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2428 scholarly books by University of Illinois Press and 211
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2428 scholarly books by University of Illinois Press and 211
2428 scholarly books by University of Illinois Press
211 start with B start with B
211 start with B start with B
The Black Cow's Footprint
Time, Space and Music in the Lives of the Kotas of South India
Richard K. Wolf
University of Illinois Press, 2006
A black cow leads the members of a South Indian hill tribe, the Kotas, to the Nilgiri Hills and, with its hoof, indicates where to found each village. This footprint acts as a moral center of gravity, an important place for music-making, dancing, and other rituals. Places such as this, and moments in time, serve as physical and moral “anchors” for the Kota community. In this book, Richard K. Wolf explores how the Kotas “anchor” their musical and other activities around places and significant moments in time and, in the process, constitute themselves as individuals and as a group. This volume also includes a CD of Richard Wolf’s Kota field recordings.
[more]
Black Cultural Production after Civil Rights
Edited by Robert J. Patterson
University of Illinois Press, 2019
The post-civil rights era of the 1970s offered African Americans an all-too-familiar paradox. Material and symbolic gains contended with setbacks fueled by resentment and reaction. African American artists responded with black approaches to expression that made history in their own time and continue to exercise an enormous influence on contemporary culture and politics.
This collection's fascinating spectrum of topics begins with the literary and cinematic representations of slavery from the 1970s to the present. Other authors delve into visual culture from Blaxploitation to the art of Betye Saar to stage works like A Movie Star Has to Star in Black and White as well as groundbreaking literary works like Corregidora and Captain Blackman. A pair of concluding essays concentrate on institutional change by looking at the Seventies surge of black publishing and by analyzing Ntozake Shange's for colored girls. . . in the context of current controversies surrounding sexual violence. Throughout, the writers reveal how Seventies black cultural production anchors important contemporary debates in black feminism and other issues while spurring the black imagination to thrive amidst abject social and political conditions.
Contributors: Courtney R. Baker, Soyica Diggs Colbert, Madhu Dubey, Nadine Knight, Monica White Ndounou, Kinohi Nishikawa, Samantha Pinto, Jermaine Singleton, Terrion L. Williamson, and Lisa Woolfork
[more]
Black Europe and the African Diaspora
Edited by Darlene Clark Hine, Trica Danielle Keaton, and Stephen Small
University of Illinois Press, 2008
The presence of Blacks in a number of European societies has drawn increasing interest from scholars, policymakers, and the general public. This interdisciplinary and multi-disciplinary collection penetrates the multifaceted Black presence in Europe, and, in so doing, complicates the notions of race, belonging, desire, and identities assumed and presumed in revealing portraits of Black experiences in a European context. In focusing on contemporary intellectual currents and themes, the contributors theorize and re-imagine a range of historical and contemporary issues related to the broader questions of blackness, diaspora, hegemony, transnationalism, and "Black Europe" itself as lived and perceived realities.
Contributors are Allison Blakely, Jacqueline Nassy Brown, Tina Campt, Fred Constant, Alessandra Di Maio, Philomena Essed, Terri Francis, Barnor Hesse, Darlene Clark Hine, Dienke Hondius, Eileen Julien, Trica Danielle Keaton, Kwame Nimako, Tiffany Ruby Patterson, T. Denean Sharpley-Whiting, Stephen Small, Tyler Stovall, Alexander G. Weheliye, Gloria Wekker, and Michelle M. Wright.
[more]
Black Flag Boricuas
Anarchism, Antiauthoritarianism, and th eLeft in Puerto Rico, 1897-1921
Kirwin R. Shaffer
University of Illinois Press, 2013
This pathbreaking study examines the radical Left in Puerto Rico from the final years of Spanish colonial rule into the 1920s. Positioning Puerto Rico within the context of a regional anarchist network that stretched from Puerto Rico and Cuba to Tampa, Florida, and New York City, Kirwin R. Shaffer illustrates how anarchists linked their struggle to the broader international anarchist struggles against religion, governments, and industrial capitalism. Their groups, speeches, and press accounts--as well as the newspapers that they published--were central in helping to develop an anarchist vision for Puerto Ricans at a time when the island was a political no-man's-land, neither an official U.S. colony or state nor an independent country.
Exploring the rise of artisan and worker-based centers to develop class consciousness, Shaffer follows the island's anarchists as they cautiously joined the AFL-linked Federación Libre de Trabajadores, the largest labor organization in Puerto Rico. Critiquing the union from within, anarchists worked with reformers while continuing to pursue a more radical agenda achieved by direct action rather than parliamentary politics. Shaffer also traces anarchists' alliances with freethinkers seeking to reform education, progressive factions engaged in attacking the Church and organized religion, and the emerging Socialist movement on the island in the 1910s.
The most successful anarchist organization to emerge in Puerto Rico, the Bayamón bloc founded El Comunista, the longest-running, most financially successful anarchist newspaper in the island's history. Stridently attacking U.S. militarism and interventionism in the Caribbean Basin, the newspaper found growing distribution throughout and financial backing from Spanish-speaking anarchist groups in the United States. Shaffer demonstrates how the U.S. government targeted the Bayamón anarchists during the Red Scare and forced the closure of their newspaper in 1921, effectively unraveling the anarchist movement on the island.
[more]
Black Georgia in the Progressive Era, 1900-1920
John Dittmer
University of Illinois Press, 1977
"This is the best treatment scholars
have of black life in a southern state at the beginning of the twentieth century."
-- Howard N. Rabinowitz,
Journal of American History
"The author shows clearly and forcefully
the ways in which this [white] system abused and controlled the black lower
caste in Georgia." -- Lester C. Lamon, American Historical Review.
"Dittmer has a faculty for lucid exposition of complicated subjects. This is
especially true of the sections on segregation, racial politics, disfranchisement,
woman's suffrage and prohitibion, the neo-slavery in agriculture, and the racial
violence whose threat and reality hung like a pall over all of Georgia throughout
the period." -- Donald L. Grant, Georgia Historical Quarterly.
have of black life in a southern state at the beginning of the twentieth century."
-- Howard N. Rabinowitz,
Journal of American History
"The author shows clearly and forcefully
the ways in which this [white] system abused and controlled the black lower
caste in Georgia." -- Lester C. Lamon, American Historical Review.
"Dittmer has a faculty for lucid exposition of complicated subjects. This is
especially true of the sections on segregation, racial politics, disfranchisement,
woman's suffrage and prohitibion, the neo-slavery in agriculture, and the racial
violence whose threat and reality hung like a pall over all of Georgia throughout
the period." -- Donald L. Grant, Georgia Historical Quarterly.
[more]
Black Girlhood in the Nineteenth Century
Nazera Sadiq Wright
University of Illinois Press, 2016
Long portrayed as a masculine endeavor, the African American struggle for progress often found expression through an unlikely literary figure: the black girl. Nazera Sadiq Wright uses heavy archival research on a wide range of texts about African American girls to explore this understudied phenomenon. As Wright shows, the figure of the black girl in African American literature provided a powerful avenue for exploring issues like domesticity, femininity, and proper conduct. The characters' actions, however fictional, became a rubric for African American citizenship and racial progress. At the same time, their seeming dependence and insignificance allegorized the unjust treatment of African Americans. Wright reveals fascinating girls who, possessed of a premature knowing and wisdom beyond their years, projected a courage and resiliency that made them exemplary representations of the project of racial advance and citizenship.
[more]
Black Hawk
AN AUTOBIOGRAPHY
Black Hawk
University of Illinois Press, 1955
This story is told in the words of a tragic figure in American history - a hook-nosed, hollow-cheeked old Sauk warrior who lived under four flags while the Mississippi Valley was being wrested from his people.
The author is Black Hawk himself - once pursued by an army whose members included Captain Abraham Lincoln and Lieutenant Jefferson Davis. Perhaps no Indian ever saw so much of American expansion or fought harder to prevent that expansion from driving his people to exile and death.
He knew Zebulon Pike, William Clark, Henry Schoolcraft, George Catlin, Winfield Scott, and such figures in American government as President Andrew Jackson and Secretary of State Lewis Cass. He knew Chicago when it was a cluster of log houses around a fort, and he was in St. Louis the day the American flag went up and the French flag came down.
He saw crowds gather to cheer him in Philadelphia, Baltimore, and New York - and to stone the driver of his carriage in Albany - during a fantastic tour sponsored by the government.
And at last he dies in 1838, bitter in the knowledge that he had led men, women, and children of his tribe to slaughter on the banks of the Mississippi.
After his capture at the end of the Black Hawk War, he was imprisoned for a time and then released to live in the territory that is now Iowa. He dictated his autobiography to a government interpreter, Antoine LeClaire, and the story was put into written form by J. B. Patterson, a young Illinois newspaperman. Since its first appearance in 1833, the autobiography has become known as an American classic.
[more]
Black Huntington
An Appalachian Story
Cicero M. Fain III
University of Illinois Press, 2019
By 1930, Huntington had become West Virginia's largest city. Its booming economy and relatively tolerant racial climate attracted African Americans from across Appalachia and the South. Prosperity gave these migrants political clout and spurred the formation of communities that defined black Huntington--factors that empowered blacks to confront institutionalized and industrial racism on the one hand and the white embrace of Jim Crow on the other. Cicero M. Fain III illuminates the unique cultural identity and dynamic sense of accomplishment and purpose that transformed African American life in Huntington. Using interviews and untapped archival materials, Fain details the rise and consolidation of the black working class as it pursued, then fulfilled, its aspirations. He also reveals how African Americans developed a host of strategies--strong kin and social networks, institutional development, property ownership, and legal challenges--to defend their gains in the face of the white status quo. Eye-opening and eloquent, Black Huntington makes visible another facet of the African American experience in Appalachia.
[more]
Black Indians and Freedmen
The African Methodist Episcopal Church and Indigenous Americans, 1816-1916
Christina Dickerson-Cousin
University of Illinois Press, 2021
Often seen as ethnically monolithic, the African Methodist Episcopal (AME) Church in fact successfully pursued evangelism among diverse communities of indigenous peoples and Black Indians. Christina Dickerson-Cousin tells the little-known story of the AME Church’s work in Indian Territory, where African Methodists engaged with people from the Five Civilized Tribes (Cherokees, Creeks, Choctaws, Chickasaws, and Seminoles) and Black Indians from various ethnic backgrounds. These converts proved receptive to the historically Black church due to its traditions of self-government and resistance to white hegemony, and its strong support of their interests. The ministers, guided by the vision of a racially and ethnically inclusive Methodist institution, believed their denomination the best option for the marginalized people. Dickerson-Cousin also argues that the religious opportunities opened up by the AME Church throughout the West provided another impetus for Black migration.
Insightful and richly detailed, Black Indians and Freedmen illuminates how faith and empathy encouraged the unique interactions between two peoples.
[more]
The Black Intellectual Tradition
African American Thought in the Twentieth Century
Edited by Derrick P. Alridge, Cornelius L. Bynum, and James B. Stewart
University of Illinois Press, 2021
Considering the development and ongoing influence of Black thought
From 1900 to the present, people of African descent living in the United States have drawn on homegrown and diasporic minds to create a Black intellectual tradition engaged with ideas on race, racial oppression, and the world. This volume presents essays on the diverse thought behind the fight for racial justice as developed by African American artists and intellectuals; performers and protest activists; institutions and organizations; and educators and religious leaders. By including both women’s and men’s perspectives from the U.S. and the Diaspora, the essays explore the full landscape of the Black intellectual tradition. Throughout, contributors engage with important ideas ranging from the consideration of gender within the tradition, to intellectual products generated outside the intelligentsia, to the ongoing relationship between thought and concrete effort in the quest for liberation.
