The Truth about Patriotism is a bracing repudiation of the claim that patriotism is essential—or even beneficial—to democracy. Contending that even at its best patriotism subverts the democracy it purports to value, Steven Johnston turns to patriotism’s defenders to show how they must jettison much of democracy to champion patriotism. Closely examined, patriotism itself effectively demonstrates the impossibility of love of country. Patriotism, Johnston argues, tends toward narcissistic self-regard, blind to its violent ways of being in the world and its dependence on death. Thus we would be better off without it.

Drawing largely from aspects of American political and popular culture, this wide-ranging book presents a wealth of examples to disclose patriotism’s self-defeating character. They include Richard Rorty’s and John Schaar’s enmity-driven love of country, Socrates’s angry judicial suicide, the violent obsessions of High Noon and Saving Private Ryan, the triumphalist self-display of the World War II Memorial, Oliver Stone’s and Don DeLillo’s spectacular representations of the assassination of President Kennedy, George W. Bush’s symbolic sacrifice of more Americans in commemoration of September 2001, and yet other memorials to and apologies for patriotism. Ultimately, Johnston calls for a vision of democracy that uses the tragic possibilities inherent in politics as a spur to a life-affirming civic ethos of reciprocal generosity.

In Trying to Give Ease, John K. Crellin and Jane Philpott focus on the life, practices, and accumulated knowledge of the late A. L. "Tommie" Bass, a widely known and admired Appalachian herbalist. Informed by insights drawn from several disciplines, particularly anthropology, their broad historical analyses of self-care practices and herbal remedies draw heavily on recorded interviews with Bass and his patients. Special attention is given to local resources that shape alternative medicine, the backgrounds of herbal practitioners, and the cultural currency of medical concepts once central to professional medicine and now less common. The authors report on both the physical effects of herbal remedies and the psychological factors that have an impact on their success. Trying to Give Ease is a companion to A Reference Guide to Medicinal Plants, also published by Duke University Press.

Tuning Out Blackness fills a glaring omission in U.S. and Latin American television studies by looking at the history of Puerto Rican television. In exploring the political and cultural dynamics that have shaped racial representations in Puerto Rico’s commercial media from the late 1940s to the 1990s, Yeidy M. Rivero advances critical discussions about race, ethnicity, and the media. She shows that televisual representations of race have belied the racial egalitarianism that allegedly pervades Puerto Rico’s national culture. White performers in blackface have often portrayed “blackness” in local television productions, while black actors have been largely excluded.

Drawing on interviews, participant observation, archival research, and textual analysis, Rivero considers representations of race in Puerto Rico, taking into account how they are intertwined with the island’s status as a U.S. commonwealth, its national culture, its relationship with Cuba before the Cuban Revolution in 1959, and the massive influx of Cuban migrants after 1960. She focuses on locally produced radio and television shows, particular television events, and characters that became popular media icons—from the performer Ramón Rivero’s use of blackface and “black” voice in the 1940s and 1950s, to the battle between black actors and television industry officials over racism in the 1970s, to the creation, in the 1990s, of the first Puerto Rican situation comedy featuring a black family. As the twentieth century drew to a close, multinational corporations had purchased all Puerto Rican stations and threatened to wipe out locally produced programs. Tuning Out Blackness brings to the forefront the marginalization of nonwhite citizens in Puerto Rico’s media culture and raises important questions about the significance of local sites of television production.

In Turning South Again the distinguished and award-winning essayist, poet, and scholar of African American literature Houston A. Baker, Jr. offers a revisionist account of the struggle for black modernism in the United States. With a take on the work of Booker T. Washington and the Tuskegee Institute surprisingly different from that in his earlier book Modernism and the Harlem Renaissance, Baker combines historical considerations with psychoanalysis, personal memoir, and whiteness studies to argue that the American South and its regulating institutions—particularly that of incarceration—have always been at the center of the African American experience.
From the holds of slave ships to the peonage of Reconstruction to the contemporary prison system, incarceration has largely defined black life in the United States. Even Washington’s school at Tuskegee, Baker explains, housed and regulated black bodies no longer directly controlled by slave owners. He further implicates Washington by claiming that in enacting his ideas about racial “uplift,” Washington engaged in “mulatto modernism,” a compromised attempt at full citizenship. Combining autobiographical prose, literary criticism, psychoanalytic writing, and, occasionally, blues lyrics and poetry, Baker meditates on the consequences of mulatto modernism for the project of black modernism, which he defines as the achievement of mobile, life-enhancing participation in the public sphere and economic solvency for the majority of African Americans. By including a section about growing up in the South, as well as his recent return to assume a professorship at Duke, Baker contributes further to one of the book’s central concerns: a call to centralize the South in American cultural studies.

