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6 books by Anderson, Chris
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The Comedy of Errors
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
Library of Congress PR2878.C56 | Dewey Decimal 812.6

Shakespeare’s archetypal slapstick comedy, now with updated jokes and wordplay.

One of Shakespeare’s earliest plays, The Comedy of Errors is a farcical tale of separated twins and mistaken identities. This slapstick play is a staple of the genre, including madcap bawdiness, love at first sight, reunions, and happily-ever-afters. Christina Anderson’s translation dives deep into the joy of the original text, reinterpreting the metaphor, antiquated slang, and double and triple entendre for a contemporary audience.

This translation of The Comedy of Errors was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Expand Description

Contemporary Plays by African American Women: Ten Complete Works
Edited by Sandra Adell
University of Illinois Press, 2015
Library of Congress PS628.N4C66 2015 | Dewey Decimal 812.6080928709

African American women have increasingly begun to see their plays performed from regional stages to Broadway. Yet many of these artists still struggle to gain attention. In this volume, Sandra Adell draws from the vital wellspring of works created by African American women in the twenty-first century to present ten plays by both prominent and up-and-coming writers. Taken together, the selections portray how these women engage with history as they delve into--and shake up--issues of gender and class to craft compelling stories of African American life. Gliding from gritty urbanism to rural landscapes, these works expand boundaries and boldly disrupt modes of theatrical representation.

Selections: Blue Door, by Tanya Barfield; Levee James, by S. M. Shephard-Massat; Hoodoo Love, by Katori Hall; Carnaval, by Nikkole Salter; Single Black Female, by Lisa B. Thompson; Fabulation, or The Re-Education of Undine, by Lynn Nottage; BlackTop Sky, by Christina Anderson; Voyeurs de Venus, by Lydia Diamond; Fedra, by J. Nicole Brooks; and Uppa Creek: A Modern Anachronistic Parody in the Minstrel Tradition, by Keli Garrett.

Expand Description

Democracy, Inequality, and Representation in Comparative Perspective
Pablo Beramendi
Russell Sage Foundation, 2008
Library of Congress HM821.B46 2008 | Dewey Decimal 305.091821

The gap between the richest and poorest Americans has grown steadily over the last thirty years, and economic inequality is on the rise in many other industrialized democracies as well. But the magnitude and pace of the increase differs dramatically across nations. A country's political system and its institutions play a critical role in determining levels of inequality in a society. Democracy, Inequality, and Representation argues that the reverse is also true—inequality itself shapes political systems and institutions in powerful and often overlooked ways. In Democracy, Inequality, and Representation, distinguished political scientists and economists use a set of international databases to examine the political causes and consequences of income inequality. The volume opens with an examination of how differing systems of political representation contribute to cross-national variations in levels of inequality. Torben Iverson and David Soskice calculate that taxes and income transfers help reduce the poverty rate in Sweden by over 80 percent, while the comparable figure for the United States is only 13 percent. Noting that traditional economic models fail to account for this striking discrepancy, the authors show how variations in electoral systems lead to very different outcomes. But political causes of disparity are only one part of the equation. The contributors also examine how inequality shapes the democratic process. Pablo Beramendi and Christopher Anderson show how disparity mutes political voices: at the individual level, citizens with the lowest incomes are the least likely to vote, while high levels of inequality in a society result in diminished electoral participation overall. Thomas Cusack, Iverson, and Philipp Rehm demonstrate that uncertainty in the economy changes voters' attitudes; the mere risk of losing one's job generates increased popular demand for income support policies almost as much as actual unemployment does. Ronald Rogowski and Duncan McRae illustrate how changes in levels of inequality can drive reforms in political institutions themselves. Increased demand for female labor participation during World War II led to greater equality between men and women, which in turn encouraged many European countries to extend voting rights to women for the first time. The contributors to this important new volume skillfully disentangle a series of complex relationships between economics and politics to show how inequality both shapes and is shaped by policy. Democracy, Inequality, and Representation provides deeply nuanced insight into why some democracies are able to curtail inequality—while others continue to witness a division that grows ever deeper.
Expand Description

Edge Effects: Notes From An Oregon Forest
Chris Anderson
University of Iowa Press, 1993
Library of Congress QH105.O7A48 1993 | Dewey Decimal 574.5264209795

Buying his dream house several years ago on the forest's edge near Corvallis, Oregon, essayist Chris Anderson hoped to find the joys of rural living. Despite interminable Mr. Blandings experiences, he lived embowered by 12,000 acres of seemingly endless fir trees. But not for long. The McDonald-Dunn Forest was about to become the site of a disturbing research project. Little did Anderson know when he bought his house that, in addition to studying the ecological effects of clear-cutting, the researchers wanted to see how urban fringe dwellers might be affected too. The shock of that harvest compelled the essays in this vibrant, graceful record of the relationship between the forest and Anderson's life on its boundary.
Expand Description

Hollywood TV: The Studio System in the Fifties
By Christopher Anderson
University of Texas Press, 1994
Library of Congress PN1992.75.A49 1994 | Dewey Decimal 384.554097309045

The 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry.

