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873 scholarly books by The Ohio State University Press and 37
have author last names that start with A
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873 scholarly books by The Ohio State University Press and 37
873 scholarly books by The Ohio State University Press
37 have author last names that start with A have author last names that start with A
37 have author last names that start with A have author last names that start with A
CINCINNATI
QUEEN CITY OF THE WEST, 1819-1838
DANIEL AARON
The Ohio State University Press, 1992
Real Mysteries
Narrative and the Unknowable
H. Porter Abbott
The Ohio State University Press, 2013
The influential and widely respected narrative theorist, H. Porter Abbott, breaks new ground in Real Mysteries:Narrative and the Unknowable. In it, he revisits the ancient theme of what we cannot know about ourselves and others. But in a sharp departure, he shifts the focus from the representation of this theme to the ways narrative can be manipulated to immerse “the willing reader” in the actual experience of unknowing.
As he shows, this difficult and risky art, which was practiced so inventively by Samuel Beckett, was also practiced by other modern writers. Abbott demonstrates their surprising diversity in texts by Beckett, Gabriel García Márquez, Herman Melville, Toni Morrison, Alice Munro, J. M. Coetzee, Tim O’Brien, Kathryn Harrison, and Jeanette Winterson, together with supporting roles by J. G. Ballard, Gertrude Stein, Michael Haneke, and Pseudo-Dionysius the Areopagite.
The demands of this art bear directly on key issues of narrative inquiry, including the nature and limits of reader-resistant texts, the function of permanent narrative gaps, the relation between experiencing a text and its interpretation, the fraught issue of aligning grammatical and narrative syntax, the mixed blessing of our mind-reading capability, and the ethics of reading. Despite its challenges, this book has also been written with an eye to the general reader. In accessible language, Abbott shows how narrative fiction may create spaces in which our ignorance, when it is by its nature absolute, can be not only acknowledged but felt, and why this is important.
[more]
REGULATIONS OF ROBBERS
LEGAL FICTIONS OF SLAVERY AND RESISTANCE
CHRISTINA ACCOMANDO
The Ohio State University Press, 2001
Mobility and Modernity
Panama in the Nineteenth-Century Anglo-American Imagination
Robert D. Aguirre
The Ohio State University Press, 2017
Mobility and Modernity: Panama in the Nineteenth-Century Anglo-American Imagination rewrites the history of the Panama Canal, assessing for the first time the literary culture of the preceding decades. In this period, U.S. and British writers and visual artists developed sophisticated languages of mobility, time, and speed to cast the isthmus as an in-between place, a point of connection to more important destinations. These discourses served an important role in their own day and laid the imaginative ground for the canal to come.
In this study, Robert D. Aguirre provides bold new interpretations of Anthony Trollope, John Lloyd Stephens, and Eadweard Muybridge and also recovers information about literary communities previously lost to history. Mobility and Modernity shows how Panama became defined as a site of incipient globalization and a crucial link of empire. Across this narrow strip of land people and things traveled, technology developed, and political forces erupted. The isthmus became a site of mobility that paradoxically produced varieties of immobility. Parting ways with histories that celebrate the canal as a mighty engineering feat, Mobility and Modernity reveals a more complex story of cultural conflict that began with the first gold rush news in the late 1840s and continued throughout the century.
In this study, Robert D. Aguirre provides bold new interpretations of Anthony Trollope, John Lloyd Stephens, and Eadweard Muybridge and also recovers information about literary communities previously lost to history. Mobility and Modernity shows how Panama became defined as a site of incipient globalization and a crucial link of empire. Across this narrow strip of land people and things traveled, technology developed, and political forces erupted. The isthmus became a site of mobility that paradoxically produced varieties of immobility. Parting ways with histories that celebrate the canal as a mighty engineering feat, Mobility and Modernity reveals a more complex story of cultural conflict that began with the first gold rush news in the late 1840s and continued throughout the century.
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Folklore in New World Black Fiction
Writing and the Oral Traditional Aesthetics
Chiji Akoma
The Ohio State University Press, 2007
For a while, tracing African roots in the artistic creations of blacks in the New World tended to generate much attention as if to suggest that the New World does not have profound impact on their creative spirit. In addition, few studies have tried to construct an interpretive model through which an array of works by New World writers could be meaningfully explored on the basis of their African Diasporic identity.
In Folklore in New World Black Fiction, Chiji Akọma offers an interpretive model for the reading of the African New World novel focusing on folklore, not as an ingredient, but as the basis for the narratives. The works examined do not contain folklore materials; they are folklore, constituted by the intersections of African oral narrative aesthetics, New World sensibility, and the written tradition. Specifically Akọma looks at four African Caribbean and African American novelists, Roy A.K. Heath, Wilson Harris, Toni Morrison, and Jean Toomer.
The book seeks to expand the understanding of the forms of folklore as it pertains to black texts. For one, it broadens the dimensions of folklore by looking beyond the oral world of the “simple folk” to the kinds of narrative sophistication associated with writing; it also asserts the importance of performance art in folklore analysis. The study demonstrates the durability of the black aesthetic over artistic forms.
