BiblioVault

Building the Black Metropolis: African American Entrepreneurship in Chicago
Robert Weems Jr., Jason Chambers
University of Illinois Press, 2017
Library of Congress F548.9.N4B85 2017 | Dewey Decimal 305.896073077311

From Jean Baptiste Point DuSable to Oprah Winfrey, black entrepreneurship has helped define Chicago. Robert E. Weems Jr. and Jason P. Chambers curate a collection of essays that place the city as the center of the black business world in the United States. Ranging from titans like Anthony Overton and Jesse Binga to McDonald’s operators to black organized crime, the scholars shed light on the long-overlooked history of African American work and entrepreneurship since the Great Migration. Together they examine how factors like the influx of southern migrants and the city’s unique segregation patterns made Chicago a prolific incubator of productive business development—and made building a black metropolis as much a necessity as an opportunity.

Contributors: Jason P. Chambers, Marcia Chatelain, Will Cooley, Robert Howard, Christopher Robert Reed, Myiti Sengstacke Rice, Clovis E. Semmes, Juliet E. K. Walker, and Robert E. Weems Jr.

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Building Womanist Coalitions: Writing and Teaching in the Spirit of Love
Edited by Gary L. Lemons
University of Illinois Press, 2019
Library of Congress HQ1190.B844 2019 | Dewey Decimal 305.42

Over the last generation, the womanist idea--and the tradition blooming around it--has emerged as an important response to separatism, domination, and oppression. Gary L. Lemons gathers a diverse group of writers to discuss their scholarly and personal experiences with the womanist spirit of women of color feminisms. Feminist and womanist-identified educators, students, performers, and poets model the powerful ways that crossing borders of race, gender, class, sexuality, and nation-state affiliation(s) expands one's existence. At the same time, they bear witness to how the self-liberating theory and practice of women of color feminism changes one's life. Throughout, the essayists come together to promote an unwavering vein of activist comradeship capable of building political alliances dedicated to liberty and social justice. Contributors: M. Jacqui Alexander, Dora Arreola, Andrea Assaf, Kendra N. Bryant, Rudolph P. Byrd, Atika Chaudhary, Paul T. Corrigan, Fanni V. Green, Beverly Guy-Sheftall, Susan Hoeller, Ylce Irizarry, M. Thandabantu Iverson, Gary L. Lemons, Layli Maparyan, and Erica C. Sutherlin

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BULLFIGHT
Garry Marvin
University of Illinois Press, 1994
Library of Congress GV1108.5.M37 1994 | Dewey Decimal 791.8209468

This accessible account explores how and why men risk their lives to perform with and kill wild bulls as part of a
public celebration, describing and analyzing the corrida in a way not previously attempted in English.

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Burn, Baby! BURN!: The Autobiography of Magnificent Montague
Magnificent Montague with Bob Baker
University of Illinois Press, 2009
Library of Congress ML429.M68A3 2003 | Dewey Decimal 791.443

With his dynamic on-air personality and his trademark cry of "Burn, baby! BURN!" when spinning the hottest new records, Magnificent Montague was the charismatic voice of soul music in Chicago, New York, and Los Angeles from the mid-1950s to the mid-1960s. In this memoir Montague recounts the events of his momentous radio career, which ran from the era of segregation to that of the civil rights movement; as he does so, he also tells the broader story of a life spent in the passionate pursuit of knowledge, historical and musical.

Like many black disc jockeys of his day, Montague played a role in his community beyond simply spreading the music of James Brown, Otis Redding, Aretha Franklin, and other prominent artists. Montague served as an unofficial spokesman for his black listeners, reflecting their beliefs and acting as a sounding board for their concerns.

Montague was based in Los Angeles in 1965 when the Watts rioters seized on his incendiary slogan, turning the shout of musical appreciation into a rallying cry for racial violence. In Burn, Baby! BURN! Montague recalls these tumultuous times, including the personal struggle he faced over whether to remain true to his listeners or bend to political pressure and stop shouting his suddenly controversial slogan.

Since the mid-1950s Montague had also expressed his passion for African American culture by becoming a zealous collector of artifacts of black history. He has built a monumental collection, taking time out from his collecting to become only the second African American to build his own radio station literally from the ground up.

A compelling account of a rich and varied life, Burn, Baby! BURN! gives an insider's view of half a century of black history, told with on-the-air zest by the DJ/historian who was there to see it unfold.

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Burning Valley
Phillip Bonosky
University of Illinois Press, 1953
Library of Congress PS3552.O638B87 1998 | Dewey Decimal 813.54

Originally published in 1953, Burning Valley tells the story of Benedict Bulmanis, son of a Lithuanian immigrant steel worker in western Pennsylvania. Determined to become a priest, Benedict faces inner conflict as he witnesses the steelworkers' struggle against the destruction of their homes and the separation of classes that even his church cannot escape. As the story unfolds, Benedict loses his faith in God but acquires a new faith, in the power of the working class and the justice of their cause. Alan Wald's introduction focuses on the semi-autobiographical aspect of the book as well as its "multifaceted dramatization of ethnicity and race."

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The Business of Charity: The Woman's Exchange Movement, 1832-1900
Kathleen Waters Sander
University of Illinois Press, 1998
Library of Congress HD6076.S26 1998 | Dewey Decimal 381.1

In the nineteenth century, Woman's Exchanges formed a vast national network that created economic alternatives for financially vulnerable women in a world that permitted few respectable employment options. Many remain in business.