From 1900 to the present, people of African descent living in the United States have drawn on homegrown and diasporic minds to create a Black intellectual tradition engaged with ideas on race, racial oppression, and the world. This volume presents essays on the diverse thought behind the fight for racial justice as developed by African American artists and intellectuals; performers and protest activists; institutions and organizations; and educators and religious leaders. By including both women’s and men’s perspectives from the U.S. and the Diaspora, the essays explore the full landscape of the Black intellectual tradition. Throughout, contributors engage with important ideas ranging from the consideration of gender within the tradition, to intellectual products generated outside the intelligentsia, to the ongoing relationship between thought and concrete effort in the quest for liberation.
Expansive in scope and interdisciplinary in practice, The Black Intellectual Tradition delves into the ideas that animated a people’s striving for full participation in American life.
Contributors: Derrick P. Alridge, Keisha N. Blain, Cornelius L. Bynum, Jeffrey Lamar Coleman, Pero Gaglo Dagbovie, Stephanie Y. Evans, Aaron David Gresson III, Claudrena N. Harold, Leonard Harris, Maurice J. Hobson, La TaSha B. Levy, Layli Maparyan, Zebulon V. Miletsky, R. Baxter Miller, Edward Onaci, Venetria K. Patton, James B. Stewart, and Nikki M. Taylor
[more]
Black Internationalist Feminism
Women Writers of the Black Left, 1945-1995
Cheryl Higashida
University of Illinois Press, 2013
Black Internationalist Feminism examines how African American women writers affiliated themselves with the post-World War II Black Communist Left and developed a distinct strand of feminism. This vital yet largely overlooked feminist tradition built upon and critically retheorized the postwar Left's "nationalist internationalism," which connected the liberation of Blacks in the United States to the liberation of Third World nations and the worldwide proletariat. Black internationalist feminism critiques racist, heteronormative, and masculinist articulations of nationalism while maintaining the importance of national liberation movements for achieving Black women's social, political, and economic rights.
Cheryl Higashida shows how Claudia Jones, Lorraine Hansberry, Alice Childress, Rosa Guy, Audre Lorde, and Maya Angelou worked within and against established literary forms to demonstrate that nationalist internationalism was linked to struggles against heterosexism and patriarchy. Exploring a diverse range of plays, novels, essays, poetry, and reportage, Higashida illustrates how literature is a crucial lens for studying Black internationalist feminism because these authors were at the forefront of bringing the perspectives and problems of black women to light against their marginalization and silencing.
In examining writing by Black Left women from 1945–1995, Black Internationalist Feminism contributes to recent efforts to rehistoricize the Old Left, Civil Rights, Black Power, and second-wave Black women's movements.
[more]
Black Labor in Richmond, 1865-1890
Peter J. Rachleff
University of Illinois Press, 1989
Black Leaders of the Nineteenth Century
Edited by Leon Litwack and August Meier
University of Illinois Press, 1988
Black Leaders of the Twentieth Century
Edited by John Hope Franklin and August Meier
University of Illinois Press, 1982
Black Manhood in James Baldwin, Ernest J. Gaines, and August Wilson
Keith Clark
University of Illinois Press, 2002
From Frederick Douglass to the present, the preoccupation of black writers with manhood and masculinity is a constant. Black Manhood in James Baldwin, Ernest J. Gaines, and August Wilson explores how in their own work three major African American writers contest classic portrayals of black men in earlier literature, from slave narratives through the great novels of Richard Wright and Ralph Ellison.
Keith Clark examines short stories, novels, and plays by Baldwin, Gaines, and Wilson, arguing that since the 1950s the three have interrupted and radically dismantled the constricting literary depictions of black men who equate selfhood with victimization, isolation, and patriarchy. Instead, they have reimagined black men whose identity is grounded in community, camaraderie, and intimacy.
Delivering original and startling insights, this book will appeal to scholars and students of African American literature, gender studies, and narratology.
Keith Clark examines short stories, novels, and plays by Baldwin, Gaines, and Wilson, arguing that since the 1950s the three have interrupted and radically dismantled the constricting literary depictions of black men who equate selfhood with victimization, isolation, and patriarchy. Instead, they have reimagined black men whose identity is grounded in community, camaraderie, and intimacy.
Delivering original and startling insights, this book will appeal to scholars and students of African American literature, gender studies, and narratology.
[more]
Black Milwaukee
The Making of an Industrial Proletariat, 1915-45
Joe William Trotter, Jr.
University of Illinois Press, 2006
Other historians have tended to treat black urban life mainly in relation to the ghetto experience, but in Black Milwaukee, Joe William Trotter Jr. offers a new perspective that complements yet also goes well beyond that approach. The blacks in Black Milwaukee were not only ghetto dwellers; they were also industrial workers. The process by which they achieved this status is the subject of Trotter’s ground-breaking study.
This second edition features a new preface and acknowledgments, an essay on African American urban history since 1985, a prologue on the antebellum and Civil War roots of Milwaukee’s black community, and an epilogue on the post-World War II years and the impact of deindustrialization, all by the author. Brief essays by four of Trotter’s colleagues--William P. Jones, Earl Lewis, Alison Isenberg, and Kimberly L. Phillips--assess the impact of the original Black Milwaukee on the study of African American urban history over the past twenty years.
[more]
Black Opera
History, Power, Engagement
Naomi Andre
University of Illinois Press, 2018
From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.
[more]
Black Over White
Negro Political Leadership in South Carolina during Reconstruction
Thomas Holt
University of Illinois Press, 1979
In this prize-winning book Thomas Holt is concerned not only with the identities of the black politicians who gained power in South Carolina during Reconstruction, but also with the question of how they functioned within the political system. Thus, as one reviewer has commented, "he penetrates the superficial preoccupations over whether black politicians were venal or gullible to see whether they wielded power and influence and, if they did, how and to what ends and against what obstacles."
"Well crafted and well written, it not only broadens our knowledge of the period, but also deepens it, something that recent books on Reconstruction have too often failed to do." -- Michael Perman, American Historical Review.
" . . . a valuable study of post-Civil War black leaders in a state where Negro control came closest to realization during Reconstruction. . . . Effectively merging the techniques of quantitative analysis with those of narrative history, Holt shatters a number of myths and misconceptions. . . . It should be on the reading list of all students of Reconstruction and nineteenth-century black history." -- William C. Harris, Journal of Southern History
"Holt presents his work modestly as a state study of reconstruction politics. But this should not obscure a significant intellectual achievement and a contribution of fundamental importance, demonstrating the value of social-class analysis in understanding the politics of the black community." -- Jonathan M. Wiener, Journal of American History.
"Well crafted and well written, it not only broadens our knowledge of the period, but also deepens it, something that recent books on Reconstruction have too often failed to do." -- Michael Perman, American Historical Review.
" . . . a valuable study of post-Civil War black leaders in a state where Negro control came closest to realization during Reconstruction. . . . Effectively merging the techniques of quantitative analysis with those of narrative history, Holt shatters a number of myths and misconceptions. . . . It should be on the reading list of all students of Reconstruction and nineteenth-century black history." -- William C. Harris, Journal of Southern History
"Holt presents his work modestly as a state study of reconstruction politics. But this should not obscure a significant intellectual achievement and a contribution of fundamental importance, demonstrating the value of social-class analysis in understanding the politics of the black community." -- Jonathan M. Wiener, Journal of American History.
[more]
Black Paris
THE AFRICAN WRITERS' LANDSCAPE
Bennetta Jules-Rosette
University of Illinois Press, 1998
Black Paris documents the struggles and successes of three generations of African writers as they strive to establish their artistic, literary, and cultural identities in France. Based on long-term ethnographic, archival, and historical research, the work is enriched by interviews with many writers of the new generation.
Bennetta Jules-Rosette explores African writing and identity in France from the early négritude movement and the founding of the Présence Africaine publishing house in 1947 to the mid-1990s. Examining the relationship between African writing and French anthropology as well as the emergence of new styles and discourses, Jules-Rosette covers French Pan-Africanism and the revolutionary writing of the 1960s and 1970s. She also discusses the new generation of African writers who appeared in Paris during the 1980s and 1990s.
Bennetta Jules-Rosette explores African writing and identity in France from the early négritude movement and the founding of the Présence Africaine publishing house in 1947 to the mid-1990s. Examining the relationship between African writing and French anthropology as well as the emergence of new styles and discourses, Jules-Rosette covers French Pan-Africanism and the revolutionary writing of the 1960s and 1970s. She also discusses the new generation of African writers who appeared in Paris during the 1980s and 1990s.
[more]
Black Post-Blackness
The Black Arts Movement and Twenty-First-Century Aesthetics
Margo Natalie Crawford
University of Illinois Press, 2017
A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic.
[more]
Black Power in the Belly of the Beast
Edited by Judson L. Jeffries
University of Illinois Press, 2006
Despite the growing scholarly interest in the Civil Rights movement, to date there has been no comprehensive examination of the Black Power movement. Black Power in the Belly of the Beast fills this gap by providing the first in-depth look at the Black Power movement from the 1963 founding of the Revolutionary Action Movement (RAM) to the Black Power Movement's demise in the mid 1970s.
The volume’s twelve contributors include well-known scholars such as James A. Geschwender and Douglas Glasgow as well as prominent community activists Akbar Muhammad Ahmad, Floyd W. Hayes III, and Komozi Woodard. Each of their chapters explores a single Black Power organization including Us, the Black Panther Party, and the Deacons for Defense and Justice. Important but lesser-known Black Power organizations such as the Republic of New Afrika and Sons of Watts are paid equal attention, as contributors address issues including self-defense, Black identity, and the politics of class and gender. Throughout, authors emphasize the primary role that Black institutions and charismatic leaders played in the rise, development, and eventual decline of the overall movement.
[more]
Black Power on Campus
The University of Illinois, 1965-75
Joy Ann Williamson
University of Illinois Press, 2003
Joy Ann Williamson charts the evolution of black consciousness on predominately white American campuses during the critical period between the mid-1960s and mid-1970s, with the Black student movement at the University of Illinois at Urbana-Champaign serving as an illuminating microcosm of similar movements across the country.
Drawing on student publications of the late 1960s and early 1970s, as well as interviews with student activists, former administrators, and faculty, Williamson discusses the emergence of Black Power ideology, what constituted "blackness," and notions of self-advancement versus racial solidarity. Promoting an understanding of the role of black youth in protest movements, Black Power on Campus is an important contribution to the literature on African American liberation movements and the reform of American higher education.
[more]
Black Property Owners in the South, 1790-1915
Loren Schweninger
University of Illinois Press, 1990
Property ownership has been a traditional means for African Americans to gain recognition and enter the mainstream of American life. This landmark study documents this significant, but often overlooked, aspect of the black experience from the late eighteenth century to World War I.
[more]
Black Public History in Chicago
Civil Rights Activism from World War II into the Cold War
Ian Rocksborough-Smith
University of Illinois Press, 2018
In civil-rights-era Chicago, a dedicated group of black activists, educators, and organizations employed black public history as more than cultural activism. Their work and vision energized a movement that promoted political progress in the crucial time between World War II and the onset of the Cold War.
Ian Rocksborough-Smith’s meticulous research and adept storytelling provide the first in-depth look at how these committed individuals leveraged Chicago’s black public history. Their goal: to engage with the struggle for racial equality. Rocksborough-Smith shows teachers working to advance curriculum reform in public schools, while well-known activists Margaret and Charles Burroughs pushed for greater recognition of black history by founding the DuSable Museum of African American History. Organizations like the Afro-American Heritage Association, meanwhile, used black public history work to connect radical politics and nationalism. Together, these people and their projects advanced important ideas about race, citizenship, education, and intellectual labor that paralleled the shifting terrain of mid-twentieth-century civil rights.