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Resurrection
Comics in Post-Soviet Russia
José Alaniz
The Ohio State University Press, 2022
Resurrection: Comics in Post-Soviet Russia traces the “kopecks to rubles” journey of Russian comics at the turn of the century. As the follow-up to José Alaniz’s groundbreaking Komiks: Comic Art in Russia (2010), Resurrection authoritatively and exhaustively details the Russian comic landscape of the last three decades: beginning after the 1991 fall of the Soviet Union and encompassing the fourth Putin administration, the COVID-19 crisis, and beyond. Bolstering his analysis with interviews with some of the major figures in Russia’s comics industry, Alaniz particularly focuses on the representation of masculinity, disability, historical trauma, and superheroes, as well as on the recent rise of fandom, alternative micropresses, and nonfiction graphic narrative. Resurrection is a sweeping discussion of the metamorphosis of contemporary Russian comic art from its rebirth to its entry into mainstream culture.
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Postclassical Narratology
Approaches and Analyses
Jan Alber
The Ohio State University Press, 2010
In this volume, an international group of contributors presents new perspectives on narrative. Using David Herman’s 1999 definition of "postclassical narratology" from Narratologies: New Perspectives on Narrative Analysis (OSUP) as their launching point, these eleven essayists explore the various ways in which new approaches overlap and interrelate to form new ways of understanding narrative texts.
Postclassical narratology has reached a new phase of consolidation but also continued diversification. This collection therefore discriminates between what one could call a critical but frame-abiding and a more radical frame-transcending or frame-shattering handling of the structuralist paradigm. Postclassical Narratology: Approaches and Analyses discusses a large variety of different aspects of narrative, such as extensions of classical narratology, new generic applications (autobiography, oral narratives, poetry, painting, and film), the history of narratology, the issue of fictionality, the role of cognition, and questions of authorship and authority, as well as thematic matters related to ethics, gender, and queering. Additionally, it uses a wide spectrum of critical approaches, including feminism, psychoanalysis, media studies, the rhetorical theory of narrative, unnatural narratology, and cognitive studies. In this manner the essays manage to produce new insights into many key issues in narratology.The contributors also demonstrate that narratologists nowadays see the object of their research as more variegated than was the case twenty years ago: they resort to a number of different methods in combination when approaching a problem, and they tend to ground their analyses in a rich contextual framework.
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A Poetics of Unnatural Narrative
Jan Alber
The Ohio State University Press, 2013
A Poetics of Unnatural Narrative offers a collection of foundational essays introducing the reader to the full scope of unnatural narrative theory: its meaning, its goals, its extent, its paradoxes. This volume brings together a distinguished group of international critics, scholars, and historians that includes several of the world’s leading narrative theorists. Together, they survey many basic areas of narrative studies from an unnatural perspective: story, time, space, voice, minds, narrative levels, “realism,” nonfiction, hyperfiction, and narrative poetry. Rarely have these fundamental concepts been subjected to such an original and thoroughgoing reconceptualization. Much of the book is directed toward an investigation of experimental and antirealist work. Each essay focuses on texts and episodes that narrative theory has tended to neglect, and each provides theoretical formulations that are commensurate with such exceptional, albeit neglected, works. A Poetics of Unnatural Narrative articulates and delineates the newest and most radical movement in narrative studies. This anthology will be of great interest to students and scholars of narrative studies and of the history and theory of modern fiction.
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Unnatural Narratology
Extensions, Revisions, and Challenges
Jan Alber
The Ohio State University Press, 2020
Unnatural Narratology: Extensions, Revisions, and Challenges offers a number of developments, refinements, and defenses of key aspects of unnatural narrative studies. The first section applies unnatural narrative theory and analysis to ideologically charged areas such as feminism, postcolonial studies, cultural alterity, and subaltern discourse. The book goes on to engage with and intervene in theoretical debates in several areas of both critical theory and narrative theory, including affect studies, immersion, narration, character theory, frames, and theories of reception and interpretation. Antimimetic perspectives are also extended to additional fields, including autobiography, graphic narratives, drama and film, performance studies, and interactive gamebooks. Written by an international assemblage of distinguished and emerging narrative scholars and theorists, this collection promises to greatly enhance the study of narrative and further advance the frontiers of narrative theory.
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Tales from la Vida
A Latinx Comics Anthology
Frederick Luis Aldama
The Ohio State University Press, 2018
In the Latinx comics community, there is much to celebrate today, with more Latinx comic book artists than ever before. The resplendent visual-verbal storyworlds of these artists reach into and radically transform so many visual and storytelling genres. Tales from la Vida celebrates this space by bringing together more than eighty contributions by extraordinary Latinx creators. Their short visual-verbal narratives spring from autobiographical experience as situated within the language, culture, and history that inform Latinx identity and life. Tales from la Vida showcases the huge variety of styles and worldviews of today’s Latinx comic book and visual creators.
Whether it’s detailing the complexities of growing up—mono- or multilingual, bicultural, straight, queer, or feminist Latinx—or focusing on aspects of pop culture, these graphic vignettes demonstrate the expansive complexity of Latinx identities. Taken individually and together, these creators—including such legendary artists as Jaime and Gilbert Hernandez, Roberta Gregory, and Kat Fajardo, to name a few—and their works show the world that when it comes to Latinx comics, there are no limits to matters of content and form. As we travel from one story to the next and experience the unique ways that each creator chooses to craft his or her story, our hearts and minds wake to the complex ways that Latinxs live within and actively transform the world.