Kathleen Waters Sander delves into the history of Woman's Exchanges and looks at the women who led the organizations—and those who used them to stave off poverty. One of the nation's oldest continuously operating voluntary movements, Exchanges like the Philadelphia Ladies' Depository and the Dorcas Society were fashionable, popular shops where women who had fallen on hard times could sustain themselves. By selling their handiwork on consignment, they not only earned money but avoided the stigma of seeking public employment. As Sander shows, Exchanges evolved into an important forum for entrepreneurial growth. They also provide an example of how women used the voluntary sector, which had so successfully served as a conduit for their political and social reforms, to advance opportunities for economic independence.

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The Business of Professional Sports
Edited by Paul D. Staudohar and James A. Mangan
University of Illinois Press, 1991
Library of Congress GV716.B87 1991 | Dewey Decimal 338.477960973

Beyond the highly publicized heroics and foibles of players and teams, when the grandstands are empty and the scoreboards dark, there is a world of sport about which little is known by even the most ardent fan. It is the business world of sport; it is characterized by a thirst for power and money, and its players are just as active as those on the professional teams they oversee. In this collection, some of the best scholars in the field use examples from baseball, football, basketball, and hockey to illuminate the significant economic, legal, social, and historic aspects of the business of professional sports.

Contributors: Dennis A. Ahlburg, Rob B. Beamish, Joan M. Chandler, James B. Dworkin, Lawrence M. Kahn, Charles P. Korr, John J. MacAloon, David Mills, Roger G. Noll, Steven A. Reiss, Gary R. Roberts, Stephen F. Ross, Peter D. Sherer, Leigh Steinberg, and David G. Voigt,

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Butoh: Metamorphic Dance and Global Alchemy
Sondra Fraleigh
University of Illinois Press, 2010
Library of Congress GV1783.2.B87F72 2010 | Dewey Decimal 792.80952

Both a refraction of the bombings of Hiroshima and Nagasaki and a protest against Western values, butoh is a form of Japanese dance theater that emerged in the aftermath of World War II. Sondra Fraleigh chronicles the growth of this provocative art form from its mid-century founding under a sign of darkness to its assimilation in the twenty-first century as a poignant performance medium with philosophical and political implications.

Through highly descriptive, thoughtful, and emotional prose, Fraleigh traces the transformative alchemy of this metaphoric dance form by studying the international movement inspired by its aesthetic mixtures. While butoh has retained a special identity related to its Japanese background, it also has blossomed into a borderless art with a tolerant and inclusive morphology gaining prominence in a borderless century.

Employing intellectual and aesthetic perspectives to reveal the origins, major figures, and international development of the dance, Fraleigh documents the range and variety of butoh artists around the world with first-hand knowledge of butoh performances from 1973 to 2008. Her definitions of butoh's morphology, alchemy, and philosophy set a theoretical framework for poetic and engaging articulations of twenty butoh performances in Japan, Europe, India, and the West. With a blend of scholarly research and direct experience, she also signifies the unfinished nature of butoh and emphasizes its capacity to effect spiritual transformation and bridge cultural differences.

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The Butte Irish: Class and Ethnicity in an American Mining Town, 1875-1925
David M. Emmons
University of Illinois Press, 1989
Library of Congress F739.B8E48 1989 | Dewey Decimal 978.668

In this pioneering study, David Emmons tells the story of Butte's large and assertive population of Irish immigrants. He traces their backgrounds in Ireland, the building of an ethnic community in Butte, the nature and hazards of their work in the copper mines, and the complex interplay between Irish nationalism and worker consciousness.

From a treasure trove of "Irish stuff," the reports, minutes, and correspondence of the major Irish-American organizations in Butte, Emmons shows how the stalwart supporters of the RELA and the Ancient Order of Hiberians marched and drilled for Irish freedom---and how, as they ran the town, the miners' union, and the largest mining companies, they used this tradition of ethnic cooperation to ensure safe and steady work, Irish mines taking care of Irish miners. Butte was new, overwhelmingly Irish, and extraordinarily dangerous---the ideal place to test the seam between class and ethnicity.

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Butterflies of Illinois: A Field Guide
Michael R. Jeffords, Susan L. Post, and James R. Wiker
University of Illinois Press, 2019

Prairie spaces and abundant wildflowers make Illinois an amateur lepidopterist's delight. Butterflies of Illinois offers a portable, easy-to-use guide rich with descriptions, field photography, and life-sized specimen photos of all the state's native species. It also includes:• identification quick guides depicting the tops and undersides of all butterfly species• scientific information and photos that explain life cycles, habitats, and ecology• range maps• flight period charts• key characteristics relevant to field identification• descriptions of rarely seen butterflies and irregular visitors from nearby states• supplemental information on various species, including collection records and unusual sightings Geared toward enthusiasts and experts alike, Butterflies of Illinois is a must-have companion for any nature hike or garden walk.

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Buy Black: How Black Women Transformed US Pop Culture
Aria S. Halliday
University of Illinois Press, 2022
Library of Congress HC110.C6B89 2022 | Dewey Decimal 658.83430973

Buy Black examines the role American Black women play in Black consumption in the US and worldwide, with a focus on their pivotal role in packaging Black feminine identity since the 1960s. Through an exploration of the dolls, princesses, and rags-to-riches stories that represent Black girlhood and womanhood in everything from haircare to Nicki Minaj’s hip-hop, Aria S. Halliday spotlights how the products created by Black women have furthered Black women’s position as the moral compass and arbiter of Black racial progress.

Far-ranging and bold, Buy Black reveals what attitudes inform a contemporary Black sensibility based in representation and consumerism. It also traces the parameters of Black symbolic power, mapping the sites where intraracial ideals of blackness, womanhood, beauty, play, and sexuality meet and mix in consumer and popular culture.

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