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Hiding Making - Showing Creation: The Studio from Turner to Tacita Dean
Amsterdam University Press, 2013
eISBN: 978-90-485-1824-1 | Paper: 978-90-8964-507-4 Library of Congress Classification N8520.H53 2013
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work—the studio—and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist’s studio—in all its various manifestations—the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The essays here also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present. See other books on: 1775-1851 | 1965- | Creation (Literary, artistic, etc.) | Studio | Turner See other titles from Amsterdam University Press |
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Nearby on shelf for Visual arts / Art studios, materials, etc.:
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Hiding Making - Showing Creation: The Studio from Turner to Tacita Dean
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
Amsterdam University Press, 2013
eISBN: 978-90-485-1824-1
Paper: 978-90-8964-507-4
eISBN: 978-90-485-1824-1
Paper: 978-90-8964-507-4
The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work—the studio—and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist’s studio—in all its various manifestations—the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The essays here also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