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The Adventures of Chupacabra Charlie
Frederick Luis Aldama
The Ohio State University Press, 2020
In their debut picture book, Frederick Luis Aldama and Chris Escobar invite young readers along on the adventures of Chupacabra Charlie, a polite, handsome, and unusually tall ten-year-old chupacabra yearning for adventure beyond the edge of los Estados Unidos. Little does Charlie know when he befriends a young human, Lupe, that together, with only some leftover bacon quesadillas and a few cans of Jumex, they might just encounter more adventure than they can handle. Along the way, they meet strange people and terrifying danger, and their bravery will be put to the test. Thankfully, Charlie is a reassuring and winsome companion who never doubts that he and Lupe will return safely home.
With magical realism, allegory, and gentle humor, Aldama and Escobar have created a story that will resonate with young and old readers alike as it incorporates folklore into its subtle take on the current humanitarian crisis at the border.
With magical realism, allegory, and gentle humor, Aldama and Escobar have created a story that will resonate with young and old readers alike as it incorporates folklore into its subtle take on the current humanitarian crisis at the border.
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Las aventuras de Chupacabra Charlie
Frederick Luis Aldama
The Ohio State University Press, 2021
Chupacabra Charlie es un chupacabras de diez años educado, guapo e inusualmente alto que anhela la aventura más allá de los límites de México, pero no muy al norte. Poco sabe Charlie cuando se hace amigo de una joven humana, Lupe, que juntos, con solo algunas quesadillas de tocino y algunas latas de Jumex, encontrarán más aventuras de las que podrían manejar. En el camino, se encuentrarán con personas extrañas y peligros inesperados en la frontera entre Estados Unidos y México que ponen a prueba su valentía. ¿Podrán Charlie y Lupe regresar sanos y salvos a casa?
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Conversations on Cognitive Cultural Studies
Literature, Language, and Aesthetics
Frederick Luis Aldama
The Ohio State University Press, 2014
In recent years, few areas of research have advanced as rapidly as cognitive science, the study of the human mind and brain. A fundamentally interdisciplinary field, cognitive science has both inspired and been advanced by work in the arts and humanities. In Conversations on Cognitive Cultural Studies: Literature, Language, and Aesthetics, Frederick Luis Aldama and Patrick Colm Hogan, two of the most prominent experts on the intersection of mind, brain, and culture, engage each other in a lively dialog that sets out the foundations of a cognitive neuroscientific approach to literature. Despite their shared premises, Aldama and Hogan differ—sometimes sharply—on key issues; their discussion therefore presents the reader not with a single doctrine, but with options for consideration—an appropriate result in this dynamic field.
With clarity and learning, Aldama and Hogan consider five central topics at the intersection of literature and cognitive science. They begin with the fundamental question of the nature of the self. From here, they turn to language, communication, and thought before moving on to the central issue of the structure and operation of narrative. The book concludes with thought-provoking explorations of aesthetics and politics. Illustrating their arguments with work that ranges from graphic fiction and popular cinema to William Faulkner and Bertolt Brecht, Aldama and Hogan leave the reader with a clear sense of what cognitive cultural studies have already achieved and the significant promise the discipline holds for the future.
With clarity and learning, Aldama and Hogan consider five central topics at the intersection of literature and cognitive science. They begin with the fundamental question of the nature of the self. From here, they turn to language, communication, and thought before moving on to the central issue of the structure and operation of narrative. The book concludes with thought-provoking explorations of aesthetics and politics. Illustrating their arguments with work that ranges from graphic fiction and popular cinema to William Faulkner and Bertolt Brecht, Aldama and Hogan leave the reader with a clear sense of what cognitive cultural studies have already achieved and the significant promise the discipline holds for the future.
[more]
Talking #browntv
Latinas and Latinos on the Screen
Frederick Luis Aldama
The Ohio State University Press, 2019
Like two friends sitting down in front of the television together, in Talking #browntv, Frederick Luis Aldama and William Anthony Nericcio dialogue about the representations of Latina/os in American television and film from the twentieth century to the present day. One part conversation, one part critique, one part visual cultural studies, and one part rant against the culture industry profiting off warped caricatures of Latina/o subjectivities, Aldama and Nericcio analyze the ways in which Latinx performers have been mediated—with varying degrees of complexity—on the American screen. A comprehensive review of the history of Mexicans, Mexican Americans, Hispanics, Chicana/os, Latina/os, and Latinx performers in television and film, Talking #browntv boldly interrogates one of the largest paradoxes in the history of American television: Why are there so few Latina/os on television, and why, when they do appear, are they so often narcos, maids, strumpets, tarts, flakes, and losers?
From the subversive critiques embedded in well-loved children’s characters like Speedy Gonzalez to the perpetuation of racial stereotypes in modern-era pornography, from Eva Longoria as ethnic mannequin to J-Lo flipping the sexy Latina music video on its head in “I Luh Ya Papi,” and with more than 150 full-color images, Aldama and Nericcio seek to expose the underlying causes as to why Latina/os constitute only 2 percent of mainstream cultural production when they’re the majority minority in the US. In a moment when anti-Mexican and anti-immigrant rhetoric oozes from TV sets and medias platform, Talking #browntv emerges as a bold antidote, an eloquent rejoinder, and a thoughtful meditation on Latina/os on the American screen and in America today.