The nine turquoise mosaics from Mexico are some the most striking pieces in the collections of the British Museum. Among the few surviving such artifacts, these exquisite objects include two masks, a shield, a knife, a helmet, a double-headed serpent, a mosaic on a human skull, a jaguar, and an animal head. They all originate from the Mixtec and Aztec civilizations first encountered by Europeans during the Spanish conquest in the early sixteenth century. The mosaics have long excited admiration for their masterful blend of technical skill and artistry and fascination regarding their association with ritual and ceremony. Only recently though, have scientific investigations undertaken by the British Museum dramatically advanced knowledge of the mosaics by characterizing, for the first time, the variety of natural materials that were used to create them.

Illustrated with more than 160 color images, this book describes the recent scientific findings about the mosaics in detail, revealing them to be rich repositories of information about ancient Mexico. The materials used to construct the mosaics demonstrate their makers’ deep knowledge of the natural world and its resources. The effort that would have been involved in procuring the materials testifies to the mosaics’ value and significance in a society imbued with myths and religious beliefs. The British Museum’s analyses have provided evidence of the way that the materials were prepared and assembled, the tools used, and the choices that were made by artisans. In addition, by drawing on historical accounts including early codices, as well as recent archaeological discoveries, specialists have learned more about the place of the mosaics in ancient Mexican culture.

Filled with information about the religion, art, and natural and cultural history as well as the extraordinary ability of modern science to enable detailed insight into past eras, Turquoise Mosaics from Mexico offers an overview of the production, utilization, and eventual fate of these beautiful and mysterious objects.

In TV Socialism, Anikó Imre provides an innovative history of television in socialist Europe during and after the Cold War. Rather than uniform propaganda programming, Imre finds rich evidence of hybrid aesthetic and economic practices, including frequent exchanges within the region and with Western media, a steady production of varied genre entertainment, elements of European public service broadcasting, and transcultural, multi-lingual reception practices. These televisual practices challenge conventional understandings of culture under socialism, divisions between East and West, and the divide between socialism and postsocialism. Taking a broad regional perspective encompassing Eastern Europe and the Soviet Union, Imre foregrounds continuities between socialist television and the region’s shared imperial histories, including the programming trends, distribution patterns, and reception practices that extended into postsocialism. Television, she argues, is key to understanding European socialist cultures and to making sense of developments after the end of the Cold War and the enduring global legacy of socialism.

First published in Spanish in 2006, Twenty Theses on Politics is a major statement on political philosophy from Enrique Dussel, one of Latin America’s—and the world’s—most important philosophers, and a founder of the philosophy of liberation. Synthesizing a half-century of his pioneering work in moral and political philosophy, Dussel presents a succinct rationale for the development of political alternatives to the exclusionary, exploitative institutions of neoliberal globalization. In twenty short, provocative theses he lays out the foundational elements for a politics of just and sustainable coexistence. Dussel first constructs a theory of political power and its institutionalization, taking on topics such as the purpose of politics and the fetishization of power. He insists that political projects must criticize or reject as unsustainable all political systems, actions, and institutions whose negative effects are suffered by oppressed or excluded victims. Turning to the deconstruction or transformation of political power, he explains the political principles of liberation and addresses matters such as reform and revolution.

Twenty Theses on Politics is inspired by recent political transformations in Latin America. As Dussel writes in Thesis 15, regarding the liberation praxis of social and political movements, “The winds that arrive from the South—from Nestor Kirchner, Tabaré Vásquez, Luiz Inácio Lula da Silva, Evo Morales, Hugo Chávez, Fidel Castro, and so many others—show us that things can be changed. The people must reclaim sovereignty!” Throughout the twenty theses Dussel engages with Latin American thinkers and activists and with radical political projects such as the World Social Forum. He is also in dialogue with the ideas of Marx, Hegel, Habermas, Rawls, and Negri, offering insights into the applications and limits of their thinking in light of recent Latin American political thought and practice.