[more]
Black Queer Freedom
Spaces of Injury and Paths of Desire
GerShun Avilez
University of Illinois Press, 2020
Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomical injury. Attending to and challenging threats has become a defining element in queer black artists’ work throughout the black diaspora. GerShun Avilez analyzes the work of diasporic artists who, denied government protections, have used art to create spaces for justice. He first focuses on how the state seeks to inhibit the movement of black queer bodies through public spaces, whether on the street or across borders. From there, he pivots to institutional spaces—specifically prisons and hospitals—and the ways such places seek to expose queer bodies in order to control them. Throughout, he reveals how desire and art open routes to black queer freedom when policy, the law, racism, and homophobia threaten physical safety, civil rights, and social mobility.
[more]
Black Revolutionary
William Patterson and the Globalization of the African American Freedom Struggle
Gerald Horne
University of Illinois Press, 2013
A leading African American Communist, lawyer William L. Patterson (1891–1980) was instrumental in laying the groundwork for the defeat of Jim Crowby virtue of his leadership of the Scottsboro campaign in the 1930s. In this watershed biography, historian Gerald Horne shows how Patterson helped to advance African American equality by fostering and leveraging international support for the movement. Horne highlights key moments in Patterson's global activism: his early education in the Soviet Union, his involvement with the Scottsboro trials and other high-profile civil rights cases of the 1930s to 1950s, his 1951 "We Charge Genocide" petition to the United Nations, and his later work with prisons and the Black Panther Party.
[more]
Black Rodeo
A History of the African American Western
Mia Mask
University of Illinois Press, 2023
African American westerns have a rich cinematic history and visual culture. Mia Mask examines the African American western hero within the larger context of film history by considering how Black westerns evolved and approached wide-ranging goals. Woody Strode’s 1950s transformation from football star to actor was the harbinger of hard-edged western heroes later played by Jim Brown and Fred Williamson. Sidney Poitier’s Buck and the Preacher provided a narrative helmed by a groundbreaking African American director and offered unconventionally rich roles for women. Mask moves from these discussions to consider blaxploitation westerns and an analysis of Jeff Kanew’s hard-to-find 1972 documentary about an all-Black rodeo. The book addresses how these movies set the stage for modern-day westploitation films like Django Unchained.
A first-of-its kind survey, Black Rodeo illuminates the figure of the Black cowboy while examining the intersection of African American film history and the western.
[more]
Black Sexual Economies
Race and Sex in a Culture of Capital
Edited by Adrienne D. Davis and the BSE Collective
University of Illinois Press, 2019
A daring collaboration among scholars, Black Sexual Economies challenges thinking that sees black sexualities as a threat to normative ideas about sexuality, the family, and the nation. The essays highlight alternative and deviant gender and sexual identities, performances, and communities, and spotlights the sexual labor, sexual economy, and sexual agency to black social life. Throughout, the writers reveal the lives, everyday negotiations, and cultural or aesthetic interventions of black gender and sexual minorities while analyzing the systems and beliefs that structure the possibilities that exist for all black sexualities. They also confront the mechanisms of domination and subordination attached to the political and socioeconomic forces, cultural productions, and academic work that interact with the energies at the nexus of sexuality and race. Contributors: Marlon M. Bailey, Lia T. Bascomb, Felice Blake, Darius Bost, Ariane Cruz, Adrienne D. Davis, Pierre Dominguez, David B. Green Jr., Jillian Hernandez, Cheryl D. Hicks, Xavier Livermon, Jeffrey McCune, Mireille Miller-Young, Angelique Nixon, Shana L. Redmond, Matt Richardson, L. H. Stallings, Anya M. Wallace, and Erica Lorraine Williams
[more]
Black Society in Spanish Florida
Jane Landers
University of Illinois Press, 1999
Blacks under Spanish rule in Florida lived in a more complex and international world that linked the Caribbean, Africa, and Europe with a powerful and diverse Indian hinterland. Jane Landers’s pioneering study of people of the African diaspora under Spain’s colonial rule rewrites Florida history and enriches our understanding of the powerful links between race relations and cultural custom.
As Landers shows, Spanish Florida was a sanctuary to Blacks fleeing enslavement on plantations. Castilian law, meanwhile, offered many avenues out of slavery. In St. Augustine and elsewhere, society accepted European-African unions, with families developing community connections through marriage, concubinage, and godparents. Assisted by Spanish traditions and ever-present geopolitical threats, people of African descent leveraged linguistic, military, diplomatic, and artisanal skills into citizenship and property rights. Landers details how Blacks became homesteaders, property owners, and entrepreneurs, and in the process enjoyed greater legal and social protection than in the two hundred years of Anglo history that followed.
[more]
Black Star
African American Activism in the International Political Economy
Ramla M. Bandele
University of Illinois Press, 2007
This book describes how the first African American mass political organization was able to gain support from throughout the African diaspora to finance the Black Star Line, a black merchant marine that would form the basis of an enclave economy after World War I. Ramla M. Bandele explores the concept of diaspora itself and how it has been applied to the study of émigré and other ethnic networks.
In characterizing the historical and political context of the Black Star Line, Bandele analyzes the international political economy during 1919-25 and considers the black politics of the era, focusing particularly on Marcus Garvey's Universal Negro Improvement Association for its creation of the Black Star Line. She offers an in-depth case study of the Black Star Line as an instance of the African diaspora attempting to link communities and carry out a transnational political and economic project. Arguing that ethnic networks can be legitimate actors in international politics and economics, Bandele also suggests, however, that activists in any given diaspora do not always function as a unit.
[more]
Black Women and Music
More Than the Blues
Edited by Eileen M. Hayes and Linda F. Williams
University of Illinois Press, 2006
This collection is the first interdisciplinary volume to examine black women’s negotiation of race and gender in African American music. Contributors address black women’s activity in musical arenas that pre- and postdate the emergence of the vaudeville blues singers of the 1920s. Throughout, the authors illustrate black women’s advocacy of themselves as blacks and as women in music. Feminist? Black feminist? The editors take care to stress that each term warrants interrogation: “Black women can and have forged, often, but not always––and not everywhere the same across time––identities that are supple enough to accommodate a sense of female empowerment through ‘musicking’ in tandem with their sensitivities to black racial allegiances.”
Individual essays concern the experiences of black women in classical music and in contemporary blues, the history of black female gospel-inflected voices in the Broadway musical, and "hip-hop feminism" and its complications. Focusing on under-examined contexts, authors introduce readers to the work of a prominent gospel announcer, women’s music festivals (predominantly lesbian), and to women’s involvement in an early avant-garde black music collective. In contradistinction to a compilation of biographies, this volume critically illuminates themes of black authenticity, sexual politics, access, racial uplift through music, and the challenges of writing (black) feminist biography. Black Women and Music is a strong reminder that black women have been and are both social actors and artists contributing to African American thought.
Individual essays concern the experiences of black women in classical music and in contemporary blues, the history of black female gospel-inflected voices in the Broadway musical, and "hip-hop feminism" and its complications. Focusing on under-examined contexts, authors introduce readers to the work of a prominent gospel announcer, women’s music festivals (predominantly lesbian), and to women’s involvement in an early avant-garde black music collective. In contradistinction to a compilation of biographies, this volume critically illuminates themes of black authenticity, sexual politics, access, racial uplift through music, and the challenges of writing (black) feminist biography. Black Women and Music is a strong reminder that black women have been and are both social actors and artists contributing to African American thought.
[more]
Black Women and Politics in New York City
Julie A. Gallagher
University of Illinois Press, 2014
An essential contribution to twentieth-century political history, Black Women and Politics in New York City documents African American women in New York City fighting for justice, civil rights, and equality in the turbulent world of formal politics from the suffrage and women's rights movements to the feminist era of the 1970s.
Historian and human rights activist Julie A. Gallagher deftly examines how race, gender, and the structure of the state itself shape outcomes, and exposes the layers of power and discrimination at work in American society. She combines her analysis with a look at the career of Shirley Chisholm, the first black woman elected to Congress and the first to run for president on a national party ticket. In so doing, she rewrites twentieth-century women's history and the dominant narrative arcs of feminist history that hitherto ignored African American women and their accomplishments.
[more]
The Black Worker
Race, Labor, and Civil Rights Since Emancipation
Edited by Eric Arnesen
University of Illinois Press, 2006
Long before the modern civil rights movement of the 1950s and 1960s made a frontal assault on the reigning segregationist order, African American workers had to struggle against both their employers and fellow white workers. Because their efforts to secure their workplace rights pitted them against the broader structures of racial oppression, their activism constituted nothing less than a form of civil rights struggle.
Uniting the latest scholarship on race, labor, and civil rights, The Black Worker aims to establish the richness of the African American working-class experience, and the indisputable role of black workers in shaping the politics and history of labor and race in the United States.
To capture the complexity of African Americans’ experiences in the workplace, this reader examines workers engaged in a wide array of jobs, including sharecropping, coal mining, domestic service, longshoring, automobile manufacturing, tobacco processing, railroading, prostitution, lumbering, and municipal employment. The essays’ subjects include black migration, strikebreaking, black conservatism, gender, and the multiple forms of employment discrimination in the South and North. Other contributions deal explicitly with state policy and black workers during the transition from slavery to freedom, World Wars I and II, and the 1960s.
The variety of challenges made by these workers, both quiet and overt, served as clear reminders to the supporters of white supremacy that, despite their best efforts through violence, fraud, and the law, as long as they insisted on racial inequality, the “race question” would never be fully resolved.
Contributors: Eric Arnesen, Beth Tompkins Bates, Cynthia M. Blair, Tera W. Hunter, William Powell Jones, Brian Kelly, Robert Korstad, Nelson Lichtenstein, Joseph A. McCartin, Steven A. Reich, Leslie A. Schwalm, Nan Elizabeth Woodruff
[more]
Black Workers' Struggle for Equality in Birmingham
Edited by Horace Huntley and David Montgomery
University of Illinois Press, 2004
Horace Huntley and David Montgomery curate a collection of annotated oral interviews of black workers who served on the front lines of the Civil Rights Movement in Birmingham, Alabama. As the interviewees recount their struggles against discrimination, they show how collective action--whether through unions, the Movement, or networks of workplace activists--sought to gain access to better jobs, municipal services, housing, and less restrictive voter registration.
Powerful and honest, Black Workers' Struggle for Equality in Birmingham draws on work by the Birmingham Civil Rights Institute to offer readers vivid eyewitness accounts of American history in the making.
[more]
Blackness in Opera
Edited by Naomi André, Karen M. Bryan, and Eric Saylor
University of Illinois Press, 2012
Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley.
Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.
[more]
Blind Date
Sex and Philosophy
Anne Dufourmantelle. Translated by Catherine Porter.
University of Illinois Press, 2007
Bringing sex and philosophy together on a blind date, Anne Dufourmantelle’s provocative study uses this analogy to uncover and examine philosophy’s blind spot. Delightful and startling comparisons spring from the date: both sex and philosophy are dangerous, both are socially subversive, and both are obsessions. Although sex and philosophy have much in common, however, they have scarcely known one another until now.
Socrates and Diogenes had little to say about sex, and although it was notoriously explored by the Marquis de Sade, this study explains why philosophy has never been fully sexualized nor sex really philosophized. Blind Date highlights the marked deletion of sexual topics and themes from philosophical works, while also opening doors for their union. Inviting readers to remember that thought does not require repressed desire, Dufourmantelle argues that sex is everywhere, and it affects all kinds of thinking.
[more]
Blood, Sweat, and Fear
Violence at Work in the North American Auto Industry, 1960-80
Jeremy Milloy
University of Illinois Press, 2017
Going postal. We hear the chilling phrase and think of the rogue employee who snaps. But Blood, Sweat, and Fear shows that on-the-job bloodshed never occurs in isolation. Using violence as a lens, Jeremy Milloy provides fresh insights into the everyday workings of capitalism, class conflict, race, and gender in the United States and Canada. The result is a study that reveals the workplace as a battleground--one that saw a late-century paradigm shift from the collective violence of strikes and riots to the individualized violence of assaults and shootings.