This pioneering study offers the first thorough exploration of the movie industry's shaping role in the development of television and its narrative forms. Drawing on the archives of Warner Bros. and David O. Selznick Productions and on interviews with participants in both industries, Christopher Anderson demonstrates how the episodic telefilm series, a clear descendant of the feature film, became and has remained the dominant narrative form in prime-time TV.

This research suggests that the postwar motion picture industry was less an empire on the verge of ruin—as common wisdom has it—than one struggling under unsettling conditions to redefine its frontiers. Beyond the obvious contribution to film and television studies, these findings add an important chapter to the study of American popular culture of the postwar period.

Expand Description

Urbanism without Guarantees: The Everyday Life of a Gentrifying West Side Neighborhood
Christian M. Anderson
University of Minnesota Press, 2020
Library of Congress HT177.N5A24 2020 | Dewey Decimal 307.7609747

A unique more-than-capitalist take on urban dynamics

Vigilante action. Renegades. Human intrigue and the future at stake in New York City. In Urbanism without Guarantees, Christian M. Anderson offers a new perspective on urban dynamics and urban structural inequality based on an intimate ethnography of on-the-ground gentrification.

The book is centered on ethnographic work undertaken on a single street in Clinton/Hell’s Kitchen in New York City—once a site of disinvestment, but now rapidly gentrifying. Anderson examines the everyday strategies of residents to preserve the quality of life of their neighborhood and to define and maintain their values of urban living—from picking up litter and reporting minor concerns on the 311 hotline to hiring a private security firm to monitor the local public park. Anderson demonstrates how processes such as investment and gentrification are constructed out of the collective actions of ordinary people, and challenges prevalent understandings of how place-based civic actions connect with dominant forms of political economy and repressive governance in urban space. 

Examining how residents are pulled into these systems of gentrification, Anderson proposes new ways to think and act critically and organize for transformation of a place—in actions that local residents can start to do wherever they are.

Expand Description

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6 books by Anderson, Chris
The Comedy of Errors
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
Shakespeare’s archetypal slapstick comedy, now with updated jokes and wordplay.

One of Shakespeare’s earliest plays, The Comedy of Errors is a farcical tale of separated twins and mistaken identities. This slapstick play is a staple of the genre, including madcap bawdiness, love at first sight, reunions, and happily-ever-afters. Christina Anderson’s translation dives deep into the joy of the original text, reinterpreting the metaphor, antiquated slang, and double and triple entendre for a contemporary audience.

This translation of The Comedy of Errors was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]

Contemporary Plays by African American Women
Ten Complete Works
Edited by Sandra Adell
University of Illinois Press, 2015
African American women have increasingly begun to see their plays performed from regional stages to Broadway. Yet many of these artists still struggle to gain attention. In this volume, Sandra Adell draws from the vital wellspring of works created by African American women in the twenty-first century to present ten plays by both prominent and up-and-coming writers. Taken together, the selections portray how these women engage with history as they delve into--and shake up--issues of gender and class to craft compelling stories of African American life. Gliding from gritty urbanism to rural landscapes, these works expand boundaries and boldly disrupt modes of theatrical representation.

Selections: Blue Door, by Tanya Barfield; Levee James, by S. M. Shephard-Massat; Hoodoo Love, by Katori Hall; Carnaval, by Nikkole Salter; Single Black Female, by Lisa B. Thompson; Fabulation, or The Re-Education of Undine, by Lynn Nottage; BlackTop Sky, by Christina Anderson; Voyeurs de Venus, by Lydia Diamond; Fedra, by J. Nicole Brooks; and Uppa Creek: A Modern Anachronistic Parody in the Minstrel Tradition, by Keli Garrett.