From the subversive critiques embedded in well-loved children’s characters like Speedy Gonzalez to the perpetuation of racial stereotypes in modern-era pornography, from Eva Longoria as ethnic mannequin to J-Lo flipping the sexy Latina music video on its head in “I Luh Ya Papi,” and with more than 150 full-color images, Aldama and Nericcio seek to expose the underlying causes as to why Latina/os constitute only 2 percent of mainstream cultural production when they’re the majority minority in the US. In a moment when anti-Mexican and anti-immigrant rhetoric oozes from TV sets and medias platform, Talking #browntv emerges as a bold antidote, an eloquent rejoinder, and a thoughtful meditation on Latina/os on the American screen and in America today.
[more]
Con Papá / With Papá
Frederick Luis Aldama
The Ohio State University Press, 2022
¡Con papá todo es posible! Con ilustraciones divertidas e imágenes ricas, este amable libro bilingüe para las edades de 3–8 celebra a los padres, les niñes y la identidad Latinx mientras lleva a los lectores en un viaje de crecimiento y descubrimiento de la niñez. Desde la entrega de las alas del dios serpiente a los brazos seguros de Papá hasta presenciar el tapiz mágico de las estrellas, Con Papá / With Papá nos muestra el mundo a través de los ojos de une niñe, de la mano de Papá, hasta que estén listos para emprender sus propias aventuras.
With Papá, anything is possible! With playful illustrations and rich imagery, this gentle bilingual story for ages 3–8 celebrates fathers, children, and Latinx identity as it takes readers on a childhood journey of growth and discovery. From delivery from the serpent god’s wings to Papá’s safe arms to witnessing the magical tapestry of stars, Con Papá / With Papá shows us the world through a child’s eyes, hand in hand with Papá, until they are ready to set off on their own adventures.
With Papá, anything is possible! With playful illustrations and rich imagery, this gentle bilingual story for ages 3–8 celebrates fathers, children, and Latinx identity as it takes readers on a childhood journey of growth and discovery. From delivery from the serpent god’s wings to Papá’s safe arms to witnessing the magical tapestry of stars, Con Papá / With Papá shows us the world through a child’s eyes, hand in hand with Papá, until they are ready to set off on their own adventures.
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When the Devil Knocks
The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama
Renée Alexander Craft
The Ohio State University Press, 2015
Despite its long history of encounters with colonialism, slavery, and neocolonialism, Panama continues to be an under-researched site of African Diaspora identity, culture, and performance. To address this void, Renée Alexander Craft examines an Afro-Latin Carnival performance tradition called “Congo” as it is enacted in the town of Portobelo, Panama—the nexus of trade in the Spanish colonial world. In When the Devil Knocks: The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama, Alexander Craft draws on over a decade of critical ethnographic research to argue that Congo traditions tell the story of cimarronaje, charting self-liberated Africans’ triumph over enslavement, their parody of the Spanish Crown and Catholic Church, their central values of communalism and self-determination, and their hard-won victories toward national inclusion and belonging.
When the Devil Knocks analyzes the Congo tradition as a dynamic cultural, ritual, and identity performance that tells an important story about a Black cultural past while continuing to create itself in a Black cultural present. This book examines “Congo” within the history of twentieth century Panamanian etnia negra culture, politics, and representation, including its circulation within the political economy of contemporary tourism.
When the Devil Knocks analyzes the Congo tradition as a dynamic cultural, ritual, and identity performance that tells an important story about a Black cultural past while continuing to create itself in a Black cultural present. This book examines “Congo” within the history of twentieth century Panamanian etnia negra culture, politics, and representation, including its circulation within the political economy of contemporary tourism.
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Making Conversation in Modernist Fiction
Elizabeth Alsop
The Ohio State University Press, 2019
Making Conversation in Modernist Fiction examines the role of character dialogue in key works of Anglo-American modernism. Through close analysis of texts including The Ambassadors, The Sun Also Rises, “The Dead,” The Sound and the Fury, Absalom, Absalom!, The Waves, Between the Acts, “Melanctha,” and Cane, the book documents the ways in which some of the most canonical British and American modernist authors transformed the conventions traditionally used to render talk in fiction.
If historically dialogue had been treated as a subordinate element in fiction—a tool for developing character or advancing plot—this book demonstrates that writers such as Henry James, Ernest Hemingway, James Joyce, William Faulkner, Virginia Woolf, and Gertrude Stein would increasingly emphasize it as a poetic structure in its own right. In this way, Alsop argues, modernist writers “make” conversation in radically new ways and for a diverse range of expressive and communicative ends. Over the course of five chapters that explore this previously overlooked avenue of modernist innovation, Making Conversation offers readers a radical new paradigm not only for understanding fictional talk but also for interpreting some of the most celebrated examples of early twentieth-century narrative.