Explosive and original, Blood, Sweat, and Fear brings historical perspective to contemporary debates about North American workplace violence.
[more]
Bloody Williamson
A Chapter in American Lawlessness
Paul M. Angle; Introduction by John Y. Simon
University of Illinois Press, 1952
Williamson County in southern Illinois has been the scene of almost unparalleled violence, from the Bloody Vendetta between two families in the 1870s through the Herrin Massacre of 1922, Ku Klux Klan activities that ended in fatalities, and the gang war of the 1920s between the Charlie Birger and Shelton brothers gangs. Paul Angle was fascinated by this more-than-fifty-year history, and his account of this violence has become a classic.
[more]
Bloomer Girls
Women Baseball Pioneers
Debra A Shattuck
University of Illinois Press, 2017
Disapproving scolds. Sexist condescension. Odd theories about the effect of exercise on reproductive organs. Though baseball began as a gender-neutral sport, girls and women of the nineteenth century faced many obstacles on their way to the diamond. Yet all-female nines took the field everywhere.
Debra A. Shattuck pulls from newspaper accounts and hard-to-find club archives to reconstruct a forgotten era in baseball history. Her fascinating social history tracks women players who organized baseball clubs for their own enjoyment and even found roster spots on men's teams. Entrepreneurs, meanwhile, packaged women's teams as entertainment, organizing leagues and barnstorming tours. If the women faced financial exploitation and indignities like playing against men in women's clothing, they and countless ballplayers like them nonetheless staked a claim to the nascent national pastime. Shattuck explores how the determination to take their turn at bat thrust female players into narratives of the women's rights movement and transformed perceptions of women's physical and mental capacity.
Vivid and eye-opening, Bloomer Girls is a first-of-its-kind portrait of America, its women, and its game.
[more]
Blue Rhythm Fantasy
Big Band Jazz Arranging in the Swing Era
John Wriggle
University of Illinois Press, 2016
Behind the iconic jazz orchestras, vocalists, and stage productions of the Swing Era lay the talents of popular music's unsung heroes: the arrangers. John Wriggle takes you behind the scenes of New York City's vibrant entertainment industry of the 1930s and 1940s to uncover the lives and work of jazz arrangers, both black and white, who left an indelible mark on American music and culture.
Blue Rhythm Fantasy traces the extraordinary career of arranger Chappie Willet--a collaborator of Louis Armstrong, Cab Calloway, Duke Ellington, Gene Krupa, and many others--to revisit legendary Swing Era venues and performers from Harlem to Times Square. Wriggle's insightful music analyses of big band arranging techniques explore representations of cultural modernism, discourses on art and commercialism, conceptions of race and cultural identity, music industry marketing strategies, and stage entertainment variety genres.
Drawing on archives, obscure recordings, untapped sources in the African American press, and interviews with participants, Blue Rhythm Fantasy is a long-overdue study of the arranger during this dynamic era of American music history.
[more]
BLUEGRASS
A History
Neil V. Rosenberg
University of Illinois Press, 2005
Bluegrass
A HISTORY 20TH ANNIVERSARY EDITION
Neil V. Rosenberg
University of Illinois Press, 2005
Bluegrass Bluesman
A Memoir
Josh Graves; Edited by Fred Bartenstein; Foreword by Neil Rosenberg
University of Illinois Press, 2012
A pivotal member of the hugely successful bluegrass band Flatt and Scruggs and the Foggy Mountain Boys, Dobro pioneer Josh Graves (1927-2006) was a living link between bluegrass music and the blues. In Bluegrass Bluesman, this influential performer shares the story of his lifelong career in music.
In lively anecdotes, Graves describes his upbringing in East Tennessee and the climate in which bluegrass music emerged during the 1940s. Deeply influenced by the blues, he adapted Earl Scruggs's revolutionary banjo style to the Dobro resonator slide guitar and gave the Foggy Mountain Boys their distinctive sound. Graves' accounts of daily life on the road through the 1950s and 1960s reveal the band's dedication to musical excellence, Scruggs' leadership, and an often grueling life on the road. He also comments on his later career when he played in Lester Flatt's Nashville Grass and the Earl Scruggs Revue and collaborated with the likes of Boz Scaggs, Charlie McCoy, Kenny Baker, Eddie Adcock, Jesse McReynolds, Marty Stuart, Jerry Douglas, Alison Krauss, and his three musical sons. A colorful storyteller, Graves brings to life the world of an American troubadour and the mountain culture that he never left behind.
Born in Tellico Plains, Tennessee, Josh Graves (1927-2006) is universally acknowledged as the father of the bluegrass Dobro. In 1997 he was inducted into the Bluegrass Hall of Fame.
[more]
Bluegrass Breakdown
The Making of the Old Southern Sound
Robert Cantwell
University of Illinois Press, 1984
Bluegrass Breakdown is an expansive foray into the makings of bluegrass. More than any other book of its kind, it gets to the roots of a uniquely American music that is deeply linked to working-class ideals and romanticism.
Robert Cantwell engages the historical background, commercial origins, internal workings, and cultural and social significance of popular, old-time music to provide a unique musicological and sociological perspective. Well-versed in the history of the tradition and equally as interested in those who listen to the music as in those who create it, Cantwell links bluegrass to its hillbilly roots in Appalachia and shows how the music was transformed by African American folk traditions, the influence of jazz, ragtime, blues, and country music, and the growth of radio and recording technology.
[more]
Bluegrass Generation
A Memoir
Neil V Rosenberg
University of Illinois Press, 2018
Neil V. Rosenberg met the legendary Bill Monroe at the Brown County Jamboree. Rosenberg's subsequent experiences in Bean Blossom put his feet on the intertwined musical and scholarly paths that made him a preeminent scholar of bluegrass music.
Rosenberg's memoir shines a light on the changing bluegrass scene of the early 1960s. Already a fan and aspiring musician, his appetite for banjo music quickly put him on the Jamboree stage. Rosenberg eventually played with Monroe and spent four months managing the Jamboree. Those heights gave him an eyewitness view of nothing less than bluegrass's emergence from the shadow of country music into its own distinct art form. As the likes of Bill Keith and Del McCoury played, Rosenberg watched Monroe begin to share a personal link to the music that tied audiences to its history and his life--and helped turn him into bluegrass's foundational figure.
An intimate look at a transformative time, Bluegrass Generation tells the inside story of how an American musical tradition came to be.
[more]
The Bluegrass Reader
Edited by Thomas Goldsmith
University of Illinois Press, 2004
In The Bluegrass Reader, Thomas Goldsmith joins his insights as a journalist with a lifetime of experience in bluegrass to capture the full story of this beloved American music. Inspired by the question “What articles about bluegrass would you want to have with you on a desert island?” he assembled a delicious, fun-to-read collection that brings together a wide range of the very best in bluegrass writing.
Goldsmith’s substantial introduction describes and traces the development of the music from its origins in Anglo-American folk tradition, overlaid with African American influences, to the breakout popularity of Ralph Stanley, Alison Krauss, and the O Brother, Where Art Thou? soundtrack. He introduces each selection offering a wealth of additional information, making The Bluegrass Reader both enjoyable and invaluable for new fans of the music as well as for its lifetime devotees.
[more]
Blues All Day Long
The Jimmy Rogers Story
Wayne Everett Goins, foreword by Kim Wilson
University of Illinois Press, 2014
A member of Muddy Waters' legendary late 1940s-1950s band, Jimmy Rogers pioneered a blues guitar style that made him one of the most revered sidemen of all time. Rogers also had a significant if star-crossed career as a singer and solo artist for Chess Records, releasing the classic singles "That's All Right" and "Walking By Myself."
In Blues All Day Long, Wayne Everett Goins mines seventy-five hours of interviews with Rogers' family, collaborators, and peers to follow a life spent in the blues. Goins' account takes Rogers from recording Chess classics and barnstorming across the South to a late-in-life renaissance that included new music, entry into the Blues Hall of Fame, and high profile tours with Eric Clapton and the Rolling Stones. Informed and definitive, Blues All Day Long fills a gap in twentieth century music history with the story of one of the blues' eminent figures and one of the genre's seminal bands.
In Blues All Day Long, Wayne Everett Goins mines seventy-five hours of interviews with Rogers' family, collaborators, and peers to follow a life spent in the blues. Goins' account takes Rogers from recording Chess classics and barnstorming across the South to a late-in-life renaissance that included new music, entry into the Blues Hall of Fame, and high profile tours with Eric Clapton and the Rolling Stones. Informed and definitive, Blues All Day Long fills a gap in twentieth century music history with the story of one of the blues' eminent figures and one of the genre's seminal bands.
[more]
Blues Before Sunrise 2
Interviews from the Chicago Scene
Steve Cushing
University of Illinois Press, 2019
In this new collection of interviews, Steve Cushing once again invites readers into the vaults of Blues Before Sunrise, his acclaimed nationally syndicated public radio show. Icons from Memphis Minnie to the Gay Sisters stand alongside figures like schoolteacher Flossie Franklin, who helped Leroy Carr pen some of his most famous tunes; saxman Abb Locke and his buddy Two-Gun Pete, a Chicago cop notorious for killing people in the line of duty; and Scotty "The Dancing Tailor" Piper, a font of knowledge on the black entertainment scene of his day. Cushing also devotes a section to religious artists, including the world-famous choir Wings Over Jordan and their travails touring and performing in the era of segregation. Another section focuses on the jazz-influenced Bronzeville scene that gave rise to Marl Young, Andrew Tibbs, and many others while a handful of Cushing's early brushes with the likes of Little Brother Montgomery, Sippi Wallace, and Blind John Davis round out the volume.Diverse and entertaining, Blues Before Sunrise 2 adds a chorus of new voices to the fascinating history of Chicago blues.
[more]
Blues Before Sunrise
The Radio Interviews
Steve Cushing, Foreword by Jim O'Neal
University of Illinois Press, 2010
This collection assembles the best interviews from Steve Cushing's long-running radio program Blues Before Sunrise, the nationally syndicated, award-winning program focusing on vintage blues and R&B. As both an observer and performer, Cushing has been involved with the blues scene in Chicago for decades. His candid, colorful interviews with prominent blues players, producers, and deejays reveal the behind-the-scenes world of the formative years of recorded blues. Many of these oral histories detail the careers of lesser-known but greatly influential blues performers and promoters.
The book focuses in particular on pre–World War II blues singers, performers active in 1950s Chicago, and nonperformers who contributed to the early blues world. Interviewees include Alberta Hunter, one of the earliest African American singers to transition from Chicago's Bronzeville nightlife to the international spotlight, and Ralph Bass, one of the greatest R&B producers of his era. Blues expert, writer, record producer, and cofounder of Living Blues Magazine Jim O'Neal provides the book's foreword.
[more]
Blues Empress in Black Chattanooga
Bessie Smith and the Emerging Urban South
Michelle R. Scott
University of Illinois Press, 2007
As one of the first African American vocalists to be recorded, Bessie Smith is a prominent figure in American popular culture and African American history. Michelle R. Scott uses Smith's life as a lens to investigate broad issues in history, including industrialization, Southern rural to urban migration, black community development in the post-emancipation era, and black working-class gender conventions.
Arguing that the rise of blues culture and the success of female blues artists like Bessie Smith are connected to the rapid migration and industrialization in the late nineteenth and early twentieth centuries, Scott focuses her analysis on Chattanooga, Tennessee, the large industrial and transportation center where Smith was born. This study explores how the expansion of the Southern railroads and the development of iron foundries, steel mills, and sawmills created vast employment opportunities in the postbellum era. Chronicling the growth and development of the African American Chattanooga community, Scott examines the Smith family's migration to Chattanooga and the popular music of black Chattanooga during the first decade of the twentieth century, and culminates by delving into Smith's early years on the vaudeville circuit.