[more]

Democracy, Inequality, and Representation in Comparative Perspective
Pablo Beramendi
Russell Sage Foundation, 2008
The gap between the richest and poorest Americans has grown steadily over the last thirty years, and economic inequality is on the rise in many other industrialized democracies as well. But the magnitude and pace of the increase differs dramatically across nations. A country's political system and its institutions play a critical role in determining levels of inequality in a society. Democracy, Inequality, and Representation argues that the reverse is also true—inequality itself shapes political systems and institutions in powerful and often overlooked ways. In Democracy, Inequality, and Representation, distinguished political scientists and economists use a set of international databases to examine the political causes and consequences of income inequality. The volume opens with an examination of how differing systems of political representation contribute to cross-national variations in levels of inequality. Torben Iverson and David Soskice calculate that taxes and income transfers help reduce the poverty rate in Sweden by over 80 percent, while the comparable figure for the United States is only 13 percent. Noting that traditional economic models fail to account for this striking discrepancy, the authors show how variations in electoral systems lead to very different outcomes. But political causes of disparity are only one part of the equation. The contributors also examine how inequality shapes the democratic process. Pablo Beramendi and Christopher Anderson show how disparity mutes political voices: at the individual level, citizens with the lowest incomes are the least likely to vote, while high levels of inequality in a society result in diminished electoral participation overall. Thomas Cusack, Iverson, and Philipp Rehm demonstrate that uncertainty in the economy changes voters' attitudes; the mere risk of losing one's job generates increased popular demand for income support policies almost as much as actual unemployment does. Ronald Rogowski and Duncan McRae illustrate how changes in levels of inequality can drive reforms in political institutions themselves. Increased demand for female labor participation during World War II led to greater equality between men and women, which in turn encouraged many European countries to extend voting rights to women for the first time. The contributors to this important new volume skillfully disentangle a series of complex relationships between economics and politics to show how inequality both shapes and is shaped by policy. Democracy, Inequality, and Representation provides deeply nuanced insight into why some democracies are able to curtail inequality—while others continue to witness a division that grows ever deeper.
[more]

Edge Effects
Notes From An Oregon Forest
Chris Anderson
University of Iowa Press, 1993
Buying his dream house several years ago on the forest's edge near Corvallis, Oregon, essayist Chris Anderson hoped to find the joys of rural living. Despite interminable Mr. Blandings experiences, he lived embowered by 12,000 acres of seemingly endless fir trees. But not for long. The McDonald-Dunn Forest was about to become the site of a disturbing research project. Little did Anderson know when he bought his house that, in addition to studying the ecological effects of clear-cutting, the researchers wanted to see how urban fringe dwellers might be affected too. The shock of that harvest compelled the essays in this vibrant, graceful record of the relationship between the forest and Anderson's life on its boundary.
[more]

Hollywood TV
The Studio System in the Fifties
By Christopher Anderson
University of Texas Press, 1994

The 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry.

This pioneering study offers the first thorough exploration of the movie industry's shaping role in the development of television and its narrative forms. Drawing on the archives of Warner Bros. and David O. Selznick Productions and on interviews with participants in both industries, Christopher Anderson demonstrates how the episodic telefilm series, a clear descendant of the feature film, became and has remained the dominant narrative form in prime-time TV.

This research suggests that the postwar motion picture industry was less an empire on the verge of ruin—as common wisdom has it—than one struggling under unsettling conditions to redefine its frontiers. Beyond the obvious contribution to film and television studies, these findings add an important chapter to the study of American popular culture of the postwar period.

[more]

Urbanism without Guarantees
The Everyday Life of a Gentrifying West Side Neighborhood
Christian M. Anderson
University of Minnesota Press, 2020

A unique more-than-capitalist take on urban dynamics

Vigilante action. Renegades. Human intrigue and the future at stake in New York City. In Urbanism without Guarantees, Christian M. Anderson offers a new perspective on urban dynamics and urban structural inequality based on an intimate ethnography of on-the-ground gentrification.

The book is centered on ethnographic work undertaken on a single street in Clinton/Hell’s Kitchen in New York City—once a site of disinvestment, but now rapidly gentrifying. Anderson examines the everyday strategies of residents to preserve the quality of life of their neighborhood and to define and maintain their values of urban living—from picking up litter and reporting minor concerns on the 311 hotline to hiring a private security firm to monitor the local public park. Anderson demonstrates how processes such as investment and gentrification are constructed out of the collective actions of ordinary people, and challenges prevalent understandings of how place-based civic actions connect with dominant forms of political economy and repressive governance in urban space. 

Examining how residents are pulled into these systems of gentrification, Anderson proposes new ways to think and act critically and organize for transformation of a place—in actions that local residents can start to do wherever they are.

[more]




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BiblioVault ® 2001 - 2023
The University of Chicago Press