Winner of the seventh annual Arkansas Poetry Award, William Aberg presents in The Listening Chamber a gallery of poetic forms, from short free-verse lyrics and crafted prose poems to original forms skillfully matched with their subjects. He writes comfortably of cats or derringers, the idylls of childhood, or of patients in mental hospitals. Throughout his poetry there runs a proletarian strain of dissatisfaction, an unrest coupled with dexterous wit and a remarkable sense of wonder. Convincingly, he populates these poems with farm workers, romantics, fugitives, lovers, beeches, elms, and constellations. With influences as wide ranging as William Stafford, Miklos Radnoti, and René Magritte, Aberg has fashioned a first collection in which every poem is a unique and haunting experience.
Although the past several years have witnessed an outpouring of scholarship on nearly every aspect of Nietzsche's thought, a portrait of Nietzsche as author has been conspicuously lacking. Here, William H. Schaberg presents a detailed publication history and biography of Nietzsche as author and an equally comprehensive annotated bibliography of his work. Schaberg describes how and why Nietzsche's books were written, when and by whom they were published, and how many copies were printed and sold, a story set against the background of publishing practice in nineteenth-century Germany. Schaberg establishes a genealogy of Nietzsche's works and clarifies the relationships between those works, an understanding of which is essential to any informed opinion of his philosophy.
Included for the first time in any language is an extensive account of Nietzsche's finances and his relationships with his publishers. Schaberg reveals a man who was obsessed with money, fought bitterly with his publishers, complained about his readers, and all the while continued to produce more and more books that went unread. He also reveals the influential role of Nietzsche's sister Elizabeth, who provoked disputes between Nietzsche and his publisher during her brother's lifetime and deliberately falsified information after his death.