[more]
Blues Legacy
Tradition and Innovation in Chicago
David Whiteis
University of Illinois Press, 2019
Chicago blues musicians parlayed a genius for innovation and emotional honesty into a music revered around the world. As the blues evolves, it continues to provide a soundtrack to, and a dynamic commentary on, the African American experience: the legacy of slavery; historic promises and betrayals; opportunity and disenfranchisement; the ongoing struggle for freedom. Through it all, the blues remains steeped in survivorship and triumph, a music that dares to stare down life in all its injustice and iniquity and still laugh--and dance--in its face.
David Whiteis delves into how the current and upcoming Chicago blues generations carry on this legacy. Drawing on in-person interviews, Whiteis places the artists within the ongoing social and cultural reality their work reflects and helps create. Beginning with James Cotton, Eddie Shaw, and other bequeathers, he moves through an all-star council of elders like Otis Rush and Buddy Guy and on to inheritors and today's heirs apparent like Ronnie Baker Brooks, Shemekia Copeland, and Nellie "Tiger" Travis.
Insightful and wide-ranging, Blues Legacy reveals a constantly adapting art form that, whatever the challenges, maintains its links to a rich musical past.
[more]
Blues Unlimited
Essential Interviews from the Original Blues Magazine
Edited by Bill Greensmith, Mike Rowe, and Mark Camarigg
University of Illinois Press, 2015
British blues fan Mike Leadbitter launched the magazine Blues Unlimited in 1963. The groundbreaking publication fueled the then-nascent, now-legendary blues revival that reclaimed seminal figures like Son House and Skip James from obscurity. Throughout its history, Blues Unlimited heightened the literacy of blues fans, documented the latest news and career histories of countless musicians, and set the standard for revealing long-form interviews. Conducted by Bill Greensmith, Mike Leadbitter, Mike Rowe, John Broven, and others, and covering a who's who of blues masters, these essential interviews from Blues Unlimited shed light on their subjects while gleaning colorful detail from the rough and tumble of blues history. Here is Freddie King playing a string of one-nighters so grueling it destroys his car; five-year-old Fontella Bass gigging at St. Louis funeral homes; and Arthur "Big Boy" Crudup rising from life in a packing crate to music stardom. Here, above all, is an eyewitness history of the blues written in neon lights and tears, an American epic of struggle and transcendence, of Saturday night triumphs and Sunday morning anonymity, of clean picking and dirty deals. Featuring interviews with: Fontella Bass, Ralph Bass, Fred Below, Juke Boy Bonner, Roy Brown, Albert Collins, James Cotton, Arthur "Big Boy" Crudup, Joe Dean, Henry Glover, L.C. Green, Dr. Hepcat, Red Holloway, Louise Johnson, Floyd Jones, Moody Jones, Freddie King, Big Maceo Merriweather, Walter Mitchell, Louis Myers, Johnny Otis, Snooky Pryor, Sparks Brothers, Jimmy Thomas, Jimmy Walker, and Baby Boy Warren.
[more]
The Body Eclectic
Evolving Practices in Dance Training
Edited by Melanie Bales and Rebecca Nettl-Fiol
University of Illinois Press, 2007
This rich collection of essays and interviews explores modern-dance technique training from the last fifty years. Focusing on the culture of dance, editors Melanie Bales and Rebecca Nettl-Fiol examine choreographic process and style, dancer agency and participation in the creative process, and changes in the role and purpose of training. Bringing recent writings on dance into dialogue with dance practice, The Body Eclectic: Evolving Practices in Dance Training asks readers to consider the relationship between training practices and choreographic style and content. The contributors explore how technique training both guides and reflects the art of dance.
Contributors include Melanie Bales, Glenna Batson, Wendell Beavers, Veronica Dittman, Natalie Gilbert, Joshua Monten, Martha Myers, and Rebecca Nettl-Fiol.
Dance professionals interviewed include David Dorfman, Ralph Lemon, Bebe Miller, Tere O’Connor, and Shelley Washington.
[more]
The Boiler Room and Other Telephone Sales Scams
Robert J. Stevenson
University of Illinois Press, 1998
Sure to make you think twice before responding to the next telephone sales call you receive, this volume explores why telephone boiler rooms and other scams thrive and how fraudulent techniques and deception migrate to and from conventional businesses.
The Boiler Room and Other Telephone Sales Scams is grounded in the nine years Robert Stevenson spent working covertly as a "participant-observer" in telephone rooms (the ethical implications of which he discusses in an epilogue). As Stevenson details boiler room hierarchy, you'll learn why all boilers are telephone salesmen but not all telephone salesmen are boilers. You'll read about the "heat" rising in rooms where experienced pitchmen use tried-and-true manipulative techniques to overcome objections to sales. And you'll marvel at Stevenson's insider knowledge of product houses, service shops, and other aspects of a major industry in which both employees and customers are in daily peril—the former of losing their jobs and the latter of losing their money.
The Boiler Room and Other Telephone Sales Scams is required reading for anyone who's ever picked up a telephone and been asked to buy a product or a service. It's also an invaluable study of a widespread form of deviance and occupational crime, essential reading for students of criminology and the sociology of occupations.
The Boiler Room and Other Telephone Sales Scams is grounded in the nine years Robert Stevenson spent working covertly as a "participant-observer" in telephone rooms (the ethical implications of which he discusses in an epilogue). As Stevenson details boiler room hierarchy, you'll learn why all boilers are telephone salesmen but not all telephone salesmen are boilers. You'll read about the "heat" rising in rooms where experienced pitchmen use tried-and-true manipulative techniques to overcome objections to sales. And you'll marvel at Stevenson's insider knowledge of product houses, service shops, and other aspects of a major industry in which both employees and customers are in daily peril—the former of losing their jobs and the latter of losing their money.
The Boiler Room and Other Telephone Sales Scams is required reading for anyone who's ever picked up a telephone and been asked to buy a product or a service. It's also an invaluable study of a widespread form of deviance and occupational crime, essential reading for students of criminology and the sociology of occupations.
[more]
Book and Verse
A Guide to Middle English Biblical Literature
James H. Morey
University of Illinois Press, 2000
Exploding the myth that the Bible was largely unknown to medieval lay folk, Book and Verse presents the first comprehensive catalog of Middle English biblical literature: a body of work that, because of its accessibility and familiarity, was the primary biblical resource of the English Middle Ages. The medieval Bible, much like the Bible today, consists in practical terms not of a set of texts within a canon but of those stories which, because of a combination of liturgical significance and picturesque qualities, form a provisional "Bible" in the popular imagination. As James Morey explains in his introduction, although the Latin Bible was not accessible to the average English-speaker, paraphrases— systematic appropriation and refashioning of biblical texts—served as a medium through which the Bible was promulgated in the vernacular. This explains why biblical allusions, models, and large-scale appropriations of biblical narrative pervade nearly every medieval genre.
Book and Verse is an indispensable guide to the variety and extent of biblical literature in England, exclusive of drama and the Wycliffite Bible that appeared between the twelfth and the fifteenth centuries. Entries provide detailed information on how much of what parts of the Bible appear in Middle English and where this biblical material can be found. Comprehensive indexing by name, keyword, and biblical verse allows a researcher to find, for example, all the occurrences of the Flood Story or of the encounter between Elijah and the Widow of Sarephta. An invaluable resource, Book and Verse provides the first easy access to the "popular Bible" assembled before and after John Wyclif's translation of the Vulgate into English.
Book and Verse is an indispensable guide to the variety and extent of biblical literature in England, exclusive of drama and the Wycliffite Bible that appeared between the twelfth and the fifteenth centuries. Entries provide detailed information on how much of what parts of the Bible appear in Middle English and where this biblical material can be found. Comprehensive indexing by name, keyword, and biblical verse allows a researcher to find, for example, all the occurrences of the Flood Story or of the encounter between Elijah and the Widow of Sarephta. An invaluable resource, Book and Verse provides the first easy access to the "popular Bible" assembled before and after John Wyclif's translation of the Vulgate into English.
[more]
The Book of Mormon
A Reader's Edition
Edited by Grant Hardy
University of Illinois Press, 2003
Regarded as sacred scripture by millions, the Book of Mormon -- first published in 1830 -- is one of the most significant documents in American religious history. This new reader-friendly version reformats the complete, unchanged 1920 text in the manner of modern translations of the Bible, with paragraphs, quotations marks, poetic forms, topical headings, multichapter headings, indention of quoted documents, italicized reworkings of biblical prophecies, and minimized verse numbers. It also features a hypothetical map based on internal references, an essay on Book of Mormon poetry, a full glossary of names, genealogical charts, a basic bibliography of Mormon and non-Mormon scholarship, a chronology of the translation, eyewitness accounts of the gold plates, and information regarding the lost 116 pages and significant changes in the text.
The Book of Mormon claims to be the product of three historical interactions: the writings of the original ancient American authors, the editing of the fourth-century prophet Mormon, and the translation of Joseph Smith. The editorial aids and footnotes in this edition integrate all three perspectives and provide readers with a clear guide through this complicated text. New readers will find the story accessible and intelligible; Mormons will gain fresh insights from familiar verses seen in a broader narrative context. This is the first time the Book of Mormon has been published with quotation marks, select variant readings, and the testimonies of women involved in the translation process. It is also the first return to a paragraphed format since versification was added in 1879.
[more]
Booker T. Washington in American Memory
Kenneth M. Hamilton
University of Illinois Press, 2017
Since the 1960s, many historians have condemned Booker T. Washington as a problematic, even negative, influence on African American progress. This attitude dramatically contrasts with the nationwide outpouring of grief and reverence that followed Washington's death in 1915. Kenneth M. Hamilton describes how, when, where, and why Americans commemorated the life of Booker T. Washington. For months following his death, tens of thousands of Americans, especially blacks, honored his memory. Their memorials revealed that Washington enjoyed widespread national support for his vision of America and the programs that he imparted to achieve his aspirations. Their actions and articulations provide rich insight into how a cross section of Washington's contemporaries viewed him. From private messages of solace to public pronouncements, countless Americans portrayed him as a revered national icon. Among other characteristics, commemorates voiced their appreciation of his humanitarianism, humility, nationalism, perseverance, philanthropy, progressivism, spirituality, and wisdom. Washington was the leading advocate of the Yankee Protestantism Ethic, which promoted education, and personal qualities such as pragmatism, perseverance, cleanliness, thrift, and the dignity of labor among African Americans.
[more]
The Booker T. Washington Papers Collection
Volumes 1-14
Booker T Washington
University of Illinois Press, 2015
The Booker T. Washington Papers, Vol. 14
Cumulative Index. Edited by Louis R. HARLAN and Raymond W. SMOCK
Booker T. Washington
University of Illinois Press, 1989
Booker T. Washington Papers Volume 1
The Autobiographical Writings
Booker T. Washington
University of Illinois Press, 1972
Here is the first of fifteen volumes in a project C. Vann Woodward called "the single most important research enterprise now under way in the field of American black history."
Volume 1 contains Washington's Up from Slavery, one of the most widely read American autobiographies, in addition to The Story of My Life and Work, and six other autobiographical writings. Together, the selections provide readers with a first step toward understanding Washington and his immense impact. These writings reveal the moral values he absorbed from his mid-nineteenth-century experiences and teachers. As importantly, they present him to the world as he wished to be seen: as the black version of the American success hero and an exemplar of the Puritan work ethic that he believed to be the secret of his success. These works, along with so much of Washington's writing, served as a model for many black Americans striving to overcome poverty and prejudice.