If historically dialogue had been treated as a subordinate element in fiction—a tool for developing character or advancing plot—this book demonstrates that writers such as Henry James, Ernest Hemingway, James Joyce, William Faulkner, Virginia Woolf, and Gertrude Stein would increasingly emphasize it as a poetic structure in its own right. In this way, Alsop argues, modernist writers “make” conversation in radically new ways and for a diverse range of expressive and communicative ends. Over the course of five chapters that explore this previously overlooked avenue of modernist innovation, Making Conversation offers readers a radical new paradigm not only for understanding fictional talk but also for interpreting some of the most celebrated examples of early twentieth-century narrative.
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Reflections of Romanity
Discourses of Subjectivity in Imperial Rome
Richard Alston
The Ohio State University Press, 2011
Reflections of Romanity: Discourses of Subjectivity in Imperial Rome, by Richard Alston and Efrossini Spentzou, challenges and provokes debate about how we understand the Roman world, and ourselves, by engagement with the early imperial literature of the mid-first to early second-century CE. Alston and Spentzou explore Roman subjectivity to illuminate a society whose fragmentation presented considerable challenges to contemporary thinkers. These members of the elite and intellectual classes faced complex ideological choices in relation to how they could define themselves in relation to imperial society.
Reflections of Romanity draws on present-day reflections on selfhood while at the same time uncovering processes of self-analysis, notably by tracing individuals’ reactions to moments of crisis or uncertainty. Thus it sets up a dialogue between the ancient texts it discusses, including the epics of Lucan and Statius, the letters of the Younger Pliny, Silius Italicus’ Punica, and Tacitus’ historical writings, and works of the modern period. Given the importance of classical thinking about the self in modern thought, this book addresses both a classical and a philosophical/literary critical audience.
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PUNCH
THE LIVELY YOUTH OF A BRITISH INSTITUTIO
RICHARD ALTICK
The Ohio State University Press, 2010
SCHOLAR ADVENTURERS
RICHARD ALTICK
The Ohio State University Press, 1987
"A carefully detailed but by no means dull account of the more dignified pursuit of detection as practiced by literary scholars." --Kirkus Reviews
"Although [Altick' sensibly mentions that research may be a misadventure, he naturally enough plays up its glamour and romance; and its fascination for the scholar is transmitted to the reader. His book, then, as popular reading is first-rate, solid, rewarding, and lively" --The Nation
"a brisk, well-written book" --Time
"This is a volume of gracefully written essays celebrating the feats of literary detective work performed by scores of learned men and women passionately in love with the minutiae of literary scholarships." --The New York Times
"a more fascinating recital than any fictional mystery story, and its detectives are, it leads us to believe, more interesting in themselves--they are not mousy researchers--than fictional private eyes" --The Boston Globe
Richard Altick's classic portrayal of scholars on the prowl has delighted generations of readers. From the exposure of British rare book dealer Thomas Wise--the most famous authority of his day--as a master forger of first editions to the discovery of thousands of new James Boswell papers, Altick shows the scholar at work. Chaucer, Shakespeare, Wordsworth, Shelley, Keats, and many others surrender previously unrevealed secrets to these dogged researchers, whose ceaseless sleuthing has increased our knowledge and appreciation of both literature and the people who created it.
Richard D. Altick is Regent's Professor Emeritus of English at The Ohio State University. He is the author of The English Common Reader, Lives and Letters, To Be in England, Victorian Studies in Scarlet, Victorian People and Ideas, The Shows of London, Paintings from Books, and Deadly Encounters as well as numerous essays on English literature and culture.
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ENGLISH COMMON READER
A SOCIAL HISTORY OF THE MASS READING PUB
RICHARD D. ALTICK
The Ohio State University Press, 1998
PRESENCE OF THE PRESENT
TOPICS OF THE DAY IN THE VICTORIAN NOVEL
RICHARD D. ALTICK
The Ohio State University Press, 1991
Everyday Dirty Work
Invisibility, Communication, and Immigrant Labor
Wilfredo Alvarez
The Ohio State University Press, 2022
Wilfredo Alvarez’s Everyday Dirty Work: Invisibility, Communication, and Immigrant Labor is an exploration into co-cultural communication practices within the workplace. Specifically, Alvarez investigates how Latin American immigrant janitors communicate from their marginalized standpoints in a predominantly White academic organization. He examines how custodial workers perceive, interpret, and thematize routine messages regarding race, ethnicity, social class, immigrant status, and occupation, and how those messages and overall communicative experiences affect both their work and personal lives.
A Latin American immigrant himself, Alvarez relates his own experiences to those of the research participants. His positionality informs and enhances his research as he demonstrates how everyday interpersonal encounters create discursive spaces that welcome or disqualify people based on symbolic and social capital. Alvarez offers valuable insights into the lived experiences of critical––but often undervalued and invisible––organizational members. Through theoretical insights and research data, he provides practical recommendations for organizational leaders to improve how they can relate to and support all stakeholders.