An eyewitness account of the first major international war-crimes tribunal since the Nuremberg trials, Twilight of Impunity is a gripping guide to the prosecution of Slobodan Milosevic for war crimes, crimes against humanity, and genocide. The historic trial of the “Butcher of the Balkans” began in 2002 and ended abruptly with Milosevic’s death in 2006. Judith Armatta, a lawyer who spent three years in the former Yugoslavia during Milosevic’s reign, had a front-row seat at the trial. In Twilight of Impunity she brings the dramatic proceedings to life, explains complex legal issues, and assesses the trial’s implications for victims of the conflicts in the Balkans during the 1990s and international justice more broadly. Armatta acknowledges the trial’s flaws, particularly Milosevic’s grandstanding and attacks on the institutional legitimacy of the International Criminal Tribunal. Yet she argues that the trial provided an indispensable legal and historical narrative of events in the former Yugoslavia and a valuable forum where victims could tell their stories and seek justice. It addressed crucial legal issues, such as the responsibility of commanders for crimes committed by subordinates, and helped to create a framework for conceptualizing and organizing other large-scale international criminal tribunals. The prosecution of Slobodan Milosevic in The Hague was an important step toward ending impunity for leaders who perpetrate egregious crimes against humanity.

In Two Bits, Christopher M. Kelty investigates the history and cultural significance of Free Software, revealing the people and practices that have transformed not only software but also music, film, science, and education. Free Software is a set of practices devoted to the collaborative creation of software source code that is made openly and freely available through an unconventional use of copyright law. Kelty explains how these specific practices have reoriented the relations of power around the creation, dissemination, and authorization of all kinds of knowledge. He also makes an important contribution to discussions of public spheres and social imaginaries by demonstrating how Free Software is a “recursive public”—a public organized around the ability to build, modify, and maintain the very infrastructure that gives it life in the first place.

Drawing on ethnographic research that took him from an Internet healthcare start-up company in Boston to media labs in Berlin to young entrepreneurs in Bangalore, Kelty describes the technologies and the moral vision that bind together hackers, geeks, lawyers, and other Free Software advocates. In each case, he shows how their practices and way of life include not only the sharing of software source code but also ways of conceptualizing openness, writing copyright licenses, coordinating collaboration, and proselytizing. By exploring in detail how these practices came together as the Free Software movement from the 1970s to the 1990s, Kelty also considers how it is possible to understand the new movements emerging from Free Software: projects such as Creative Commons, a nonprofit organization that creates copyright licenses, and Connexions, a project to create an online scholarly textbook commons.

The single most important change now well under way within Catholicism is its transition from a First World to a Third World entity. How this enormous shift will affect the Catholic church's role in the world economy is the subject of Michael L. Budde's book, the first world systems study of the mutual interaction of religion and political economy in the 1990s.
Budde's argument here is twofold. He contends that world Catholicism, led by its Third World majority (most notably in Latin America), will continue to develop in an increasingly anticapitalist direction; and he suggests that once-dominant First World Catholic churches (exemplified by the U.S. Catholic church), are poorly placed to respond in solidarity with their coreligionists from the Third World.
Covering a wide range of theoretical and substantive matters, The Two Churches examines religion as a source of both social legitimation and social rebellion. It demonstrates the importance of ecclesiology, a branch of theology dealing with "theories of the church," and it highlights the effect of capitalism on world Catholicism, as well as the latter's influence on the development of the capitalist order.
In his original, far-reaching analysis of the Catholic church's role in world affairs, Budde revises current views of religious institutions as subordinate social phenomena. By relating developments in the world political economy to material conditions in the Third World and in turn to the practice of Catholicism, he reveals how the Catholic church functions as a worldwide institution. He also shows how core-periphery conflicts within the church affect transnational capitalism.
As the Third World becomes more and more volatile, and as its relations with the First World further complicate the politics of the Catholic church, the questions addressed in The Two Churches demand attention with increasing urgency. Timely, thoughtful, and lucid, this book will inform and enhance our understanding of this complex, pressing issue.

Rethinking a key epoch in East Asian history, Hyun Ok Park formulates a new understanding of early-twentieth-century Manchuria. Most studies of the history of modern Manchuria examine the turbulent relations of the Chinese state and imperialist Japan in political, military, and economic terms. Park presents a compelling analysis of the constitutive effects of capitalist expansion on the social practices of Korean migrants in the region.