[more]
Booker T. Washington Papers Volume 10
1909-11. Assistant editors, Geraldine McTigue and Nan E. Woodruff
Booker T. Washington
University of Illinois Press, 1981
Booker T. Washington Papers Volume 11
1911-12. Assistant editor, Geraldine McTigue
Booker T. Washington
University of Illinois Press, 1981
Booker T. Washington Papers Volume 12
1912-14
Booker T. Washington
University of Illinois Press, 1982
Booker T. Washington Papers Volume 13
1914-15. Assistant editors, Susan Valenza and Sadie M. Harlan
Booker T. Washington
University of Illinois Press, 1983
Booker T. Washington Papers Volume 2
1860-89. Assistant editors, Pete Daniel, Stuart B. Kaufman, Raymond W. Smock, and William M. Welty
Booker T. Washington
University of Illinois Press, 1972
Booker T. Washington Papers Volume 3
1889-95. Assistant editors, Stuart B. Kaufman and Raymond W. Smock
Booker T. Washington
University of Illinois Press, 1974
Booker T. Washington Papers Volume 4
1895-98. Assistant editors, Stuart B. Kaufman, Barbara S. Kraft, and Raymond W. Smock
Booker T. Washington
University of Illinois Press, 1975
Booker T. Washington Papers Volume 5
1899-1900. Assistant editor, Barbara S. Kraft
Booker T. Washington
University of Illinois Press, 1976
Booker T. Washington Papers Volume 6
1901-2. Assistant editor, Barbara S. Kraft
Booker T. Washington
University of Illinois Press, 1977
Booker T. Washington Papers Volume 7
1903-4. Assistant editor, Barbara S. Kraft
Booker T. Washington
University of Illinois Press, 1977
Booker T. Washington Papers Volume 8
1904-6. Assistant editor, Geraldine McTigue
Booker T. Washington
University of Illinois Press, 1979
Booker T. Washington Papers Volume 9
1906-8. Assistant editor, Nan E. Woodruff
Booker T. Washington
University of Illinois Press, 1980
Books of Secrets
Natural Philosophy in England, 1550-1600
Allison Kavey
University of Illinois Press, 2007
How cultural categories shaped--and were shaped by--new ideas about controlling nature
Ranging from alchemy to necromancy, "books of secrets" offered medieval readers an affordable and accessible collection of knowledge about the natural world. Allison Kavey's study traces the cultural relevance of these books and also charts their influence on the people who read them. Citing the importance of printers in choosing the books' contents, she points out how these books legitimized manipulating nature, thereby expanding cultural categories, such as masculinity, femininity, gentleman, lady, and midwife, to include the willful command of the natural world.
[more]
The Bop Apocalypse
The Religious Visions of Kerouac, Ginsberg, and Burroughs
John Lardas
University of Illinois Press, 2000
Blending biography, cultural history, and literary criticism, The Bop Apocalypse explores the religious concerns, metaphysical realities, and spiritual pursuits that undergirded the early friendship and literary collaborations of Jack Kerouac, Allen Ginsberg, and William S. Burroughs.
Presenting a religious biography of the Beats from the mid-1940s to the late 1950s, John Lardas shows that in rejecting many of the cultural tenets of postwar America, Kerouac, Ginsberg, and Burroughs created new visions of both self and country, visions they articulated through distinctive literary forms. Lardas examines how the Beat writers distilled a theology of experience--a religious vision that animated their everyday existence as well as their art--from a flurry of disparate influences that included the saxophone wails of Charlie Parker and Lester Young, the psychology of Wilhelm Reich, the linguistic theories of Alfred Korzybski, the hipster dialects of New York City, and especially the prophecies of Oswald Spengler. Revisiting the major works the Beats produced in the 1950s in terms of critical content, Lardas considers how their lived religion was incorporated into the way they wrote.
The first sustained treatment of Beat religiosity, The Bop Apocalypse takes a sophisticated look beyond the cartoonish reductions of the Beat counterculture. The Bop Apocalypse takes the Beats at face value, interpreting their sexual openness, drug use, criminality, compulsion to travel, and madness as the logical, physical enactments of a religious representation of the world. Far from dallying irrelevantly on the fringes of society, Lardas asserts, the Beats engaged America on moral grounds through the discourse of public religion.
Presenting a religious biography of the Beats from the mid-1940s to the late 1950s, John Lardas shows that in rejecting many of the cultural tenets of postwar America, Kerouac, Ginsberg, and Burroughs created new visions of both self and country, visions they articulated through distinctive literary forms. Lardas examines how the Beat writers distilled a theology of experience--a religious vision that animated their everyday existence as well as their art--from a flurry of disparate influences that included the saxophone wails of Charlie Parker and Lester Young, the psychology of Wilhelm Reich, the linguistic theories of Alfred Korzybski, the hipster dialects of New York City, and especially the prophecies of Oswald Spengler. Revisiting the major works the Beats produced in the 1950s in terms of critical content, Lardas considers how their lived religion was incorporated into the way they wrote.
The first sustained treatment of Beat religiosity, The Bop Apocalypse takes a sophisticated look beyond the cartoonish reductions of the Beat counterculture. The Bop Apocalypse takes the Beats at face value, interpreting their sexual openness, drug use, criminality, compulsion to travel, and madness as the logical, physical enactments of a religious representation of the world. Far from dallying irrelevantly on the fringes of society, Lardas asserts, the Beats engaged America on moral grounds through the discourse of public religion.
[more]
The Bosses' Union
How Employers Organized to Fight Labor before the New Deal
Vilja Hulden
University of Illinois Press, 2023
At the opening of the twentieth century, labor strife repeatedly racked the nation. Union organization and collective bargaining briefly looked like a promising avenue to stability. But both employers and many middle-class observers remained wary of unions exercising independent power.
Vilja Hulden reveals how this tension provided the opening for pro-business organizations to shift public attention from concerns about inequality and dangerous working conditions to a belief that unions trampled on an individual's right to work. Inventing the term closed shop, employers mounted what they called an open-shop campaign to undermine union demands that workers at unionized workplaces join the union. Employer organizations lobbied Congress to resist labor's proposals as tyrannical, brought court cases to taint labor's tactics as illegal, and influenced newspaper coverage of unions. While employers were not a monolith nor all-powerful, they generally agreed that unions were a nuisance. Employers successfully leveraged money and connections to create perceptions of organized labor that still echo in our discussions of worker rights.
[more]
The Bottom Rung
African American Family Life on Southern Farms
Stewart E. Tolnay
University of Illinois Press, 1999
The Bottom Rung presents an in-depth investigation of a population that is becoming extinct in American society: the black farmer.
Tracing patterns of marriage and childbearing among both whites and blacks during the first decades of this century, Stewart Tolnay pursues questions about how black southern farm families were formed and dissolved, how they educated their children or put them to work in the fields, and how they migrated in search of opportunity. Further, he considers the possible legacy of these experiences for family life in contemporary urban environments.
Making revealing and innovative use of public records from the early part of the twentieth century, Tolnay challenges the widely held idea that southern migrants to northern cities carried with them a dysfunctional family culture. He demonstrates the powerful impact of economic conditions on family life and views patterns of marriage and childbearing as responsive to prevailing social, economic, and political conditions. In a provocative extension of this perspective, Tolnay argues that current high levels of single-parenthood among urban African American families likewise reflect rational responses to the socio-economic environment and government policies.
By placing post-World War II demographic developments in a wider historical perspective, The Bottom Rung sheds new light on recent discussions of the difficulties faced by the modern black urban family. The text is enhanced by Dorothea Lange's and Russell Lee's poignant photographs.
Tracing patterns of marriage and childbearing among both whites and blacks during the first decades of this century, Stewart Tolnay pursues questions about how black southern farm families were formed and dissolved, how they educated their children or put them to work in the fields, and how they migrated in search of opportunity. Further, he considers the possible legacy of these experiences for family life in contemporary urban environments.
Making revealing and innovative use of public records from the early part of the twentieth century, Tolnay challenges the widely held idea that southern migrants to northern cities carried with them a dysfunctional family culture. He demonstrates the powerful impact of economic conditions on family life and views patterns of marriage and childbearing as responsive to prevailing social, economic, and political conditions. In a provocative extension of this perspective, Tolnay argues that current high levels of single-parenthood among urban African American families likewise reflect rational responses to the socio-economic environment and government policies.
By placing post-World War II demographic developments in a wider historical perspective, The Bottom Rung sheds new light on recent discussions of the difficulties faced by the modern black urban family. The text is enhanced by Dorothea Lange's and Russell Lee's poignant photographs.
[more]
Bound for America
Three British Composers
Nicholas Temperley
University of Illinois Press, 2002
Nicholas Temperley documents the lives, careers, and music of three British composers who emigrated from England in mid-career and became leaders in the musical life of the early United States. William Selby of London and Boston (1738-98), Rayner Taylor of London and Philadelphia (1745-1825), and George K. Jackson of London, New York, and Boston (1757-1822) were among the first trained professional composers to make their home in America and to pioneer the building of an art music tradition in the New World akin to the esteemed European classical music. Why, in middle age, would they emigrate and start over in uncertain and unfavorable conditions? How did the new environment affect them personally and musically? Temperley compares their lives, careers, and compositional styles in the two countries and reflects on American musical nationalism and the changing emphasis in American musical historiography.
[more]
Boundaries of Touch
Parenting and Adult-Child Intimacy
Jean O'Malley Halley
University of Illinois Press, 2006
A history of the shifting and conflicting ideas about when, where, and how we should touch our children
Discussing issues of parent-child contact ranging from breastfeeding to sexual abuse, Jean O'Malley Halley traces the evolution of mainstream ideas about touching between adults and children over the course of the twentieth century in the United States. Debates over when a child should be weaned and whether to allow a child to sleep in the parent's bed reveal deep differences in conceptions of appropriate adult-child contact.
Boundaries of Touch shows how arguments about adult-child touch have been politicized, simplified, and bifurcated into "naturalist" and "behaviorist" viewpoints, thereby sharpening certain binary constructions such as mind/body and male/female. Halley discusses the gendering of ideas about touch that were advanced by influential social scientists and parenting experts including Benjamin Spock, Alfred C. Kinsey, and Luther Emmett Holt. She also explores how touch ideology fared within and against the post-World War II feminist movements, especially with respect to issues of breastfeeding and sleeping with a child versus using a crib.
In addition to contemporary periodicals and self-help books on child rearing, Halley uses information gathered from interviews she conducted with mothers ranging in age from twenty-eight to seventy-three. Throughout, she reveals how the parent-child relationship, far from being a private or benign subject, continues as a highly contested, politicized affair of keen public interest.
[more]
Bradbury Beyond Apollo
Jonathan R. Eller
University of Illinois Press, 2020
Celebrated storyteller, cultural commentator, friend of astronauts, prophet of the Space Age—by the end of the 1960s, Ray Bradbury had attained a level of fame and success rarely achieved by authors, let alone authors of science fiction and fantasy. He had also embarked on a phase of his career that found him exploring new creative outlets while reinterpreting his classic tales for generations of new fans.
Drawing on numerous interviews with Bradbury and privileged access to personal papers and private collections, Jonathan R. Eller examines the often-overlooked second half of Bradbury's working life. As Bradbury's dreams took him into a wider range of nonfiction writing and public lectures, the diminishing time that remained for creative pursuits went toward Hollywood productions like the award-winning series Ray Bradbury Theater. Bradbury developed the Spaceship Earth narration at Disney's EPCOT Center; appeared everywhere from public television to NASA events to comic conventions; published poetry; and mined past triumphs for stage productions that enjoyed mixed success. Distracted from storytelling as he became more famous, Bradbury nonetheless published innovative experiments in autobiography masked as detective novels, the well-received fantasy The Halloween Tree and the masterful time travel story "The Toynbee Convector." Yet his embrace of celebrity was often at odds with his passion for writing, and the resulting tension continuously pulled at his sense of self.