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Twisted Words
Torture and Liberalism in Imperial Britain
Katherine Judith Anderson
The Ohio State University Press, 2022
Twisted Words: Torture and Liberalism in Imperial Britain examines torture across the fiction, periodicals, and government documents of the British Empire in the latter half of the nineteenth century. Placing acts of torture and words about torture in relation to changing definitions of citizenship and human rights, Katherine Judith Anderson argues that torture—as a technique of state terrorism—evolved in relation to nineteenth-century liberalism, combining the traditional definition of exceptional acts of cruelty with systemic, banal, or everyday violence. Analyzing canonical novels by George Eliot, Anthony Trollope, and George Meredith alongside an impressive array of lesser-known fiction through the lenses of critical terrorism studies and political, legal, and phenomenological theory, Anderson rethinks torture as a mode of reclaiming an embodied citizenship and demonstrates how the Victorians ushered in our modern definition of torture. Furthermore, she argues that torture is foundational to Western modernity, since liberalism was, and continues to be, dependent on state-sanctioned––and at times state-sponsored—torture, establishing parallels between Victorian liberal thought and contemporary (neo)imperialism and global politics.
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SOFT IN THE MIDDLE
CONTEMPORARY SOFTCORE FEATURE IN ITS CONTEXTS
DAVID ANDREWS
The Ohio State University Press, 2006
As the first survey of its kind, Soft in the Middle positions the contemporary softcore feature as a middlebrow form of pornography. This genre of film and video has been produced by a complex and often elusive industry situated in the ambiguous “middle” regions between hardcore and Hollywood.
In meticulous detail, Soft in the Middle demonstrates that softcore’s under-the-radar success and pervasive cultural devaluation may be understood in terms of the “postfeminist” strategies employed by successive generations of producers and distributors, each intent on overcoming obstacles to the mainstream distribution of pornographic material. Softcore and its American precursors became more “feminized” and “female friendly” as their distribution widened, a process hastened in the 1980s by the industry’s transition to private, non-theatrical modes of distribution and exhibition (e.g., home-video outlets and premium-cable networks like Cinemax). One of the byproducts of this development is that contemporary softcore has frequently resorted to what are arguably anti-male or “misandristic” attitudes and depictions. Clearly, the genre challenges traditional assumptions about pornography, including those held by feminists on both sides of “the porn debates.”
Drawing on original industrial research, extensive sampling, and wide-ranging scholarship, Soft in the Middle offers a nuanced look at a discreetly indecent genre whose central commodity has always been female nudity. The book examines the genre’s history, describes its deflationary trajectory, and differentiates the reading patterns of its disparate audiences, including “cult” critics and feminist critics. Naturally, the book also considers the genre’s formal and ideological conventions, surveying its most exemplary subgenres, styles, and motifs—and lavishing particular attention on its most influential studios, directors, and texts.
In meticulous detail, Soft in the Middle demonstrates that softcore’s under-the-radar success and pervasive cultural devaluation may be understood in terms of the “postfeminist” strategies employed by successive generations of producers and distributors, each intent on overcoming obstacles to the mainstream distribution of pornographic material. Softcore and its American precursors became more “feminized” and “female friendly” as their distribution widened, a process hastened in the 1980s by the industry’s transition to private, non-theatrical modes of distribution and exhibition (e.g., home-video outlets and premium-cable networks like Cinemax). One of the byproducts of this development is that contemporary softcore has frequently resorted to what are arguably anti-male or “misandristic” attitudes and depictions. Clearly, the genre challenges traditional assumptions about pornography, including those held by feminists on both sides of “the porn debates.”
Drawing on original industrial research, extensive sampling, and wide-ranging scholarship, Soft in the Middle offers a nuanced look at a discreetly indecent genre whose central commodity has always been female nudity. The book examines the genre’s history, describes its deflationary trajectory, and differentiates the reading patterns of its disparate audiences, including “cult” critics and feminist critics. Naturally, the book also considers the genre’s formal and ideological conventions, surveying its most exemplary subgenres, styles, and motifs—and lavishing particular attention on its most influential studios, directors, and texts.
[more]
The French Face of Nathaniel Hawthorne
Monsieur de l'Aubépine and His Second Empire Critics
Michael Anesko
The Ohio State University Press, 2011
Most students of American literature probably can recall the playful French nom de plume—Monsieur de l’Aubépine—that Nathaniel Hawthorne occasionally employed to disguise some of his early attempts at authorship. But very few will know that Monsieur de l’Aubépine enjoyed a surprisingly intelligent critical reception in France during his lifetime. No fewer than six—often startling—essays about the American author appeared in leading French periodicals from 1852 to 1864. The French Face of Nathaniel Hawthorne, edited by Michael Anesko and N. Christine Brookes, recuperates these lost (or forgotten) critical assessments, making available to English readers for the first time the full texts of these extraordinary contemporaneous French critical essays. Besides offering elegantly rendered (and helpfully annotated) translations of the essays, Anesko and Brookes analyze them in relation to their immediate historical context and examine their unexpected relevance to later critical trends and arguments.
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Somewhere in Space
Talvikki Ansel
The Ohio State University Press, 2015
The poems in Talvikki Ansel’s Somewhere in Space work to locate us in this world and its mix of the made and natural, the cultivated and untamable. Faced with such mysteries and intricacies as the water-conducting tissue of trees, the sensory abilities of vultures, the lives of past writers (Edith Södergran, Bruno Schulz), and fragments of history and our tenuous connections to them, the poems acknowledge the difficulty of authority, yet continue with their forays. Invented characters coexist with observations of mergansers and moths, orioles and cats; “Particulars rock / just inside the breakwater / like conjured up skiffs.”
