminist culture and neoliberalism.

[more]

Curious Encounters with the Natural World
From Grumpy Spiders to Hidden Tigers
Michael Jeffords
University of Illinois Press, 2017
Michael R. Jeffords and Susan L. Post have circled the globe--and explored their neighborhood--collecting images of the natural world. This book opens their personal cabinet of curiosities to tell the stories of the pair's most unusual encounters. From the "necking" battles of mate-hungry giraffes to the breathtaking beauty of millions of monarch butterflies at rest, Jeffords and Post share 200 stunning photographs and their own insightful essays to guide readers on a spectacular journey. Their training as entomologists offers unique perspectives on surprise stag beetle swarms and spider hunting habits. Their photographic eye, honed by decades of observation, finds expression in once-in-a-lifetime images. The result is an eyewitness collection of startling and unusual phenomena that illuminates the diverse life inhabiting our planet.
[more]

The Curse
A CULTURAL HISTORY OF MENSTRUATION
Janice Delaney, Mary Jane Lupton, and Emily Toth
University of Illinois Press, 1988
 
"In its hard headed, richly documented concreteness, it is worth a thousand polemics."
-- New York Times, from a review of the first edition
"The Curse deserves a place in every women's studies library collection."
-- Sharon Golub, editor of Lifting the curse of Menstruation
"A stimulating and useful book, both for the scholarly and the general reader."
-- Paula A. Treichler, co-author of A Feminist Dictionary
 
[more]

Custome Is an Idiot
JACOBEAN PAMPHLET LITERATURE ON WOMEN
Edited by Susan Gushee O'Malley
University of Illinois Press, 2004
Containing the complete and annotated texts of six pamphlets written between 1609 and 1620, "Custome Is an Idiot" makes an invaluable contribution to the scholarship on early modern British cultural history, specifically on competing opinions about the role of women in society.
 
During the early seventeenth century a fierce debate raged in British intellectual society regarding the role of women, how much is ordained by God, and how much is merely custom. The pamphlets that circulated at the time reveal a great deal about the terms of the debate, and these six constitute a significant body of primary literature, allowing the contending voices to be heard anew.
 
Included here are two pamphlets about gossips by Samuel Rowlands, William Heale's treatise against wife-beating, Christopher Newstead's argument for the superiority of women, and Hic Mulier and Haec Vir, two pamphlets that address the theme of cross-dressing. Introductions by Susan Gushee O'Malley place each pamphlet in a wider context, and detailed annotations shed light on the individual texts.
 
[more]

Cyber-Marx
Cycles and Circuits of Struggle in High Technology Capitalism
Nick Dyer-Witheford
University of Illinois Press, 1999
In this highly readable and thought-provoking work, Nick Dyer-Witheford assesses the relevance of Marxism in our time and demonstrates how the information age, far from transcending the historic conflict between capital and its laboring subjects, constitutes the latest battleground in their encounter.
 
Dyer-Witheford maps the dynamics of modern capitalism, showing how capital depends for its operations not just on exploitation in the immediate workplace, but on the continuous integration of a whole series of social sites and activities, from public health and maternity to natural resource allocation and the geographical reorganization of labor power. He also shows how these sites and activities may become focal points of subversion and insurgency, as new means of communication vital for the smooth flow of capital also permit otherwise isolated and dispersed points of resistance to connect and combine with one another.
 
Cutting through the smokescreen of high-tech propaganda, Dyer-Witheford predicts the advent of a reinvented, "autonomist" Marxism that will rediscover the possibility of a collective, communist transformation of society. Refuting the utopian promises of the information revolution, he discloses the real potentialities for a new social order in the form of a twenty-first-century communism based on the common sharing of wealth.
 
[more]

Cybersonic Arts
Adventures in American New Music
Godon Mumma, Edited by Michelle Fillion
University of Illinois Press, 2015
Composer, performer, instrument builder, teacher, and writer Gordon Mumma has left an indelible mark on the American contemporary music scene. A prolific composer and innovative French horn player, Mumma is recognized for integrating advanced electronic processes into musical structures, an approach he has termed ""Cybersonics.""

Musicologist Michelle Fillion curates a collection of Mumma's writings, presenting revised versions of his classic pieces as well as many unpublished works from every stage of his storied career. Here, through words and astonishing photos, is Mumma's chronicle of seminal events in the musical world of the twentieth century: his cofounding the Cooperative Studio for Electronic Music; his role in organizing the historic ONCE Festivals of Contemporary Music; performances with the Sonic Arts Union; and working alongside John Cage and David Tudor as a composer-musician with the Merce Cunningham Dance Company. In addition, Mumma describes his collaborations with composers, performers, dancers, and visual artists ranging from Robert Ashley and Pauline Oliveros to Marcel Duchamp and Robert Rauschenberg.

Candid and insightful, Cybersonic Arts is the eye-opening account of a broad artistic community by an active participant and observer.

[more]

Czech Bluegrass
Notes from the Heart of Europe
Lee Bidgood
University of Illinois Press, 2017
Bluegrass has found an unlikely home, and avid following, in the Czech Republic. The music’s emergence in Central Europe places it within an increasingly global network of communities built around bluegrass activities.
 
Lee Bidgood offers a fascinating study of the Czech bluegrass phenomenon that merges intimate immersion in the music with on-the-ground fieldwork informed by his life as a working musician. Drawing on his own close personal and professional interactions, Bidgood charts how Czech bluegrass put down roots and looks at its performance as a uniquely Czech musical practice. He also reflects on “Americanist” musical projects and the ways Czech musicians use them to construct personal and social identities. Bidgood sees these acts of construction as a response to the Czech Republic’s postsocialist environment but also to US cultural prominence within our global mediascape.
 
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