Drawing on a rich archive of Korean, Japanese, and Chinese sources, Park describes how Koreans negotiated the contradictory demands of national and colonial powers. She demonstrates that the dynamics of global capitalism led the Chinese and Japanese to pursue capitalist expansion while competing for sovereignty. Decentering the nation-state as the primary analytic rubric, her emphasis on the role of global capitalism is a major innovation for understanding nationalism, colonialism, and their immanent links in social space.

Through a regional and temporal comparison of Manchuria from the late nineteenth century until 1945, Park details how national and colonial powers enacted their claims to sovereignty through the regulation of access to land, work, and loans. She shows that among Korean migrants, the complex connections among Chinese laws, Japanese colonial policies, and Korean social practices gave rise to a form of nationalism in tension with global revolution—a nationalism that laid the foundation for what came to be regarded as North Korea’s isolationist politics.

As ambassador to Turkey during the Cyprus crisis (1965–1968), Parker T. Hart provides an insider’s view of the management of that crisis in NATO and Greek-Turkish relations. Greece and most Greek Cypriots favored enosis (union with Greece), but Turkey and the Turk Cypriots were prepared to go to war to prevent such an annexation. A massacre of Turk Cypriot villagers in November 1967 focused the anger of Turkey, which was prepared to send troops to Cyprus to equalize the preponderance of forces led by General George Grivas. The determined mediation of special presidential envoy Cyrus R. Vance prevented the initiation of all-out hostilities. Vance engineered a withdrawal of mainland Greek forces in excess of existing treaty levels in exchange for a standdown of Turkish forces. The Vance mission diffused the crisis and salvaged the integrity of NATO, and a Greek-Turkish agreement to sponsor and encourage intercommunal negotiations followed.
Hart has relied on his own papers from the period, as well as on United Nations sources from the Lyndon B. Johnson Presidential Library, and on the papers of the other key participants in the Crisis, Ambassador to Greece Phillips Talbot, Ambassador to Cyprus Taylor G. Belcher, and Cyrus Vance, to provide a rare play-by-play analysis of the crisis and its resolution.

What can radical historians learn by engaging with new trends in world history? This special issue of the Radical History Review explores some of the possibilities created by the dialogue between world history and radical history—in the way we frame our research, narrate our stories, and teach our subjects. It also suggests how radical understandings of world history can be integrated into both scholarly and political work for social movements and oppressed communities inexorably shaped by transnational, transregional, and global processes.

Contributors. Abolade Adeniji, John T. Chalcraft, Duane J. Corpis, Ian Christopher Fletcher, Yaël Simpson Fletcher, Matthew Guterl, Rafael M. Hernández, Vinay Lal, R. J. Lambrose, Mukoma wa Ngugi, Masao Nishikawa, Takamitsu Ono, Nalini Persaud, Alka Roy, Micol Seigel, Christine Skwiot, Karen Sotiropoulos, Ulrike Strasser, Vijaya Teelock, Heidi Tinsman, Jyotsna Uppal, Merry Wiesner-Hanks

In the mid-to-late nineteenth century, as Mexico emerged out of decades of civil war and foreign invasion, a modern notion of honor—of one’s reputation and self-worth—became the keystone in the construction of public culture. Mexicans gave great symbolic, social, and material value to honor. Only honorable men could speak in the name of the public. Honor earned these men, and a few women, support and credit, and gave civilian politicians a claim to authority after an era dominated by military heroism.

Tracing how notions of honor changed in nineteenth-century Mexico, Pablo Piccato examines legislation, journalism, parliamentary debates, criminal defamation cases, personal stories, urban protests, and the rise and decline of dueling in the 1890s. He highlights the centrality of notions of honor to debates over the nature of Mexican liberalism, describing how honor helped to define the boundaries between public and private life; balance competing claims of free speech, public opinion, and the protection of individual reputations; and motivate politicians, writers, and other men to enter public life. As Piccato explains, under the authoritarian rule of Porfirio Díaz, the state became more active in the protection of individual reputations. It implemented new restrictions on the press. This did not prevent people from all walks of life from defending their honor and reputations, whether in court or through violence. The Tyranny of Opinion is a major contribution to a new understanding of Mexican political history and the evolution of Mexican civil society.