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Oil Baron of the Southwest
Edward L. Doheny and the Development of the Petroleum Industry in California and Mexico
MARTIN ANSELL
The Ohio State University Press, 1900
Paper Money Men
Commerce, Manhood, and the Sensational Public Sphere in Antebellum America
David Anthony
The Ohio State University Press, 2009
Paper Money Men: Commerce, Manhood, and the Sensational Public Sphere in Antebellum America by David Anthony outlines the emergence of a “sensational public sphere” in antebellum America. It argues that this new representational space reflected and helped shape the intricate relationship between commerce and masculine sensibility in a period of dramatic economic upheaval. Looking at a variety of sensational media—from penny press newspapers and pulpy dime novels to the work of well-known writers such as Irving, Hawthorne, and Melville—this book counters the common critical notion that the period’s sensationalism addressed a primarily working-class audience. Instead, Paper Money Men shows how a wide variety of sensational media was in fact aimed principally at an emergent class of young professional men. “Paper money men” were caught in the transition from an older and more stable mercantilist economy to a panic-prone economic system centered on credit and speculation. And, Anthony argues, they found themselves reflected in the sensational public sphere, a fantasy space in which new models of professional manhood were repeatedly staged and negotiated. Compensatory in nature, these alternative models of manhood rejected fiscal security and property as markers of a stable selfhood, looking instead toward intangible factors such as emotion and race in an effort to forge a secure sense of manhood in an age of intense uncertainty.
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The Terrible Unlikelihood of Our Being Here
Susanne Paola Antonetta
The Ohio State University Press, 2021
At their family’s New Jersey seaside cottages, Susanne Paola Antonetta’s grandmother led seances, swam nude, and imaginatively created a spiritualist paradise on earth. In The Terrible Unlikelihood of Our Being Here, Antonetta chronicles how in that unique but tightly controlled space, she began to explore the questions posed by her family’s Christian Science beliefs, turning those questions secular: What is consciousness? Does time exist? And does the world we see reflect reality? In this book, scientific research, family story, and memoir intertwine to mimic the indefinable movements of quantum particles.
Antonetta reflects on a life spent wrestling with bipolar disorder, drug dependency, and the trauma of electroshock treatment—exploring these experiences alongside conversations with some of the world’s leading neuroscientists and physicists, and with psychics. The result is a meditation on the legacy of family, on thought and being, and what we humans can actually ever really know about our world.
Antonetta reflects on a life spent wrestling with bipolar disorder, drug dependency, and the trauma of electroshock treatment—exploring these experiences alongside conversations with some of the world’s leading neuroscientists and physicists, and with psychics. The result is a meditation on the legacy of family, on thought and being, and what we humans can actually ever really know about our world.
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MOTHERS MOTHERHOOD
READINGS IN AMERICAN HISTORY
RIMA D. APPLE
The Ohio State University Press, 1997
Living Chronic
Agency and Expertise in the Rhetoric of Diabetes
Lora Arduser
The Ohio State University Press, 2017
Diabetes, referred to as an epidemic for more than a decade, remains one of our most significant health issues in the twenty-first century. Because self-management is an important component of living with the disease, the biomedical concept of patient agency has long stressed notions of individual responsibility and autonomy. However, dramatic shifts in both health care and cultural practices call for a reassessment of traditional definitions of patient agency.
Lora Arduser’s Living Chronic: Agency and Expertise in the Rhetoric of Diabetes answers this call with a unique rhetorical examination of one of the most critical issues in contemporary health: how we live and work with being chronic. Through her perceptive analysis of the discourse of both people with diabetes and health care providers, Arduser presents a new model for patient agency—one that advocates for a relational, fluid concept of agency that blurs the boundaries between medical experts and patients. Her thought-provoking use of bodily and rhetorical plasticity crafts a multidimensional picture of patient agency that profoundly affects how rhetorical scholars, people living with chronic illness, and health care providers can forge patient-centered discourse and practices.
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Voices from the Ape House
Beth Armstrong
The Ohio State University Press, 2020
Exploring the history humans share with gorillas, Voices from the Ape House offers a behind-the-scenes look at the complicated social lives of western lowland gorillas through the eyes of a devoted zookeeper. The memoir traces Beth Armstrong’s love and fascination for animals, from her childhood to her work with captive primates as an adult. Through her eyes, readers sense the awe and privilege of working with these animals at the Columbus Zoo. Individual gorillas there had an enormous effect on her life, shaping and influencing her commitment to improving gorilla husbandry and to involving her zoo in taking an active role to protect gorillas in the wild.
Through anecdotal stories, readers get a glimpse into the fascinating lives of gorillas—the familiar gentleness of mothers and fathers toward their infants, power plays and social climbing, the unruly nature of teenagers, the capacity for humor, and the shared sadness by group members as they mourn the death of one of their own. In the end, Armstrong’s conflict with captivity and her lifelong fondness for these animals helped shape a zoo program dedicated to gorilla conservation.
Through anecdotal stories, readers get a glimpse into the fascinating lives of gorillas—the familiar gentleness of mothers and fathers toward their infants, power plays and social climbing, the unruly nature of teenagers, the capacity for humor, and the shared sadness by group members as they mourn the death of one of their own. In the end, Armstrong’s conflict with captivity and her lifelong fondness for these animals helped shape a zoo program dedicated to gorilla conservation.