The revelatory conclusion to the acclaimed three-part biography, Bradbury Beyond Apollo tells the story of an inexhaustible creative force seeking new frontiers.
[more]
The Brass Check
A STUDY OF AMERICAN JOURNALISM
Upton Sinclair
University of Illinois Press, 2002
In this systematic critique of the structural basis of U.S. media -- arguably the first one ever published -- Upton Sinclair writes that “American journalism is a class institution serving the rich and spurning the poor.” Likening journalists to prostitutes, the title of the book refers to a chit that was issued to patrons of urban brothels of the era.
Fueled by mounting disdain for newspapers run by business tycoons and conservative editors, Sinclair self-published The Brass Check in the years after The Jungle had made him a household name. Despite Sinclair’s claim that this was his most important book, it was dismissed by critics and shunned by reviewers. Yet it sold over 150,000 copies and enjoyed numerous printings.
A substantial introduction to this paperback edition by Robert W. McChesney and Ben Scott asserts the book’s importance as a cornerstone critique of commercial journalism and a priceless resource for understanding the political turbulence of the Progressive Era.
Fueled by mounting disdain for newspapers run by business tycoons and conservative editors, Sinclair self-published The Brass Check in the years after The Jungle had made him a household name. Despite Sinclair’s claim that this was his most important book, it was dismissed by critics and shunned by reviewers. Yet it sold over 150,000 copies and enjoyed numerous printings.
A substantial introduction to this paperback edition by Robert W. McChesney and Ben Scott asserts the book’s importance as a cornerstone critique of commercial journalism and a priceless resource for understanding the political turbulence of the Progressive Era.
[more]
Brazil and the Dialectic of Colonization
Alfredo Bosi
University of Illinois Press, 2015
A classic of Brazilian literary criticism and historiography, Brazil and the Dialectic of Colonization explores the unique character of Brazil from its colonial beginnings to its emergence as a modern nation. This translation presents the thought of Alfredo Bosi, one of contemporary Brazil's leading intellectuals, to an English-speaking audience.
Portugal extracted wealth from its Brazilian colony. Slaves--first indigenous peoples, later Africans--mined its ore and cut its sugarcane. From the customs of the colonists and the aspirations of the enslaved rose Brazil. Bosi scrutinizes signal points in the creation of Brazilian culture--the plays and poetry, the sermons of missionaries and Jesuit priests, the Indian novels of José de Alencar and the Voices of Africa of poet Castro Alves. His portrait of the country's response to the pressures of colonial conformity offers a groundbreaking appraisal of Brazilian culture as it emerged from the tensions between imposed colonial control and the African and Amerindian cults--including the Catholic-influenced ones--that resisted it.
[more]
Brazilian Women's Filmmaking
From Dictatorship to Democracy
Leslie Marsh
University of Illinois Press, 2012
At most recent count, there are no fewer than forty-five women in Brazil directing or codirecting feature-length fiction or documentary films. In the early 1990s, women filmmakers in Brazil were credited for being at the forefront of the rebirth of filmmaking, or retomada, after the abolition of the state film agency and subsequent standstill of film production. Despite their numbers and success, films by Brazilian women directors are generally absent from discussions of Latin American film and published scholarly works.
Filling this void, Brazilian Women's Filmmaking focuses on women's film production in Brazil from the mid-1970s to the current era. Leslie L. Marsh explains how women's filmmaking contributed to the reformulation of sexual, cultural, and political citizenship during Brazil's fight for the return and expansion of civil rights during the 1970s and 1980s and the recent questioning of the quality of democracy in the 1990s and 2000s. She interprets key films by Ana Carolina and Tizuka Yamasaki, documentaries with social themes, and independent videos supported by archival research and extensive interviews with Brazilian women filmmakers. Despite changes in production contexts, recent Brazilian women's films have furthered feminist debates regarding citizenship while raising concerns about the quality of the emergent democracy. Brazilian Women's Filmmaking offers a unique view of how women's audiovisual production has intersected with the reconfigurations of gender and female sexuality put forth by the women's movements in Brazil and continuing demands for greater social, cultural, and political inclusion.
[more]
Breadwinners
Working Women and Economic Independence, 1865-1920
Lara Vapnek
University of Illinois Press, 2009
Lara Vapnek tells the story of American labor feminism from the end of the Civil War through the winning of woman suffrage. During this period, working women in the nation's industrializing cities launched a series of campaigns to gain economic equality and political power. This book shows how working women pursued equality by claiming new identities as citizens and as breadwinners.
Analyzing disjunctions between middle-class and working-class women's ideas of independence, Vapnek highlights the agendas for change advanced by leaders such as Jennie Collins, Leonora O'Reilly, and Helen Campbell and organizations such as the National Consumers' League, the Women's Educational and Industrial Union, and the Women's Trade Union League. Locating households as important sites of class conflict, Breadwinners recovers the class and gender politics behind the marginalization of domestic workers from labor reform while documenting the ways in which working-class women raised their voices on their own behalf.
[more]
Breaking the Land
The Transformation of Cotton, Tobacco, and Rice Cultures since 1880
Pete Daniel
University of Illinois Press, 1985
Winner of the Herbert Feis Award of the American Historical Association, 1985. Winner of the Charles S. Sydnor Award of the Southern Historical Association, 1985. Winner of the 1990 Robert Athearn Award of the Western History Association and an Honorable Mention for the 1990 James S. Donnelly, Sr., Prize in History and the Social Sciences from the American Conference for Irish Studies.
[more]
Brian W. Aldiss
Paul Kincaid
University of Illinois Press, 2022
Brian W. Aldiss wrote classic science fiction novels like Report on Probability A and Hothouse. Billion Year Spree, his groundbreaking study of the field, defined the very meaning of SF and delineated its history. Yet Aldiss’s discomfort with being a guiding spirit of the British New Wave and his pursuit of mainstream success characterized a lifelong ambivalence toward the genre.
Paul Kincaid explores the many contradictions that underlay the distinctive qualities of Aldiss’s writing. Wartime experiences in Asia and the alienation that arose upon his return to the cold austerity of postwar Britain inspired themes and imagery that Aldiss drew upon throughout his career. He wrote of prolific nature overwhelming humanity, believed war was madness even though it provided him with the happiest period of his life, and found parallels in the static lives of Indian peasants and hidebound English society. As Kincaid shows, contradictions created tensions that fueled the metaphorical underpinnings of Aldiss's work and shaped not only his long career but the evolution of postwar British science fiction.
[more]
Bridgeport's Socialist New Deal, 1915-36
Cecelia Bucki
University of Illinois Press, 2001
In November 1933, the Socialist Party of Bridgeport, Connecticut put slate roofer Jasper McLevy in the mayor's seat and nearly won control of the city council. Cecelia Bucki explores how labor gained first a foothold and then a stronghold in local politics as broad debates pitted previously unengaged working-class citizens against local business leaders and traditional party elites.
In the heat of the Great Depression, the skilled union craftsmen who made up the bulk of the city's Socialist Party filled a political void created by the crumbling of mainstream parties, the disintegration of traditional modes of ethnic politics, and the city's acute fiscal crisis. In time, however, legislative measures and compromise politics blunted the progressive agenda. The local party split from the Socialist Party of America and became narrowly focused and reformist while still serving as the voice of the working class.
A portrait of a stunning moment in American politics, Bridgeport's Socialist New Deal, 1915-36 offers a fascinating look at the volatility of politics in the early years of the Great Depression.
[more]
Bridging Divides
The Origins of the Beckman Institute at Illinois
Theodore L. Brown. Forewords by Stanley O. Ikenberry and Richard H. Herman.
University of Illinois Press, 2009
Bridging Divides offers a first-hand account of the origins of the Beckman Institute for Advanced Science and Technology, an interdisciplinary research institute at the University of Illinois at Urbana-Champaign devoted to leading-edge research in the physical sciences, computation, engineering, biology, behavior, cognition, and neuroscience.
The book follows the progress of the Beckman Institute's creation, from the initial conceptualization of a large, multi-disciplinary institute; through proposal formulation; to the architectural design and actual construction of its state-of-the-art building, made possible by the largest gift made to any public university at the time: a $40 million contribution from Illinois alumnus and founder of Beckman Instruments, Inc., Arnold O. Beckman and his wife Mabel M. Beckman.
Theodore L. Brown, the founding director of the Beckman Institute, brings an insider's personal perspective on its conception and its early operations. The evolution of a physical facility that matched a developing sense of what multidisciplinary and interdisciplinary research might be was a vital ingredient in the Institute's development. In addition, because the Institute represented a dramatic departure from traditional university organization, many challenges involving its administration and faculty had to be overcome.
A celebration of the Beckman Institute's first twenty years of operation since the building's completion in 1989, Bridging Divides provides an informative look back at the history of this groundbreaking interdisciplinary research center. The book also includes forewords by Stanley O. Ikenberry, former president of the University of Illinois, and Richard H. Herman, chancellor of the University of Illinois at Urbana-Champaign.
[more]
Bringing Aztlan to Mexican Chicago
My Life, My Work, My Art
Jose Gamaliel Gonzalez, Edited and with an Introduction by Marc Zimmerman
University of Illinois Press, 2010
Bringing Aztlán to Mexican Chicago is the autobiography of Jóse Gamaliel González, an impassioned artist willing to risk all for the empowerment of his marginalized and oppressed community. Through recollections emerging in a series of interviews conducted over a period of six years by his friend Marc Zimmerman, González looks back on his life and his role in developing Mexican, Chicano, and Latino art as a fundamental dimension of the city he came to call home.
Born near Monterey, Mexico, and raised in a steel mill town in northwest Indiana, González studied art at the School of the Art Institute of Chicago and the University of Notre Dame. Settling in Chicago, he founded two major art groups: El Movimiento Artístico Chicano (MARCH) in the 1970s and Mi Raza Arts Consortium (MIRA) in the 1980s.
With numerous illustrations, this book portrays González's all-but-forgotten community advocacy, his commitments and conflicts, and his long struggle to bring quality arts programming to the city. By turns dramatic and humorous, his narrative also covers his bouts of illness, his relationships with other artists and arts promoters, and his place within city and barrio politics.
[more]
The British Army of the Rhine
Turning Nazi Enemies into Cold War Partners
Peter Speiser
University of Illinois Press, 2016
Between 1945 and 1957, West Germany made a dizzying pivot from Nazi bastion to Britain's Cold War ally against the Soviet Union. Successive London governments, though often faced with bitter public and military opposition, tasked the British Army of the Rhine (BAOR) to serve as a protecting force while strengthening West German integration into the Western defense structure.
Peter Speiser charts the BAOR's fraught transformation from occupier to ally by looking at the charged nexus where British troops and their families interacted with Germany's civilian population. Examining the relationship on many levels, Speiser ranges from how British mass media representations of Germany influenced BAOR troops to initiatives taken by the Army to improve relations. He also weighs German perceptions, surveying clashes between soldiers and civilians and comparing the popularity of the British services with that of the other occupying powers. As Speiser shows, the BAOR's presence did not improve the relationship between British servicemen and the German populace, but it did prevent further deterioration during a crucial and dangerous period of the early Cold War.
An incisive look at an under-researched episode, The British Army of the Rhine sheds new light on Anglo-German diplomatic, political, and social relations after 1945, and evaluates their impact on the wider context of European integration in the postwar era.
[more]
Broken Nuptials in Shakespeare's Plays
Carol Thomas Neely
University of Illinois Press, 1993
Broken Soldiers
Raymond B. Lech
University of Illinois Press, 2000
Traversing the no-man's-land of political loyalty and betrayal, Broken Soldiers documents the fierce battle for the minds and hearts of American prisoners during the Korean War. In scorching detail, Raymond Lech describes the soldiers' day-to-day experiences in prisoner-of-war camps and the shocking treatment some of them received at the hands of their own countrymen after the war. Why, he asks, were only fourteen American soldiers tried as collaborators when thousands of others who admitted to some of the same offenses were not?