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Hummingbirds Between the Pages
Chris Arthur
The Ohio State University Press, 2018
In his latest collection, Hummingbirds Between the Pages, prizewinning Irish essayist Chris Arthur muses on subjects ranging from Charles Darwin’s killing of a South American fox to the carnal music sounding in a statue of the Buddha, from how Egyptian seashells contain echoes of World War II to a child’s first encounter with death. Whether he’s looking at skipping stones, old photographs, butterflies, the resonance of a remembered phrase, or being questioned at an army checkpoint during Northern Ireland’s Troubles, what gives these unorthodox meditations their appeal is the way in which—with striking lyricism—they tap into unexpected seams of meaning and mystery in our everyday terrain. Arthur explores the moments that have left him spellbound, tying his own experiences as a young boy from Ulster who saw his first hummingbirds in London to the wonder felt by early settlers to America who sent pressed hummingbirds across the ocean to the communities they had left behind. Through rumination on the seemingly quotidian, Arthur’s lyrical prose exposes new layers of possibility just beneath the surface of the expected.
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The Gee Years, 2007–2013
Herbert B. Asher
The Ohio State University Press, 2022
The Gee Years, 2007–2013 chronicles E. Gordon Gee’s second tenure as president of The Ohio State University and the fourteenth in the university’s history. With previous posts at Vanderbilt, Brown, Colorado, West Virginia, and a previous term at Ohio State, Gee is the longest continually serving college president in the country. His second tenure with Ohio State boasted overall fundraising at record highs, created a $100 million fund for student scholarships, called for affordability for college education for Ohioans which helped to shift study body demographics, and led the charge for restructuring the state of Ohio’s funding of higher education. Part of Gee’s close circle, Herbert B. Asher writes from firsthand experience to relate the major events, developments, and successes of the university from Gee’s recruitment through the president’s departure. The Gee Years reflects on a leader who left an indelible impression on The Ohio State University.
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Tragic Effects
Ethics and Tragedy in the Age of Translation
Therese Augst
The Ohio State University Press, 2012
Tragic Effects: Ethics and Tragedy in the Age of Translation confronts the peculiar fascination with Greek tragedy as it shapes the German intellectual tradition, with particular focus on the often controversial practice of translating the Greeks. Whereas the tradition of emulating classical ideals in German intellectual life has generally emerged from the impulse to identify with models, the challenge of translating the Greeks underscores the linguistic and historical discontinuities inherent in the recourse to ancient material and inscribes that experience of disruption as fundamental to modernity.
Friedrich Hölderlin’s translations are a case in point. Regarded in his own time as the work of a madman, his renditions of Sophoclean tragedy intensify dramatic effect with the unsettling experience of familiar language slipping its moorings. His attention to marking the distances between ancient source text and modern translation has granted his Oedipus and Antigone a distinct longevity as objects of discussion, adaptation, and even retranslation. Cited by Walter Benjamin, Martin Heidegger, Bertolt Brecht, and others, Hölderlin’s Sophocles project follows a path both marked by various contexts and tinged by persistent quandaries of untranslatability.
Tragedy has long functioned as a cornerstone for questions about ethical life. By placing emphasis on processes of translation and adaptation, however, Tragic Effects approaches the question of ethics from a perspective informed by recent discourse in translation studies. Reconstructing an ancient text in this context requires negotiating the difficult tension between comprehending the distant past and preserving its radical singularity.
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Monstrous Youth
Transgressing the Boundaries of Childhood in the United States
Sara Austin
The Ohio State University Press, 2022
The monstrous has a long, complicated history within children’s popular media. In Monstrous Youth: Transgressing the Boundaries of Childhood in the United States, Sara Austin traces the evolution of monstrosity as it relates to youth culture from the 1950s to the present day to spotlight the symbiotic relationship between monstrosity and the bodies and identities of children and adolescents. Examining comics, films, picture books, novels, television, toys and other material culture—including Monsters, Inc. and works by Mercer Mayer, Maurice Sendak, R. L. Stine, and Stephanie Meyer—Austin tracks how the metaphor of monstrosity excludes, engulfs, and narrates difference within children’s culture.
Analyzing how cultural shifts have drastically changed our perceptions of both what it means to be a monster and what it means to be a child, Austin charts how the portrayal and consumption of monsters corresponds to changes in identity categories such as race, sexuality, gender, disability, and class. In demonstrating how monstrosity is leveraged in service of political and cultural movements, such as integration, abstinence-only education, and queer rights, Austin offers insight into how monster texts continue to reflect, interpret, and shape the social discourses of identity within children’s culture.
Analyzing how cultural shifts have drastically changed our perceptions of both what it means to be a monster and what it means to be a child, Austin charts how the portrayal and consumption of monsters corresponds to changes in identity categories such as race, sexuality, gender, disability, and class. In demonstrating how monstrosity is leveraged in service of political and cultural movements, such as integration, abstinence-only education, and queer rights, Austin offers insight into how monster texts continue to reflect, interpret, and shape the social discourses of identity within children’s culture.
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