Drawing on some 60,000 pages of court-martial transcripts Lech secured through the Freedom of Information Act, Broken Soldiers documents the appalling treatment and the sophisticated propagandizing to which American POWs fell victim during the Korean conflict. Three thousand American soldiers perished in North Korean camps over the winter of 1950-51, most from starvation. Through the unsentimental testimony of survivors, Lech describes how these young men, filthy and lice-infested, lost an average of 40 percent of their body weight. Many also lost their powers of resistance and their grip on soldierly conduct.
After six months of starvation, the emaciated, disoriented prisoners were subjected to a relentless campaign to educate them to the virtues of communism. Bombarded with propaganda, the Americans were organized into study groups and forced to discuss and write about communism and Marxism, even to broadcast harangues against capitalist aggression and appeals for an end to the war.
Lech traces the spiral of debilitation and compromise, showing how parroting certain phrases came to seem a small price to pay for physical safety. Threatened with starvation and indefinite confinement in Korea, many POWs succumbed to pressure to mouth communist slogans and provide information far in excess of the regulation "name, rank, and service number."
Of the thousands of American soldiers who, while prisoners in North Korea, spoke and wrote favorably of communism and disparaged their country, a handful were charged with collaborating with the enemy. Why were so few singled out? Why did each branch of the armed services judge parallel circumstances differently, and why were American soldiers not realistically prepared for capture? A powerful indictment of justice miscarried, Broken Soldiers raises troubling questions that remain unanswered decades after the events.
Drawing on some 60,000 pages of court-martial transcripts Lech secured through the Freedom of Information Act, Broken Soldiers documents the appalling treatment and the sophisticated propagandizing to which American POWs fell victim during the Korean conflict. Three thousand American soldiers perished in North Korean camps over the winter of 1950-51, most from starvation. Through the unsentimental testimony of survivors, Lech describes how these young men, filthy and lice-infested, lost an average of 40 percent of their body weight. Many also lost their powers of resistance and their grip on soldierly conduct.
After six months of starvation, the emaciated, disoriented prisoners were subjected to a relentless campaign to educate them to the virtues of communism. Bombarded with propaganda, the Americans were organized into study groups and forced to discuss and write about communism and Marxism, even to broadcast harangues against capitalist aggression and appeals for an end to the war.
Lech traces the spiral of debilitation and compromise, showing how parroting certain phrases came to seem a small price to pay for physical safety. Threatened with starvation and indefinite confinement in Korea, many POWs succumbed to pressure to mouth communist slogans and provide information far in excess of the regulation "name, rank, and service number."
Of the thousands of American soldiers who, while prisoners in North Korea, spoke and wrote favorably of communism and disparaged their country, a handful were charged with collaborating with the enemy. Why were so few singled out? Why did each branch of the armed services judge parallel circumstances differently, and why were American soldiers not realistically prepared for capture? A powerful indictment of justice miscarried, Broken Soldiers raises troubling questions that remain unanswered decades after the events.
[more]
The Broken World
POEMS
Marcus Cafagna
University of Illinois Press, 1996
Selected by Yusef Komunyakaa
as one of five volumes published in 1996 in the National Poetry Series
"Marcus Cafagña is a poet who shies at nothing, who will
not turn away from what he sees--ordinary people struggling against, and
sometimes breaking on, the wheel of their fate. The Broken World
is a deeply humane and accomplished first book--probing, watchful, compassionate,
and necessary."
-- Edward Hirsch
"I challenge anyone to be unmoved by The Broken World. Cafagña
never gives up in these difficult, heart-rending poems." -- Jim Daniels,
editor of Letters to America: Contemporary American Poetry on Race
The Broken World, the powerful debut of a poet of great depth
and maturity, begins with narratives of individuals caught up in circumstance--a
distressed girl on a Detroit overpass, a boy shooting baskets at a crisis
center. By the end of the slim volume, Marcus Cafagña has led us
through the postwar New York of Jewish Holocaust survivors to his native
Michigan, where his marriage ended tragically with his wife's suicide,
a death that has come to symbolize for Cafagña the confusion and
madness of the twentieth century.
as one of five volumes published in 1996 in the National Poetry Series
"Marcus Cafagña is a poet who shies at nothing, who will
not turn away from what he sees--ordinary people struggling against, and
sometimes breaking on, the wheel of their fate. The Broken World
is a deeply humane and accomplished first book--probing, watchful, compassionate,
and necessary."
-- Edward Hirsch
"I challenge anyone to be unmoved by The Broken World. Cafagña
never gives up in these difficult, heart-rending poems." -- Jim Daniels,
editor of Letters to America: Contemporary American Poetry on Race
The Broken World, the powerful debut of a poet of great depth
and maturity, begins with narratives of individuals caught up in circumstance--a
distressed girl on a Detroit overpass, a boy shooting baskets at a crisis
center. By the end of the slim volume, Marcus Cafagña has led us
through the postwar New York of Jewish Holocaust survivors to his native
Michigan, where his marriage ended tragically with his wife's suicide,
a death that has come to symbolize for Cafagña the confusion and
madness of the twentieth century.
[more]
The Brothers Grimm and Folktale
Edited by James M. McGlathery
University of Illinois Press, 1988
"Some of the best folklore and Grimm scholars from Europe and the U.S. combined to
give an excellent overview of the scholarly research and current critical thought regarding
Jakob and Wilhelm Grimm and their hugely popular Grimm's Fairy Tales. . . . The
book is directed to the general educated public and is very readable." -- Choice
give an excellent overview of the scholarly research and current critical thought regarding
Jakob and Wilhelm Grimm and their hugely popular Grimm's Fairy Tales. . . . The
book is directed to the general educated public and is very readable." -- Choice
[more]
Brutal
Manhood and the Exploitation of Animals
Brian Luke
University of Illinois Press, 2007
The first integrated theory of manhood's relationship to hunting, animal experimentation, and animal sacrifice
In Brutal, Brian Luke explores the gender divide over our treatment of animals, exposing the central role of masculinity in systems of animal exploitation. Employing philosophical analysis, reference to empirical research, and relevant personal experience, Luke develops a new theory of how exploitative institutions do not work to promote human flourishing but instead merely act as support for a particular construction of manhood. The resulting work is of significant interest both to animal advocates and opponents of sexism.
[more]
Buddy Emmons
Steel Guitar Icon
Steve Fishell
University of Illinois Press, 2022
A No Depression Most Memorable Music Book of 2022
The acknowledged maestro of the pedal steel guitar, Buddy Emmons lent his unparalleled virtuosity to over five decades of hit recordings and set standards that remain the benchmark for musicians today.
The acknowledged maestro of the pedal steel guitar, Buddy Emmons lent his unparalleled virtuosity to over five decades of hit recordings and set standards that remain the benchmark for musicians today.
Steve Fishell’s merger of biography and memoir draws extensively on in-depth interviews with Emmons and the artist's autobiographical writings. Emmons went from playing strip clubs to a Grand Ole Opry debut with Little Jimmy Dickens at age 18. His restless experimentation led to work with Ernest Tubb and Ray Price--and established him in a career that saw him play alongside a who’s who of American music. Fishell weaves in stories and anecdotes from Willie Nelson, Brenda Lee, Linda Ronstadt, Pat Martino, and many others to provide a fascinating musical and personal portrait of an innovator whose peerless playing and countless recordings recognized no boundaries.
A one-of-a-kind life story, Buddy Emmons expands our view of a groundbreaking artist and his impact on country music, jazz, and beyond.
[more]
Building Filipino Hawai'i
Roderick Labrador
University of Illinois Press, 2015
Drawing on ten years of interviews and ethnographic and archival research, Roderick Labrador delves into the ways Filipinos in Hawai'i have balanced their pursuit of upward mobility and mainstream acceptance with a desire to keep their Filipino identity.
In particular, Labrador speaks to the processes of identity making and the politics of representation among immigrant communities striving to resist marginalization in a globalized, transnational era. Critiquing the popular image of Hawai'i as a postracial paradise, he reveals how Filipino immigrants talk about their relationships to the place(s) they left and the place(s) where they've settled, and how these discourses shape their identities. He also shows how the struggle for community empowerment, identity territorialization, and the process of placing and boundary making continue to affect how minority groups construct the stories they tell about themselves, to themselves and others.
In particular, Labrador speaks to the processes of identity making and the politics of representation among immigrant communities striving to resist marginalization in a globalized, transnational era. Critiquing the popular image of Hawai'i as a postracial paradise, he reveals how Filipino immigrants talk about their relationships to the place(s) they left and the place(s) where they've settled, and how these discourses shape their identities. He also shows how the struggle for community empowerment, identity territorialization, and the process of placing and boundary making continue to affect how minority groups construct the stories they tell about themselves, to themselves and others.
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Building Momentum
A Decade of Construction, Renovation, and Renewal across the University of Illinois System
University of Illinois
University of Illinois Press, 2023
Building New Banjos for an Old-Time World
Richard Jones-Bamman
University of Illinois Press, 2017
Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads ”asked to meet the modern musician's needs while retaining the nostalgic qualities so fundamental to the banjo's sound and mystique. Richard Jones-Bamman ventures into workshops and old-time music communities to explore how banjo builders practice their art. His interviews and long-time personal immersion in the musical culture shed light on long-overlooked aspects of banjo making. What is the banjo builder's role in the creation of a specific musical community? What techniques go into the styles of instruments they create? Jones-Bamman explores these questions and many others while sharing the ways an inescapable sense of the past undergirds the performance and enjoyment of old-time music. Along the way he reveals how antimodernism remains integral to the music's appeal and its making.
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Building Sustainable Worlds
Latinx Placemaking in the Midwest
Edited by Theresa Delgadillo, Ramon H. Rivera-Servera, Geraldo L. Cadava, and Claire F. Fox
University of Illinois Press, 2022
Latina/o/x places exist as both tangible physical phenomena and gatherings created and maintained by creative cultural practices. In this collection, an interdisciplinary group of contributors critically examines the many ways that varied Latina/o/x communities cohere through cultural expression. Authors consider how our embodied experiences of place, together with our histories and knowledge, inform our imagination and reimagination of our surroundings in acts of placemaking. This placemaking often considers environmental sustainability as it helps to sustain communities in the face of xenophobia and racism through cultural expression ranging from festivals to zines to sanctuary movements. It emerges not only in specific locations but as movement within and between sites; not only as part of a built environment, but also as an aesthetic practice; and not only because of efforts by cultural, political, and institutional leaders, but through mass media and countless human interactions.
A rare and crucial perspective on Latina/o/x people in the Midwest, Building Sustainable Worlds reveals how expressive culture contributes to, and sustains, a sense of place in an uncertain era.
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Building the Black Arts Movement
Hoyt Fuller and the Cultural Politics of the 1960s
Jonathan Fenderson
University of Illinois Press, 2019
As both an activist and the dynamic editor of Negro Digest, Hoyt W. Fuller stood at the nexus of the Black Arts Movement and the broader black cultural politics of his time. Jonathan Fenderson uses historical snapshots of Fuller's life and achievements to rethink the period and establish Fuller's important role in laying the foundation for the movement. In telling Fuller's story, Fenderson provides provocative new insights into the movement's international dimensions, the ways the movement took shape at the local level, the impact of race and other factors, and the challenges--corporate, political, and personal--that Fuller and others faced in trying to build black institutions. An innovative study that approaches the movement from a historical perspective, Building the Black Arts Movement is a much-needed reassessment of the trajectory of African American culture over two explosive decades.
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